Artist: George London ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by George London.

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George Cruikshank Life In London 1821
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David Roberts Jericho, plate 49 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day 
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David Roberts Gaza, plate 59 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
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David Roberts Sarepta, plate 72 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day 
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David Roberts Ashdod, plate 58 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
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David Roberts Askelon, plate 57 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day 
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David Roberts Bethany, plate 86 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day 
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David Roberts Hebron, plate 55 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
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David Roberts Bethlehem, plate 85 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
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George Cruikshank Lowest "Life in London"... 18th - 19th century
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George Cruikshank The "Ne Plus Ultra" of "Life in London"... 18th - 19th century
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David Roberts Christian Church of St. George at Lud, Ancient Lydda, plate 60 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with histor
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Thomas Robert Way The "George" Inn, Borough, plate 23 in the book Reliques of Old London with introduction and descriptions by Henry B. Wheatley (London: George Bell & Sons, 1896) lithograph 1896
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George Vertue King George, defender of the Faith, after Knoeller engraving 1807
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George Vertue Sr. George Lisle, General engraving 17th - 18th century
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David Roberts Ruins of Semua, plate 56 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Entrance to Nablous, plate 41 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Fountain of Cana, plate 33 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Pool of Bethesda, plate 12 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Cape Blanco, plate 67 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
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David Roberts Tomb of St. James, plate 5 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Port of Tyre, plate 68 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Da
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David Roberts Damascus Gate, plate 3 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London: Day
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David Roberts Doorway, Baalbec, plate 81 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Citadel of Sidon, plate 76 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London:
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David Roberts Tower of David , plate 13 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London: D
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George Cruikshank Anglo-Gallic Salutations in London 18th - 19th century
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George Vertue George Morley, Bishop of Winchester engraving 17th - 18th century
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George Cruikshank The Bottle (Londonä: published for the artist, by D. Bogueä, [1847]) book with etchings 1847
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David Roberts Tiberias, Looking toward Hermon, plate 38 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Cr
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David Roberts Dead Sea, Looking toward Moab, plate 50 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
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David Roberts St. Jean d'Acre, from the Sea, plate 66 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
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David Roberts Sidon, Looking toward Lebanon, plate 75 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
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David Roberts Jerusalem from the South, plate 10 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (L
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David Roberts Jerusalem from the North, plate 22 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lo
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David Roberts Church of the Annunciation, plate 32 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly
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David Roberts Tyre, from the Isthmus, plate 71 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (L
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David Roberts Jaffa, Looking North, plate 62 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Sidon, from the North, plate 74 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lo
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David Roberts Jaffa, Looking South, plate 61 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Jacob's Well at Shechem, plate 40 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Chapel of St. Saba, plate 52 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Londo
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David Roberts Convent of St. Saba, plate 51 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lond
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David Roberts St. Jean d'Acre, from the Land, plate 65 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George
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David Roberts Shrine of the Holy Sepulchre, plate 14 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Crol
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George Cruikshank Scraps and Sketches (London: published by the artistä and sold by James Robins and Co., 1828). BOUND WITH: Scraps and Sketches ä Part the second (London: published by the artistä and sold by James Robins and Co., 1829)
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David Roberts Calvary*Holy Sepulchre, plate 26 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lond
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David Roberts Crypt of the Holy Sepulchre, plate 20 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee [bound with The Holy Land, with historical notes by George Croly (
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David Roberts Jerusalem from the Mount of Olives, plate 18 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George
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David Roberts Beit Jebrin, or Eleutheropolis, plate 54 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George
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David Roberts Fountain of Job*Valley of Hinnom, plate 21 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George C
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David Roberts Entrance to the Tomb of the Kings, plate 7 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George
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David Roberts Fountain of the Virgin, Nazareth, plate 29 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George C
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David Roberts Ramla, Ancient Arimathea, plate 64 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly
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David Roberts General View of Tyre, plate 69 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Sebaste, Ancient Samaria, plate 44 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lo
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David Roberts Nablous, Ancient Shechem, plate 42 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Baalbec, General View, plate 77 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lo
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David Roberts Tomb of Joseph at Shechem, plate 39 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (L
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David Roberts Jenin, Ancient Jezreel, plate 78 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (L
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David Roberts Baalbec, Western Portico, plate 79 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly
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David Roberts Circular Temple, Baalbec, plate 82 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly
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David Roberts Cana, the General View, plate 34 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lon
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David Roberts Sidon, General View, plate 73 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lond
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David Roberts Nazareth, General View, plate 28 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee [bound with The Holy Land, with historical notes by George Croly (Londo
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David Roberts Greek Chapel of the Holy Sepulchre, plate 4 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6), Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George
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George Cruikshank Sunday "SoirÈe Musicale", opposite page 45 and fourteenth illustration in the book Sunday in London (London: Effingham Wilson, 1833) wood engraving 1833
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George Stubbs The Anatomy of the Horse (London: for the author, 1766) Book with 24 etchings with engraving 1766
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George Cruikshank The Scourgeä (London: J. Johnston, 1811), vol. 2 book with 6 etchings with hand coloring on folded sheets 1811
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George Cruikshank The Scourgeä (London: J. Johnston, 1811), vol. 1 book with 6 etchings with hand coloring on folded sheets 1811
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George Stubbs Tygers at Play Etching with engraving 20th century
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David Roberts Caiphas, Looking toward Mt. Carmel, plate 63 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by Geo
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David Roberts Sea of Tiberias, Looking toward Bashan, plate 36 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by Ge
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David Roberts Immersion of the Pilgrims in the Jordan, plate 48 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes b
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David Roberts Jerusalem* The Church of the Purification, plate 16 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by
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David Roberts Descent upon the Valley of the Jordan, plate 47 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by
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David Roberts Entrance to the Citadel of Jerusalem, plate 24 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by Geo
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David Roberts Tower of Tiberias, Looking toward Lebanon, plate 35 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes b
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David Roberts Encampment of the Pilgrims at Jericho, plate 46 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by
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David Roberts Shrine of the Nativity, Bethlehem, plate 84 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by Geor
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David Roberts Shrine of the Annunciation, Nazareth, plate 31 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee [bound with The Holy Land, with historical notes by Georg
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George Cuitt Two from: Wanderings and Pencillings amongst Ruins of the Olden Times: A Series of Seventy-three Etchings by George Cuitt, Esq. London, 1855 18th - 19th century
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George Cuitt Two from: Wanderings and Pencillings amongst Ruins of the Olden Times: A Series of Seventy-three Etchings by George Cuitt, Esq. London, 1855 18th - 19th century
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George Cuitt One from: Wanderings and Pencillings amongst Ruins of the Olden Times: A Series of Seventy-three Etchings by George Cuitt, Esq. London, 1855 18th - 19th century
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George Vertue Portrait Nicolas Tindal, after G. Knapton engraving 1738
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David Roberts Wilderness of Engedi, near the Convent of St. Saba, plate 53 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historic
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George Catlin Plate 134 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 130 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 136 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 137 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 138 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 131 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 132 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 135 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 139 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 150 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 149 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 148 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 147 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841
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George Catlin Plate 146 in the book Letters and Notes on the Manners, Customs, and Condition of the North American Indians by George Catlin (London: the author, 1841),2nd ed., vol. 2 engraving 1841

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to London

Cafe Gallery Project: The London Group: Works on Paper
The results are plain to see in the gallery. Each exhibited work has a quality, integrity and inner consistency which has been uncompromised by any extraneous requirements of a theme or commissioning brief. Individual pieces are given plenty of sp...
ART2002 London Art Fair: The 14th London Contemporary Art Fair Opens Today
ART2002, The 14th London Contemporary Art Fair, will run at the Business Design Centre from Wednesday 16 January to Sunday 20 January 2002. There will be a Charity Private View Evening on Tuesday 15 January to raise funds for the Whitecha...
Autograph, the Association of Black Photographers and London College of Communications: Call for Artists: 3 Year Programme Now Offered in Photography
London College of Communication and Autograph ABP have created a 3 year programme to allow a student to attend the BA (Hons) Photography course at LCC, one of the country’s flagship educational institutions in the field of communications studi...
Brunei Gallery, School of Oriental and African Studies, University of London: Call for Artists: Post Hiroshima Mail Art
Submission to:
Copad Arts
31 Hertford Avenue, East Sheen
London, SW14 8EF, UK For further information, please contact Copad on + 44 (020) 8255 7663 or email info@copadarts.com. ...
Museum of London: A Public Portfolio: Photographs of London by Henry Grant
These compelling black and white photographs capture Londoners of all ages as they go about their daily lives. They provide an intriguing record of the massive social changes that took place as Britain moved from p...
Photographer's Gallery: John 'Hoppy' Hopkins - From the Hip: The 1960s
Later, Hoppy documented peace marches, poetry readings with a naked Allen Ginsberg, and photographed twentieth century icons such as Martin Luther King and Malcolm X. For Hoppy the Sixties were, Just a...
Christie's: Old Master Pictures
...
The House of Detention: The Colosseum Project @ The House of Detention
The Colosseum Projects latest exhibition at the House of Detention is an underground exhibition of underground art. The artists of the Colosseum Project will create a wonderland of film, video, installation and performance within the strange s...
National Galleries of Scotland: Rachel Whiteread: First Solo Exhibition on Scotland
In 1993 Whiteread made a cement cast of the inside of a terraced three-story house in the London borough of Hackney, where she lives and works. House was demolishe...
Arts Catalyst, the science-art agency: Fluid Trajectories: Zero Gravity Workshop with Choreographer and Dance Researcher Kitsou Dubois
The aim of the workshop will be to experience different aspects of gravity and methods of escaping gravity. Through studio work, trampoline and water, we will question the concept of weight support and the ability to maintain moments of weightless...
Whitechapel Project Space: Mie Miyamoto: Section(s)
Starting at her home in Nathaniel Close, E1, Mie walked a 17.6 kilometre long East-West trek across London concluding in Argyle Road, W13. She sees the recordings of this journey as a means of pasting and repairing pavement culture. The...
Artangel: Die Familie Schneider in London
Dead House ur was recently reconstructed in the German Pavilion at the Venice Biennale in 2001 when Schneider was awarded the Golden Lion for Sculpture. For his first major project in the UK, Die Familie Schneider renews Schneider’s obsession ...
The Pavilions, Mile End Park: The Bold and The Beautiful
The Bold and The Beautiful showcases some of the best young artists in London and celebrates its incredible diversity and energy. The Bold and The Beautiful is a picture of London in 2002. The Bold and The Beautiful will take place in The ...
London School of Hygiene & Tropical Medicine (LSHTM): Smog: Works Inspired by London's Great Smog
For a whole week in 1952, beginning on 4 December, London suffered its worst ever smog when levels of sulphur and particulates reached lethal concentrations, killing an estimated 12,000 people. Half a Century later, the event remains a reference p...
Hoxton Distillery: pending emotion: Six Artists from London and Germany
The idea of presentation of objects and their collection is skipped in favour of the dramatic montage.    Curator, Jens Kabisch features work by Norman Hogg, Adeline Mannarini, Francis Summers, Ursula Ponn and Doris Lasch. IMAGE:
...
October Gallery: THE LOST CHILD PROJECT: A multimedia installation by Jamie Vartan
The October Gallery is located at Ludonia House, 24 Old Gloucester Street in London. The space is open Tuesday to Saturday, 12.30 - 5.30pm (Friday 12th May: 12.30 - 2.30pm). There ...
Muse at 269 Gallery: Shine: A Solo Show of Paintings by Sonya Vine
Exploring the power of shadows, the artist creates suggestive stories by observing our ‘second selves’ through the balance of light and shade. Kin thanks to sponsor ‘Harvey House Films’ Sonya Vine has exhibited mainly in London venues, i...
The Art Pavilion: Call for Artists: 2006 Exhibition Proposals Being Accepted
Application forms and supporting information are available from the Director of Mile End Park on 020 7364 4147email Michael.Rowan@towerhamlets.gov.uk The Art Pavilion Forum will select shows from all the submitted proposals in order to create...
Cafe Gallery Project: Story Telling Narrative Paintings by Debbie Lee
It seemed already the vision of an undying child, endowed with an awkward grace that was utterly compelling. Could she hold onto that raw creativity even in mature adulthoodNULL
- Timothy Hyman Debbie Lee graduated with a first class...
Serpentine Gallery: Gillian Wearing
This will be Wearing's first significant one-person exhibition in London and will feature classic early works as well as r...
Bishop’s University Art Gallery: Beyond Sweeties: Work by Naomi London
The exhibition, over a year in the making, explores the notion of female domesticity and craft-oriented tasks viewed from the p...
Soho MultiMedia Festival: Call for Entries: SEPTEMBER SONG
denise@refocus-now.co.uk or info@septembersong.co.uk or snail mail refocus NOW, Penthouse Suite, 175 Piccadilly, MAYFAIR, London, W1V 9DB...
Andrew Mummery Gallery: Paintings of Peter Lynch
It would be a mistake to read Lynch's work purely in terms of the history of modernist abstraction or see it as purely "process painting". Although Lynch undoubtedly, and not always seriously, plays with modernist tropes, something more fundamenta...
Bettie Morton Gallery: Peter Brooke-Ball: Sculpture and Painting
Alongside the sculptures are paintings and drawings which pick up the rhythm of the 3D work. The sumptuous paintings balance colour and form in such a subtle way that, as with the sculptures, the substance is often slow to reveal itself. And who d...
Chisenhale Gallery: Gary Webb: Deep Heatt, Reg Laguna
Webb's sculpture hovers between abstraction and a subtle form of figuration, creating organic forms that coexist alongside mass-produced elements. The familiarity and vivid sensuality of his materials draw in the viewer, edgily defining our relati...
Copad Arts: Call for Artists: Wanting Paper Cranes
Please visit www.afterhiroshima.org to learn how to make paper cranes. For more information please contact: Ni Cuu, Copad Arts, info@copadarts.com ...
Irish Museum of Modern Art: Kathy Prendergast : The End and the Beginning
This exhibition examines Prendergast's practice over an eight year period from 1992-1999, taking 'The City Drawings' as its starting point. This ongoing drawing project transcribes in pencil the anato...
Institute of International Visual Arts: Mayling To: The Stranger
Panda's off-beat rite is ultimately made visible to the viewer, and the results are as comic as they are disquieting. Mayling To lives and works in London, and completed her Fine Art MA at Goldsmiths' College in 2001. To has previously sho...
Centre of Attention: Boyle Family: London Sound Study
From 1 October, the files will be available to listen and to download from www.thecentreofattention.org onto your computer or iPod for free. With this web-based and aural exhibition, the Centre of Attention has sought to further its examinat...
Afforable Art Fair: The second Afforable Art Fair, Contemporary Art Under 2,000 pounds
The whole ethos is to make buying art easier, by being approachable, educational, affordable and helpful. In doing so, they hope that people who have never bought an original work of art feel ...

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