Artist: Godfrey Miller ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Godfrey Miller.

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John Faber the Younger Sir Godfrey Kneller mezzotint 1735
The Minneapolis Institute of Arts -
Artist: attributed to Sir Godfrey Kneller Title: Portrait of a Young Man (Sir John Van
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J. Godfrey On the Lynn 18th century
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J. Godfrey Verona 18th century
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J. Godfrey The Bosphorus, Constantinople 18th century
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J. Godfrey Balmoral Castle 18th century
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J. Godfrey The Terrace, Haddon Hall 18th century
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J. Godfrey The Bass Rock wood engraving 18th century
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Godfrey Douglas Giles (G.D.G. or GD.G.) "the Cavalry Division", from Vanity Fair, July 12, 1900 Lithograph 1900
Museum of Fine Arts -
James Hulett, English, 18th century Godfrey Smith, English, 18th century The Laboratory, or School of
The Metropolitan Museum of Art -
Charles Beauclerk (1670-1726), Duke of St. Albans, possibly ca. 1690 Sir Godfrey Kneller (German, 1646-1723)Oil
The Metropolitan Museum of Art -
Lady Mary Berkeley, Wife of Thomas Chambers Sir Godfrey Kneller (German, 1646-1723)Oil on canvas; 29
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Godfrey Frankel - Martinsburg 1943 gelatin silver print The Art Gallery University of Maryland
J. Paul Getty Museum -
Henry Miller and Margaret Neiman
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Sir Henry Raeburn - Captain Patrick Miller 1788-1789 oil on canvas National Gallery of Art British
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Sir Godfrey Kneller - Portrait of a Young Man 17th century oil on canvas Minneapolis Institute of Arts British
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George Miller Tall case clock Chippendale, tall, engraved clock face, clockworks by George Miller walnut, metal, ormulu and paint circa 1770
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Agnes Miller Parker Fox WE 1940
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Agnes Miller Parker Fox wood engraving 1940
Museum of Fine Arts -
Studio of Sir Godfrey (Gottried) Kneller, British, 1646-1723 Portrait of a Woman (said to be
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Herman Miller Lounge chair and ottoman leather 1956
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Lilian MIller Spray of Bamboo Lithograph 1938
Museum of Fine Arts -
Marked by Eliza Godfrey, first mark entered 1741 Cream Jug London, England England, (London), about
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Kenneth Miller Adams Dona Ascensione lithograph 1939
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Samuel Miller Young Boy with Dog oil on canvas mounted on hardboard circa 1850
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Kenneth Hayes Miller Three Shoppers Etching 1936
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Martha E. Miller Self with Lipstick graphite, pastel, oil, turpentine wash 1987
The Minneapolis Institute of Arts -
Artist: Charles Eames and Ray Eames and Herman Miller Company Title: ECS Cabinet Date: about
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Lilian MIller Diamond Mountain, Korea Woodcut 1928
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Lilian MIller Japanese Dwarf Tree Color woodcut 1928
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Pu Qua The Costume of China ä (London: W. Miller, 1800) book with engravings with hand coloring 1800
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Lilian MIller Autumn Evening, Korea Color woodcut 1928
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John Miller The Surrender of Calais 18th - 19th century
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William Miller Stephan Gretter (affectionately my friend) 18th - 19th century
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Kenneth Hayes Miller Mother two children Etching 19th - 20th century
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Kenneth Hayes Miller The Sun Etching and drypoint 19th - 20th century
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Samuel Miller Young Girl with Flowers oil on canvas mounted on hardboard circa 1850
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Kenneth Hayes Miller Crouching Nude Etching 19th - 20th century
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John Miller Signing of Magna Carta 18th - 19th century
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John Miller The Continence of Scipio Engraving 18th - 19th century
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John Miller The Temple of Erictheus at Athens 18th - 19th century
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Lilian MIller Snow on Temple Roof Color woodcut 19th - 20th century
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Lilian MIller Little White Plum Tree Color woodcut 19th - 20th century
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Kenneth Hayes Miller Girl with a hood Etching 19th - 20th century
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William R. Miller Still Life--Study of Apples oil on canvas 1862
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Letitia Byrne Tunbridge Wellsä (London: William Miller ä and Edmund Lloyd, [1810]) book with etchings 1810
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Lee Conklin Bill Graham Presents (135) Chuck Berry; Steve Miller Band, Fillmore West, 9/5-7/68 lithograph 1968
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William Miller Scottish Landscape (Head of Loch Lomond?) watercolor 18th - 19th century
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Kenneth Hayes Miller Woman wearing a rose Etching 19th - 20th century
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Kenneth Hayes Miller Woman with a parasol Etching and drypoint 19th - 20th century
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William Poole St. Bernard*s Well, title page vignette for the first volume the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Etching and engraving 180
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John Ernest Miller Open compote Three Face pattern on stem pressed soda-lime glass circa 1878
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Lee Conklin Bill Graham Presents (101) Vanilla Fudge; Steve Miller Band, Fillmore Auditorium, 1/4/68, Winterland, 1/5-6/68 lithograph 1968
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Wes Wilson Bill Graham Presents (151) Steve Miller Band; Sly and the Family Stone, Fillmore West, 12/26-29/68 lithograph 1968
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Randy Tuten Bill Graham Presents (175) Steve Miller Band; Chicago, Fillmore West, 5/29-6/1/69 lithograph 1969
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William Poole Elgin Cathedral, title page vignette for volume 2 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Etching with engraving 1801
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Wes Wilson Bill Graham Presents (61) Buffalo Springfield; Steve Miller Blues Band, Fillmore Auditorium, 4/28-30/67 lithograph 1967
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William Miller Shakespeare - Third Part of Henry VI - Act IV, Scene V. Line and Stipple Engraving with hand coloring 18th - 19th century
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J. Merigot Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Book with 16 aquatints with hand coloring, engraved and etched title, engraved map 1801
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J. Merigot Edinburgh Castle No. II, plate opposite page 53 in the bookRemarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Book with 16 aquatints with hand coloring, engraved and etched title page 1801
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J. Merigot Faskalie, plate opposite page 186 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Duneira, plate opposite page 299 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Inverary, plate opposite page 256 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Rowardenan, plate opposite page 234 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Cromarty, plate opposite page 98 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Kinrara, plate opposite page 154 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Gilmerton Quarry, plate opposite page 89 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Edinburgh Castle No. 1, plate opposite page 49 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Eildon Hills, plate opposite page 279 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Birnam Wood, plate opposite page 199 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot General Map of Scotland Except Part of the Three Northern Counties, plate following page xxiv in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol
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David Singer San Francisco Rock Poster: Bill Graham Presents, Steve Miller; Sha Na Na; Fillmore West, 1/29-2/1/70 color lithograph 1970
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J. Merigot Pluscardine Abbey, plate opposite page 121 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cora Linn, plate opposite page 152 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot The Aqueduct Bridge, plate opposite page 199 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Loch Etive, plate opposite page 289 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Fall of Foyers, plate opposite page 76 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot View of Glen Coe, plate opposite page 32 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Elgin Cathedral, plate opposite page 117 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Milton Mills, plate opposite page 206 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Dumbarton Castle, plate opposite page 212 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Kilchurn Cstle, plate opposite page 269 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Bothwell Castle, plate opposite page 180 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Calder Castle, plate opposite page 111 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Melrose Abbey, plate opposite page 277 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Rosline Castle, plate opposite page136 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot The Rumbling Bridge, plate opposite page 249 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cullean Castle, plate opposite page 316 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Stirling Castle, plate opposite page 229 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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Randy Tuten Bill Graham Presents (191) Steve Miller Band; James Cotton Blues Band, Fillmore West, 9/11-14/69 lithograph 1970
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Wes Wilson San Francisco Rock Poster: Family Dog Productions, "Distortion," Steve Miller Band; Muddy Waters; Avalon Ballroom, 9/20-22/68 lithograph 1968
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J. Merigot Fingal's Cave, Staffa, plate opposite page 307 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Kenmore Church and Bridge, plate opposite page 305 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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J. Merigot Cavern in Glen Croe, plate opposite page 247 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
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J. Merigot Cave in the Isle of Ulva, plate opposite page 299 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 1( of 2) Aquatint with hand coloring 1801
Museum of Fine Arts -
Courlesy Laurence Miller Gallery, New York ; Toshio Shibata, Japanese, Born in 1949 Grand Coulee
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David Singer San Francisco Rock Poster: Bill Graham Presents, Ten Years After; Steve Miller Band; Fillmore West, 7/22-27/69 color lithograph 1969
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Paul Kagan San Francisco Rock Poster: Family Dog Productions, " Forest," Steve Miller Band; Howlin' Wolf; Avalon Ballroom, 7/12-14/68 color lithograph 1968
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Victor Moscoso San Francisco Rock Poster: Family Dog Productions, "Pink Panther," Miller Blues Band; Doors; Avalon Ballroom, 6/1-4/67 color lithograph 1967

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Miller

University of Michigan Museum of Art: Arthur Miller at Work: The Photographs of Inge Morath
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Gallery of Photography: The Lives of Lee Miller
Lee Miller, 1927, New York. A classically beautiful young woman, Lee Miller is discovered by Condé Nast, hits the cover of Vogue and is immortalised by Steichen, Hoynigen-Huene, Horst and other famous photographs. While modelling for them, she ...
National Galleries of Scotland, Dean Gallery and the Gallery of Modern Art: THE SURREALIST AND THE PHOTOGRAPHER: ROLAND PENROSE AND LEE MILLER
Already a Surrealist artist of considerable talent, Penrose became a tireless champion of modern art through his activities as a collector, writer and exhibition organiser. A former Vogue model, Lee Miller was a remarkable photographer who later ...
Kunstverein Hannover: On Stage: Video, Installation, Sculpture and Photography
Among the artists taking part are Birgit Brenner, Christoph Büchel, Janet Cardiff/George Bures Miller, Björn Dahlem, Stefan Exler, Rodney Graham, Henrik Plenge Jakobsen, Ross Sinclair, Teresa Hubbard/Alexander Birchler, Stephan Wissel.IMAGE:...
William Traver Gallery: John Miller: Blue Plate Special
The concept for Blue Plate Special began a couple years ago, with John sketching designs for glass works to execute. John’s prior body of work focused on large scale Venetian goblets, and he wanted to create art of everyday objects – in some respe...
Center for Photography at Woodstock: Put Yourself in the Picure
Artists include Kelley Badham (Princeton, NJ), Pam Berridge (Wales, UK), Nicholas Gaffeny (Brooklyn, NY), Marcia Reid Marstead (Canton, CT), Patricia McDonough (NYC), Clayton Miller (Chicago, II), Jamie Nicholl (Philidelphia, PA), Chloe Potter ...
Sheffield Galleries and Museum Trust, Millennium Galleries: Janet Cardiff and George Bures Miller: Recent Works
The music used in Forty Part Motet is Spem in Alium nunquam habui, written by Thomas Tallis, one of the most influential English composers of sixteenth century. IMAGE
Still from The Berlin Files, 2003 film and sound installation dimensi...
J. Paul Getty Center: Surrealist Muse: Lee Miller, Roland Penrose, and Man Ray
As muse, Miller was a rare inspiration, equally comfortable and forceful in front of and behind the camera and canvas. At the age of 19, she became a model in New York where her image, captured and composed by photographers Arnold Genthe, Edwa...
Association of Photographers Gallery: 7 - Seven Incredible Photographers
AOP members Marcus Lyon, Julie Fisher, Luc Beziat, Roger Hutchings, Dod Miller, Andy Wilson and Matthew Stuart have brought together some of their most thought provoking and stunning Black and White images. In ‘7’ Roger Hutchings lifts the ...
Craft ACT: Craft and Design Centre: Pathways: A Walk Through the Australian Landscape
Jenny Bowker’s quilts take the viewer on a walk through Australia’s forest and beaches, and uses pathways and tracks through the landscape as a metaphor for moving through life. Beth and Trevor Reid work together to depict Australian rivers an...
hug - Gallery for International Photography: Lee Miller: A Retrospective of an Incredible Life
Modelling for top fashion photographers Hoyningen-Huene and Steichen, her natural precocity led her to absorb their techniques, and before long she had outgrown her role in front of the camera.  Deciding to perfect her craft from the brilliant Sur...
Laurence Miller Gallery: Helen Levitt: Crosstown
The exhibition is held in conjunction with the publication of what promises to be Ms. Levitt's magnum opus, her new book Crosstown, which is the largest selection of her work ever published. Of the 175 pictures in the book, some are familiar from ...
Laurence Miller Gallery: VINCENZO CASTELLA
Castella, born in Milan in 1952, uses a large format camera and digital printing technology to create urban landscapes that investigate the commonalities and differences between cities of the Western world, from Amsterdam to Naples. Crammed with m...
Plug In: The Paradise Institute: Janet Cardiff and George Bures Miller
Plug In ICA gratefully acknowledges the support of Canada Council for the Arts, The Manitoba Arts Council, the Province of Manitoba Department of Culture, Heritage and Tourism, The Winnipeg Arts Council, The City of Winnipeg, The Winnipeg Foundati...
York Quay Centre: Painting Over the Lines: Work by Five Contemporary Artists from Pakistan
Rashid Rana, one of the artists in York Quay Gallery's Painting Over the Lines exhibition, makes a special presentation on his process of creating art. Rana hires skilled billboard painters to realize some of his large works referencing pop-ar...
Laurence Miller Gallery: John Gutmann: Instant Messaging
In these intimate vintage black and white prints, we read signs that say "WE WANT THE 40 HOUR WEEK" and "FOR THE PROTECTION OF LIVES CUT YOUR SPEED." Automobiles became billboards, where messages were posted, both private (CQ de SM5YU) and pub...
Laurence Miller Gallery: OASES: A Group Show of Photography
The landscape has always provided artists with an infinite range of choices for personal expression, whether it be the depiction of a holy place or the carnage of a battlefield. The ten artists selected for OASES each bring a different interpretat...
Hudson River Museum: A Shot in the Dark: Night Photographs by Larry Miller, Lynne Saville and Jill Waterman
Larry Miller's photographs of the American west cast an otherworldly spell on viewers. Eerie red rock formations are silhouetted against cobalt skies blanketed with millions of stars. Miller's brightly lit foregrounds simulate a ...
Laurence Miller Gallery: Lalla Essaydi: Converging Territories
Revisiting that house, Essaydi creates a mysterious and timeless space with a cloth background, entirely covered with Islamic calligraphy that she herself has written in henna. She then painstakingly covers the women and children with henna be...
Laurence Miller Gallery: Jerry Uelsmann / Maggie Taylor: Other Realities
In the introduction to Jerry Uelsmann, Twenty-Five Years: A Retrospective, by James L. Enyeart, Jerry Uelsmann is described as "one of that select group of artists who can be said to have altered the very language of their discipline." A pione...
Artspace New Haven: Soft: Curated by Debbie Hesse
Featuring works by: James Clark, Eric Conrad, Joseph Fucigna, Anne George, Sarah Gjertson, Ron Janowich, Clint Jukkala, Jane Miller, Amy Punckak, Orit Raff, Janice Redman, Mary Temple, Leo Villareal and Dina Weiss James Clark, Leo Villareal, ...
Laurence Miller Gallery: Duane Hanson: Photographs
The opportunity to view these photographs, which Hanson created as studies for his iconic hyperrealist sculptures, represents a watershed in Hanson's oeuvre and initiates meditation on the relationship between photography, sculpture, art and life....
King County Public Art Program: Call for Arrtists: Environmental Labortory
Artist’s Opportunity: King County and project architects The Miller/Hull Partnership are interested in adding an artist to the Environmental Laboratory project who can tell the story of the region’s water quality and contribute to the educational...
Minneapolis Institute of Arts: Chagall
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Perth Institute of Contemporary Arts: New Australiana
So I set out to find some more contemporary images of Australian popular culture and this exhibition is the result. The range is eclectic, reflecting the method of accumulation and the diversity of background of the various artists, who hail from ...
Kemper Museum of Contemporary Art: Decelerate AND foldoverfold: Marcie Miller Gross
Decelerate (December 16–February 19)   Decelerate presents works by ten artists who explore the concept of slowing down in a time-crunched culture in a variety of ways. Sometimes this slowness emerges as a contemplative, creative process, i...
Laurence Miller Gallery: Burk Uzzle: Riptide: America on the Flipside
The exhibition will also include several new works in color, in which the artist photographs heaps of shredded papers from the offices of professionals, like a dentist and an accountant, and from the studio of an erotic artist. Evocative of Jackso...
Hayward Gallery: BRASSAI: The Soul of Paris
'When you meet the man you see at once that he is equipped with no ordinary eyes’'
– Henry Miller on Brassaï IMAGE:
Brassaï
Lovers in a Small Cafe near the Place d'Italie
1932 Brassaï Estate
on long term loan to ...
Contemporary Arts Museum Houston: Faux, Foe, Pho: Work from Houston High Schools
Last year's Teen Council Exhibition, Lather, Rinse, Repeat: Work from Houston Area High Schools, featured the works of 29 artists and was accompanied by special programs for high school students. This exhibition will be accompanied by a P...
International Quilt Study Center, University of Nebraska: First Biennial Symposium - Wild by Design: Features 4 Exhibtions
Wild by Design: Two Hundred Years of Innovation and Artistry in American Quilts showcases American quilts that explore innovation in color, abstraction, figuration and other modes of expression. This dynamic group of quilts ranges in date from...

Further Artwork and Information:

Godfrey Miller (1740 - 1805) Biography, Artwork Images, Exhibitions, Reviews
The Winchester Star-Godfrey Miller Center
Godfrey Miller
Objects of everyday
Godfrey Miller Fellowship
Godfrey, Miller, Family History, Genealogy, London, Tree, England
The Winchester Star-A New Look for the Godfrey Miller Home
Masterpiece Fine Art Gallery - Godfrey Miller (1893-1964)
Pablo Picasso, Jackson Pollock and Godfrey Miller - Materials and Techniques. an article from cavant-garde.com
TitansRadio Network Miller and Godfrey Join The Titans

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