Artist: Michele Marieschi (1710 - 1743)
Nationality: Italian
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Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Michele Marieschi.

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The Grand Canal Between San Simone Piccolo and Santa Chiara, Michele Marieschi (Italy, Vallombrosa, 1710 - 1743)  (Artist), circa 1740-1741, Etching
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Translation du corps de San Giovanni l'Elemosinaio (San Giovanni in Bragora) Copie d'après Marieschi (19e siècle) by JOYANT Jules Romain ; MARIESCHI Michele
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L'ENTREE DU GRAND CANAL ET L'EGLISE DE LA SALUTE A VENISE (1er quart 18e siècle) by MARIESCHI Michele
The Metropolitan Museum of Art -
Madonna and Child with the Infant Saint John the Baptist, probably late 1490s Michele da
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Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
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Michele Demetrio Gortschakoff (19e siècle) by anonyme
The Metropolitan Museum of Art -
The Man of Sorrows, ca. 1430 Michele Giambono (Michele Giovanni Bono) (Italian, Venetian, active 1420-62)Tempera
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Michiel Marieschi View of Venice: SS Giovani e Paolo and the Scuola di San Marco oil on canvas 18th century
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Michiel Marieschi Campo San Rocco, pl. 16 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Canale Grande, pl. 15 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Campo San Rocco, plate 16 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus Etching 1741
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Vue de San Michele in Bosco, à Bologne (17e siècle) by anonyme
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Michiel Marieschi Rialto, pl. 17 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Piazzetta, pl. 10 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Cannareggio, pl. 14 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Regatta, pl. 21 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Vue de l'église San Michele in Bosco (17e siècle) by anonyme
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Michiel Marieschi Piazzetta S. Basso, pl. 13 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Piazza S. Marco, pl. 8 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Piazza and Piazzetta, pl. 19 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Campo dei Frari, pl. 20 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Palazzo Pesaro, pl. 7 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Gates of the Arsenal, pl. 3 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Santa Chiara, pl. 6 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Basin of St. Mark's, pl. 4 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Campo SS. Giovanni e Paolo, pl. 12 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Piazzetta and Ducal Palace, pl.1 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Courtyard of the Ducal palace, pl. 11 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Bridge and Market of the Rialto, pl. 5 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Santa Maria Formosa, pl.2 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Frontispiece from the series Magnificentiores selectioresque urbis Venetiarum prospectus (Views of Venice) Engraving, with corrections in ink 1741
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Michiel Marieschi Santa Maria della Salute, pl. 9 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi The Molo and S. Maria della Salute, pl. 18 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus (Views of Venice) Etching 1741
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Michiel Marieschi Campo San Rocco, plate 16 from the series Magnificentiores Selectioresque Urbis Venetiarum Prospectus, State II Etching and engraving circa 1768
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The Martyrdom of Saint Peter, Michele Lucchese (1529 - 1614)  (Artist), Engraving
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L'EGLISE DE SAN MICHELE PRES DE VENISE (1883 vers) by ROUART Henri
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Michele Benedetti Roman Charity St. Engraving circa 1796
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Michele Amodio Royal Palace, Naples Albumen print circa 1870
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Martyre de sainte Cécile (17e siècle) by anonyme
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Tiburce et sa femme recevant la visite de l'ange (17e siècle) by anonyme
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A. Verico Chiesa e Piazza S. Michele, Lucca, 1825 color etching 1825
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Joseph Nash Convent of St. Michele and the Island of Murano Lithograph 1843
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Jacopo di Paolo Marieschi - The Grand Canal, Venice, with S. Simeone 1738-1741 oil on canvas The Fitzwilliam Museum Italian
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Saint Augustin guérissant les estropiés by ROBUSTI Jacopo (d'après)
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Michele Pollman Ferandell Proceeding Right-Gray, Standstill Red Color etching diptych on Gampi silk tissue paper, folded 1983
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Sainte Cécile (1671) by BRIZIO Francesco
The Metropolitan Museum of Art -
Harpsichord, ca. 1675 Made by Michele TodiniRome, ItalyWood, various materials; L. of inner instrument 8
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Edward Lear San Michele di Monte Voltore, plate 20 opposie page 268 in the book Journals of a Landscape Painter in Southern Calabria ([London]: Richard Bentley, 1852) lithograph 1852
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Scène de la vie de Saint Benoît (18e siècle) by NATOIRE Charles Joseph ; RENI Guido (inspiré par)
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Jeune tunisienne à la jarre (1er quart 20e siècle) by CORTEGIANI Michele
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La Clémence de Scipion (4e quart 17e siècle ; 1er quart 18e siècle) by ROCCA Michele, PARMIGIANINO le Jeune (dit)
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La Clémence de Scipion (4e quart 17e siècle ; 1er quart 18e siècle) by ROCCA Michele, PARMIGIANINO le Jeune (dit)
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Champs cultivé à Sidi Bou Saïd (Tunisie) (1er quart 20e siècle) by CORTEGIANI Michele
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La marquise de Brancacio (1848) by ALBANESI Michele
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Paysage avec rencontre galante près d'une fabrique (1ère moitié 18e siècle) by PAGANO Michele
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Michele Giambono - Saint Peter c. 1445-1450 tempera on panel National Gallery of Art Italian
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Frise : Triomphe d'Ariane by MICHELE DA LUCCA
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LA FLAGELLATION ET LA CRUCIFIXION DE SAINT ANDRE (2e quart 15e siècle ; 3e quart 15e siècle) by MICHELE di Matteo
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Frise : sept amours montés sur des chevaux marins by MICHELE DA LUCCA

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Marieschi

Centre Cultura Contemporania de Barcelona: Canaletto: An Imaginary Venice
INTRODUCTION
Centre de Cultura Contemporania de Barcelona: The City That Never Was: Fantastic Architectures in Western Art
The exhibition brings together in the region of 80 works of art on a variety of supports, including frescoes, painting, photography and installations. It turns around the genre of the architectural capriccio, from the 16th to the 18th century, wit...

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