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Artist: Carlo Maratti (1625 - 1713)
Nationality: Italian
Movement: Baroque
Media: Painting,Sculpture
Influences:
Biography: Carlo Maratti moved to Rome at the age of twelve and studied extensively as a child. In 1650, he created a successful altarpiece and established a solid reputation. In addition to altarpieces, he also painted portrats, frescoes, and created sculptures. Maratti eventually became the president of the Accademia di San Luca.
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Carlo Maratti.
- Carlo Maratti
The Visitation
Etching
mid 17th century
- Carlo Maratti
The Annunciation
Etching
17th century
- Carlo Maratti
Pope Clement IX
17th - 18th century
- Carlo Maratti
Portrait of Raphael
Etching
mid 17th century
- Carlo Maratti
The Birth of the Virgin
Etching
mid 17th century
- Carlo Maratti
The Adoration of the Magi
Etching
17th century
- Carlo Maratti
Holy Family
red chalk
17th - 18th century
- Carlo Maratti
The Mystic Marriage of St. Catherine
Etching
mid 17th century
- Carlo Maratti
The Assumption of the Virgin
Etching
17th - 18th century
- Carlo Maratti
The Mystic Marriage of St. Catherine
Etching
mid 17th century
- Carlo Maratti
The Holy Family With Angels
Etching
mid 17th century
- Carlo Maratti
Portrait of Raphael
Etching
mid 17th century
- Francesco Bartolozzi
Portrait of Carlo Cignani, after Carlo Maratta
Etching and engraving
1768
- Carlo Maratti
The Madonna with the Young Christ Sleeping
Etching
mid 17th century
- Carlo Maratti
The Virgin and Child with the Young St. John the Baptist
Etching
1647
- Carlo Maratti
Studies of Heads (Head of Christ and Two Putti)
red chalk on laid paper
17 - 18th century
- Carlo Maratti
The Martyrdom of St. Andrew, after a painting by Domenichino for the Chapel of St. Andrew in S. Gregorio, Rome.
Etching
17th century
- Carlo Maratti
Christ and the Samaritan Woman at the Well, after a painting by Annibale Carracci in the SzÈpm¸vÈszeti M*zeum, Budapest
Etching
1649
- Giralamo Ferroni
Jael and Barak Beholding Sisera, after Carlo Maratta
Engraving
1705
- Carlo Maratti
Holy Family
Black and white chalks with brown ink on laid paper mounted a heavier sheet
late 17th century
- Carlo Maratti
Hercules and Omphale
Pen and black ink and wash with traces of white watercolor on faded blue laid paper
early 18th century
- Carlo Maratti - Cardinal Jacopo Rospigliosi 1667-1669 oil on canvas The Fitzwilliam Museum Italian
- Carlo Maratti
St. Proculus
Pen and brown ink and brown wash over red chalk with black chalk on laid paper mounted to a heavier sheet
early 18th century
- Carlo Maratti
Recto:Madonna with Saints~Verso: Architectural Details
r:Pen and gray- brown ink over graphite on laid paperv: Graphite
late 17th century
- Carlo Maratti
Recto:Madonna and Child~Verso:Legs of Male Figure
r: Red and white chalks on faded blue paperv: Red and white chalks
17 - 18th century
- Carlo Maratti
Recto:Holy Family~Verso: Holy Family
r: Black and white chalks with brown ink on laid paperv: black and white chalks
late 17th century
- Carlo Maratti
St. Jerome
Black chalk with traces of white chalk , brown wash and pen and brown ink ON LAID PAPER MOUNTED TO A HEAVIER SHEET
late 17th century
- Pietro Aquila
The Guardian Angel, after Carlo Maratta
etching and engraving
17th century
- Carlo Maratti
Recto:Madonna and Child~Verso:Male Figure Study
r: Red chalk with white and black chalks on faded blue paperv:Red and white chalks
late 17th century
- Robert van Audenaerd
Rebecca and Eliezar
engraving
17th - 18th century
- Robert van Audenaerd
The Assumption of the Virgin
engraving
17th - 18th century
- Robert van Audenaerd
Mater Dolorum
engraving
17th - 18th century
- Robert van Audenaerd
Hagar and Ishmael in the desert
engraving
17th - 18th century
- Jakob Frey the Elder
St. Francis Xavier in Sanciano Insula
engraving
1733
- Jakob Frey the Elder
Sanctus Bernardus Abbas Clarquallis
engraving
1743
- Robert van Audenaerd
Daphne and Apollo - Plate II of II (right half of image)
engraving and etching
1728
- Robert van Audenaerd
Daphne and Apollo - Plate I of II (left half of image)
engraving and etching
1728
- Arthur Pond
[Caricature (Profile) of a man]
1742
- Arthur Pond
[Group of Church Dignitaries]
1736
- Arthur Pond
[Portrait of a man] Cabinet de Houlditch
1742
- Claude Monet - Monte Carlo vu de Roquebrune (Monte Carlo Seen from Roquebrune) 1884 oil on canvas Portland Museum of Art French
- Sir Robert Strange
Te Deum Laudamus
ENG
18th century
- John Hall
Pope Clement the Ninth
18th century
- Sir Robert Strange
Parce Somnum rumpere
ENG
18th century
- Michel Dorigny
A Giovani studiosi del Disegno
1728
- Arthur Pond
[Cariature (profile)] In the Collection of Th. Sadler
18th century
- John Smith
The Christ Child Adored by Angels
Mezzotint
1707 J. Paul Getty Museum
- Faith and Justice Enthroned
- Hamlet Winstanley
The Virgin appearing to St. Anthony of Padua
17th - 18th century
- Gabriel Scorodomoff
Diana and Acteon
Engraving
18th century
- John Smith
The Christ Child Adored by Angels (in counterproof)
Mezzotint
17th - 18th century
- Carlo Saraceni
The Rest on the Flight to Egypt, after Carlo Saraceni
Engraving
17th century
- Hilaire-Germain-Edgar Degas - Carlo Pellegrini c. 1876-1877 oil on laid paper The National Gallery, London French
- Nicholas Dorigny
Virgin and Child adorned by saints
Engraving
17th - 18th century
- Carlo Faucci
St. Andrew
ENG
18th century
- Carlo Faucci
The Offering
ENG
18th century
- Carlo Faucci
Bacchanalian Group
ENG
1768
- Carlo Faucci
The Birth of the Virgin
ENG
18th century
- Pierre Auguste Renoir - View From Cap Martin of Monte Carlo c. 1884 oil on canvas Corcoran Gallery of Art French
- Carlo Faucci
Quadro di Pompeo Battoni
ENG
18th century
- Carlo Faucci
Saint (seated, skull and book on lap)
ENG
18th century
- Francesco Bartolozzi
Pietro Berrettini da Cortona (?)
Etching and engraving
1767
- Antonio d'Enrico - Adoration of the Shepherds with Saints Francis and Carlo Borromeo c. 1628 oil on canvas Los Angeles County Museum of Art Italian
- Carlo Bonavia
Ruins near Naples
Graphite and wash on laid paper
18th century
- Carlo Bonavia
View of the Promontory of Miseno
Graphite and wash on laid paper
mid 18th century
- Carlo Pellegrini
[Portrait]
drypoint
1881
- Carlo Cignani
Charity
oil on canvas
17th - 18th century
- Carlo Pestrini
L'Innocenza, after Raphael
Engraving
1809
- Carlo Bonavia
View of the Bridge of Caligula at Pozzuoli
Graphite and wash on laid paper
circa 18th century
- Carlo Bonavia
Tempio di Nettuno a Pozzuoli (Temple of Neptune at Pozzuoli)
Graphite and wash on laid paper
mid 18th century
- Carlo Pellegrini (Ape)
*The Bells* (Sir Henry Irving)
19th century
- Carlo Antonio Porporati
Garde a Vous!
Engraving
1970
- Carlo Lasinio
Luna
Engraving
18 - 19th century
- Carlo Pellegrini (Ape)
*The Junior Ambassor* (Benjamin Disraeli)
19th century
- Carlo Cesio (or Carlo Cesius)
Jupiter and Juno
Etching
circa 17th century
- Carlo Antonio Porporati
Marie Antoinette
18th - 19th century
- Thomas Trotter
Carlo Denina
18th - 19th century
- Rafaello Morghen
La Poesie, after Carlo Dolci
Engraving
1827
- Carlo Antonio Porporati
Le Coucher, after a painting by J. Van Loo, 1650
Engraving
18th - 19th century
- Carlo Gregori
Apollo
etching
18th - 19th century
- Carlo Lasinio
Lute Player
Color mezzotint
circa 1785
- Carlo Antonio Porporati
[Niccolo Frichignono]
Engraving
18th - 19th century
- Carlo Brisighella Eismann
Mountain Landscape
Black chalk, gray and ochre washes, and opaque watercolor over graphite on green-brown wove paper
19th century
- Carlo Gregori
St. Adrianus
engraving and etching
18th - 19th century
- Carlo Gregori
Vir Consularis
etching and engraving
18th - 19th century
- Carlo Cesio (or Carlo Cesius)
Fortitude, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Charity, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Carlo Cesio (or Carlo Cesius)
Moderation, after Annibale Carracci from the Farnese Gallery Panels
Etching
17th century
- Antonio Baratta
Moliere, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Frontispiece for Opere di Carlo Goldoni, after Novelli
Engraving
1761
- Antonio Baratta
L'Adulatore, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Carlo Gregori
St. Natalia
engraving and etching
18th - 19th century
- Carlo Cesio (or Carlo Cesius)
Jupiter and Juno, from the series The Farnese Gallery
Etching
1657
- Carlo Ponti
Venezia, Basilica San Marco
Albumen print
circa 1860 - 1870
- Carlo Ponti
Venezia, Chiesa Salute
Albumen print
circa 1860 - 1870
- Carlo Cesio (or Carlo Cesius)
Diana and Pan, after Annibale Carracci, pl.4 from the series The Farnese Gallery
Etching
1675
- Carlo Pellegrini (Ape)
Statesmen No. 11 - The Duke of Argyll from Vanity Fair, April 17, 1869
Lithograph
1869
- Carlo Dilmazzo Carra
I Saltimbanchi (The Mountebanks), no. 3 from the Fourth Bauhaus Portfolio
Lithograph
1922
- Louis Felix de la Rue
Portrait of Salvator Rosa (1615-1673), (after Carlo Maratta )
etching
18th century
- Carlo Cesio (or Carlo Cesius)
La Giustizia, from the series Galeria nel Palazzo Farnese...
Etching
17th century
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Further Artwork and Information:
MARATTI, Carlo
Carlo Maratti (Getty Museum)
Carlo Maratti (1625 - 1713) Biography, Artwork Images, Exhibitions, Reviews
Malaspina.com - Carlo Maratti [aka Maratta] (1625-1713)
Carlo Maratti
- Great Books -
Biography
Paragone - Akademie - Carlo Maratti
Imagen - Clemente XI, por Carlo Maratti
AllRefer Encyclopedia - Carlo Maratti (European Art, 1600 To The Present, Biographies) - Encyclopedia
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