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Artist: William Hole ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Hole.

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Fred Shepard - The Swimming Hole 1978 ink on paper Arkansas Arts Center American
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Marsden Hartley - The Ice Hole, Maine 1908 oil on canvas New Orleans Museum of Art American
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Orchard Painter Papyrus sceptre hole at top faience 330 BC - 305 BC
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Malcolm Morley - A Tropical Swimming Hole (Florida) 1978 Oil on canvas The Museum of Contemporary Art, Los Angeles
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Robert S. Duncanson - Blue Hole, Little Miami River 1851 oil on canvas Cincinnati Art Museum American
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Orchard Painter Papyrus sceptre green; hole at top faience 330 BC - 305 BC
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Orchard Painter Papyrus sceptre green; hole at side faience 305 BC - 30 BC
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Orchard Painter Papyrus sceptre gray or green?; hole at top faience 305 BC - 30 BC
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Orchard Painter Papyrus sceptre blue-green; hole at top faience 305 BC - 30 BC
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Orchard Painter Crown of Lower Egypt green; one hole faience 330 BC - 305 BC
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Varney Masalay Mask with square hole in top patinated wood 20th century
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Orchard Painter Utchat (or Eye of Horus) blue; hole in center; broken faience 330 BC - 305 BC
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Orchard Painter Horus crushing the crocodiles hole on top stone circa 1735
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Orchard Painter Utchat (or eye of Horus) light blue; hole in center faience 305 BC - 30 BC
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Roland Clark The Pond Hole 19th - 20th century
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Varney Masalay Bowl with kill hole red and white geometric designs on inside ceramic and paint 1100 - 1250
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Unidentified [Narihira escapes through a hole in the wall as the guards sleep] color woodcut 1730 - 1740
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Joseph Farington Tabbins Hole Rock; A Series of Views, Part IV containing twenty-four views in Cornwall 1814
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Thomas Rowlandson Pidgeon Hole Etching with watercolor 18th - 19th century
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Walter Leistikow Water Hole Etching 19th - 20th century
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Joseph Pennell Hole in the Ground (New York) Etching 1904
Museum of Fine Arts -
Keyless flute England, (London), 2nd half of 19th century Mahogany, ivory Overall Length: 60.5 cm
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Kao Yang (Chih Yin) (Chiu-Fu) Wavy-lined skeletal stone, hole in center, smaller stone below at right, No.14 from the Volume on Stones - from: The Treatise on Calligraphy and Painting of the Ten Bamboo Studio Color woodcut 17th century
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Kao Yang (Chih Yin) (Chiu-Fu) Wavy-lined skeletal stone, hole in center, smaller stone below at right, No.14 from the Volume on Stones - from: The Treatise on Calligraphy and Painting of the Ten Bamboo Studio Color woodcut 17th century
Museum of Fine Arts -
Shell trumpet (sak) Sri Lanka, 19th century Shell (Turbinella pyrum) Overall: 10.3 x 15.1 cm
Museum of Fine Arts -
Flageolet (bird pipe) England, early 19th century Rosewood, ivory, silver 23.1 cm (9 1/8 in.)
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Nicolas Africano Female figure, Kutagwa Wood 19th–early 20th century
Museum of Fine Arts -
Hautbois de Poitou France, 19th century Maple Overall: 39.5 cm (15 9/16 in.) Museum of
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Isaac Cruikshank View in Peak Hole after Passing the First River, pl. 95 and second plate opposite page 201 in the book Eccentric Excursions or Literary and Pictorial Sketches of Countenance, Character,and Country in Different Parts of England and South
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Isaac Cruikshank Manner of Crossing the First River in Peak Hole, pl. 94 and third plate opposite page 201 in the book Eccentric Excursions or Literary and Pictorial Sketches of Countenance, Character,and Country in Different Parts of England and South W
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Isaac Cruikshank Manner of Passing the Second River in Peake Hole, pl. 96 and first plate opposite page 201 in the book Eccentric Excursions or Literary and Pictorial Sketches of Countenance, Character,and Country in Different Parts of England and South
Museum of Fine Arts -
Nose flute (dulali) Fiji, 19th century Bamboo 64.8 cm (25 1/2 in.) Museum of Fine
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Isaac Cruikshank View of Elden Hole, pl. 93 and fourth plate opposite page 201 in the book Eccentric Excursions or Literary and Pictorial Sketches of Countenance, Character,and Country in Different Parts of England and South Wales by G. M. Woodward(Londo
Museum of Fine Arts -
End-blown flute Greece, mid-19th century Cane 31.5 cm (12 3/8 in.) Museum of Fine Arts,
Museum of Fine Arts -
William Bainbridge, English, before 1803-1834 Triple flageolet England, (London), 1830 Boxwood, ivory, silver 57 cm
Museum of Fine Arts -
Alto crumhorn Italy, late 19th century (?) Maple Overall: 52 cm (20 1/2 in.) Museum
Museum of Fine Arts -
Transverse flute (di) China, 19th century Bamboo Overall: 57.7 cm (22 11/16 in.) Museum of
The Metropolitan Museum of Art -
Shaft-hole axe head with bird-headed demon, boar, and dragon, late 3rd–early 2nd millennium B.C. central
Museum of Fine Arts -
Double duct flute (dvojnice) Croatia, 19th century Holly Overall Length: 31.3 cm (12 5/16 in.)
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Odilon Redon "La Vieille: Que crains-tu? Un large trou noir! Il est vide peut-etre?" (The Old Woman: "What are you afraid of? A wide black hole! It is empty perhaps!", plate XIX, btwn. pgs. 186 and 187, in the book La Tentation de Sai
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
Museum of Fine Arts -
Mandola Italy, Probably late 19th century Maple?, spruce? 76.5 x 28 x 15.1 cm (30
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
Museum of Fine Arts -
Cittern (English guitar with key machanism) England, late 18th century Maple, spruce 72.5 x 30.6
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Hole


Bert Green Fine Art: Exhibitions of Works: Wayne Martin Belger, Jonathan Martin, Jon Tarry, Shannon Lambert, and Richard Ankrom
Wayne Martin Belger creates pin hole cameras from specially chosen found materials. These cameras are sculptures that make a statement about the materials of which they are constructed, yet function perfectly to produce photographs. Some of his ca...

State Museum of Pennsylvania: The Art of the State: Pennsylvania 2003
Doug Kinsey's painting, "Float-Hole Series: keleusma" has been selected for exhibition. Kurt Shaw (art critic for The Tribune-Review, Pittsburgh, PA) has stated in a recent review (Feb. 21, 2003) that: "'Interior/Exterior Landscapes' can be fo...

Joie Lassiter Gallery: Jimmy O’Neal: Works from the Rose Art Museum - Painting 4
In his works from ‘In Karezza Noemata’ which was part of the ‘Paintings4’ exhibition at the Rose Art Museum in Boston, MA, O’Neal challenges the notion that a painting is a discrete entity, confined to its place on the wall. By using mirrorized pa...

National Museum of Women in the Arts: M.L. Van Nice: The Library at Wadi ben Dagh
“M.L. Van Nice’s books inspire a different kind of reading than we usually practice,” says Krystyna Wasserman, Curator of Book Arts. “This installation forces the viewer to look at literary masterpieces in a new way; we find ourselves in a wonderl...

Corning Museum of Glass: 2300º Degrees: New Museum Event to Cure Winter Doldrums
2300º is scheduled for March 16, April 13, May 18, June 15, September 21, October 19, November 16, and December 21. Each event will offer a new experience. Admission to 2300º is free. For further information, call Louise Maio at 607.974.4084....

Cafe Thou Art: Jeff Packard's World Tour Miniature Golf Celebrity Tournament
Volunteers will participate in the Candle Lighting Ceremony on Thursday, December 30th at exactly 8:00pm around the perimeter of manhattan. Tee off for the miniature golf tournament on that same day will be at exactly 2pm. cafethouart.com will pos...

Josh Simpson Contemporary Glass: Infinity Project
EnviroNote: Glass is made of silica, one of the Earth's primary constituents. It is chemically stable and will remain unchanged for thousands of years. It cannot harm the en...

Up the Stairs, Around The Coyote Arts Organization: Call for Artists: Proposals being Excepted for Exhibitions
All submission packets must include six copies of your resume with complete contact information, 6 copies of an artist's statement briefly describing the work represented in the submission packet and a self-addressed, stamped envelope for the r...

City Gallery Wellington: abstractor by Sean Kerr: Shooting season opens at Gallery - NZ abstracts caught in cross fire!
Kerr says he has drawn on his knowledge of electronics, gained while working in a video arcade, for the installation, which also includes 1970s-style string 'paintings' an...

Perugi artecontemporanea: Dearraindrop: Magic Brain
The Peruvian artist Begona Morales (although of the Mexican school) comes to Europe in the galleria Perugi with the installation The Power of the Smoke Hole, focusing on the subject of the home. The domestic environment, a place of the intimacy an...

Art Gallery of New South Wales: Philip Brophy: Fluorescent
His performance portrays a transmogrified sexual monster, roaming and prancing across a videosonic platform, energized by a pulsating 'fat' sound seething with a hunger for the bright, the shiny and the loud. The Gallery's contemporary proje...

Irish Museum of Modern Art: Dorothy Cross: Sculpture, Installation, Performance, Photography and Film
In his foreword to the catalogue IMMA Director, Enrique Juncosa, the curator of the exhibition, describes Cross’s art as “a poetic amalgamation of found and constructed objects; sometimes humorous, sometimes disturbing, always intellectually stimu...

Vinopolis Gallery: It Went Dark and I Saw
Photography is based on light and cannot depict darkness. In the photographic medium, dark areas imply that nothing is reflected into the camera lens and that the photographic surface does not receive visual information. Darkness can thereby b...

Lane Gallery: City - Sand - Symbols: Pat Fleisher, Katherine Keates, Frank Pimentel
For the "CITY" section of this 3-person show at THE LANE GALLERY, Toronto photoartist PAT FLEISHER presents a series of large digital duo giclees titled "Urban Narratives" which strive to capture the dynamic, evolving energy of Toronto a...

Ohio Art League: Wet and Dry: 4x5
The artists have been asked to address the 4x5 format and theme, even though they most likely do not generally work this way. Work can be black and white or color, digital or traditional. Exhibiting artists are: Steven Elbert, Mary Fahy, Dan Grose...

Pennsylvania Academy of the Arts: Charles Burns
Charles Burns (b. 1955), the Philadelphia-based graphic artist internationally known for his illustrations, comics, and books, is a graduate of The Evergreen State College (B.F.A., 1977) ...

Canadian Conference of the Arts: Call for Nominations: Two National Arts Awards
The Diplôme d'honneur for outstanding contributions to the arts in Canada. Presented annually to a Canadian who has made a sustained contribution to the cultural life of the country, whether through volunteer activity, mentoring, patronage, ind...

Ramp Gallery, Waikato Institute of Technology: Flache Welt: Ina Bierstedt, Bettina Carl, Alena Meier
To some it is simply a state of mind. At a stretch, the contemplation of flatness may allow us to imagine life on a saucer. We might simply cut a hole and crawl from Auckland to Berlin and back again. Perhaps a renaissance in flat thinking is deve...

Pittsburgh Center for the Arts: Interior/Exterior Landscapes: Paintings by Doug Kinsey
"I refer to my images as 'Interior/Exterior Landscapes'. The central deep blue form will often call into mind the image of the human figure and/or forms found in geographical landscape. As a native of California I will often invoke an immense land...

Katonah Museum of Art: I Love the ’Burbs: Modern Day Suburban Life
“Vistors to I Love the ’Burbs will have an opportunity to view exciting, contemporary art about the suburbs in a frankly suburban setting,” says Executive Director Neil Watson. “The majority of works in this exhibition have been created by young,...

KunstenFESTIVALdes Arts: Sixth Now Annual Festival Opens in Brussels Today
For 23 days in Brussels, the disparate particles in this alchemy will come to life. One thing is sure – like us, these artists are not at peace with our world. They tease it, dig into i...

Indianapolis Museum of Art: The Fantasy World of Maurice Sendak
Maurice Sendak was born in 1928 and grew up in Brooklyn, New York, the son of Polish immigrants. As a child he endured numerous confining illnesses including scarlet fever an...

Milwaukee Art Museum: Interventions: New Art in Unconventional Spaces
The works in the exhibition represent a range of media, nationalities and working methods. Following a practice that's becoming common within the contemporary art world, video, sculpture and photography are most stro...

Yerba Buena Center for the Arts: Recent Work by Wang Du
Wang refers to his monumental sculptures and installations as “three dimensional images.” Wang’s subjects are cropped just as glossy graphic imagery and front-page photos are cut off by their frames. Pieces faithfully simulate the exaggerated one...

San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...

MASS MoCA: Uncommon Denominator: New Art from Vienna
In 2002, MASS MoCA (Massachusetts Museum of Contemporary Art) is spotlighting these artists with a major exhibition, Uncommon Denominator: New Art from Vienna which presents more than 70 works by 14 individuals and one group in a range of medi...

San Francisco Museum of Modern Art: Stir Heart, Rinse Heart: Pipilotti Rist
Drawing from diverse sources—contemporary video art, commercial film, self-appropriation and recycling of her own imagery—Rist is fluent in a visual language that exuberantly embraces aspects of mass media and experimental video, playfully confron...

Hauser and Wirth London: Pipilotti Rist : Löndön
Rist’s early work comprises a series of single-channel videotapes that explore the female identity within a pop cultural setting. Key works from this period include, I’m Not The Girl Who Misses Much, 1986, You Called Me Jacky, 1993, (Absolutions) ...

Centro Galego de Arte Contemporanea: Awaiting a Call: Curated by Miguel Fernández-Cid
The way in which Morandi paints the void between the objects in order to represent them as light presences, both physical and mental, almost immaterial, is not far from William de Koonings or Bruce Naumans thoughts when they concede that in ord...

New Museum of Contemporary Art: Living Inside the Grid: A Group Show of Internationally Emerging Artist
The artists featured in Living Inside the Grid explore both the possibilities and the limitations for human interaction within the inescapable grids that surround and inform our daily lives. As Dan Cameron writes in his catalogue essay: "From morn...

Further Artwork and Information:

William Hole
William J. Hole Jr.
William Hole (1497 - 1543) Biography, Artwork Images, Exhibitions, Reviews
I22821: William Hole (1795 - )
HOLEs in Darke Co., OH
I22867: William Hole (1869 - )
I22867: William Hole (1869 - )
William Marshall Hole, b: 1803 - Woodbury Devon,
William Hole/Ruth Crane
William Hole Denman/Alletta _____

 

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