Artist: Irene Lagorio ( - )
Artworks in Museum Collections: (61)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Irene Lagorio.

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Irene Lagorio Magic Journey Screenprint 1956
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Irene Lagorio Thank You Card Design collage of cutout shapes with ink,watercolor, and opaque watercolor circa mid 20th century
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Mark Rothko - Irene 1933 oil on canvas National Gallery of Art American
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Shiko Munakata Head Woodcut 20th century
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Eugene Delacroix - St. Sebastian with St. Irene and Attendant 1858 oil on panel Los Angeles County Museum of Art French
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Hendrick ter Brugghen - Saint Sebastian Tended by Irene 1625 oil on canvas Allen Memorial Art Museum at Oberlin College Dutch
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Irene Zevon Untitled wood cut 1959
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Adja Yunkers Untitled Color woodblock (red, black & white) 1952
Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 A Poetic Verse With Seven
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Irene Perez Goldweight with box design brass 20th century
Museum of Fine Arts -
© Irene Chou ; Irene Chou, Chinese–Australian, Born in 1924 Circles upon Circles Painting Australian
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Irene De Bohus Portrait of Modest‡ charcoal and colored chalks 1940
J. Paul Getty Museum -
Saint Sebastian Tended by Saint Irene
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Irene Rice Pereira The Lapis ([New York: George Wittenborn, 1957]) book with color plates 1957
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Antonio Frasconi Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) Book with 19 linoleum cuts on Rives paper 1954
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Antonio Frasconi Double page illustration on the title page in the book, Twelve Fables of Aesop ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Irene Perez (one calendar of twelve serigraph images- Huicholes- "Alumbrando el pensamiento del Hombre", Mayo) screenprint 1975
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Antonio Frasconi Half title page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Man Bitten by a Flea, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Stag in His Own Opin ion, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Crab in the Mouth of the Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, TheAmbitious Woman and the Fat Hen, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antoine Louis Romanet Quel bonheur effroyable . . . from Irene, Act III, Scene 6 Engraving and etching 18th - 19th century
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Antonio Frasconi First illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Flattered Raven and the Crafty Fox, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Caged Nightingale and the Intelligent Bat, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Gnat, the Lion, and the Spiderweb, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Illustration for the fable, The Jackdaw with the Eclectic Plumage, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Starved Farmer and His Fat Dogs, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Untitled vignette (portrait of Aesop) on publisher's page in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Fishrmean with the Stone in His Net, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Second illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi First illustration for the fable, The Hare with Ability and the Tortoise with Staying Power, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Antonio Frasconi Double page illustration for the fable, The Beekeeper Robbed and Stung, in the book Twelve Fables of Aesop retold by Glenway Westcott ([New York: The Musem of Modern Art, 1954]) linoleum cut on Rives paper 1954
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Jean Michel Moreau the Younger Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Lodovico Lana The Empress Irene Binding up the Wounds of St. Sebastian Etching circa 1643 - 1649
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
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Jean Michel Moreau the Younger Proof before the title of: Quel Bonheur effroyable! - Illlustration to work of Voltaire (Irene, Act III, Sc.6) etching and engraving 18th - 19th century
The Metropolitan Museum of Art -
Jacket, ca. 1785 Frenchsilk, linen; L. at center back: 15 ¾ in. (40 cm).Purchase, Irene
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Corona Painter Amphoriskos terracotta 575 BC - 550 BC
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Adolphe Irene Guillon - Country Landscape 1882 ink Arkansas Arts Center French
J. Paul Getty Museum -
Tending to St. Sebastian
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Charles-Etienne Gaucher Couronnement de Voltaire sue le ThÈatre Francais, le 30 mars 1778, apres la sixieme reprÈsentation d'Irene (The Crowning of Voltaire on the stage of the ThÈatre Francais in Paris, after the sixth performance of Irene
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Irene Perez Goldweight with box design brass 20th century
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Hans Jelnick Fish in Whirlpool Screenprint in colors 20th century
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Boris Margo From Meteorites Cellocut 20th century
J. Paul Getty Museum -
Female Student with Beach Ball
Museum of Fine Arts -
Bernardo Strozzi, Italian (Genoese), 1581-1644 St. Sebastian Tended by St. Irene and Her Maid Oil
The Metropolitan Museum of Art -
Suit, 1774-1792 French; Made Paris, Francesilk; a) L. at center back: 42 in. (106.7 cm).
The Metropolitan Museum of Art -
Robe à l"Anglaise, 1785-1787 Frenchsilk; (a) L. at center back 59 1/2 in. (151.1 cm);
The Minneapolis Institute of Arts -
Artist: Charles Francois Daubigny Title: The Dunes at Camiers Date: 1871 Medium: oil on canvas
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Jacques Callot St.Luke, Evangelist, October 18; St.Lucian,Bishop and Martyr, October 19; St. Irene, Virgin and Martyr , October 20; St.Hilarion, Hermit, October 21; ninety-fourth plate from the book, Les IMAGES DE TOUS/LES SAINCTS ET SAINTES /DE L*ANN
The Metropolitan Museum of Art -
Round Gown, ca. 1795 Italian; Made Naplessilk, linen; L. at center back: 57 ½ in.
The Minneapolis Institute of Arts -
Artist: Roy Lichtenstein Title: Brushstrokes Date: 1967 Medium: color screenprint Dimensions: H.22 x W.30 in.
The Metropolitan Museum of Art -
Coat, ca. 1927 Designed by Gabrielle "Coco" Chanel (French, 1883-1971)French; Used Francesilk, metal; L. at
The Metropolitan Museum of Art -
Waistcoat, 1747; Rococo Textile designed by Anna Maria Garthwaite (English, 1690 - 1763); Textile manufactured

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Further Artwork and Information:

Irene Lagorio (1729 - 1782) Biography, Artwork Images, Exhibitions, Reviews
Irene Lagorio - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Books by Irene Lagorio
Museo ItaloAmericano
ImageBase
Welcome to Adobe GoLive 5
Recordnet.com
THIS OPEN ZOO: A Bestiary of Poems - Francis, Dennis
Comanducci Arte Italia - Catalogo Artitsti
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