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Artist: Giovanni Battista Lombardi (1823 - 1880)
Nationality: Italian
Movement:
Media:
Influences:
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Giovanni Battista Lombardi.
- St François Xavier (?) bénissant les pestiférés ; St François Xavier (?) guérissant les malades (18e siècle) by LOMBARDI Giovanni Domenico
- The Four Seasons, Giovanni Battista d’Angelo (called Battista del Moro) (Italy, Verona, circa 1515 - circa 1573) , Etching
- Giovanni Marco Pitteri
St. Philip, after a chalk drawing by Giovanni Battista Piazzetta
Engraving
1742
- Giovanni Battista Volpato
Mansuetudo, after Raphael
Engraving
17th - 18th century
- Giovanni Battista Volpato
The Prophet Daniel, after Michelangelo
Engraving
17th century
- Giovanni Battista Volpato
The Prophet Joel, after Michelangelo
Engraving
17th century
- Giovanni Battista Volpato
Il Fornajo(the Baker), after F. Maggiotto
Engraving
18th century
- Giovanni Battista Brustoloni
The Church of SS. Giovanni e Paolo
Etching and engraving
18th century
- La Vierge tenant l'Enfant Jésus emmailloté by SALVI Giovanni Battista ; SALVI Giovanni Battista (inspiré par)
- Lorenzo Baldissera Tiepolo
Saint Thecla Praying for the end of the plague in the city of Este, after the painting of 1759 by Giovanni Battista Tiepolo
Etching
18
- Le repas d'Antoine et de Cléopâtre by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Rialto, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Doge Offers a Banquet, after Canaletto
Etching and engraving
1766
- ADAM ET EVE (1er quart 17e siècle) by PAGGI Giovanni Battista
- LA VIERGE ET L'ENFANT (1500 vers) by GIOVANNI BATTISTA MARTINI DA RIMINI
- Giovanni Battista Nini
Seaport
Etching
1740
- Giovanni Battista Benaschi
The Holy Family with Angels, after the painting by Giovanni Domenico Cerrini
etching mounted on heavier sheet
1652
- Tête d'homme, baissée by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Carlone
St. Peter
oil on canvas
16th - 17th century
- Alexandre et Porus by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Bucentaro on Ascension Day, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Rialto Bridge, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Piazza S. Marco, after Canaletto
Etching and engraving
18th century
- Projet de tombeau by CASTELLO Giovanni Battista
- Giovanni Battista Nini
Winter Landscape
Etching
1740
- Giovanni Battista Nini
Landscape with a river
Etching
1740
- St. Catherine, Giovanni Battista d’Angelo (called Battista del Moro) (Italy, Verona, circa 1515 - circa 1573) , Pen and brown ink and brown wash, heightened with white, over black chalk; incised along contours
- Giovanni Battista Canossa
Pilate and the Pharisees
Woodcut
1706
- Giovanni Battista Zelotti
The Antique Sacrifice
etching
16th century
- Andrea Le Jeune Scacciati
The Flagellation (?), after Giovanni Battista Paggi, from the series Disegni originali d'eccelenti pittori...
Etchingin green ink
18th century
- Saint Jérôme dans le désert by TIEPOLO Giovanni Battista
- Giovanni Battista Brustoloni
The Piazza S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Church of the Redeemer, at Night, after Canaletto
Etching and engraving
18th century The Minneapolis Institute of Arts
- Artist: Circle of Giovanni Battista Piazzetta Title: A Boy and a Girl (Lovers) Date: 18th
- Giovanni Battista Piranesi, Francesco Polanzani (Venice, 1700 - 1783) (Artist), 1750, Etching
- The Well, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
- Quatre femmes à genoux, dont l'une est occupée à dévider by TIEPOLO Giovanni Battista (attribué à )
- Tête de vieillard tournée vers la droite by TIEPOLO Giovanni Battista (attribué à )
- Deux têtes d'hommes barbus, et une tête d'enfant by TIEPOLO Giovanni Battista (attribué à )
- Sienne, la Cathédrale (2e moitié 19e siècle) by LOMBARDI Paolo
- Giovanni Battista Nini
Wind-blown Landscape
Etching
1740
- Etude d'une tête de noir, coiffée d'un bonnet et vue de face by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Church of S. Pietro in Castello, at Night, after Moretti
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Piazza and Church of S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Piazza and Church of S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
- Giovanni Domenico Tiepolo
River Gods, after Giovanni Battista Tiepolo
Etching
mid 18th century
- Giovanni Battista Brustoloni
Wells in the Courtyard of the Ducal Palace, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Falda
The Fountain Above the Rustic Fountain at the Villa Aldobrandini, plate 10 from the series Le fontane delle ville di Frascati...(The fountains of the villas of Frascati...)
Etching
circa 1675
- Trois femmes assises, l'une repose la tête sur les genoux de celle de gauche by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Naldini
Recto: St. Matthew and the Angel~Verso: Pieta
r:Pen and brown ink and brown wash over red chalkwith black chalk on laid paperv: Black chalk with traces of red chalk
16th century The Minneapolis Institute of Arts
- Artist: Giovanni Battista Piranesi Title: Great Piazza and Basilica of St. Peter"s from the "Le The Minneapolis Institute of Arts
- Artist: Giovanni Battista Piranesi Title: The Lion Bas Reliefs, from The Prisons Series Date: 1761 The Minneapolis Institute of Arts
- Artist: Giovanni Battista Foggini Title: Study for a Console Date: 17th century Medium: pen and
- Adam and Eve, Giovanni Battista Cipriani (Italy, Florence, 1727 - 1785) , 18th century, Brown ink
- David and Goliath, Giovanni Battista Scultori (Italy, Mantua, 1503 - 1575) , 1540, Engraving
- The Holy Family, Giovanni Battista Tiepolo (Italy, Venice, 1696 - 1770) , Brown ink and wash
- The Sawhorse, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
- The Sawhorse, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
- The Man on the Rack, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching The Minneapolis Institute of Arts
- Artist: Baciccio (Giovanni Battista Gaulli) Title: Diana the Huntress Date: about 1690 Medium: oil on
Artnews Articles and Exhibition Information: (5) Click on any of the links below to read about artnews or exhibitions related to Lombardi
Yerba Buena Center for the Arts: Mark Lombardi: Global Networks A former librarian, Lombardi culled information from published sources, but made a point of stating that his study did not stem from primary research. Part of the 14,500 index cards upon which he recorded and noted this information will also be on...
DFN Gallery: People - Places - Things While many of the artists included in this exhibit have become known for working within a specific genre, they were excited about having the opportunity to show other work that has rarely been seen outside of their studios. Other artists enjoyed ...
O.K. Center of Contemporary Art: Open House: Art and the Public Sphere tToday Urban spaces that were formerly defined as public and used that way, have gradually been transformed into a Cinecittà of modernist and postmodern architecture, the motor of which is driven by the interests of big business and spectacle. Parallel t...
A Gathering of the Tribes Gallery: Dystopia + Identity in the Age of Global Communications At the dawn of the new millenium, what are the new paradigms
for living in this Age of Global CommunicationsNULL We see
that in the work of Betty Beaumont, for instance, in her
...
New Museum of Contemporary Art: Living Inside the Grid: A Group Show of Internationally Emerging Artist The artists featured in Living Inside the Grid explore both the possibilities and the limitations for human interaction within the inescapable grids that surround and inform our daily lives. As Dan Cameron writes in his catalogue essay: "From morn...
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