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Artist: Bruce Mclean ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Bruce McLean.

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Robert Seymour The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830) Etching with hand coloring 1830
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Robert Seymour The Heiress (London: Thomas McLean, 1830) Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text 18th - 19th century
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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2 Book with 6 aquatints with hand coloring 1819
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John Heaviside Clark Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1 Book with 6 aquatints with hand coloring 1819
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Thomas McLean Eugenie Prosper *the Greek Slave* 19th century
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Philip Alexius Laszlo - Ailsa Mellon Bruce 1926 oil on canvas National Gallery of Art British
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John Heaviside Clark Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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Jo Davidson - Ailsa Mellon Bruce 1927 marble National Gallery of Art American
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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John Heaviside Clark Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819) Aquatint with hand coloring 1819
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A. Ducote or DucÙtÈ The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833 book with lithographs with hand coloring 1834
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T. S. Cooper Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837) book with lithographs 1837
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Bruce Conner Untitled Lithograph 1970
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Bruce Conner Applause Offset lithograph 1966
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Bruce Conner Untitled offset lithograph 1970
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Bruce Conner Mandala offset lithograph 1970
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Bruce Conner Triptych offset lithograph 1970
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Bruce Conner Untitled Offset lithograph 1970
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Bruce Conner Untitled offset lithograph 1970
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Bruce Conner Untitled Offset lithograph 1970
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Bruce Nelson The Village oil on canvas circa 1915
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Bruce Conner Untitled Offset lithograph 1970
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Bruce Conner Untitled Offset lithograph 1970
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Bruce Conner Untitled Offset lithograph 1970
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Bruce Conner Untitled Offset lithograph 1970
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John McLean Roll-top cylinder desk frame, Secretaire and Upper bookcase rosewood, oak, mahogany, cedar, boxwood, leather, brass circa 1815
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Garrett Eoff Cream pot silver 1835
The Metropolitan Museum of Art -
The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
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Bruce Spencer Lauritzen Bay Feather Color lithograph 1982
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Bruce Nauman War Color lithograph 1971
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Bruce Nauman War Color lithograph 1971
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Shreve & Co. Compote silver circa 1900
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Bruce Nauman Lip, from Studies for Holograms Color photo screenprint 1970
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Bruce Nauman War Color lithograph 1971
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Bruce Conner Return to Go, pl. 2 in the portfolio, 10 West Coast Artists color lithograph 1967
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Wes Wilson Bill Graham Presents (13) Lenny Bruce; Mothers, Fillmore Auditorium, 6/24-25/66 lithograph 1966
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Louis Haghe Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series] book with lithographs 1850
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Bruce Spencer Lauritzen Pagan Ritual - July 4 (SB XXXX) - No.40 of Stinson Beach series watercolor 1985
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Bruce McCombs - Five after Four 1977 etching Arkansas Arts Center American
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Paul Hambleton Landacre California Hillsä (Los Angeles: Bruce McCallister, 1931) book with wood engravings 1931
The Metropolitan Museum of Art -
Electric Guitar, 1973-74 Made by Bruce BecVar (born 1953)Cotati, California, United States of AmericaWood, other
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Paul Hambleton Landacre Point Sur, plate X in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Grass Fire, plate VI in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre StadiumäBerkeley, plate VII in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Downpour, plate VIII in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Edge of the Desert, plate XI in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Indio Mountains, plate II in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Old RanchäBig Sur, plate XIII in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre HeadlandäBig Sur Coast, plate I in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Physics BuildingäU.C.L.A., plate III in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Monterey Hills, plate XIV in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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David Singer San Francisco Rock Poster: Bill Graham Presents, Jack Bruce and Friends; Johnny Winter; Fillmore West, 2/26/70, 3/1/70; Winterland, 2/27-28/70 color lithograph 1970
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Paul Hambleton Landacre untitled vignette on colophon leaf of the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Hills and the SeaäMalibu Coast, plate IX in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Edward Bruce - The Appian Way c. 1929 oil on canvas Cleveland Museum of Art American
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Patrick Henry Bruce - Painting c. 1929-30 oil on canvas The Museum of Modern Art American
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Patrick Henry Bruce - Still Life: #4 c. 1922-1923 oil on canvas with p Hirshhorn Museum American
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Paul Hambleton Landacre Sand SweepäPoint Magu, plate IV in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre Gray BackäSan Bernardino Mountains, plate XII in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Paul Hambleton Landacre *Sapling slim and Shadow naked*, plate V in the book, California Hillsä (Los Angeles: Bruce McCallister, 1931) wood engraving 1931
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Patrick Henry Bruce - Still Life #12 1925-1928 oil with pencil unde Hirshhorn Museum American
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Nicolas Africano Comb, Mindja Cassowary bone 19th–early 20th century
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Robert Bruce Crane - Ripening Grain c. 1893 oil on canvas Memorial Art Gallery of the University of Rochester American
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Bruce Crane - Farm Landscape 1882 oil on canvas Florence Griswold Museum American
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Patrick Henry Bruce - Painting: Still Life c. 1928 oil and pencil on ca Hirshhorn Museum American
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Bruce Crane - Summer Bloom 1920 oil on canvas Florence Griswold Museum American
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Bruce Crane - Lingering Winter c. 1925 oil on canvas Florence Griswold Museum American
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Mary Ann (Toots) Zynsky Helmet mask, Mi Babakumbu Wood, pigment 19th–early 20th century
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Bruce Crane - Snow Scene in Country c. 1890 watercolor and gouac Florence Griswold Museum American
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Patrick Henry Bruce - Peinture/Nature Morte c. 1925-1926 oil on canvas Corcoran Gallery of Art American
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Patrick Henry Bruce - Still Life: Transverse Beams 1928-1932 oil and pencil on ca Hirshhorn Museum American
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Bruce Naumann - SWEET SUITE SUBSTITUTE 1968 red, yellow and blue Corcoran Gallery of Art American
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George Cruikshank Very Unpleasant Weather... Raining Cats, Dogs, Pitchforks! etching 1835
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Jan de Bray Portrait of A Gentleman Oil on panel 17th century
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Harry Fritzius Suffer the Little Children... oil, collage, varnish 1987
Museum of Fine Arts -
Cuneiform tablet of Ini-Teshub Near Eastern, Anatolian, Hittite Late Bronze Age, 1299-1200 B.C. Anatolia, Turkey
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Kenneth J. Hale Zealot Color linoleum cut 1982
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Anonymous Tea bowl and saucer creamware with transfer print 18th century
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Anonymous Goblet with Krom pattern pressed lead glass circa 1845
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Anonymous Goblet with Crystal pattern pressed lead glass 1845 - 1870
The Minneapolis Institute of Arts -
Artist: Jan Vonck Title: Still Life of Dead Birds Date: about 1660 Medium: oil on
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Anonymous Bar glass with Gothic pattern pressed lead glass circa 1855
The Minneapolis Institute of Arts -
Artist: Edgar Degas Title: Beside the Sea Date: 1869 Medium: pastel Dimensions: H.17-1/4 x W.20-1/8
The Minneapolis Institute of Arts -
Artist: Jan Jansz. van de Velde Title: Still Life Date: 1658 Medium: oil on canvas
The Minneapolis Institute of Arts -
Artist: Jim Dine and The Arion Press Title: The Apocalypse, The Revelation of Saint John
The Minneapolis Institute of Arts -
Artist: Pierre Bonnard and Longus Sophista and Ambroise Vuillard Title: The Pastorals, or Daphnis and
The Minneapolis Institute of Arts -
Artist: Henri Matisse Title: Leaves Date: about 1948 Medium: pen and black ink on coated
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Anonymous Goblet with Giant Prism pattern pressed lead glass 19th century
The Minneapolis Institute of Arts -
Artist: Henri de Toulouse-Lautrec Title: Equestrian Sketches Date: about 1883 Medium: pen and ink on
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Anonymous Goblet with Barrel Ashburton pattern pressed lead glass circa 1850
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Anonymous Goblet with Milton Pleat pattern pressed lead glass circa 1860

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to McLean


Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...

Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks
Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'." Promoting abstract ...

Photographers' Gallery: Citigroup Photography Prize 2004
Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...

PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting
Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...

University of Virginia Art Museum: Emilie Brzezinksi: New Directions
Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...

Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio
The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...

Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League
Through having their work on the Virtual TART site they have hit the world. Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...

Tower Bridge: Standing Stones

'Standing Stones' has already shown in Stockholm as part of the 1998 European Cultural Capital programme and is currently showing in Gothenburg prior to its London venue. In London the exhibition will be the highlight of 'Visions of Norway', t...
Portland Museum of Art: Local Color: Six Contemporary Photographers
For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...

OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle
The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...

South London Gallery: Independence: Issues with a Contemporary Relevance
In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...

Further Artwork and Information:

B. McLEAN - Stamps for Collectors
Bruce McLean - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Mclean
Bruce Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews
Bruce McLean [en]
Bruce McLean
Bruce McLean [de]
Bruce McLean Kunst
Bruce McLean Artwork
Bruce McLean (1944-), Artist

 

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