Artist: Pietro Monaco ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pietro Monaco.

The Metropolitan Museum of Art -
The Nativity, 1409 Lorenzo Monaco (Italian [Florence], ca. 1370-1423)Tempera on panel; 8 3/8 x 12
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Pietro Berrettini (Pietro da Cortona) Daniel Freed from the Lion's Den, after Pietro da Cortona Engraving 18th century
The Minneapolis Institute of Arts -
Artist: Pietro da Cortona (Pietro Berrettini) Title: Portrait of Cardinal Pietro Maria Borghese (created cardinal
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Pietro Berrettini (Pietro da Cortona) Cleopatra(?), after Pietro da Cortona, from the series Disegni originali d'eccelenti pittori... Etching 18th century
The Metropolitan Museum of Art -
Madonna and Child with Angels Workshop of Lorenzo Monaco (Italian, Florentine, active 1390-1423)Tempera on wood,
The Metropolitan Museum of Art -
David, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
The Metropolitan Museum of Art -
Abraham, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
The Metropolitan Museum of Art -
Noah, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
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Pietro Berrettini (Pietro da Cortona) Santa Bibiana refusing to sacrifice to pagan gods Etching 1626
The Metropolitan Museum of Art -
Moses, ca. 1408-10 Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine, active 1390-1423)Tempera on wood, gold
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Pietro da Cortona - Portrait of Cardinal Pietro Maria Borghese c. 1633-35 oil on canvas Minneapolis Institute of Arts Italian
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FÈlicien-Joseph-Victor Rops Olivierade, Monaco Etching and drypoint 1876
The Metropolitan Museum of Art -
The Massacre of the Innocents, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
The Metropolitan Museum of Art -
The Adoration of the Magi, predella panel, ca. 1470 Sano di Pietro (Ansano di Pietro
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Titian - Pietro Aretino 1548-51 oil on canvas The Frick Collection Italian
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Pietro Berrettini (Pietro da Cortona) Ceiling of Palazzo Barberini Engraving 16th - 17th century
The Metropolitan Museum of Art -
Madonna and Child with the Donor, Pietro de"Lardi, Presented by Saint Nicholas Master of the
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Canaletto - Venice: S. Pietro in Castello 1734-1742 oil on canvas The National Gallery, London Italian
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Titian - Cardinal Pietro Bembo c. 1540 oil on canvas National Gallery of Art Italian
The Metropolitan Museum of Art -
The Visit, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Tommaso Piroli The Crucifixion, after Pietro Cavallini Etching and engraving 1825
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G. Petrignani St. Peter Delivered From Prison, after Pietro Testa Etching 17th century
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Lorenzo Monaco - Madonna and Child 1413 tempera on panel National Gallery of Art Italian
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Pietro Ghigi Portrait of Giovanni Pietro Foliari, after the fresco by Raphael in the Stanza de Eliodoro in the Vatican Palace Etching-engraving 18th - 19th century
The Metropolitan Museum of Art -
The Letter, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
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Pietro Berrettini (Pietro da Cortona) Sacrifice of Iphigenia Pen and brown ink and brown wash over traces of black chalk on laid paper 17th century
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Jacopo Robusti Tintoretto - Portrait of Doge Pietro Loredan 1567-70 oil on canvas Kimbell Art Museum Italian
The Metropolitan Museum of Art -
The Temptation, 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x 19
The Metropolitan Museum of Art -
The Burial of Saint Martha, predella panel Sano di Pietro (Ansano di Pietro di Mencio)
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Lorenzo (Piero di Giovanni) Monaco - Virgin Annunciate c. 1410-1415 Tempera and gold lea Norton Simon Museum Italian
The Metropolitan Museum of Art -
The Meeting, probably 1746 Pietro Longhi (Pietro Falca) (Italian, Venetian, 1702-1785)Oil on canvas; 24 x
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Pietro Testa ( il Lucchesino) St. Catherine, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Mythological Scene with Bacchus and Persephone, after Pietro Testa Etching 17th century
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Pietro Testa ( il Lucchesino) Two Figures, after a drawing by Pietro Testa Etching mounted to a heavier sheet 17th century
Museum of Fine Arts -
Pietro da Cortona (Pietro Berrettini, called Pietro da Cortona), Italian (Roman), 1596-1669 Virgin and Child
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Pietro Bonato Three Young Women, after Canova Engraving and etching 19th century
The Metropolitan Museum of Art -
Madonna and Child with Two Angels, 1490s Pietro di Domenico (Italian, Sienese, 1457–?1506)Tempera and gold
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Don Lorenzo Monaco - Madonna with Child and Two Angels c. 1420 oil on panel Liechtenstein Museum Italian
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Pietro Longhi Bal Masque oil on canvas 18th century
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Stefano Mulinari The Death of Dido, after Pietro Testa Etching and engraving 18th century
The Metropolitan Museum of Art -
The Crucified Christ, fragment of a crucifix Pietro da Rimini (Italian, Riminese, active 1324-33)Tempera and
The Metropolitan Museum of Art -
Saint Ursula and Her Maidens, ca. 1410 Niccolò di Pietro (Italian, Venetian, active 1394-1427/30)Tempera and
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Pietro Berrettini (Pietro da Cortona) Sixtus V. P. ä ad Basilicam S. Petriä, fourth plate after Picturae Francisci Albani in aede Verospia ([Rome?]: no publisher, [1704?]), second part in miscellany with spine title: Opere d. div. pittori et
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Francesco Bartolozzi Rachel Hiding the Idols of Laban, after Pietro da Cortona Engraving in sepia ink 1765
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Giovanni Girolamo Frezza Polyphemus following Acis and Galatea, after Pietro da Pietri after Sisto Badalocchio Engraving 1704
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Pietro Barboni Teatro di Marcello... 1827
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Pietro Aquila The Death of the Virgin, after G.M. Morandi Engraving 17th century
The Metropolitan Museum of Art -
The Intercession of Christ and the Virgin, early 15th century Attributed to Lorenzo Monaco (Piero
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Pietro Berrettini (Pietro da Cortona) untitled, fifth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, second plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) Faustulus apportant Remus et Romulus ( Faustulus brings forth Remus & Romulus)... fourteenth plate in the book...Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2 Engraving and etching 16th - 17th
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Pietro Longhi A Theatrical Performance oil on canvas 18th century
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Pietro Salvatori Il Violinista, after Raphael Engraving 19th century
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Pietro Berrettini (Pietro da Cortona) Eminentissime et Rev.me Princeps, eleventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine t
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Pietro Berrettini (Pietro da Cortona) Virtutem, first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) untitled, twelfth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eleventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, fourth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, eighth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, seventh plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, sixth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Barboni Veduta delle antiche... 1825
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Pietro Barboni Veduta del Tempio di Minerva... 1825
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Pietro Barboni Veduta del Sepolchro di Cajo... 1825
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Pietro Barboni Veduta dell'Arco di Druso... 1826
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Pietro Berrettini (Pietro da Cortona) Achilles among the Daughters of Lycomedes Black chalk, red chalk, pen and brown ink, brown wash, and white opaque watercolor on laid paper mounted to a heavier sheet, attached to a second heavy sheet 17th century
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Giovanni Cesare Testa Achilles on the back of the Centaur Chiron Etching 17th century
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Pietro Berrettini (Pietro da Cortona) untitled, third plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) untitled, nineth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title:
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Pietro Berrettini (Pietro da Cortona) untitled, tenth plate following the series Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Untitled, third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Matura Aetas, second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div
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Pietro Barboni Veduta dell'Arco Costantino 1825
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Pietro Barboni Le grandi Cascatelle di Tivoli 1826
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Pietro Berrettini (Pietro da Cortona) In Alexandri pectusä, twenty-second plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine tit
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Pietro Tacca Slave bronze circa 18th century
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Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, seventeenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with s
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Pietro Paolini Youth with Musical Instrument oil on canvas 17th century
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Pietro Longhi The Concert (The Mandolin Recital) oil on canvas circa 1760
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Pietro Aquila The Virgin Appearing to Saint Alexis Etching with engraving 17th century
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Pietro Berrettini (Pietro da Cortona) Untitled, seventh plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. p
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Pietro Berrettini (Pietro da Cortona) Cyrusä, nineteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. di
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Pietro Berrettini (Pietro da Cortona) Untitled, sixth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Crispoä, twenty-third plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d.
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Pietro Berrettini (Pietro da Cortona) Untitled, fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
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Pietro Berrettini (Pietro da Cortona) Florentiae ä in Veneris Camera, sixteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spi
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Pietro Aquila The Guardian Angel, after Carlo Maratta etching and engraving 17th century
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Pietro Berrettini (Pietro da Cortona) Untitled, ninth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Filius amansä, twenty-fifth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: O
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Pietro Berrettini (Pietro da Cortona) Antiochusä, twenty-fourth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Oper
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Pietro Berrettini (Pietro da Cortona) Untitled, eighth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pi
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Pietro Berrettini (Pietro da Cortona) Untitled, fourteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
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Pietro Berrettini (Pietro da Cortona) Untitled, fifteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. p
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Pietro Berrettini (Pietro da Cortona) Augustusä, twenty-first plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere
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Pietro Berrettini (Pietro da Cortona) Untitled, thirteenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div.
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Pietro Berrettini (Pietro da Cortona) Untitled, twelfth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in miscellany with spine title: Opere d. div. pit
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Pietro Berrettini (Pietro da Cortona) Untitled, tenth plate of Heroicae virtutis imagines quas Eques Petrus Berrettinus Cortonensis pinxit ä (Rome: Domenico de Rubeis ä, undated), first part in ~miscellany with spine title: Opere d. div. pit
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Pietro Barboni Veduta dell'Arco di Settimio Severo... 1825
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Pietro Barboni Veduta del Pantheon d'Agrippa in Oggi... 1825

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Monaco

Montreal Museum of Fine Art: Italian Masterpieces From Raphael To Tiepolo
The works range in scale from intimate devotional paintings and portraits to state commissions, monumental altarpieces and mythological paintings. Italian Masterpieces from Raphael to Tiepolo will offer the public an unprecedented opportunity to e...
ARKEN Museum of Modern Art: Helmut Newton: Sex and Landscapes, Yellow Press
Nonetheless the ARKEN autumn exhibition bears witness to an art historically curious Newton, combining classical Newton pictures with photographs revealing wholly new sides to the famous photographer. Both commissioned work and photographs which f...
Metropolitan Museum of Art: Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance
Comparable only to the Cini Collection in Venice in its breadth and scope, the collection formed by Robert Lehman originally comprised some 145 pieces, representing all of the major schools of Italian manuscript production – Umbria, Tuscany, Emili...
Centre Cultura Contemporania de Barcelona: Canaletto: An Imaginary Venice
INTRODUCTION
Dallas Museum of Art: Tabletop to TV Tray: China & Glass in America, 1880-1980
This exhibition explores how our everyday household items, such as plates, cookware and glasses, transformed with the changing society, said Dr. Charles Venable, deputy director and curator of Decorative Arts for the DMA and co-curator of the exhib...
Arte Communications: International Exhibition of Sculptures and Installations OPEN2OO3 Art and the Cinematic Vision
The Chief Curator, in this edition, is the international critic Robert C. Morgan, afterwards the loss of the esteemed French Art Critic Pierre Restany, who gave his precious collaboration for the previous editions. As in the foregoing editions, Ch...

Further Artwork and Information:

Pietro Monaco (1564 - 1635) Biography, Artwork Images, Exhibitions, Reviews
F.I.S.E - Federazione Italiana Sport Equestri
Nuova pagina 1
Circolo Pietro Dal Monaco
Circolo Cinematografico Pietro Dal Monaco - Cinema Turroni Oderzo
Grove Art Online
UNIVERSITADEGLI STUDI DI NAPOLI FEDERICO II__ PROCEDURA DI VALUTAZIONE COMPARATIVA AD UN POSTO
Monaco, Pietro
www.vatican.va/roman_curia/pontifical_academies/cult-martyrum/martiri/009.html
Oliverio

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