Artist: Carlo Marochetti (1805 - 1867)
Nationality: Italian
Movement:
Media: Sculpture
Influences:

Biography:
Carlo Marochetti was an outstanding Italian sculptor who made himself a successful career in his home country and abroad. He was made a baron in Italy. In France, he was awarded the Legion of Honor. He moved permanently to England in 1848 and was employed by Queen Victoria and Prince Albert. His sculpture was often dramatic, as is seen in his depiction of Richard the Lionheart that is located outside of the Houses of Parliament

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Carlo Marochetti.

-
Claude Monet - Monte Carlo vu de Roquebrune (Monte Carlo Seen from Roquebrune) 1884 oil on canvas Portland Museum of Art French
-
Carlo Saraceni The Rest on the Flight to Egypt, after Carlo Saraceni Engraving 17th century
-
Hilaire-Germain-Edgar Degas - Carlo Pellegrini c. 1876-1877 oil on laid paper The National Gallery, London French
-
Francesco Bartolozzi Portrait of Carlo Cignani, after Carlo Maratta Etching and engraving 1768
-
Carlo Faucci The Offering ENG 18th century
-
Carlo Faucci Bacchanalian Group ENG 1768
-
Carlo Faucci St. Andrew ENG 18th century
-
Carlo Faucci The Birth of the Virgin ENG 18th century
-
Pierre Auguste Renoir - View From Cap Martin of Monte Carlo c. 1884 oil on canvas Corcoran Gallery of Art French
-
Carlo Faucci Quadro di Pompeo Battoni ENG 18th century
-
Carlo Faucci Saint (seated, skull and book on lap) ENG 18th century
-
Antonio d'Enrico - Adoration of the Shepherds with Saints Francis and Carlo Borromeo c. 1628 oil on canvas Los Angeles County Museum of Art Italian
-
Carlo Bonavia Ruins near Naples Graphite and wash on laid paper 18th century
-
Carlo Bonavia View of the Promontory of Miseno Graphite and wash on laid paper mid 18th century
-
Carlo Pellegrini [Portrait] drypoint 1881
-
Giralamo Ferroni Jael and Barak Beholding Sisera, after Carlo Maratta Engraving 1705
-
Carlo Cignani Charity oil on canvas 17th - 18th century
-
Carlo Pestrini L'Innocenza, after Raphael Engraving 1809
-
Carlo Bonavia View of the Bridge of Caligula at Pozzuoli Graphite and wash on laid paper circa 18th century
-
Carlo Bonavia Tempio di Nettuno a Pozzuoli (Temple of Neptune at Pozzuoli) Graphite and wash on laid paper mid 18th century
-
Carlo Pellegrini (Ape) *The Bells* (Sir Henry Irving) 19th century
-
Pietro Aquila The Guardian Angel, after Carlo Maratta etching and engraving 17th century
-
Carlo Antonio Porporati Garde a Vous! Engraving 1970
-
Carlo Lasinio Luna Engraving 18 - 19th century
-
Carlo Pellegrini (Ape) *The Junior Ambassor* (Benjamin Disraeli) 19th century
-
Carlo Cesio (or Carlo Cesius) Jupiter and Juno Etching circa 17th century
-
Carlo Antonio Porporati Marie Antoinette 18th - 19th century
-
Thomas Trotter Carlo Denina 18th - 19th century
-
Rafaello Morghen La Poesie, after Carlo Dolci Engraving 1827
-
Carlo Antonio Porporati Le Coucher, after a painting by J. Van Loo, 1650 Engraving 18th - 19th century
-
Carlo Gregori Apollo etching 18th - 19th century
-
Carlo Lasinio Lute Player Color mezzotint circa 1785
-
Carlo Antonio Porporati [Niccolo Frichignono] Engraving 18th - 19th century
-
Carlo Brisighella Eismann Mountain Landscape Black chalk, gray and ochre washes, and opaque watercolor over graphite on green-brown wove paper 19th century
-
Carlo Gregori St. Adrianus engraving and etching 18th - 19th century
-
Carlo Gregori Vir Consularis etching and engraving 18th - 19th century
-
Carlo Cesio (or Carlo Cesius) Charity, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Moderation, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Fortitude, after Annibale Carracci from the Farnese Gallery Panels Etching 17th century
-
Antonio Baratta L'Adulatore, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta Frontispiece for Opere di Carlo Goldoni, after Novelli Engraving 1761
-
Antonio Baratta Moliere, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Carlo Gregori St. Natalia engraving and etching 18th - 19th century
-
Carlo Cesio (or Carlo Cesius) Jupiter and Juno, from the series The Farnese Gallery Etching 1657
-
Carlo Ponti Venezia, Basilica San Marco Albumen print circa 1860 - 1870
-
Carlo Ponti Venezia, Chiesa Salute Albumen print circa 1860 - 1870
-
Carlo Cesio (or Carlo Cesius) Diana and Pan, after Annibale Carracci, pl.4 from the series The Farnese Gallery Etching 1675
-
Carlo Pellegrini (Ape) Statesmen No. 11 - The Duke of Argyll from Vanity Fair, April 17, 1869 Lithograph 1869
-
Carlo Dilmazzo Carra I Saltimbanchi (The Mountebanks), no. 3 from the Fourth Bauhaus Portfolio Lithograph 1922
-
Louis Felix de la Rue Portrait of Salvator Rosa (1615-1673), (after Carlo Maratta ) etching 18th century
-
Carlo Cesio (or Carlo Cesius) La Giustizia, from the series Galeria nel Palazzo Farnese... Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Diana Embracing Endymion, pl. II from the series The Farnese Gallery Etching 1657
-
Carlo Cesio (or Carlo Cesius) The Lovers Venus and Anchises, pl. I from the series The Farnese Gallery Etching 1657
-
Carlo Cesio (or Carlo Cesius) The Lovers Venus and Anchises, pl. I from the series The Farnese Gallery Etching 1657
-
Antonio Baratta Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Antonio Baratta La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli Engravings 1761
-
Carlo Ponti Venezia, Piazza San Marco Albumen print circa 1860 - 1870
-
Carlo Cesio (or Carlo Cesius) Apollo and Hyacinthus, after Annibale Carracci, pl.21 from the series The Farnese Gallery Etching 1675
-
Carlo Cesio (or Carlo Cesius) Polyphemus and Galatea,after Annibale Carracci, pl.7 from the series The Farnese Gallery Etching 1675
-
Carlo Cesio (or Carlo Cesius) A Girl With A Unicorn, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) The Fall of Icarus, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Hercules Playing a Tambourine with Iole,, from the series The Farnese Gallery Etching 1657
-
Carlo Pellegrini (Ape) Statesmen No. 66 - Count von Bismarck - Schoenausen from Vanity Fair October 15, 1870 Lithograph 1870
-
Carlo Antonio Porporati Prima mors, primi parentes, primus luctus, after A. V. Werff Engraving 1776
-
Carlo Cesio (or Carlo Cesius) The Martyrdom of Saint Andrew, after Guido Reni's painting in S. Gregorio Magno al Celio Etching 17th century
-
Carlo Antonio Porporati Il Bagno di Leda (Leda's bath), after Correggio Engraving 18th century
-
Carlo Cesio (or Carlo Cesius) Hercules Fighting the Dragon, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Hercules Liberating Prometheus, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) A plate from the Farnese Gallery Panels after Annibale Carracci's designs for Domenichino Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Ganymede Abducted by Jupiter's Eagle, after Annibale Carracci, pl.20 from the series The Farnese Gallery Etching 1675
The Metropolitan Museum of Art -
Vita del Tintoretto, 1642 Author: Carlo Ridolfi (Italian, 1594–ca. 1648)Venice: Oddoni, 1642Illustrated book; H: 9
-
Robert van Audenaerd Rebecca and Eliezar engraving 17th - 18th century
-
Robert van Audenaerd The Assumption of the Virgin engraving 17th - 18th century
-
Carlo Pellegrini Portrait of James Abbott McNeill Whistler Drypoint from the canceled plate 19th century
-
Carlo Cesio (or Carlo Cesius) Frontispiece for the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Dedication for the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci Etching 17th century
The Metropolitan Museum of Art -
Saint Dominic, part of an altarpiece, ca. 1472 Carlo Crivelli (Italian, Venetian, active 1457-93)Tempera on
-
Robert van Audenaerd Mater Dolorum engraving 17th - 18th century
-
Carlo Cesio (or Carlo Cesius) Arion Carried to Safety on a Dolphin, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Diana Discovering the Pregnancy of Callisto, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Mercury Giving a Lyre to Apollo, from the Farnese Gallery Panels after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Mercury Bringing the Golden Apple to Paris, after Annibale Carracci, pl.3 from the series The Farnese Gallery Etching 1675
-
Carlo Cesio (or Carlo Cesius) Polyphemus Throwing a Rock at His Rival, Acis,after Annibale Carracci, pl. 8 from the series The Farnese Gallery Etching 1675
-
Carlo Cesio (or Carlo Cesius) Andromeda Bound to a Rock, pl.11 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) The Triumph of Galatea, pl.9 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci Etching 17th century
-
Carlo Cesio (or Carlo Cesius) Bacchus and Ariadne, pl. 13 from the series Galeria Nel Palazzo Farnese in Roma...da Annibale Carracci, after Annibale Carracci Etching 17th century

[an error occurred while processing this directive]

Further Artwork and Information:

Carlo Marochetti Online
Baron Carlo Marochetti RA (1805-1868)
Carlo Marochetti (1425 - 1489) Biography, Artwork Images, Exhibitions, Reviews
Carlo de Marochetti
Carlo de Marochetti
Carlo, Baron Marochetti (1805-1867), Sculptor
Bronze; Marochetti (Carlo), Bust of Prince Alfred. [p4a.com, ltd.]
Grove Art Online
MAROCHETTI, Carlo autographs, letters, documents, manuscripts
Thais - Marochetti Carlo - Monumento a Emanuele Filiberto

Search the Art History Database for artists, titles, media, year, and other indepth information: