Artist: Francisco Jose De Goya Y Lucientes ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Francisco JosE de Goya y Lucientes.

The Minneapolis Institute of Arts -
Artist: Francisco Jose de Goya y Lucientes Title: Francisco Goya y Lucientes, Pintor Date: 1797
The Minneapolis Institute of Arts -
Artist: Francisco Jose de Goya y Lucientes Title: Self-Portrait with Dr. Arrieta Date: 1820 Medium:
The Minneapolis Institute of Arts -
Artist: Francisco Jose de Goya y Lucientes Title: As far back as his grandfather Date:
The Minneapolis Institute of Arts -
Artist: Francisco Jose de Goya y Lucientes Title: The Renowned American Mariano Cebellos Date: 1825
J. Paul Getty Museum -
Pygmalion and Galatea
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Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
J. Paul Getty Museum -
Contemptuous of the Insults
J. Paul Getty Museum -
He Can No Longer at the Age of 98
The Metropolitan Museum of Art -
Bullfight in a Divided Ring Style of Francisco de Goya y Lucientes (Spanish, early 19th
J. Paul Getty Museum -
Bullfight, Suerte de Varas
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Francisco Jose de Goya y Lucientes - Caprichos n.d. etching Mead Art Museum, Amherst College Spanish
The Metropolitan Museum of Art -
José Costa y Bonells (died l870), Called Pepito Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil
The Metropolitan Museum of Art -
A City on a Rock Style of Francisco de Goya y Lucientes (Spanish, 19th century)Oil
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Francisco Jose de Goya y Lucientes - Self-Portrait with Dr. Arrieta 1820 oil on canvas Minneapolis Institute of Arts Spanish
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Francisco Jose de Goya y Lucientes - Be Careful with that Step! c. 1805 brush with black ink The Art Institute of Chicago Spanish
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Fran.co Goya y Lucientes, Pintor. (Francisco Goya y
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Francisco Jose de Goya y Lucientes - Don Manuel Garcia de la Prada c. 1810 oil on canvas Des Moines Art Center Spanish
The Metropolitan Museum of Art -
Majas on a Balcony Attributed to Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil on canvas;
The Metropolitan Museum of Art -
Giant, by 1818; 19th century Francisco de Goya y Lucientes (Spanish, Fuendetodos, 1746 - 1828,
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Francisco Jose de Goya y Lucientes - Dona Amalia Bonells de Costa c. 1805 oil on canvas The Detroit Institute of Art Spanish
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Francisco Jose de Goya y Lucientes - Friar Pedro Wrests the Gun from El Maragato c. 1806 oil on panel The Art Institute of Chicago Spanish
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Fran.co Goya y Lucientes, Pintor (Frontispiece, pl. 1,
The Metropolitan Museum of Art -
Don Bernardo de Iriarte (1734-1814) Copy after Francisco de Goya y Lucientes (Spanish, 1797 or
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Francisco Jose de Goya y Lucientes - El Maragato Threatens Friar Pedro de Zaldivia with His Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
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Francisco Jose de Goya y Lucientes - Friar Pedro Clubs El Maragato with the Butt of the Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
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Francisco Jose de Goya y Lucientes - Friar Pedro Binds El Maragato with a Rope c. 1806 oil on panel The Art Institute of Chicago Spanish
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Francisco Jose de Goya y Lucientes - Friar Pedro Shoots El Maragato as His Horse Runs Off c. 1806 oil on panel The Art Institute of Chicago Spanish
The Metropolitan Museum of Art -
Doña Narcisa Barañana de Goicoechea Attributed to Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil on
The Metropolitan Museum of Art -
María Luisa of Parma (1751-1819), Queen of Spain Copy after Francisco de Goya y Lucientes
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Francisco Jose de Goya y Lucientes - Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun c. 1806 oil on panel The Art Institute of Chicago Spanish
The Metropolitan Museum of Art -
Don Sebastián Martínez y Pérez (1747-1800), 1792 Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil on
The Metropolitan Museum of Art -
Don Tiburcio Pérez y Cuervo, the Architect, 1820 Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil
The Metropolitan Museum of Art -
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-1788 Francisco de Goya y Lucientes (Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Francisco Goya (Self Portrait) about 1783 Graphite and
The Metropolitan Museum of Art -
Don Ignacio Garcini y Queralt (1770-1825), Brigadier of Engineers, 1804 Francisco de Goya y Lucientes
The Metropolitan Museum of Art -
Don Manuel Osorio Manrique de Zuñiga (1784-1792), possibly 1790s Francisco de Goya y Lucientes (Spanish,
The Metropolitan Museum of Art -
Doña Josefa Castilla Portugal de Garcini y Wanasbrok, 1804 Francisco de Goya y Lucientes (Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Bearded Woman Holding a Child (Drawing from Journal-Album
Museum of Fine Arts -
Imitator of Francisco de Goya y Lucientes, Spanish, 1746-1828 Portrait of a Man Oil on
J. Paul Getty Museum -
Portrait of the Marquesa de Santiago
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Young Woman Reclining on a Bed, While Being
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Francisco JosÈ de Goya y Lucientes Francisco Goya y Lucientes, Pinter (Francisco Goya y Lucientes, Painter), frontispiece and plate 1 from the series Los Caprichos (Caprices) Etching and aquatint 1799
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Two Nude Young Women on a Bed (recto
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 The Garroted Man El Agarrotado 1778-80 Etching with
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Man Pulling Up his Breeches, page 86 (verso)
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Men in Sacks (Los Ensacados); from the "Disparates"
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Three Figures Seated at an Open Window (recto,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Bullfight in a Divided Ring; from the so-called
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Picador Caught by a Bull; from the so-called
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Modo de Volar (A Way of Flying); from
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y aun no se van! (And still they
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 El Famoso Americano, Mariano Ceballos; from the so-called
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Dibersion de España. (Spanish Entertainment); from the so-called
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Francisco Goya y Lucientes - Don Pedro, Dugue de Osuna 1790-1800 oil on canvas The Frick Collection Spanish
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Por que fue sensible. (Because she was susceptible);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y aun no se van! (And still they
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Caritas (Saint Francis of Paola) San Francisco de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 De que mal morira? (Of what ill will
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Man Being Mocked; from the "Disparates" series, plate
Museum of Fine Arts -
Rosario Weis(s), Spanish, 19th century With Francisco de Goya y Lucientes, Spanish, 1746-1828 Man with
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Giant; from the "Disparates" series, plate 4 The
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Aun podrán servir. (They can still be of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tu que no puede. (You who cannot); Plate
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ni asi la disintingue. (He cannot make her
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Allá vá eso. (There it goes); Plate 66
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Printer Anonymous, Spanish, 18th century Woman Reading to
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y no hai remedio. (And there is nothing
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Giant El Coloso (The Colossus) by 1818 Burnished
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ni mas ni menos. (Neither more nor less);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tanto y más. (All this and more); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor do these); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Nadie nos ha visto. (No one has seen
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Nohubo remedio. (Nothing could be done about it);
Museum of Fine Arts -
Unidentified artist, French (?), 19th century After Francisco de Goya y Lucientes, Spanish, 1746-1828 Mala
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Asta su abuelo. (And so was his grandfather);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Disparate Pobre (Poor Folly); from the "Disparates" series,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Unos á otros. (What one does to another);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 El de la rollona. (Nanny"s Boy); Plate 4
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Quien mas rendido? (Which of them is the
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Untitled; from the "Disparates" series, plate 18 Drawn
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Asta su abuelo. (And so was his grandfather);
Museum of Fine Arts -
Unidentified artist, American, about 1840 After Francisco de Goya y Lucientes, Spanish, 1746-1828 Copy of
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Curarlos, y á otra. (Take care of them
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No te escaparás. (You will not escape); Plate
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No saben el camino. (They do not know
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya no hay tiempo. (There is no longer
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No quieren. (They do not want to); Fatales
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Mejor es holgar. (It is better to be
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto si que es leer. (That certainly is
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Si sabrá mas el discipulo? (Might not the
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Disparate de Carnabal (Carnival Folly); from the "Disparates"
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 También estos. (These, too); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 La filiacion. (The filiation); Plate 57 bound into
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 El Vergonzoso. (The Shamefaced One); Plate 54 bound
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Ya van despumados. (There they go plucked); Plate
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Si quebró el Cantaro. (Yes he broke the
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Se repulen. (They spruce themselves up); Plate 51
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Miren que grabes! (Look how solemn they are!);

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