Artist: Antonio Maria Maragliano (1664 - 1739)
Nationality: Italian
Movement:
Media: Sculpture
Influences:

Biography:
Anton Maria Maragliano was born in Genoa to a poor family. He first worked with furniture maker Pietro Andrea Torre and then began working separately for the Genoese cofraternities. Maragliano created wood sculptures, crucifixes, figures of saints, and narrative scenes from the Bible.

Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Maria Maragliano.

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Prophète et sibylle de la coupole Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Prophète et sibylle de la coupole Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Prophète et sibylle de la coupole Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Prophète et sibylle de la coupole de Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Prophète et sibylle de la coupole Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Prophète et Sibylle de la coupole Santa Maria de Campagna by SACCHIENSE Giovanni Antonio (d'après)
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Antonio Maria Zanetti St. James the Apostle, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
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Antonio Maria Zanetti A Genie Aloft, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
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Giovanni Antonio Faldoni Two Nude Shepherds, after Parmigianino Engraving 1724
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Dieu le Père entouré d'anges by SACCHIENSE Giovanni Antonio
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Satyre assis sur le bord d'une table by VIANI Antonio Maria (attribué à)
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Un homme à genoux devant un autre homme by ZANETTI Antonio Maria (attribué à)
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Etudes de putti et deux figures debout by SACCHIENSE Giovanni Antonio
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Antonio Maria Vassallo - The Larder c. 1650-1660 oil on canvas National Gallery of Art Italian
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Un pape et un empereur et trois chérubins (4e quart 16e siècle ; 1er quart 17e siècle) by VIVIANI Antonio Maria
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Antonio Maria Zanetti The Virgin and Child chiaroscuro color woodcut 18th century
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Les saints Polycarpe, Alaverne et Basile by VIVIANI Antonio Maria (manière de)
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Saint Augustin, assis, les mains posées sur des livres by SACCHIENSE Giovanni Antonio (d'après)
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Antonio Maria Zanetti The Sacrifice of Noah, after Raphael Chiaroscuro woodcut print in 4 blocks (3 greys and a black) 1740
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Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut printed in blues circa 1720 - 1730
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La Circoncision by SACCHIENSE Giovanni Antonio
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Antonio Maria Zanetti The Education in Music of the young Achilles by the Centaur Chiron, after Castiglione Etching 1758
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Antonio Maria Zanetti Apollo and Marsyas chiaroscuro color woodcut prijnted in green and brownn circa 1720 - 1730
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Filippo Maria Visconti, coiffé d'un bonnet, en buste et de profil (1ère moitié 15e siècle) by PISANELLO Antonio
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Antonio Maria Zanetti The Education in Geography of the young Achilles by the Centaur Chiron, after G. B. Castiglione Etching printed in sepia ink 1752
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Filippo Maria Visconti, coiffé d'un chapeau, en buste et de profil (1ère moitié 15e siècle) by PISANELLO Antonio
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Dead Christ with Lamenting Angels, Antonio del Castillo y Saavedra (Spain, Córdoba, 1616 - 1668)  (Artist), 1650, Oil on copper
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Domenico Maria Bonavera A Christian Martyr Saint, after Domenico Maria Canuti Etching and engraving 17th century
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Samson secouant les colonnes du temple des Philistins (4e quart 17e siècle ; 1ère moitié 18e siècle) by MOLINARI Antonio
The Metropolitan Museum of Art -
Venice: Santa Maria della Salute Canaletto (Giovanni Antonio Canal) (Italian, Venetian, 1697-1768)Oil on canvas; 18
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Antonio Montauti Antonio Magliabechi 17th - 18th century
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Ange debout (18e siècle) by NATOIRE Charles Joseph (attribué à) ; RAGGI Antonio (inspiré par)
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(Sans titre) (1961) by BARANOWSKA Maria, PAPA Maria (dite)
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La déploration (2e moitié 17e siècle) by MARIA FRANCESCO DI (attribué)
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Canaletto - View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo early 1730's oil on canvas The Fitzwilliam Museum Italian
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Ange debout, de profil à droite (18e siècle) by NATOIRE Charles Joseph (attribué à) ; MARI Giovan Antonio (inspiré par)
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L'Adoration des Mages by BURRINI Giovanni Antonio
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Vierge (2e moitié 18e siècle ; 1er quart 19e siècle) by CONCA Tommaso Maria (attribué)
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Le sacrifice d'Abraham by ZANETTI Antonio Maria
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Deux études de l'Adoration des Mages (16e siècle) by PALMA Antonio
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Pordenone (Giovanni Antonio de Sacchis) St. Joseph Being Expelled from the Temple Engraving mid 16th century
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Antonio Visentini Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal... Etching 1735
The Metropolitan Museum of Art -
Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, 1456-1495), probably 1470 Hans Memling
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Marie de Medicis à mi-corps (1850 vers) by HANFSTAENGL Franz (graveur, éditeur) ; FASOLO Giovanni Antonio (d'après, peintre)
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Cheval de trois quarts vers la droite, la tête de face (1ère moitié 15e siècle) by PISANELLO Antonio
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Edward J. Steichen - Alphonse Maria Mucha 1901 gum platinum print The Royal Photographic Society American
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Cornelis Jonson van Ceulen - Anna Maria van Schurman 1657 oil on panel National Gallery of Art Dutch
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Charles Peale Polk - Anna Maria Cumpston c. 1790 oil on canvas National Gallery of Art American
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Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
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Ambrogio de Predis - Bianca Maria Sforza c. 1493 oil on panel National Gallery of Art Italian
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Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
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Hesiquio Iriarte Sta. Maria de Toscanella/ en los Estados Pontificios (Sta. Maria of Toscanella in the Papal States) Color lithograph 19th - 20th century
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Arrière-main d'un cheval de profil vers la droite (1ère moitié 15e siècle) by PISANELLO Antonio
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Gioan Antonio Lorenzini The Holy Family Etching 17th - 18th century
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Antonio Tempesta Roman Battle Scene, after Antonio Tempesta (?) Etching 16th - 17th century
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Antonio Tempesta The Entry of Alexander into Babylon, after Antonio Tempesta Engraving 16th - 17th century
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Quatre épisodes de la vie de la Vierge (1793) by SACCHIENSE Giovanni Antonio
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Oliviero Gatti The Creation of Man, second in a series of four Old Testament Subjects, after the frescoes by Pordenone on the dome of Santa Maria di Campagna in Piacenza Engraving 1625
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Marie de Medicis à mi-corps (1850 vers) by HANFSTAENGL Franz (graveur, éditeur) ; FASOLO Giovanni Antonio (d'après, peintre)
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Gioan Antonio Lorenzini The Ascension of the Virgin, after Guido Reni Etching 17th century

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Further Artwork and Information:

Antonio Maria Maragliano (1664 - 1739) Biography, Artwork Images, Exhibitions, Reviews
Antonio Maria Maragliano
Lorigine dei cognomi - Map
Comanducci elenco artisti
Piemonte emozioni da vivere - Piemonte emotions a vivre
Piemonte emozioni da vivere - Piemonte emociones para vivir
villa sant\antonio
Vivincittà
zazbusca.terra.com.br/vestibular/99unipdez5.txt
Comanducci Arte Italia - Catalogo Artitsti

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