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Artist: Andrea Mantegna (1431 - 1506)
Nationality: Italian
Movement: Renaissance
Media: Painting
Influences:
Biography: Andrea Mantegna’s mentor and guardian was Paduan tailor and self-taught painter, Francisco Squarcione. Mantegna solidified his presence by created an altarpiece for the church of Santa Lucia in 1450. He then mastered the technique of perspective by studying the works of Donatello and Castagno while continuing to create religious paintings in and around Verona. The Duke of Mantua, Ludvico Gonzaga, summoned Mantegna to decorate his palaces in 1459. Subsequently, he created a series of tempera paintings based on the Triumph of Caesar that where purchased by Charles I.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Andrea Mantegna.
The Minneapolis Institute of Arts
- Artist: Andrea Mantegna Title: The Risen Christ between Saints Andrew and Longinus Date: about 1472 The Metropolitan Museum of Art
- Madonna and Child with Seraphim and Cherubim, ca. 1460 Andrea Mantegna (Italian, Paduan, born no The Minneapolis Institute of Arts
- Artist: Andrea Mantegna Title: Battle of the Sea Gods Date: about 1485 - 1488 Medium: J. Paul Getty Museum
- Two Standing Male Figures The Minneapolis Institute of Arts
- Artist: Andrea Mantegna Title: Bacchanalian Group with a Wine Press Date: about 1490 Medium: engraving The Metropolitan Museum of Art
- The Holy Family with Saint Mary Magdalen, 1496-1506 Andrea Mantegna (Italian, Paduan, born no later The Metropolitan Museum of Art
- Rodolfo Gonzaga (1451-1495) Style of Andrea Mantegna (Italian, Mantuan, about 1490-95)Tempera on wood; 4 1/4 J. Paul Getty Museum
- Study of Four Saints The Metropolitan Museum of Art
- The Adoration of the Shepherds, shortly after 1450 Andrea Mantegna (Italian, Paduan, born no later The Metropolitan Museum of Art
- Bacchanal with a Wine Vat, ca. 1490 After Andrea Mantegna (Italian, Isola di Carturo, 1430-31-
- Swain
Facsimile of part of the Celebrated print of the Sea Monsters Engraved by Andrea Mantegna, 11th plate opposite page 508 in the book, An Inquiry into the Origin and Early History of Engraving upon Copper and Wood by William Young Ottley (London: J
- Andrea Mantegna - Portrait of a Man c. 1470 tempera on hardboard National Gallery of Art Italian
- Andrea Mantegna
Oeuvre de A. Mantegna (Paris: Amand-Durand, 1878)
Book with 27 photomechanical reproductions of engravings
15th - 16th century
- Andrea Mantegna - Marysas/St. Sebastian 1431-1506 bronze gilded Liechtenstein Museum Italian
- Andrea Mantegna - The Infant Savior c. 1460 tempera on canvas National Gallery of Art Italian
- Andrea Mantegna - A Sibyl and a Prophet c. 1495 distemper and gold o Cincinnati Art Museum Italian
- Andrea Mantegna
Reproduction of the engraving, Risen Christ with Sts. Andrew and Longinus, sixth plate in the book, Oeuvre de A. Mantegna (Paris: Amand-Duran, 1878)
Photomechanical reproduction of an engraving
15th - 16th century
- Andrea Andreani
The Captives
chiaroscuro woodcut in four blocks
1598
- Andrea Mantegna
The Entombment
engraving
ca. 1460
- Andrea Mantegna
The Entombment
Engraving
circa 1470
- Andrea Mantegna
Battle of the Sea Gods
engraving
ca. 1485
- Andrea Mantegna
Bacchanal with a Wine Vat
Engraving
circa 1475
- Andrea Mantegna
Triumph of Caesar: The Elephants
engraving
ca. 1490
- Andrea Mantegna
Descent into Limbo
engraving
ca. 1475 - 1480
- Andrea Mantegna
Hercules and Antaeus
Engraving
late 15th century
- Andrea Mantegna
Triumph of Caesar: Soldiers Carrying Trophies
engraving
ca. 1490
- Andrea Mantegna
The Elephants, from the series The Triumphs of Caesar, after the paintings for the Palazzo Ducale of Mantua, now in Hampton Court Palace, England
Engraving
1485 - 1500
- Andrea Mantegna
Roman Senators, after a design for an unexecuted (tenth) canvas for the series The Triumphs of Caesar for the Palazzo Ducale of Mantua
Engraving
1485 - 1500
- Anonymous
Decent into Limbo
engraving
ca. 1797 J. Paul Getty Museum
- Portrait of a Man
- Giovanni Antonio da Brescia
Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna
Metalcut
circa 18 - 19th century
- Andrea Mantegna - The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist c. 1485-88 distemper, oil, and Kimbell Art Museum Italian
- Arthur Pond
[ Profile Study of a man] E Museo Domini Roberto Dingeley
1735
- Andrea Sabbatini (Andrea da Salerno)
Two Saints
Pen and brown ink on laid paper mounted to a heavier sheet
16th century
- Andrea Zittel - A-Z Escape Vehicle: Customized by Andrea Zittel 1996 Exterior: steel, ins The Museum of Modern Art American
- Domenico Corvi - The Glorification of Andrea Doria c. 1750 oil on canvas Minneapolis Institute of Arts Italian The Minneapolis Institute of Arts
- Artist: Andrea Vicentino (Andrea Michelli) Title: Alexius Comnenus Appearing Before The Doge Date: 16th century
- Titian - Doge Andrea Gritti 1546-1548 oil on canvas National Gallery of Art Italian The Metropolitan Museum of Art
- Portrait of a Man Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on canvas, transferred The Metropolitan Museum of Art
- Head of the Madonna, fragment Andrea del Sarto (Andrea d"Agnolo) (Italian, Florentine, 1486-1530)Oil on wood;
- Vincenzo Catena - Portrait of the Doge, Andrea Gritti 1523-31 oil on canvas The National Gallery, London Italian
- Francesco Guardi - Forte S. Andrea Del Lido, Venice 1760-1770 oil on canvas The Fitzwilliam Museum Italian The Metropolitan Museum of Art
- The Marriage of Cupid and Psyche Andrea Schiavone (Andrea Medulich or Meldolla) (Italian, Venetian, 1522?–1563)Oil
- Lorenzo Loli
The Holy Family, after Giovanni Andrea Sirani
Etching
17th century The Metropolitan Museum of Art
- I quattro libri dell"architettura di Andrea Palladio . . ., 1570 Author: Andrea Palladio (Andrea
- Andrea Andreani
Virtue, after Jacopo Ligozzi
Chiaroscuro woodcut printed in brown and ochres from 3 blocks
1585
- Andrea Andreani
The Christian Hero
chiaroscuro woodcut
16 - 17th century
- Andrea Andreani
The Adoration of the Magi
Chiaroscuro woodcut in three blocks
16 - 17th century The Metropolitan Museum of Art
- Madonna Adoring the Sleeping Child, early 1460s Giovanni Bellini (Italian, Venetian, active by 1459, died
- Andrea Schiavone (Andrea Meldolla)
Minerva and the Muses
Etching
16th century
- Andrea Schiavone (Andrea Meldolla)
The Entombment
woodcut
circa mid 16th century
- Andrea Andreani
Christ Led Away from Pontius Pilate, right half of a diptych, after Giambologna
Chiaroscuro woodcut in four blocks
1585
- Andrea Andreani
Bathing Nymphs, after Parmigianino
Chiaroscuro woodcut printed in grey and black from 3 blocks
1605
- Andrea Schiavone (Andrea Meldolla)
Prophet Reading A Scroll
Etching with drypoint
16th century The Metropolitan Museum of Art
- Virgin and Child, Relief, 15th century (ca. 1470-75) By Andrea della Robbia (1435-1525)Italian (Florence); Made
- Andrea Andreani
The Entombment, after Raffaellino da Reggio
Chiaroscuro woodcut printed in brown and black from 4 blocks
1585
- Adamo Scultori (Mantovano)
Allegory of Servitude
Engraving
16th century
- Andrea Schiavone (Andrea Meldolla)
Jesus and St. John Embracing in the Presence of Saints
Etching
16th century
- Andrea Andreani
Hope, after Parmigiano, from a series of Christian Virtues
Chiaroscuro woodcut printed in brown and black from 3 blocks
16 - 17th century
- Andrea Rossi (de Rubeis)
Carolo III
18th century
- Richard Woodman
Andrea Palladio
etching and engraving
18th - 19th century
- Andrea di Lione
Adoration of the Golden Calf
oil on canvas
16th - 17th century
- Giovanni-Battista Cecchi
Title page for series of the Life of St. John the Baptist, after the frescoes in the cloister of the Compagnia dello Scalzo by Andrea del Sarto
Engraving
1794 The Metropolitan Museum of Art
- Study of Two Heads Peter Paul Rubens (Flemish, 1577-1640)Oil on wood; 27 1/2 x 20 The Metropolitan Museum of Art
- The Holy Family with the Infant Saint John the Baptist, ca. 1530 Andrea del Sarto
- Andrea di Bartolo
The Martyrdom of St. Lawrence
tempera on panel
early 15th century The Metropolitan Museum of Art
- Madonna and Child with Saints, altarpiece, ca. 1520 Girolamo dai Libri (Italian, Veronese, 1474-1555)Tempera and
- Henri Thiriat
Madonna- Par Andrea Della Rubbia
etching and engraving
14th century
- Andrea Gomez
El Campesino (The Farm Worker)
linoleum cut
circa 1940 - 1950 The Minneapolis Institute of Arts
- Artist: Domenico Corvi Title: Glorification of Andrea Doria Date: 18th century Medium: oil on canvas
- Andrea Casali
Madonna and Child, after Raphael
Etching
18th century J. Paul Getty Museum
- Tending to St. Sebastian
- Andrea Casali
The Champion; or Innocence Triumphant
Etching
18th century
- Andrea Boscoli
Death of the Virgin Mary
pen and brown ink and opaque watercolor over graphite
16th - 17th century
- Dietrich Theodore Cruger
Portrait of Andrea de Sarto
Engraving
16th - 17th century The Metropolitan Museum of Art
- Doge Andrea Gritti (1455-1538) Workshop of Titian (Italian, Venetian, born about 1488, died 1576)Oil on
- Giovanni Andrea Podest
Bacchanal
Etching
1640 The Metropolitan Museum of Art
- The Crucifixion, predella panel Andrea di Bartolo (Italian, Sienese, active by 1389, died 1428)Tempera on
- Andrea Rossi (de Rubeis)
Prospectus Horti Romani (Map of horticultural Roman gardens)
Etching
18th century
- Giovanni Andrea Podest
Allegory With Cupid and Putti
Etching
1640 The Metropolitan Museum of Art
- Tobit Burying the Dead, 1640s Andrea di Lione (Italian, Neapolitan, 1610-1685)Oil on canvas; 50 1/4
- Giovanni Andrea Maglioli
Homage to Seneca after the painting by Peter Paul Rubens
Engraving
17th century
- Andrea Casali
Edward the Martyr Stabbed by Order of his Step-Mother Elfrida at Corfe Castle
Etching
1773
- Andrea Sacchi (Ouche)
Festa Fatta in Roma
1648
- Giovanni Andrea Podest
Bacchanal with Altar, Faun, and Silenus
Etching and burin
1640
- Giovanni Andrea Podest
Bacchanal With Bacchus and a Sleeping Woman, after Titian
Etching
17th century
- Andrea Le Jeune Scacciati
The Triumph of Flora(?), after Vincenzo Dand, from the series Disegni originali d'eccelenti pittori...
Etching
18th century
- Giovanni Andrea Podest
Statue of Venus with Numerous Putti, after Titian
etching
1636 J. Paul Getty Museum
- Drapery Study; Nude Man
- Giovanni Andrea Podest
Statue of Venus with Numerous Putti, after Titian
etching
1636 The Metropolitan Museum of Art
- Madonna and Child, ca. 1470 Workshop of Andrea del Verrocchio (Italian, Florentine, 1435-1488)Tempera and gold
- Andrea del Sarto
Beheading of St. John the Baptist and presentation of his head
ink and wash
circa 1600 The Metropolitan Museum of Art
- Christ Blessing Andrea Solario (Italian, Milanese, active by 1495, died 1524)Oil on wood; 80 1/4
- Elisabetta Sirani
The Holy Family with St. Elizabeth and St. John the Baptist
Etching
17th century
- Andrea Le Jeune Scacciati
Putto and Three Bathers, after Titian, from the series Disegni originali d'eccelenti pittori...
Etchingin grey ink
18th century
- Parmigianino (Francesco Mazzola)
Recto:Circe greeting the Companions of Ulysses~Verso: The Christian Hero by Andrea Andreani (lower fragment)
Color chiaroscuro woodcut printed in black and tan
1602
- Andrea Le Jeune Scacciati
Venus and Adonis, after Malosso, from the series Disegni originali d'eccelenti pittori...
Etching, aquatint
18th century
- Giovanni Pietro da Birago
Ornamental Panel: Nereid and Two Children Playing Musical Instruments, from a series of twelve ornamental panels
Engraving
circa 1505 - 1515
- Andrea Zucchi
Presentation of the Virgin in the Temple, after Titian's painting in the Galleria Accademia, Venice
Etching and engraving
18th century
- Andrea Briosco Riccio - Lamp n.d. bronze The Frick Collection Italian
Artnews Articles and Exhibition Information: (8) Click on any of the links below to read about artnews or exhibitions related to Mantegna
Frick Collection: Mantegna's Descent into Limbo, from the Barbara Piasecka Johnson Collection
Because it was so highly regarded, several other versions were made, including this smaller one,
which was probably done for Ferdinando Carlo, the last Duke of Mantua, around 1470–75.Lent
through the generosity of the Barbara Pia...
Rembrandt House: Rembrandt’s Treasures
Rubens will be represented by a major
work, on loan from Dresden, illustrating
the story of Hero and Leander. It hung
in Rembrandt’s house for many years
before he sold it on in 1644. Another
masterpiece is a painting by
...
Mississippi Art Pavilion: The Glory of Baroque Dresden Among the highlights of the exhibition are Johann Vermeer’s “The Procuress” and the 41-carat “Dresden Green Diamond.” Other artworks include twenty-seven Old Masters paintings by Rembrandt, Rubens, Titian, van Dyck, Veronese, Tintoretto, and Mant...
Fondation Cartier: Alair de Oliveira Gomes, photographs Murdered at the age of seventy-one, this highly cultured man, a tireless collector of books, pictures, and films,
decided to transform the thousands of pages of his diary into images: Gomes patiently undertook the composition of
...
National Gallery: Fabric of Vision: Dress and Drapery in Painting Artists bring dress and drapery to life, showing us how to see and feel it. In responding to contemporary fashion, they present to each age a compelling image of how clothes should be worn. The exhibition opens with a striking series of paired pai...
Bonnefanten Museum: The Age of Titian: Prints and Printmaking in Renaissance Venice Reflecting a superior quality of printmaking, the prints included in the exhibition are on loan from the most celebrated print collections, including the Albertina in Vienna, the British Museum in London, the Metropolitan Museum of Art in New York...
Frick Collection: When is a Work of Art Complete: Prints by Rembrandt, Piranesi, Degas, Munch and More In the process of printmaking, an artist will normally take proof impressions as he makes changes to his plate. These proof states, as will be apparent through many groupings in the exhibition, can establish an exact record of the image in the pr...
Guggenheim Museum: Kunsthistorisches Museum, State Hermitage Museum, and Solomon R. Guggenheim Foundation Sign Tri-Lateral Agreement in Vienna for the Development of Long- Term Collaborative Programs The tri-lateral agreement will establish a new level of international collaboration. The broad
strategic objectives of the alliance are: to expand international cultural relations; to make each
museum's collections accessible to broader audienc...
Further Artwork and Information:
WebMuseum: Mantegna, Andrea
Andrea Mantegna Online
Andrea Mantegna
CATHOLIC ENCYCLOPEDIA: Andrea Mantegna
MANTEGNA, Andrea
Andrea Mantegna
Mantegna
Andrea Mantegna - Olgas Gallery
CGFA- Andrea Mantegna
Arte mantovana: Andrea Mantegna
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