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Artist: Archibald Knox ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Archibald Knox.
- George Romney - Major-General Sir Archibald Campbell 1790-1792 oil on canvas National Gallery of Art British
- WH
"Knox" (Sir Ralph Knox P.C., K.C.B.), Man of the Day No. 2309, from Vanity Fair Supplement
Lithograph
1913 The Metropolitan Museum of Art
- Sir Joshua Reynolds (1723-1792), 1786-91 Archibald Robertson (Scottish, 1765-1835)Ivory; Oval, 3 x 2 3/8 in.
- Guillaume-Philippe Benoist
Archibald Campbell, Earl and Marquis of Argylll
18th century
- Ward, Leslie Matthew (Spy)
Sir George Compton Archibald Arthur, Bart., "The Mile" from Vanity Fair, December 19, 1885
Lithograph
1885
- Archibald Motley, Jr. - Nightlife 1943 oil on canvas The Art Institute of Chicago American
- Archibald J. Motley, Jr. - Mending Socks 1924 oil on canvas Ackland Art Museum American
- G. Stodart
John Knox
19th century Museum of Fine Arts
- ©Yousuf Karsh ; Yousuf Karsh, Canadian (born in Armenia) 1908 Grey Owl (Archibald Belaney) 1936
- Archibald Willard - Minnie Willard 1860's oil on canvas Cleveland Museum of Art American
- Frank Knox Morton Rehn - The Missing Vessel 19th-20th centu oil on canvas The Detroit Institute of Art American Museum of Fine Arts
- Thomas Gainsborough, British, 1727-1788 Haymaker and Sleeping Girl (Mushroom Girl) late 1780s Oil on canvas Museum of Fine Arts
- Unidentified artist, British, mid-18th century Portrait of a Man Pastel on paper 54.6 x 45.7 Museum of Fine Arts
- Stamp seal Near Eastern, Mesopotamian, Babylonian Neo-Babylonian Period, 625–539 B.C. Babylon Agate Legacy dimension: .26 Museum of Fine Arts
- Relief of a Persian guard Near Eastern, Iranian, Persian Achaemenid Period reign of Xerxes, 486–464 Museum of Fine Arts
- Apsaras (celestial figure) Chinese Six dynasties, Six dynasties period, 6th century A.D. China Limestone 70 Museum of Fine Arts
- Formerly attributed to Zhang Dunli, Chinese, late 12th century The Nine Songs of Qu Yuan Museum of Fine Arts
- Cylinder Seal Near Eastern, Mesopotamian, Akkadian Akkadian Period 2334-2154 B.C. White limestone .27 x .17 Museum of Fine Arts
- Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Yellowish Limestone .19 x Museum of Fine Arts
- Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period 2900-2334 B.C. Limestone | Brownish limestone .34 Museum of Fine Arts
- Cylinder seal Near Eastern, Mesopotamian Early Dynastic Period, 2900-2334 B.C. Sumeria Serpentine .27 x .14 Museum of Fine Arts
- Feitian Apsaras (flying celestial figure) Chinese Tang dynasty, Tang dynasty, 7th century A.D. China, Shanxi Museum of Fine Arts
- Feitian Apsaras (flying celestial figure) Chinese Tang dynasty, Tang dynasty, 7th century A.D. China, Shanxi Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Reclining Nude Young Woman, Half-Naked, Leaning Against a Museum of Fine Arts
- Shiva, Parvati, and their son Skanda (Somaskandamurti) Indian Chola period, about 11th century A.D. Southern Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth) Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
- Giovanni Battista Piazzetta
Diana and Endymion
Graphite and black chalk on laid paper
18th century Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?); Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Al cementerio. (To the cemetery); Fatales consequencias de Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Si son de otro linage. (But they are Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo peor es pedir. (The worst is to Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Sanos y enfermos. (The Healthy and the Ill); Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Asi sucedió. (This is how it happened); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Fuerte cosa es! (This is too much); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Escapan entre las llamas. (They escape through the Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede saber por qué. (There is Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 No llegan á tiempo. (They do not arrive Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es malo. (This is bad); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Se defiende bien. (He defends himself well); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor this); Fatales consequencias de la sangrienta Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Tristes presentimientos de lo que ha de acontecer. Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Las camas de la muerte. (The beds of Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 El buitre carnívoro. (The carnivorous vulture); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Caridad de una muger. (A woman"s charity); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Carretadas al cementerio. (Cartloads to the cemetery); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Murió la verdad. (Truth died); Fatales consequencias de Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Bárbaros! (Barbarians!); Fatales consequencias de la sangrienta guerra Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Toda va revuelto. (Everything is topsy-turvy); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Por una navaja. (For [carrying] a knife); Fatales Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Nada ello lo dice. (Nothing. It says as Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Grande Hazaña! Con muertos! (Heroic feat! Against the Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Cruel lástima.! (Cruel tale of woe.!); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Extraña devocion! (Strange devotion!); Fatales consequencias de la Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Que se rompe la cuerda. (The rope is Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Clamores en vano. (Vain laments); Fatales consequencias de Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish, Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 Si resucitará? (Will she rise again?); Fatales consequencias Museum of Fine Arts
- Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
- Giovanni Battista Piazzetta
Bust of a Girl Holding an Apple
Black and white chalk on blue-green laid paper, faded to light brown
18th century Museum of Fine Arts
- Kouros (statue of a young male) torso Greek Archaic Period, about 560–550 B.C. Greece, Attica,
- Joseph Swan
College High Street &c. and Hunterian Museum, two images on twelfth page of plates in the book Strath-Clutha or the Beauties of Clyde by John M. Leighton (Glasgow: Joseph Swan, [ca. 1840]
wood engraving
ca. 1840
- Joseph Swan
Infirmary Barony Church &c. and Glasgow from Knox's Memorial, two images on eleventh page of plates in the book Strath-Clutha or the Beauties of Clyde by John M. Leighton (Glasgow: Joseph Swan, [ca. 1840]
wood engraving
ca. 1840
- Joseph Swan
St. David's Hall and Ingram Street and Trades Hall and Glassford Street, two images on fourteenth page of plates in the book Strath-Clutha or the Beauties of Clyde by John M. Leighton (Glasgow: Joseph Swan, [ca. 1840]
wood engraving
ca. 184 The Metropolitan Museum of Art
- The Flatiron, 1904, printed 1909 Edward Steichen (American, born Luxembourg, 1879-1973)Depicted: New York City, New
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Knox
Albright-Knox Art Gallery: Bodily Space: New Obsessions in Figurative Sculpture
These are among the finest examples of recent figurative sculpture by very important artists from around the world, said Albright-Knox Project Curator Holly E. Hughes. We are pleased to be able to bring this caliber of contemporary sculpture to...
Albright-Knox Art Gallery: John Bisbee: Arc and Plume
Albright-Knox Art Gallery: The Triumph of French Painting: Masterpieces from Ingres to Matisse The exhibition is currently being presented at the Royal Academy of Art
in London, England, before concluding with its visit to the
Albright-Knox Art Gallery. The exhibition has received critical
accolades in each of its previous engagements. ...
Georgia Museum of Art: From Heroes to Dudes: Studies of Male Figure From Albrecht Dürer’s 17th-century studies of the male figure to
Kenyon Cox’s late 19th-century drawings of male nude models, a wide array of
images will allow viewers to discover the ways in which real and mythical male
bodies were dr...
Albright-Knox Art Gallery: Modigliani and the Artists of Montparnasse Organized by the Albright-Knox, a leading international center of modern
and contemporary art, the exhibition will include masterpieces from
renowned museums and private collections in America, Europe, and Japan.
Many of the works have never be...
Albright-Knox Art Gallery: Photographs of Artists Don't miss this opportunity to come face
to face with artists represented in the Gallery's collection
such as Henri...
Albright Knox Art Gallery: Gerrit Engel: Buffalo Grain Elevators ...
Kemper Museum of Contemporary Art: Petah Coyne: Above and Beneath the Skin Combining both figurative and abstract traditions, Coyne’s works constitute a complex language that is decidedly individual yet surprisingly accessible. Her sculptures are made from a laundry list of familiar materials such as wood, wax, hair, bab...
Albright Knox Art Gallery: 0044 Contemporary Irish Artists in Britain Whether the artists concerns specifically focus on
...
Wilfrid Isreal Museum of Oriental Art and Studies: Ilana Raviv: Synthetic Realism - Paintings Ilana Raviv creates paintings in oil and acrylic, drawings, etchings, cast paper, tapestries, murals, and clay sculptures.She is currently lives and paints at her Neve Tzedeck studio in Tel Aviv, Israel.
Her work has been exhibited in New York...
UB Art Gallery: Walter Prochownik: In Retrospect, 1965-1995
Albright Knox Art Gallery, Norman E. Boasberg Fund, 1973
>A dedicated faculty member of the Department of Art and Art History at the University at Buffalo for thirty-two years, Prochownik was appointed Professor Emeritus in 1995 and ...
transVoyeur: Liverpool meets New York - The Liver Birds and the Big Apple There are six artists from New York and six from Liverpool, who are researching and creating art reflective of the citys they live and their practice. Part of this initiative involves the exchange of cultural discourse, which people are invited t...
Irish Museum of Modern Art: Leon Golub: Paintings 1950 - 2000 His early work used primitive, generic imagery to explore the human
condition, but his later work became more direct and political with subjects ranging from the Vietnam
War to racism and r...
Allbright Knox Art Gallery: Angela Grauerholz: Sententia I to LXII In contrast
to Éclogue or Filling the Landscape, an
...
Oakland Museum of California: Made in Oakland: The Furniture of Garry Knox Bennett The exhibition features more than 80 pieces of furniture created from unique combinations of unexpected materials. These range from large-scale cabinets and trestle tables to playful clocks and ingenious lamps, and are accompanied by 60 smaller pi...
Museum of Fine Arts, Houston: Defining Modern: European Design 1880-1930 This exhibition, drawn exclusively from the MFAH collection, highlights outstanding examples by design visionaries such as William Morris, Archibald Knox, Carlo Bugatti, Emile Gallé, Josef Hoffmann, and Edgar Brandt. Many of the works are on view ...
Grey Art Gallery, New York University: Rudy Burckhardt and Friends: New York Artists of the 1950s and '60s The show allows viewers to see how one artist chose to
portray another and to view stellar, but rarely exhibited, works by such renowned
artists as Josef Albers, Willem ...
200 Gertrude Street: USEby: Asia Pacific Initiatives Project Involvong artists from Bangkok, Christchurch, Hong Kong, Manilla, Melbourne,
Singapore, Sydney and Tokyo. USEby celebrates the way in which practical and
...
Gertrude Herbert Institute of Art: Call for Artists: 23rd Annual Juried Exhibition The juror for the 2003 competition will be Tom Nakashima, nationally recognized painter and printmaker and current William S. Morris Eminent Scholar in Art at Augusta State University. Three $500 cash awards are available, and will be presented at...
Baltimore Museum of Art: The Triumph of French Painting The Triumph of French Painting features more
than thirty celebrated artists, including Ingres,
Delacroix, Corot, Millet, Monet, Renoir, Cézanne,
van Gogh, Picasso, an...
City Gallery Wellington: The Feather Trade: Denis O'Connor, 7 Found Poems
Poetic texts, literature and history are a frequent source of inspiration
for OConnor, along with ideas drawing on his Irish ancestry and New Zealand
as a nation of immigrants and voyagers. The seven works have their links
with the titles, bo...
Rosenberg and Kaufman Fine Art, Ltd.: Time and Space: New Work by Cheryl Goldsleger, John Spinks and Andrew Topolski
Oceans of text border yellowing pages, reconfigured maps, parts of his
father's diary and a cool but evocative palette in the collage on canvas
works by John Spinks. Honoring his own Irish tradition of narrative history,
Spinks' combinati...
Crawford Municipal Art Gallery: 0044 Contemporary Irish Artists in Britain The artists are: Kathy Prendergast, Daphne
Wright, Paul Seawright, Andre Stitt, Cecily
Brennan, John Carson, Anne Carlisle, Maud
Cotter, Liadin Cooke, John Gibbons, Frances
Hegarty, Siobhan Hapaska, Andrew Kearney,
Mo Whit...
Metropolitan Museum of Art: Gauguin in New York Collections: The Lure of the Exotic Comprising paintings, sculptures, ceramics, drawings, and prints, the exhibition vividly conveys the exceptional range of Gauguin's career, both in terms of his technical facility in a variety of media and the far-flung places and cultures that in...
Montreal Museum of Fine Art: Vibrant Colours and the Passion of Mexican Modern Art For the past seventy-five years, the understanding and
appreciation of Mexican art have focussed primarily on the
murals, particularly those by Los Tres Grandes: Diego Rivera,
...
Metropolitan Museum of Art: Gauguin in New York Collections: The Lure of the Exotic Comprising paintings, sculptures, ceramics, drawings, and prints, the exhibition vividly conveys the exceptional range of Gauguin's career, both in terms of his technical facility in a variety of media and the far-flung places and cultures that in...
Fruitmarket Gallery: Inka Essenhigh: Large Scale Paintings and Intricate Drawings The work unites and scatters influences in equal measure, such as Italian
Renaissance iconography, Japanese Ukiyo-e prints, Persian miniatures and
contemporary mythologies.
The exhibition comprises nine large-scale paintings that demonstra...
UB Art Gallery: Patricia Cronin, The Domain of Perfect Affection, 1993-2003 Cronin’s erotic watercolors from the early 1990s invite the viewer to witness intimate moments between herself and her partner. Her larger than life-size, three ton Carrara marble mortuary marker, Memorial to a Marriage (2002), uses classical scul...
Albright-Knox Art Gallery: Bodily Space: New Obsessions in Figurative Sculpture Kudos to Holly E. Hughes for curating a show so startling, so slyly subversive, it worms its way into your skin before you even realize it. It’s one of the best I’ve ever seen. Here is body as locus of the commercial and the contemplative; as s...
Fruitmarket Gallery: Fred Tomaselli: Monsters of Paradise The collaged paintings that marked Tomaselli’s emergence on the international art circuit in the late 80s are obsessive compendia of the natural and unnatural worlds that move between abstraction and figuration. They are distinguished by the use o...
Further Artwork and Information:
Arts and Crafts Movement - Archibald Knox
Archibald Knox 1864-1933
Archibald Knox (1864-1933): An Overview
Archibald Knox (1862 - 1918) Biography, Artwork Images, Exhibitions, Reviews
Archibald Knox Carpets
Isle of Man Government Manx National Heritage: -
About Archibald Knox
Archibald Knox Pewter boxes
Find in a Library: Archibald Knox
Archibald Knox (Paper) by Martin, Stephen A.
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