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Artist: John Hubbard ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Hubbard.
- John Singleton Copley - Daniel Hubbard 1764 oil on canvas The Art Institute of Chicago American
- John Singleton Copley - Mrs. Daniel Hubbard (Mary Greene) c. 1764 oil on canvas The Art Institute of Chicago American
- John Hubbard Rich - Mme. Yup See 1919 oil on canvas Los Angeles County Museum of Art American
- Harry Otis Kennedy
Old Mother Hubbard
color lithograph
1902 Museum of Fine Arts
- Unidentified artist, Italian (Apulian), 14th century Virgin and Child with Saints Christopher, Augustine, Stephen, John
- William Merritt Chase
Harriet Hubbard Ayer
oil on canvas
1880
- Arthur Wesley Dow
Cover, for the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on protective board cover
1908
- Kin Hubbard
Untitled, for the magazine College Humor
black ink
1930
- Arthur Wesley Dow
Untitled, accompanying the poem "To A. W. D.," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the poem "Rain in May," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the paragraphs discussing "The Poems," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the paragraphs discussing "The Pictures," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the poem "Marsh Goldenrod," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the poem "The Old Stone Wall," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the poem "Ipswich Marshes," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908
- Arthur Wesley Dow
Untitled, accompanying the poem "The Marsh Island Lily," in the book By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Woodcut (color) on laid paper
1908 Museum of Fine Arts
- William Worcester Churchill, American, 1858-1926 Leisure 1910 Oil on canvas 75.88 x 63.82 cm (29
- Arthur Wesley Dow
By Salt Marshes by Everett Stanley Hubbard (Publisher and location unknown, 1908)
Book with 9 woodcuts (color) on laid paper; bound in cloth-backed boards with lettering in pochoir and vignette on front
1908
- Hesketh Hubbard
Harnham Gateway: Salisbury
color woodcut
18th century
- Hesketh Hubbard
Exeter Gateway: Salisbury
color woodcut
18th century
- Hesketh Hubbard
High Street Gateway: Salisbury
color woodcut
18th century
- Hesketh Hubbard
St. Anne's Gateway: Salisbury (West)
color woodcut
18th century
- Hesketh Hubbard
St. Anne's Gateway: Salisbury (East)
color woodcut
18th century Museum of Fine Arts
- Thomas Sully, American (born in England), 1783-1872 The Torn Hat 1820 Oil on panel 48.58 Museum of Fine Arts
- Claude Monet, French, 1840-1926 Charing Cross Bridge (overcast day), 1900-1900 Oil on canvas 60.6 x Museum of Fine Arts
- Benjamin West, American, 1738-1820 Angels Announcing the Birth of Our Savior about 1790 Pen and Museum of Fine Arts
- Niccoló di Tommaso, Italian (Florentine), active about 1343-1376 Virgin and Child; Charity of Saint Nicholas; Museum of Fine Arts
- Whieldon factory, England Cream jug England, about 1760 Earthenware (creamware) 8.7 x 8 x 5.9
- Anonymous
Chest over drawers
pine with red paint
circa 1830 - 1845
- David Lance Goines
Hubbard
Color offset lithograph poster
1982
- Walter Crane
First illustration, on page 1, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Third illustration, on page 3, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Second illustration, on page 2, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Fifth illustration, on page 6, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Seventh illustration, on page 8, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Sixth illustration, on page 7, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood engraving
circa 1875
- Walter Crane
Fourth illustration, on unnumbered pages 4 and 5, of Old Mother Hubbard in the book The Marquis of Carabas' Picture Book by Walter Crane/printed in colours by Edmund Evans (London: George Routledge and Sons, n.d. [ca. 1875])
color wood e
- John Steuart Curry - John Brown 1938 Lithograph Arkansas Arts Center American
- John Singleton Copley - John Greene c. 1769 oil on canvas Currier Museum of Art American
- John Singleton Copley - Mrs. John Greene 1769 oil on canvas Cleveland Museum of Art American
- John Singleton Copley - John Gray 1766 oil on canvas The Detroit Institute of Art American
- John Vanderlyn - John Sudam 1829-1830 oil on canvas National Gallery of Art American
- John Wollaston - John Stevens c. 1749-1752 oil on canvas National Gallery of Art American The Metropolitan Museum of Art
- Still Life: Balsam Apple and Vegetables, ca. 1820s James Peale (1749-1831)AmericanOil on canvas; 20 1/4
- John Durand - John Lothrop c. 1770 oil on canvas National Gallery of Art American
- John Hoppner - John Granville 1790-95 oil on canvas The Detroit Institute of Art English
- John Durand - Mrs. John Lothrop c. 1770 oil on canvas National Gallery of Art American
- John Frazee - John Marshall 1834-35 marble Boston Athenaeum American
- John Smibert - Mrs. John Pitts 1735 oil on canvas The Detroit Institute of Art American
- John Johnston - John Peck c. 1795 oil on canvas National Gallery of Art American
- John Sartain
Portrait of John A. Sutter
mezzotint
1850
- Charles Willson Peale - Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790 oil on canvas The Art Institute of Chicago American
- John Sartain
John Calvin
19th century
- John Singleton Copley - Portrait of John Scollay 1764 black and white chal Pennsylvania Academy of the Fine Arts American
- John R. Johnston - Mrs. John R. Johnston before 1857 salted paper print f Cleveland Museum of Art American
- John B. Neagle
William Helmuth (or John Henry Helmuth)
oil on canvas
1834
- John Singleton Copley - The Honorable John Erving c. 1774 oil on canvas Smith College Museum of Art American The Metropolitan Museum of Art
- Portrait of a Man, Said to Be John Durham, ca. 1790 John Barry (British, active The Minneapolis Institute of Arts
- Artist: artist unknown Title: Tapestry Fragment of Virgin and St. John Date: about 1520 -
- John Singleton Copley - Colonel John Montresor c. 1771 oil on canvas The Detroit Institute of Art American
- John Wesley Jarvis - Commodore John Rodgers c. 1814 oil on canvas National Gallery of Art American
- John Dixon
An Incantation
Mezzotint
1773
- John Smibert
John Nelson
oil on canvas
1732
- John Smith
Sir John Percival Bart
Mezzotint
1704
- John Smith
John Duke of Marlborough
Mezzotint
1705
- John Hall
King John, Act IV, Scene I
18th century
- John Trumbull - John Trumbull 1793 oil on canvas The Detroit Institute of Art American
- John R. Johnston - John R. Johnston with Painting late 1850's salted paper print f Cleveland Museum of Art American
- H.B. (John Doyle)
John Wilkes
18th - 19th century The Metropolitan Museum of Art
- Armor, ca. 1400 and later ItalianSteel, brass, textile; H. 66 1/2 in. (168.9 cm)Bashford Dean
- John Kay
John Campbell of Blythewood
Etching
1784
- Wilson
The Elephant and the Bookseller, opposite page 45 in the book, Fables by John Gay (London: John Stockdale, 1793), Vol. 1
Engraving
1793
- W. Grainger
The Baboon and the Poultry, opposite page 17 in the book, Fables by John Gay (London: John Stockdale, 1793), vol. 2
Engraving
1793
- John Smith
John Lambert the Elder, (after same)
mezzotint
17th - 18th century
- John Neagle - The Reverend John Albert Ryan 1825-1829 oil on canvas National Gallery of Art American
- John Faber the Younger
St. John, Apostle and Evangelist
mezzotint
1754
- John Covert - John Covert's Father In His Pharmacy c. 1906 oil on cavnas Hirshhorn Museum American
- Gilbert Stuart - John Jay 1794 oil on canvas National Gallery of Art American
- Alice Neel - John 1980 lithograph on paper The Art Gallery University of Maryland
- John Stuart Curry
John Brown
Lithograph
1939
- William Strang
John Bunyan, frontispiece portrait and first plate in the book The Pilgrim*s Progress by John Bunyan (London: John C. Nimmo, 1895)
etching
1885
- John Neagle - Amy Taylor Dickson (Mrs. John Dickson) c. 1835 oil on canvas National Gallery of Art American
- John Carter
Portrait of John Carter at Work, frontispiece in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868)
1868 J. Paul Getty Museum
- Young John the Baptist; History Scene
- John Faber the Younger
Portrait of John Taylor
Mezzotint
17th - 18th century
- John James Audubon
Douglass' Squirrel, a study for pl. 48 ofViviparous Quadripeds of North America by John James Audubon and Rev. John Bachman (New York: John James Audubon, 1845-1848)
Watercolor, ink, graphite, and glaze on wove paper
circa 1843 The Minneapolis Institute of Arts
- Artist: John Smith and after Gottfned Kneller Title: John Sheffield, Earl of Mulgrave Date: 17th
- John Chester Buttre
Portrait of John B. Webber
engraving
19th - 20th century
- John Cochran
John Jervis, Earl of St. Vincent
19th century
- John Smith
Portrait of John Egerton, Earl of Bridgwater
Mezzotint
17th - 18th century
- John Cage
Variations III
1992
- John Cage
Plate arrangement cards for Dereau
1982
- William St. John Harper
(sculpture)
engraving
1889
- John Wootton
The Lyon and the Cub, plate for Fable XIX on page 73 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- John Wootton
The Owl and the Elephant, plate for Fable XLI on page 155 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- John Wootton
The Old Hen and the Cock, plate for Fable XX on page 76 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- John Trumbull
Philip Church
oil on canvas
1784
- John White Alexander - Portrait of Mrs. John White Alexander 1902 oil on canvas Los Angeles County Museum of Art American
- Paolo Veneziano - St. John the Baptist c. 1350 tempera on panel Los Angeles County Museum of Art Italian
- Paolo Veneziano - St. John the Baptist c. 1350 tempera on panel Los Angeles County Museum of Art Italian
Artnews Articles and Exhibition Information: (9) Click on any of the links below to read about artnews or exhibitions related to Hubbard
Kunstverein Hannover: On Stage: Video, Installation, Sculpture and Photography Among the artists taking part are Birgit Brenner, Christoph Büchel, Janet Cardiff/George Bures Miller, Björn Dahlem, Stefan Exler, Rodney Graham, Henrik Plenge Jakobsen, Ross Sinclair, Teresa Hubbard/Alexander Birchler, Stephan Wissel.IMAGE:...
Chatham Cultural Centre, Thames Art Gallery: War Stories for Children and Art Stories for Adults: Recent Paintings and Sculptures byTony Calzetta This exhibition has been organized by the Thames Art Gallery and will
circulate to galleries in the Yukon, Alberta, Manitoba and Ontario. A 24
page catalogue with color plates and essays by Liz Wylie and Kate Regan is
available.
Excerpt f...
Scotsdale Center for the Arts: Scottsdale Arts Festival
new hours of the Scottsdale Arts Festival
Friday & Saturday 10am-6pm
Sunday 10am-5pm
admission is $5 ...
Mary Anderson Center - An Artist Colony: Call for Artists: Fellowship Opportunities Available Application guidelines may be attained by calling (812) 923-8602, maca@iglou.com, or www.maryandersoncenter.org.
The following 2004/2005 fellowships are available:
MARY FOOTE MEMORIAL FELLOWSHIP offers a 30 day stay for a visual artist. ...
Museum der Moderne Mönchsberg: ein-leuchten "Light" in this sense is
derived from the Greek concept of "phainomenon" - the appearance -
something which is emerging in the process of becoming and metamorphosis.
For a brief period of time, "ein-leuchten" articulates the stage of
emergence...
Eiteljorg Museum of American and Western Art: Seeing What the Heart Knows: The Art of Howard Terpning At the same time, the Eiteljorg Museum will open the exhibition Seeing What
the Heart Knows: The Art of Howard Terpning, which runs for only one month,
April 21 through May 20. The exhibition is sponsored by Eiteljorg Museum
Western Art Society...
California Palace of the Legion of Honor: Animals Real and Imagined: Artists Books from the Permanent Collection The illustrated books selected for display in Animals Real and Imagined span a period of exactly 400 years. The earliest work in the exhibition is a 1592 edition of engravings depicting flora, fauna, and insects by the Flemish artist Jacob Hoefnagel ...
Site Gallery: Con Art: Magic/Object/Action The notion of the audience as a willing participant in what they know to be
an intentional game or illusion can be traced to stage drama in the Middle
Ages and magic performance in the Enlightenment. This idea of
viewer/audience complicity unde...
Museum of Contemporary Art, San Diego: Small World: Dioramas in Contemporary Art The diorama is, like its relative the panorama, an eighteenth-century innovation, a
pre-cinematic form of entertainment and education intended to provide views of
significant places and events. Fir...
Further Artwork and Information:
John L. Hubbard
John Hubbard (I)
John Hubbard
John Hubbard Online
Library Link of the Day
tax & accounts services from John Hubbard Ltd
John Hubbard
John Hubbard Visual Database
Home Page of John R. Hubbard
Descendants of George Hubbard
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Wassily Kandinsky Gelb Rot Blau
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Vincent van Gogh Pechers En Fleurs
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Camille Pissarro Entrance to the Village
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Gustav Klimt The Three Ages (Detail)
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Norman Rockwell No Swimming
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