Artist: Wilhelm Koller (1829 - 1884)
Nationality: austrian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Wilhelm Koller.

The Metropolitan Museum of Art -
Hugo van der Goes Painting the Portrait of Mary of Burgundy Guillaume Koller (Belgian, 1829-1884)Oil
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Profiterole, Claes Oldenburg (Sweden, Stockholm, born 1929) , 1990 (begun 1989), Lithograph in four colors on Koller HMP paper
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Apple Core - Autumn, Claes Oldenburg (Sweden, Stockholm, born 1929) , 1990, Lithograph in four colors on Koller HMP paper
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Apple Core - Summer, Claes Oldenburg (Sweden, Stockholm, born 1929) , 1990, Lithograph in four colors on Koller HMP paper
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Extinguished Match, Claes Oldenburg (Sweden, Stockholm, born 1929) , 1990 (begun 1989), Lithograph in four colors on Koller HMP paper
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Profiterole-Grey State, Claes Oldenburg (Sweden, Stockholm, born 1929) , 1990 (begun 1989), Lithograph in four colors on Koller HMP paper
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Zander und Labisch Monument to Kaiser Wilhelm I (Wilhelm der Grosse) Platinum print 1897
The Minneapolis Institute of Arts -
Artist: Josef Hoffmann and Wiener Werkstätte Title: Table Date: about 1903 - 1904 Medium: solid
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Wilhelm Lehmbruck Man and Woman Seated 1912
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Wilhelm Lehmbruck Macbeth V Etching 1918
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Wilhelm Lehmbruck Apparition Drypoint 1914
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Bartholomaeus Bruyn the Elder - Portrait of Wilhelm Kannengiesser c. 1550 oil on panel Los Angeles County Museum of Art German
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In Memoriam Wilhelm Morgner, Wilhelm Morgner (Germany, Soest, 1891 - 1917) , 1920, Seven linoleum cuts and one woodcut as additional print on wove paper
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Wilhelm Lehmbruck Untergehende Menschen (People going under) Drypoint 1914
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Wilhelm Lehmbruck Nude Model with Head od a Man 1912
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Wilhelm Lehmbruck Versuchung (Temptation) Drypoint 1914
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Wilhelm Lehmbruck Kampf der Schatten (Battle of Shadows) Drypoint 1913
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Portrait d'Hertzog Wilhelm von Bayern by GARTNER Peter
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Wilhelm Lehmbruck Kniendes, gross (Kneeling woman, large) Drypoint 1911
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Wilhelm Lehmbruck Der verlorene Sohn (The Prodigal son) Drypoint 1913
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Wilhelm Lehmbruck Frauenkopf V (Frau O) (Female Head (Mrs. O)) Drypoint 1915
Museum of Fine Arts -
Attic grave stele Relief Greek End of Classical or Early Hellenistic Period, about 325 B.C.
Museum of Fine Arts -
Albrecht Dürer, German, 1471-1528 The Turkish Family about 1496 Engraving Platemark: 10.8 x 7.7 cm
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Self Portrait Leaning on a Stone Sill 1639 Etching
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Landscape with Cottage and Haybarn: Oblong Landscape with a
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Wilhelm Lehmbruck Raub I, Weib ganz (Rape I, woman full-figure) Drypoint 1911
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 The Fourth Oriental Head A Young Man in a
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Homecoming, Friedrich Wilhelm Meyer (1770 - N/A)  (Artist), Mezzotint
Museum of Fine Arts -
Albrecht Dürer, German, 1471-1528 Lady on Horseback and Lansquenet 1496-97 Engraving Platemark: 10.8 x 7.7
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Wilhelm Lehmbruck Weiblicher Ruckenakt, ausschauend (Female nude, left arm raised, seen from back) Drypoint 1911
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Wilhelm Lehmbruck Junglingskopf sich umwendend (Head of youth, gazing back over his shoulder) Drypoint 1911
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Wilhelm Lehmbruck Sitzendes Madchen, Kopf geneight (Seated girl, head bent) Drypoint 1912
Museum of Fine Arts -
Rembrandt Harmensz. van Rijn, Dutch, 1606-1669 Self Portrait with Curly Hair and White Collar: Bust
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Repos de paysans (18e siècle) by DIETRICH Christian Wilhelm Ernst
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Paysage de plaine (18e siècle) by DIETRICH Christian Wilhelm Ernst
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Wilhelm Busch Illustrations on page 55 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrationd on page 30 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 43 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 53 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 42 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustratiosn on page 51 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 50 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 48 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 49 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 47 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 37 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 46 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 10 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 45 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 44 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 11 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 17 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 28 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 29 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 31 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 25 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 34 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 24 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 23 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri
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Wilhelm Busch Illustrations on page 35 in the book Max und Moritz, eine Bubengeshichte in Sieben Streichen (Max and Moritz, A Story of Seven Boyish Pranks) by Wilhelm Busch (Munich: Braun and Schneider,[1865, reprinted ca. 1920]) color metal relief pri

Artnews Articles and Exhibition Information: (5)
Click on any of the links below to read about artnews or exhibitions related to Koller

Index - Swedish Contemporary Art Foundation: Julius Koller, Jiri Kovanda
Central to Július Koller complex art is the concept of the sign, most apparent in his foremost emblem, the question mark, but also utilised in text or combinations of letters, e.g. when the artist designates/ denominates an object or a situation, ...
Perth Institute of Contemporary Arts: Spatial Narratives 3
Milan, a city whose origins are in an Ancient Roman fortification superimposed over a Celtic settlement, offers dense layers of evidence of dominant political factions and conquering cultures. Early Christians reworked the Roman city, medieval pro...
Pan American Art Gallery: International Guild of Realism Juried Exhibition
Participating artists:
Tom Cardamone
Larry Charles
Don Clapper (founding member of the Guild of Realism)
Dan Di Maria
(Rouaud) Isabelle du Toit (local)
Camille Engel
Ken Fuller
Albino Hinojosa
Lorena Kl...
Centre for Contemporary Photography: Art+Film: Australian Artists Responds to the Cinematic Experience

Art+Film features a range of emerging and established Australian artists, whose work responds to the cinematic experience, either through direct appropriation, stylistic reference or in-depth analysis of filmic materiality - its particular blend o...
Riflemaker: Voodoo - Hoochie-Coochie and the Creative Spirit
Throughout the exhibition, the idea of Voodoo practise – initiation and possession particularly - is used as a metaphor for the spiritual heights considered essential to the creative process - a need to fire up the spirit, get your Mojo working, g...

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