Artist: John Mclean ( - )
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John McLean.

Fine Arts Museum of San Francisco -
John Heaviside Clark, Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 1, 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Hudibras by Samuel Butler (London: Thomas McLean, 1819), vol. 2, 1819
Fine Arts Museum of San Francisco -
John McLean, Roll-top cylinder desk frame, Secretaire and Upper bookcase, circa 1815
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 1, Canto 2, Line 82, second plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 2, Canto 2, Line 40, first plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 2, Canto 3, Line 495, second plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 1,Canto 2, Line 775, third plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 2,Canto 1, Line 115, frontispiece and first plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 1,Canto 2, Line 945, fourth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 1,Canto 2, Line 1124, fifth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 2,Canto 1, Line 115 , sixth plate in volume 1 of the book Hudibras by Samuel Butler (London: Thomas McLean, 1819) , 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 3, Canto 3, Line 675, sixth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 3, Canto 1, Line 1576 ,fifth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 3, Canto 1, Line 160 ,fourth plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
John Heaviside Clark, Illustration for Part 2, Canto 3, Line 1056, third plate in volume 2 of the book Hudibrasby Samuel Butler (London: Thomas McLean, 1819), 1819
Fine Arts Museum of San Francisco -
Thomas McLean, Eugenie Prosper *the Greek Slave*, 19th century
Fine Arts Museum of San Francisco -
Robert Seymour, The Heiress (London: Thomas McLean, 1830), 18th - 19th century
Fine Arts Museum of San Francisco -
A. Ducote or DucÙtÈ, The Looking Glass or Caricature Annual (London: Tho[ma]s McLean, [1834]), vol. 4, 1833, 1834
Fine Arts Museum of San Francisco -
Robert Seymour, The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830), 1830
Fine Arts Museum of San Francisco -
T. S. Cooper, Thirty-four Subjects of Cattle &c. Designs for Pictures (London: Tho[ma]s McLean , 1837), 1837
Fine Arts Museum of San Francisco -
Louis Haghe, Hague*s Portfolio of Sketches. Belgium. Germany (London: Tho[ma]s McLean, 1850), [third series], 1850
The Metropolitan Museum of Art -
The New Zealanders, 1847 Author: George French Angas (British, 1822-1886)London: T. McLean, 1847Illustrated book; H:
The Metropolitan Museum of Art -
Portia (Kate Dolan), 1886 Sir John Everett Millais (British, 1829-1896)Oil on canvas; 49 1/4 x
Fine Arts Museum of San Francisco -
John Kay, John Campbell of Blythewood, 1784
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John Steuart Curry - John Brown 1938 Lithograph Arkansas Arts Center American
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John Singleton Copley - John Gray 1766 oil on canvas The Detroit Institute of Art American
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John Wollaston - John Stevens c. 1749-1752 oil on canvas National Gallery of Art American
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John Vanderlyn - John Sudam 1829-1830 oil on canvas National Gallery of Art American
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John Singleton Copley - John Greene c. 1769 oil on canvas Currier Museum of Art American
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John Singleton Copley - Mrs. John Greene 1769 oil on canvas Cleveland Museum of Art American
Fine Arts Museum of San Francisco -
John Sartain, Portrait of John A. Sutter, 1850
Fine Arts Museum of San Francisco -
John Smibert, John Nelson, 1732
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John Durand - Mrs. John Lothrop c. 1770 oil on canvas National Gallery of Art American
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John Durand - John Lothrop c. 1770 oil on canvas National Gallery of Art American
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John Frazee - John Marshall 1834-35 marble Boston Athenaeum American
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John Smibert - Mrs. John Pitts 1735 oil on canvas The Detroit Institute of Art American
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John Hoppner - John Granville 1790-95 oil on canvas The Detroit Institute of Art English
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John Johnston - John Peck c. 1795 oil on canvas National Gallery of Art American
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Charles Willson Peale - Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790 oil on canvas The Art Institute of Chicago American
Fine Arts Museum of San Francisco -
John Stuart Curry, John Brown, 1939

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to McLean

Fusebox: Jason Gubbiotti: New Ways of Living
The characteristic bubbles and clouds of color that scudded across Gubbiotti’s luscious surfaces have morphed into crisp-edged, angular shapes reminiscent of the aerial outlines of buildings, architectural footprints for connecting rooms, walkways...
Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks
Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'." Promoting abstract ...
Photographers' Gallery: Citigroup Photography Prize 2004
Paul Wombell, Director of The Photographers' Gallery says of this year's short-list: "Over the last 30 years Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld have created important bodies of work that have been a major influence on g...
PM Gallery and House: Trackers: 21 Artists Working in Video, Sculpture, Installation, Performance and pPainting
Artists in the Gallery rolled dice to direct their placement within a ‘Vector’ structure. Each artist rolled three times to arrive at their x,y,z co-ordinates determining their position in the Gallery. All nine must now work together to resolve ...
University of Virginia Art Museum: Emilie Brzezinksi: New Directions
Brzezinski's art takes on both metaphoric (the tree as life experience) and anthropomorphic (the tree as human) meanings. The emergence of a form within the wood is a natural, and at times arduous, process for her. "Emilie Brzezinski: New Directio...
Edinburgh Printmakers: Christmas Exhibition at the UKs Oldest Open-access Print Studio
The exhibition of invited artists ranges from internationally established artists including: John Bellany, Philip Braham, Alan Davie, Liz Douglas, Kate Downie, Paul Furneaux, John Hoyland, Albert Irvin, John Mclean, Eduardo Paolozzi, Gill Tyson an...
Cork Gallery, Lincoln Center: Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League
Through having their work on the Virtual TART site they have hit the world. Dale Copeland has packed some of everyones artwork into 4 big suitcases and brought it to New York. Complete with photos of the a...
Tower Bridge: Standing Stones

'Standing Stones' has already shown in Stockholm as part of the 1998 European Cultural Capital programme and is currently showing in Gothenburg prior to its London venue. In London the exhibition will be the highlight of 'Visions of Norway', t...
Portland Museum of Art: Local Color: Six Contemporary Photographers
For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
OAKLAND MUSEUM OF CALIFORNIA: California Classic: Realist Paintings by Robert Bechtle
The artworks in the exhibition, ranging in size from the dimensions of a piece of notebook paper to the eight-foot-long‚ 60 T-Bird, are created in oils, watercolor, pencil or charcoal. Typically, a Bechtle composition includes a foreground of asph...
South London Gallery: Independence: Issues with a Contemporary Relevance
In the recently vacated gallery offices, a project by Christian Boltanski opens the exhibition out to any artist who wishes to participate. Relying on the principle of starting a rumour, artists from all over the world have been invited to fax th...

Further Artwork and Information:

NRL ITD - Superintendent
John MacLean Photography - Digital Capture - Santa Fe, New Mexico - Southwestern Landscapes, Architecture, and ...
THE JOHN McLEAN FAMILY
Premonition Records // John Mclean
John McLean
McLean Beefmasters Home Page
John McCain Dance
John McLean Allan celtic rock home page
D-TACQ Solutions Ltd: High Performance Simultaneous Data Acquisition
John Mclean (1818 - 1865) Biography, Artwork Images, Exhibitions, Reviews

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