Artist: Corita Kent ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Corita Kent.

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Corita The Beginning of Miracles Color screenprint 1953
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Corita Nativity Color screenprint 20th century
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Corita Towers Color screenprint 20th century
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Corita Madonna Color screenprint 20th century
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Corita Visitation Color screenprint 20th century
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Corita The Sacrifice Color screenprint 20th century
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Corita Custodiat Color screenprint 20th century
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Corita Then Feathers All Color screenprint 20th century
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Corita Pentecost Color screenprint 20th century
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Corita The Resurrection Color screenprint 20th century
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Corita St. Paul Color screenprint 20th century
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Corita Come Out, Lazarus Color screenprint 20th century
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Corita The Woman at the Well Color screenprint 20th century
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Corita Fiat Color screenprint 20th century
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Corita She brought forth a Son Color screenprint 20th century
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Corita Psalm 84 Color screenprint 20th century
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Corita Angel Color screenprint 20th century
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Corita Apocalypse 12, 15-18 Color screenprint 20th century
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Corita All the Nations shall come Color screenprint 20th century
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Corita Luke 2.19,51 Color screenprint 20th century
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Corita Mayflowers Color screenprint 20th century
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Corita In the Beginning Color screenprint 20th century
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Corita St. Thomas More Color screenprint 20th century
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Corita Benediction Color screenprint 20th century
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Corita The Cedars of Lebanon Color screenprint 20th century
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Corita God made the World and All that is in it Color screenprint 20th century
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Corita St. Thomas a Beckett Color screenprint 20th century
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Corita A Woman Clothed with the Sun Color screenprint 20th century
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Corita Wedding Blessing Color screenprint 20th century
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Corita Jacob and the Angel Color screenprint 20th century
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Corita Parable of the Sower Color screenprint 20th century
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Corita A Great Tree Color screenprint 20th century
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Corita Queen of the Apostles Color screenprint 20th century
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Corita Cure of the Blind Man Color screenprint 20th century
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Corita Song of Songs Color screenprint 20th century
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Corita Be a day spring to the dimness of us Color screenprint 20th century
Museum of Fine Arts -
Samuel Lancaster Gerry, American, 1813-1891 John Oscar Kent and His Sister, Sarah Eliza Kent 1844
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Corita Christ Leaning on a Cloud Color screenprint 20th century
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Corita A Covert of Cypress for its Walls Color screenprint 20th century
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Corita Treasure Hidden in a Field Color screenprint 20th century
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Corita Figures of the Morning of Time Color screenprint 20th century
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Corita The Sacred Heart of Jesus and the Immaculate Heart of Mary Color screenprint 1955
Museum of Fine Arts -
William Rimmer, American (born in England), 1816-1879 Mrs. Robert Restiaux Kent (Eliza F. Watson) about
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Rockwell Kent And How Where? Lithograph 1936
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Robert Kent Thomas St. Albans Abbey ET 1876
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Rockwell Kent The End Wood engraving 1927
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Rockwell Kent Almost Wood engraving 1929
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Robert Kent Thomas Abbey Church St. Albans 1876
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Richard Hamilton Kent State Screenprint 1970
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Rockwell Kent Revisitation Lithograph, zinc 1928
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Rockwell Kent Pasture Gate Lithograph 1928
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Rockwell Kent Foreboding Lithograph, zinc 1926
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Samuel Prout Waterfall in Kent Watercolor on paper 19th century
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Edmund Evans The Art Album. Sixteen Facsimiles of Water-Colour Drawings (London: W. Kent and Co., 1861) Book with 16 color wood engravings 1861
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Rockwell Kent Revisitation Lithograph 19th - 20th century
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Rockwell Kent Convalescent Linoleum cut or woodcut 1920
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Rockwell Kent Twilight of Man Wood engraving 1926
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Rockwell Kent And Women Must Weep Lithograph 1937
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Rockwell Kent Portrait of T. M. Cleland Lithograph 1929
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Rockwell Kent Self-Portrait Offset lithograph 19th - 20th century
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Rockwell Kent Self-Portrait, Reading in Winter Woodcut 1930 - 1935
Museum of Fine Arts -
Unidentified artist, Italian (Roman), 17th century Poppies in a Wine Flask Oil on canvas 65.1
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Rockwell Kent Workers of the World, Unite woodcut 19th - 20th century
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Rockwell Kent Greenland Mother Nursing a Child Lithograph 1934
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Rockwell Kent Workers of the World Unite Wood engraving 1937
The Minneapolis Institute of Arts -
Artist: Rockwell Kent and Vernon Kilns Title: Our America: Chop Plate Date: 1940 Medium: ceramic,
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Thomas Robert Way Charlton House, Kent Lithograph 19th - 20th century
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Rockwell Kent Mountain Climber Wood engraving 19th - 20th century
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Rockwell Kent The Canterbury Tales (New York: Covici-Friede, 1930), vol. 2 book with reproductions 1930
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Rockwell Kent The Canterbury Tales (New York: Covici-Friede, 1930), vol. 1 book with reproductions 1930
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Joseph Mallord William Turner Pembury Mill, Kent etching and mezzotint 1808
The Minneapolis Institute of Arts -
Artist: Jane Kent Title: Untitled(Yellow and Black) Date: 1990 Medium: color mezzotint and aquatint Dimensions:
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J. M.Kronheim & Co. Loss of the "Kent" East Indiaman Wood engraving in color, aquatint plates 19th - 20th century
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Rockwell Kent The Vision, design for the illustration on page 202 of the book Wilderness (published 1920) pen and black ink 1919
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George Vertue Portrait of John Harris (ex History of kent, England) engraving 1719
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Paul Sandby Knole Park in Kent, unnumbered plate towards end of the book The Copper Plate Magazine (London: G. Kearsly, 1778) engraving 1775
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Rockwell Kent Figure of nude man with halo, running among stars Photoetching of original drawing 19th - 20th century
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Jan Kip Knowle in the Parish of Sevenoaks in Kent being the Mansion House of Charles Sackvile, Baron Buckhurst, etc. 17th - 18th century
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Robert Kent Thomas The Salle des Procureurs, Rouen, plate 34 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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William Kent The Pin and the Needle, plate for Fable XVI on page 61 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Monkeys, plate for Fable XL on page 150 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Miser and Plutus, plate for Fable VI on page 21 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Elephant and the Bookseller, plate for Fable X on page36 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Jugglers, plate for Fable XLII on page 158 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lion, the Tiger, and the Traveler, plate for Fable I on page 1 in the book, Fables (London: J. Tonson and J. Watts, 1729) Engraving 1729
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William Kent The Poet and the Rose, plate for Fable XLV on page 171 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Court of Death, plate for FableXLVII on page 178 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Myles Birket Foster Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent & Co., 1859) book with thirty etchings 1859
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William Kent The Mother, the Nurse, and the Fairy, plate for Fable III on page11 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lady and the Wasp, plate for Fable VIII on page 29 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Persian, the Sun, and the Cloud, plate for Fable XXVIII on page 107 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Cupid, Hymen, and Plutus, plate for Fable XII on page 45 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Father and Jupiter, plate for Fable XXXIX on page 146 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Butterfly and the Snail, plate for Fable XXIV on page 92 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Sick Man and the Angel, plate for Fable XXVII on page 103 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Unversal Apparition, plate for Fable XXXI on page 117 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Owls and the Sparrow, plate for Fable XXXII on page 122 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Pythagoras and the Countryman, plate for Fable XXXVI on page 136 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Courtier and Proteus, plate for Fable XXXIII on page 125 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Kent

Ashford Library Gallery: Exhibition of work by Mary Chaplin, Liz Garnett, Donna Hawkes-Baines and Marion Lynn
The artists, Mary Chaplin, Liz Garnett, Donna Hawkes-Baines and Marion Lynn, met at college and have remained firm friends. This is the first time they have worked together on a project and Liz Garnett the project co-ordinator says it has b...
Portland Museum of Art: Rockwell Kent: The Mythic and the Modern
One of the great painters of his day, Rockwell Kent (1882-1971) made innovations that reverberated through American culture in the first half of the 20th century. He rose to prominence between the world wars as a painter of extraordinary power who...
Tiger Inn: Colours by Salon 67
David Bebbington's objective is to produce 21st century images in the tradition of abstract photography begun by Edward Weston. His work in this exhibition relates to this and in particular his interest with regard to landscape work and in the i...
Art Space Gallery: George Rowlett: Prime Elements
Working directly from the subject, the surface of his canvases are built up often with extraordinary speed to a rich and succulent impasto where colour and surface combine to convey atmosphere, light and mass. Rowlett delights in the properties...
Danish Architecture Center : Futures to Come: Architecture, Building, and Business
Fewer blind spots in the building process The new 3D real-time technology offers the industry a visual tool that can be used by all parties involved in the building process because it makes it possible to literally 'step right into' an archite...
San Francisco Museum of Modern Art: THE DARKER SIDE OF PLAYLAND: Childhood Imagery from the Logan Collection
While many of the images in the exhibition are normally associated with childhood happiness, others implicate issues of violence in society and cultural identity. Artists represented in the exhibition include David Levinthal, Lau...
San Francisco Museum of Modern Art: SUPERNOVA: Art of the 1990s from the Logan Collection
The exhibition takes its title from Takashi Murakami’s tour de force painting Super Nova, 1999, which depicts “the destruction of an earthly terrain by atomic weapons whose mushroom clouds are rendered in ravishingly colorful detail,” according to...
Blue Caterpillar Art Gallery: Wendy Mills
Wendy Mills was named "Top Seller in 2004" at one of South Africa's largest art shows, which confirms her reputation as one of the regions top artists. Her work is displayed in galleries in the UK, Zimbabwe and South Africa and in private homes ar...
San Francisco Art Institute: Connie Samaras: 2002 Adaline Kent Award Exhibition, Angelic States - Event Sequence

Biggs Museum of American Art: Sitting Pretty: Chairs in 18th Century Delaware
Chairs are taken for granted today, but that was not the case in Colonial America. One historian notes that In the mid-1700's, between 65 and 68 per cent of inventories list chairs in Delaware's Kent and New Castle Counties, as wcl1 as in neighbou...
King County Public Art Program: Call for Digital Media Artists Living in King County, WA
Artist Fee: $5000
Deadline for Entry: 4:30 p.m. on Monday, July 9, 2001 Who Should ApplyNULL We are looking for emerging and established professional artists interested in: - collaborating with young artists to create ...
Frye Art Museum: Scenes of American Life
Scenes of American Life is one of eight exhibitions in Treasures to Go, from the Smithsonian American Art Museum, touring the nation through 2002, while the museum is undergoing a major renovation. The Frye is one of the fortunate sites select...
Muse 269 Gallery: Charlie Warde: A Solo Show of Paintings and Drawings
The paintings exhibited are worked in traditional medium of oil on canvas and his subject matter is of recent landscapes painted in North England at his fathers farm in Kent. Concerned with all aspects of colour and design, he attempts to ‘bend th...
Victoria and Albert Museum: Rural England Through a Victorian Lens: Benjamin Bricknell Turner
Known for his beautiful early photographs of rural England, Turner was one of the first, and remains one of the most respected, of all British photographers. Between 1852 and 1854 he compiled 60 of his photographs under the title Photographic Vi...
Chatham Cultural Centre, Thames Art Gallery: Dehuman: Works by Daniel Erban, Dennis Jones, Ed Pien and Balint Zsako
The exhibition is travelling to Gallery Lambton in Sarnia and to WKP Kennedy Gallery in North Bay. Dennis Jones states, "Most of my work explores aspects of vanity. The current series plays with our desire to accumulate recognition and appr...
Cleveland Center for Contemporary Art: Margaret Morton: The Tunnel
Residents dwell in continual darkness, constructing homes of cinder-block bunkers and freestanding hand-made structures in alcoves and on ledges. With sensitivity and compassion, Margaret Morton has chronicled the lives and living spaces of the tu...
Wadsworth Atheneum Museum of Art: Sam Durant: MATRIX 147
Recent works have referred to the four deaths at the Rolling Stones concert at Altamont in 1969; a Robert Smithson earthwork created on the Kent State University Campus in 1970, a few months before four students, protesting the war in Cambodia, we...
Museum of Contemporary Art, Cleveland: Hildur Asgeirsdottir Jonsson: Energy Forms
For her large scale weavings, Jónsson's process begins with the unique translation of a photograph into a loose abstract sketch known as a cartoon. She places this image beneath sets of separately strung warp and weft threads and subsequently pain...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art
A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
Biennale Internazionale dell’Arte Contemporanea: Over One Hundred absolutearts.com Artists to Participate in the Fourth Edition of the Florence Biennale
Internationally renowned artists Christo and Jeanne-Claude will present a projection on their work at the 5th Florence International Biennale of Contemporary Art on Thursday, December 8, 2005, at 5pm. At the conclusion of the presentation, Pasqual...
Tate Britian: Tacita Dean

Tacita Dean trained as a painter and now works in a variety of media, including drawing, photography and sound, but is best known for her 16mm films, of which she has made seventeen to date. The specific qualities associated with film making are o...
Frye Art Museum: The Perception of Appearance: A Decade of Contemporary American Figure Drawing
The scope of subject matter extends from nudes to narrative, while styles range from spontaneous to painstaking renderings. The wide range of movements, linear rhythms, and points of view depicted with technical virtuosity and extraordinary draugh...
Institute for Cinema and Culture: Thaw 00
Why ThawNULL The name was chosen for its implications of emergence, movement, transition and change. Appropriately, the festival occurs at the tim...
NSA Gallery: BODIES OF RESISTANCE:

Museum of Contemporary Art, Sydney: Witness: Darren Almond, Brenda L. Croft, Zhang Huan, Whitfield Lovell, Walid Ra’ad/The Atlas Group, Fiona Tan
Renowned for his innovative use of video technology young British artist Darren Almond presents Oswiecim (1997), a black and white film work about history, loss and the passing of time. Australian Indigenous artist, curator, lecturer and freelance...
Portland Museum of Art: North and South: Berenice Abbott's U.S. Route 1
What is interesting about this show is that it is a complete body of work in a concentrated time, said Aprile Gallant, Curator of Prints, Drawing, & Photographs. Abbott works to preserve sites that are specifically 1954, rather than documenting t...
Irish Museum of Modern Art: Gary Hume
Described by art critic Richard Cork as “one of the most adroit, inspiring and resourceful painters around”, Hume first came to public attention as a result of his participation in the seminal Freeze show in 1988, which featured artists such as ...
William Traver Gallery - Tacoma: Shift: Charlotte Meyer and Maria Phillips
The main element in Shift is a large piece titled “Internal Diversions”, made of glass, steel and silver.  This meticulous hanging sculpture symbolizes both organic systems and physical ornamentation.  The viewer is reflected in its many mirrored ...
Virginia Historical Society: The Virginia Landscape
More than 240 landscape paintings, drawings, prints, and photographs, dating from the colonial period to the present, reveal much about Virginia's natural history and the attitudes of its citizens. Initially, the commonwealth was best know...
Plug In: TROUBLES: Tensions Evident Beneath Surface of Northern Irish Images
As well as making 'straight' photographs of considerable poise, Sloan scores and scratches his negatives and reworks his prints with gouache or crayon. He is best known for his images (measuring between four and six feet wide) of the Or...

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