Artist: Stephen Lewin (1890 - 1910)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Stephen Lewin.

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Hans Memling - St. Stephen c. 1479-1480 oil on panel Cincinnati Art Museum Flemish
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Cenni di Francesco - Martyrdom of St. Stephen 1392-1411 tempera on wood Arkansas Arts Center Italian
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Gilbert Stuart - Stephen Van Rensselaer 1793-1795 oil on canvas National Gallery of Art American
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Gilbert Stuart - Mrs. Stephen Peabody 1809 Oil on panel Arizona State University Museum
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Jacques Stella - The Martyrdom of St. Stephen c. 1623 oil on copper The Fitzwilliam Museum French
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Gherardo di Jacopo Starnina - St. Stephen and St. Bruno late 14th -earl tempera and gold on Los Angeles County Museum of Art Italian
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Reginald or Renold Elstrack King Stephen, son to Stephen Earl of Benois Engraving 16th - 17th century
Museum of Fine Arts -
Robert Earle Henri, American, 1865-1929 Stephen Greene 1924 Oil on canvas 60.96 x 50.8 cm
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Untitled, Stephen Longstreet , 1954, Ink on paper
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Josephine Baker, Stephen Longstreet , 1951, Ink on paper
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Stephen Joseph Aloha Jack Wood engraving 1985
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Stephen Anaya Kuraje etching 1971
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George Fuller - Agnes Gordon Cochran Higginson (Mrs. Stephen Higginson) 1876 oil on canvas National Gallery of Art American
The Metropolitan Museum of Art -
Saint Stephen (with the Angel of the Annunciation), part of an altarpiece Martino di Bartolommeo
Museum of Fine Arts -
© Stephen DiRado ; Stephen DiRado, American, Born in 1957 Waning Moon Oak Bluffs, MA
J. Paul Getty Museum -
Saints Lawrence and Stephen
Museum of Fine Arts -
© Stephen DiRado ; Stephen DiRado, American, Born in 1957 Comet Hyakutake Edgartown, MA 1996
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Stephen Parrish Fishermen's House, Cape Ann ET 49
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Stephen B. Campbell Rocky Road Color lithograph 1983
J. Paul Getty Museum -
The Stoning of Saint Stephen
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Stephen Heller (3e quart 19e siècle) by Ricard Louis Gustave
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Stephen Parrish In Port ET 19th century
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#175 (Wand), Stephen Mines (born 1939) , 1995, Pink ivory
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Stephen William Shaw Thomas Hill oil on canvas 19th - 20th century
The Minneapolis Institute of Arts -
Artist: Stephen Francis Rigaud Title: Lucifer in the Bower of Adam and Eve, from Book
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Josephine Baker, Stephen Longstreet , 1951, Watercolor, crayon, and ink on paper
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Buste de Stephen Gallatin, président de l'American Field service (1ère moitié 20e siècle) by FRAIZER Richard
Museum of Fine Arts -
Jack Levine, American, Born in 1915 Portrait of a Girl about 1939 Oil on homosote
J. Paul Getty Museum -
The River Huisne, Nogent-le-Rotrou
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Stephen Alonzo Schoff Sam Appleton 19th - 20th century
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#176 (Wand), Stephen Mines (born 1939) , 1995, Tulipwood, Austrian crystal
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Dyed Dowel Bowl Form, Howard Lewin , circa 1991, Dyed maple dowels
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Lanony Stephen Massett (Jeems Pipes of Pipesville) lithograph mid 19th century
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John Linnell, the Elder James Stephen, Esq. 18th - 19th century
The Minneapolis Institute of Arts -
Artist: Samuel Von Hoogstraeten Title: The Stoning of St. Stephen Date: 17th century Medium: pen
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Joseph Goldyne Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) book with six aquatints 1998
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Untitled, Stephen Buckley (England, Leicester, born 1944)  (Artist), 20th century, Etching
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Stephen, Sandra Mendelsohn Rubin (United States, born 1947) , 1981, Oil on canvas
Museum of Fine Arts -
John Tallman, 1825-1839 Square piano United States, New York, (New York City), 1st half of
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Dyed Dowel Square Vase Form, Howard Lewin , circa 1991, Dyed maple dowels
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Joseph Goldyne Plate 5 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) aquatint 1998
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Joseph Goldyne Plate 4 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) aquatint 1998
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Joseph Goldyne Plate 3 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) aquatint 1998
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Joseph Goldyne Plate 2 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) aquatint 1998
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Joseph Goldyne Plate 6 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) aquatint 1998
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Stephen James Ferris Fortuny Etching 1882
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Stephen Walker McMillan Papyrus and Fern Aquatint 1978
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Stephen Walker McMillan Desert Wanderer Aquatint 1978
Museum of Fine Arts -
Max Weber, American (born in Russia), 1881-1961 New York (The Liberty Tower from the Singer
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Joseph Goldyne Plate 1 in the book Oda a la TipografÌa (Ode to Typography) by Pablo Neruda, with translation by Stephen Kessler (Berkeley: Peter Koch, 1998) color aquatint 1998
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George Jackson Funeral, Stephen Shames (born 1947)  (Artist), 1971, Gelatin-silver print
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#147 (Wand), Stephen Mines (born 1939) , 1995, Brazilian rosewood, Austrian crystal, brass
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#149 (Magic Wand), Stephen Mines (born 1939) , 1995, Paudauk, Austrian crystal, red stones
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Stephen de Hospodar Ring of the Nibelung 10 woodcuts: Valhalla Woodcut 20th century
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The Stoning of Saint Stephen, Rembrandt Harmensz. van Rijn (Holland, Leiden, 1606 - 1669) , 1635, Etching
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Stephen Gantrel A Royal Birthday Party For The Duke of Burgundy 17th - 18th century
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Untitled, Stephen Shore (Manhattan, New York, born 1947) , 1975, Chromogenic development (Ektacolor) print
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Stephen de Staebler Pointing Figure Column stoneware, porcelain, and oxides 1985
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Untitled, Stephen Shore (Manhattan, New York, born 1947) , 1977, Chromogenic development (Ektacolor) print
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Untitled, Stephen Shore (Manhattan, New York, born 1947) , 1977, Chromogenic development (Ektacolor) print

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Lewin

Deutsche Guggenheim: Douglas Gordon‘s The VANITY of Allegory
For The VANITY of Allegory, Gordon turned to the histories of art and film for his source material, appropriating existing works as so many readymades with which to articulate his theme. His installation — which houses its own cinema — includes lo...

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