Artist: Ronald Moody ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ronald Moody.

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John Charles Moody San Gimignano Drypoint 1920
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John Charles Moody Siena Etching-drypoint 19th - 20th century
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Ronald Greenberg Stumps, I, California Photo etching 1971
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Ronald Greenberg Stump, Oregon Photo etching 1971
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Ronald Greenberg Stumps, II, California Photo etching 1971
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Rick Griffin San Francisco Rock Poster: Bill Graham Presents, Moody Blues; Chicago Transit Authority; Fillmore West, 10/21-24/68 color lithograph 1968
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Bonnie MacLean Graham San Francisco Rock Poster: Bill Graham Presents, Moody Blues; Richie Havens: Berkeley Community Theatre, 4/2, 11/70 lithograph 1970
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Ronald Brooks (R. B.) Kitaj Barcelonetta screenprint 1979
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Lord Ronald Gower Madame de Miolan 19th century
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Lord Ronald Gower Le Feu Vidame de Chartres 19th century
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Lord Ronald Gower Mousier de Guise le Pere as a young man 19th century
Museum of Fine Arts -
Moody Russell, 1694-1761 Beaker United States, Massachusetts, (Boston), about 1715 Silver Buhler, 1972, No. 127
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Ronald Searle Doing the Splits in Cyprus, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Switzerland: Bottling Time, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Olympus: Nectar Time, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Striking It Rich in Texas, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Greece: Keeping an Eye on the Press, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1985
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Ronald Searle Rather Unusual, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Vermont: Bottling It Up in Brattleboro, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Searle Needs a Lift on the Nose, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Needs More Time to Round Out, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Little Broad but Quite Pleasant, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Little Forward in Character, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle The Cup, drawing for the back cover of the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Tennesee Moonwining. (Le Knoxville nouveau est arrivÈ), from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle Slightly Oily Palate, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Very Impressive Drinking Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle May Appeal to Those Who Like the Fuller Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle A Good Reliable Style, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Byzantium: Frustrating Ceremony of Trying to Round-up Square Grapes, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Brazil: Traditional Ceremony of Facing Up to Room Termperature, from the series, Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Ireland:Touching( and Rather Dampish) Ceremony of Wailling O*er the Wine, from the series, Wine Ceremonies of the World. Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1982
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Ronald Searle Right!, drawing for page 25 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Untitled (Statue of Liberty Skipping through Vineyard with a Bottle of Clos du Val wine) Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1986 - 1987
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Ronald Searle Rome: Abbreviated Course of Wine-tasting Chez the Borgias, from the series, The Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1987
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Ronald Davis - Plinth 1969 polyresin and fiberg Cleveland Museum of Art American
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Ronald Searle Alaska: Time-honoured Ritual of Decanting Kotzebue Klaret , from the series, Great Wine Ceremonies Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Ronald Searle Frequently Drunk Long Before Reaching Their Potential, drawing for the book, Ozzie Winespeak (Moonambel, Victoria: Taltarni, 1986) Pen and black ink, watercolor, and colored pencils on wove paper 1986
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Ronald Searle Untitled (Kangaroo Sailing on a Bottle of Wine),from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper circa 1983 - 1986
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Ronald Searle Austria: Authorities Submitting Suspect Wine to Ever More Profound Analysis, from the series, Wonderful World of Wine Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1986
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Walter Ronald Locke - In Savannah, GA 1934 etching on paper Telfair Museum of Art American
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Ronald Searle Wrong (man with a saw), drawing for page 5 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man with Explosives), drawing for page 17 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Untitled (man with a gun), drawing for the front cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle South Africa: Colourful Ceremony of Offering Limited Recognition to the Black Grape, from the series,Wine Ceremonies of the World Pen and black ink, colored pencils, transparent and opaque watercolor on wove paper 1983
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Ronald Searle Getting Warmer (Wrong (Man with Electric Drill), drawing for page 23 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 19
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Ronald Searle Wrong (man by railroad tracks), drawing for page 11 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong ( Karate Kick), drawing for page 15 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man with boxing gloves), drawing for page 9 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Man Ringing a Bell), drawing for page 21 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Oh no...(Woman on Airplane Runway), drawing for page 19 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (Circus Performer and Elephant), drawing for page 13 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sheet 1982
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Ronald Searle Wrong (woman forcing corkscrew into wrong end of bottle), drawing for page 7 of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier s
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Ronald Searle Untitled (Waiter Drawing a Long Cork), drawing for page 28, the back cover of the booklet, How To Open A Bottle of Wine (Clos du Val and Taltarni: 1983) Pen and black ink, colored pencils, and watercolor on wove paper mounted to heavier sh
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Ronald Davis - Bent Beam 1974 acrylic and dry pigm Hirshhorn Museum American
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Ronald Davis - Bent Beam 1975 aquatint, etching an Hirshhorn Museum American
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Ronald Davis - Blue-Black 1968 polyester resin and Hirshhorn Museum American
Museum of Fine Arts -
Courtesy Ronald Feldman Fine Arts, New York ; Carl Fudge, English, Born in 1962 Rhapsody
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Gianni Cacciarini Musica Etching circa 1976
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Robert Spencer Courtyard at Dusk oil on canvas circa 1915
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Linda Adato On the Floor color etching and aquatint 1981
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Eugene Bejot Un Mousse etching 1893
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Alphonse Legros Le Menege Etching circa 1870
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Maurice Realier-Dumas Corinne Color lithograph 1897
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Varney Masalay Knife and sheath metal, leather, and ivory or bone 20th century
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Jean Louis Forain Debout les Morts! Lithograph 1917
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Alphonse Legros Le Reflectoire Etching 19th - 20th century
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Luigi Lucioni White Over White Etching 1974
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Benjamin S. Rotch Untitled (Landscape) graphite on paper circa 1850
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Louis-Auguste Girardot Femme du Riff Color lithograph 1897
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Worcester Factory Punch pot with lid soft paste porcelain circa 1750 - 1760
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Bruce Nauman Lip, from Studies for Holograms Color photo screenprint 1970
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Edgar Chahine S. Girolamo, Venice Etching 19th - 20th century
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Emil Orlik Untitled color lithograph 1911
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Alphonse Legros Children Playing Etching 19th - 20th century
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Luigi Kasimir St. Michael's Gate, Vienna Etching 19th - 20th century
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Lilian MIller Japanese Dwarf Tree Color woodcut 1928
J. Paul Getty Museum -
Cour de Rohan
The Metropolitan Museum of Art -
The Enchantress, ca. 1640 Paulus Bor (Dutch, born about 1601, died 1669)Oil on canvas; 61
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Luigi Kasimir Winter Park Scene with Church Etching 19th - 20th century
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Albert Besnard Femme Blonde a Sa Toilette Etching 1909
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Anonymous Untitled [Gods of Fortune poling rafts down a river] color woodcut 1850 - 1870
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Lilian MIller Little White Plum Tree Color woodcut 19th - 20th century
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Lilian MIller Snow on Temple Roof Color woodcut 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Albert Besnard Nude etching 19th - 20th century
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Theodore Roussel Profile of a Little Girl Drypoint 19th - 20th century
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Jean Louis Forain Un raid audesses d'une "place forte" anglaise Lithograph 1917
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Marie Auguste Emile Rene MÈnard Automne Color lithograph 1897
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Jean Louis Forain Pourquoi cette froideur?!!(Why this coldness?) lithograph circa early 20th century
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Theodore Roussel Portrait of a Little Spanish Girl Drypoint 19th - 20th century
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Jean Louis Forain Fraulein, j'em affelle ‡ notre souverain!... lithograph circa early 20th century
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Jean Louis Forain L'Ecole des Neutres III: Le sous-main a cru qu'on voulait le couper Lithograph 19th - 20th century
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Alphonse Mucha L'Estampe Moderne, Numero I, May 1897. cover sheet Letterpress 19th - 20th century
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Joseph Pennell Polperro #2 Lithograph 1897
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Joseph Pennell Kynance Cove, The Lizard lithograph 1898
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FÈlix Bracquemond Habitation rustique, After Isaac van Ostade etching 19th - 20th century
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Louis Malteste Marchande de lacets (Merchant who sells laces) from L'Estampe Moderne (Modern Prints), No. 1, May 1897 Color lithograph 1897
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Yoshitoshi #9.A Moonlight Scouting Patrol: Saito Toshimitsu color woodcut 1885
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Joseph Pennell Bridge at Meaux on the Marne, drawing for Century Magazine June1906 pen and black ink circa 1906

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Moody

Aldrich Museum of Contemporary Art: Ink Jet: Matt Chansky, Claire Corey, Tom Moody
These artists all trained as painters and made the transition into the digital realm through experiences in the workplace. Rather than simply scanning and manipulating images, Chansky, Corey, and Moody have each struggled in their own...
Mackey Gallery: Call for Artists: Project Storm
Deliver or ship donated art to:
Mackey Gallery
5111 Center St.,
Houston, Tx 77007.
713-850-8527.
Tues. - Friday 11-5: Sat 10-5.
www.mackeygallery.com Delivery date deadline : 9-30...
Bishop's University Art Gallery: Cedar People: Ancestors Living Among Us
Cedar refers to a community of forests and peoples, whose common health and history are inextricably linked together. People, in this context, references both Coast Salish People and 'witnesses' who have participated through ceremony as 'keeper...
Tate Britain: Ronald Moody 1900 – 1984: A Reputation Restored
The sculpture's dignified calm and air of permanence is perhaps deceptive. This is the first time that Ronald Moody's work has been officially recognised as part of the mainstream of British art, although Moody, who was born in Jamaica, spent most...
Amos Eno Galley: Eric Bowman, Ken Hoffman, Marge Moody, Yunsook Park, Timothy Rudd, Aviva Sawicki
Eric Bowman's paintings in high and low-relief, are in the shape and scale of the objects they depict presented in a variety of media and materials, arranged in either a traditional still life or as individual objects separated from a domestic ...
Minneapolis INstitute of Arts: Quality Control: Ruthann Godollei, Alexa Horochowski, Lee Anne Swanson, and Carolyn Swiszcz
Ruthann Godollei decodes patterns of family and social dysfunction in sparse, scratchboard drawings and monoprints. Alexa Horochowski scrutinizes the institution of marriage in a mu...
Art Gallery of New South Wales: Anxious Bodies: Jane Burton, Pat Brassington, Jane Eisemann
Jane Burton, for example, presents the female figure in unusual and isolated environments, constructing a kind of psychological drama where the future is unsure. Her moody and filmic photographs are imbued with a sense of mystery, where the body d...
Portland Museum of Art: Open House: Tanja Alexia Hollander
The fourth exhibition in this series highlights new work by Tanja Alexia Hollander. Hollander is best known for her moody, abstract photographs displaying views seen through a window. On the surface, these lovely images use suffused light, gentle ...
Museum of Contemporary Art, Sydney: Jan Nelson and Liza May Post
Included in the exhibition is a suite of 12 intimate portraits of young people on the cusp of puberty from Nelson's ongoing body of work, Walking in Tall Grass (1999-2004). Also on display are a number of photographs, paintings and two new sculpt...
Santa Barbara Museum of Art: Painterly Photographs: The Raymond E. Kassar Collection
The PhotoSecessionists, led by Alfred Stieglitz and Clarence White in America, members of the Linked Ring in ...
Contemporary Art Center: post-hypnotic
post-hypnotic is organized by University Galleries of Illinois State University and is supported in part by grants from the
ASU Art Museum, Nelson Fine Arts Center: William Kentridge: Ubu Tells the Truth and Other Stories Works from Valley Collections
Organized by Heather Sealy Lineberry, the William Kentridge exhibition will be installed in the 2,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. <...
Icaro Gallery: Saints and Sinners: Tony de Carlo, Reuben Munoz, Antonio Rael, Otto “Tito” Sturcke, Mauro Yrigoyen, Alejandra Vernon
Saints and Sinners explores the dichotomy of mankind. It looks at good and evil, joy and sadness, triumph and failure, life and death. It encompasses aspects of All Saints Day and Halloween. It considers secular and religious viewpoints. Some ...
Australian Council: AUSTRALIA COUNCIL JOINS ARTS COMMUNITY GRIEF FOR ARKLEY
Australia Council Chair, Dr Margaret Seares, who was with Mr Arkley for his exhibition launch in Venice last month, said she was deeply saddened by the loss of such an important artist and widely liked human being. It ...
Heather Marx Gallery: Brisk: Paintings by Yek
Using an airbrush to spray a range of colors from day-glo explosions to rich, moody nocturnes onto his concave panels, Yek creates nearly flawless atmospheric abstractions that suggest hyperkinetic landscapes and skyscapes.  Yeks paintings appear ...
QUT Art Museum: The Brisbane Line: Queensland Women Artists of the Early Twentieth Century
The exhibition, which provides a diversity of inspiration from nineteenth-century moody impressionism and urban spaces of Brisbane to portraits of fashionable women of the ‘flapper’ era, has been co-curated by Robyn Daw, Manager, Education, National ...
Workmens Cirle: A Shenere Velt Gallery: A Jewish Portrait Gallery: Questions of Seeing and Looking
Included works are by Laurel Paley, with her intriguing semi-abstractions, Lucille Dratler and Gabriella Karin, whose art is inspired by Holocaust survivorship, and Ilse Gordon, whose moody faces evoke pre-war Vienna and modern, intellectual Je...
Bellevue Art Museum: Roy Lichtenstein: Times Square Mural
Lichtenstein was commissioned 12 years ago by New York's Metropolitan Transportation Authority to create a mural for the Times Square subway station. Standing 6 feet high and 53 feet long the mural depicts a skyline view of a futuristic city and ...
San Diego Museum of Art: Cerca Series: Helen Altman
Four works from Altman's latest series of moving blankets demonstrate her ability to capture the vulnerability of common creatures in larger-than-life reproductions of isolated animals. Altman's thermal-painted canvases sewn into moving blankets u...
ArtHaus: Group Exhibition: LOCATION ~ LOCATION
Serena Bocchino’s paintings and drawings translate the compositional, spontaneous rhythm of jazz into a two dimensional form. Her work uses rhythm, volume and tone to capture different ways in which line may interact with color. A New York Times ...
Obz Cafe: Evan Oberholster: 21st Century Nudes
Oberholster, who has had several one-man and group exhibitions since returning in the mid-1990s to South Africa from the Netherlands, has long explored the relationship between nudity and being. His latest showing is a first public viewing of o...
J. Paul Getty Center: The Man in the Street: Eugene Atget in Paris
Drawn entirely from the Getty Museum collection, the exhibition includes more than 80 of Atget's images captured during his self-devised and eccentric photographic campaign, which documented as...
Space.com: Titans and Technologies - The Legacy of Space Art
In the West, our century broke the close link between art and science, as prevailing currents flowed away from external nature to internal feelings -- a big factor, I believe, in C. P. Snow's famou...
Carnegie Museum of Art: Luke Swank: Modernist Photographer
Swank’s large and varied body of work moved from an early pictorial style in the late 1920s to precise, sharp, modernist images that combine a documentary reality with abstraction and the surreal. Swank’s photographs from the 1930s portray the...
Thomas Erben Gallery: Tom Wood: Looking for Love
Dressed in regular jeans and shirts, men eye up the girls and fuel on beer to find the courage to engage in the courtship rituals of disco dancing. Appearing at the evenings' onset almost like members of different species, the two sexes just disc...
Shire Pottery Gallery and Studios: Bergmans Dinosaurs
Classically trained sculptors Alan Lisle and Nick Whitmore, both fans of Bergman's films, together with painter Joe Dias, have chosen the Shire Pottery Gallery in Alnwick, to express, in a stylish exhibition of recent works, their belief that cr...
Museum of Contemporary Photography: John Davies, Angela Grauerholz, Katarzyna Kozyra, Andreas Mueller-Pohle, Seton Smith
In his silver gelatin prints, John Davies concentrates on investigating the modern landscape as it has evolved from natural to industrial environments. Although his work is informed by documentary photography, he does not present exclusively ob...
Milwaukee Art Museum: Brandt and Weston: Two Geniuses of Photography
Bill Brandt: A Retrospective Bill Brandt: A Retrospective explores the wide ranging work of this British master photographer. Brandts work is familiar to viewers because he is the inventor of his style - the trademark grainy gray British ligh...
National Portrait Gallery of Australia: Bill Brandt: A Retrospective
No other British photographer has made so many memorable photographs as Bill Brandt. He excelled in all fields -social scenes, Surrealism, night photography, wartime documentary, landscape, portraiture and the nude, writes Mark Haworth-Booth, curator...
Delaware Art Museum: An American Century of Photography: From Dry-plate to Digital, The Hallmark Photographic Collection

Further Artwork and Information:

Ronald Moody (1862 - 1944) Biography, Artwork Images, Exhibitions, Reviews
Ronald Moody - Midonz
Ancestors of Jolanda Fennema Ross Ronald Moody
Ancestors of Serge Paquin Ross Ronald Moody
inIVA: Library - Ronald Moody sculpture catalogue: volume 1
Tate Magazine Issue 4: A Reputation Restored
Ronald Philip MOODY - Shirley NEDICK
Ancestors and Cousins of Noah and Sydney Difiore Harrison Ronald Moody
Chief Deputy Ronald A Moody
GERRY J. STRICKLIN and JANET STRICKLIN and RONALD MOODY and SANDRA MOODY -- P.S. Docket No. MD 98-248

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