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Artist: Jean-michel Moreau (1741 - 1814)
Nationality: French
Movement:
Media: Painting,Printmaking,Drawing
Influences:
Biography: Jean-Michel Moreau le Jeune was a wigmaker’s son who studied with a painter and engraver. He traveled to St. Petersburg with his master in 1758, returning to Paris a year later. He dropped painting and began drawing for engravings and illustrating for Diderot’s Encyclopedie. He collaborated with Francois Boucher and illustrated the writings of Voltaire and Jean-Jacques Rousseau. Moreau became Designer to the King in 1770 and Designer and Engraver to the King in 1781. Moreau also illustrated for a costume book, Monuments de costume physique et morale, that was first published in 1777. He joined the Academie Royale in 1789 and worked through the French Revolution, appointed to royal office by Louis XVIII in 1814.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Jean-Michel Moreau.
- Jean Michel Moreau the Younger
Les petits parains (The little godfathers)
Engraving
18th - 19th century
- Copie d'après l'esclave mourant de Michel-Ange (2e moitié 19e siècle) by MOREAU Gustave ; MICHEL-ANGE (d'après)
- Jean Michel Moreau the Younger
La foire de Gonesse
Engraving
1772
- Jean Michel Moreau the Younger
Serment de Louis XVI a son Sacre
Etching
1779
- Jean Michel Moreau the Younger
Le Festin Royal
Line engraving
1782
- Jean Michel Moreau the Younger
Le Festin Royal
Line engraving
1782
- Jean Michel Moreau the Younger
Le pardon obtenu
18th - 19th century
- Jean Michel Moreau the Younger
Les adieux
Engraving
18th - 19th century
- Jean Michel Moreau the Younger
HÈlas! Voil ce que l'amour me coute! - Illlustration to work of Voltaire (La Prude, Act III, Sc.3)
engraving
1801
- Jean Michel Moreau the Younger
Memnon Ou L'Ecoeuil Du Sage
18th - 19th century
- Jean Michel Moreau the Younger
Arrivee de la Reine a l'Hotel de Ville
Etching
1782
- Jean Michel Moreau the Younger
Pygmalion (Paris: J. Lemonnyer, 1883)
book with facsimiles of engravings
1883
- Jean Michel Moreau the Younger
Adelaide! - Illlustration to work of Voltaire (Adelaide de Gueselin, Act II, Sc.3)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Un vieux fou - Illlustration to work of Voltaire (La Femme qui a raison, Act II, Sc.5)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
La Modele Honnete
Etching-engraving
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: HÈlas! Voil ce que l'amour me coute! - Illlustration to work of Voltaire (La Prude, Act III, Sc.3)
engraving
1801
- Jean Michel Moreau the Younger
Le voile est dÈchirÈ - Illlustration to work of Voltaire (Le Duc de Foix, Act V, Sc.2)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Le Duc de Foix - Illlustration to work of Voltaire (La Princesse de Navarre, Act I, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Voil mon coeur frappez - Illlustration to work of Voltaire (Mariamne, Act III, Sc.2)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
O mon Dieu tutÈlaire! - Illlustration to work of Voltaire (Tanerede, Act IV, Sc.4)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Regarde la, te dis-je - Illlustration to work of Voltaire (Zaire, Act V, Last scene)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Je tombe vos genoux - Illlustration to work of Voltaire (Les Scythes, Act IV, Sc.7)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Venus Anadyomene
drawing: graphite under pen and black ink
18th - 19th century
- Copie d'après Michel-Ange (2e moitié 19e siècle) by MOREAU Gustave ; MICHEL-ANGE (d'après)
- Jean Michel Moreau the Younger
AglaÈ - Illlustration to work of Voltaire (Socrate, Act II, Sc.1)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Adelaide! - Illlustration to work of Voltaire (Adelaide de Gueselin, Act II, Sc.3)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Un vieux fou - Illlustration to work of Voltaire (La Femme qui a raison, Act II, Sc.5)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Arrette, audacieux coupable; - Illlustration to work of Voltaire (Sophonisbe, Act II, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Les Èclairs sont moins prompts - Illlustration to work of Voltaire (MÈrope, Act V, Sc.6)
engraving
18th - 19th century J. Paul Getty Museum
- Dido Excoriates Aeneas
- Jean Michel Moreau the Younger
Mon pËre - Illlustration to work of Voltaire (L'Enfant Prodigue, Act V, Sc.6)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Si, Si, brindisi te - Illlustration to work of Voltaire (Le Baron d'Otrante, Act III, Sc.3)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Cassandre - Illlustration to work of Voltaire (Olimpie, Act III, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
O Dieux! - Illlustration to work of Voltaire (Oedipe, Act IV, Sc.3)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Le Duc de Foix - Illlustration to work of Voltaire (La Princesse de Navarre, Act I, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: O mon Dieu tutÈlaire! - Illlustration to work of Voltaire (Tanerede, Act IV, Sc.4)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Le voile est dÈchirÈ - Illlustration to work of Voltaire (Le Duc de Foix, Act V, Sc.2)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Peux-tu meler l'amour moments d'horreurs? - Illlustration to work of Voltaire (Alzire, Act IV, Sc.4)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Ah! formons ces doux noeuds au temple de VÈnus - Illlustration to work of Voltaire (Samson, Act IV Sc.3)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Je tombe vos genoux - Illlustration to work of Voltaire (Les Scythes, Act IV, Sc.7)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
La Foire de Gonesse
pen and black ink with brown wash over graphite on cream laid paper
1772
- Jean Michel Moreau the Younger
J'embrasse mes enfans - Illlustration to work of Voltaire (Mahomet, Act IV, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: AglaÈ - Illlustration to work of Voltaire (Socrate, Act II, Sc.1)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Ah! Je suis votre fils,... - Illlustration to work of Voltaire (Semiramis, Act IV, Sc.4)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Ah! ah! Monsieur vous sortez donc enfin! - Illlustration to work of Voltaire (Le Depositaire, Act II, Sc.4)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Arrette, audacieux coupable; - Illlustration to work of Voltaire (Sophonisbe, Act II, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Les Èclairs sont moins prompts - Illlustration to work of Voltaire (MÈrope, Act V, Sc.6)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Adieu! ne montre au moins ce portrait personne - Illlustration to work of Voltaire (L'Indiscret, Sc.7)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Notus promettons, PompÈe, tes saerÈs genoux - Illlustration to work of Voltaire (Mort de CÈsar, Act II, Sc.4)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Octave, je sais trop que notre intelligence - Illlustration to work of Voltaire (Le Triumvirat, Act II, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Glycere - Illlustration to work of Voltaire (Les deux Tonneaux, Act III, Sc.1)
engraving and etching
18th - 19th century The Minneapolis Institute of Arts
- Artist: Jean Michel "Le Jeune" Moreau Title: Le Rendezvous pour Marly Date: 1776 - 1783
- Jean Michel Moreau the Younger
Proof before the title of: Si, Si, brindisi te - Illlustration to work of Voltaire (Le Baron d'Otrante, Act III, Sc.3)
engraving
18th - 19th century
- Jean Michel Moreau the Younger
Je laisse entre vos mains - Illlustration to work of Voltaire (Eryphile, Act IV, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Proof before the title of: Cassandre - Illlustration to work of Voltaire (Olimpie, Act III, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Point de remerciment point de reconnaissance - Illlustration to work of Voltaire (L'Ecossaise, Act II, Sc.6)
engraving
18th - 19th century
- Sensibilité de Henri IV d'ap J-M Moreau le jeune (4e quart 18e siècle ; 1er quart 19e siècle) by MOREAU Jean-Michel (dessinateur, illustrateur, d'après)
- Jean Michel Moreau the Younger
Quoi! Toujours Charlot! - Illlustration to work of Voltaire (Charlot, Act II, Sc.3)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
HÈlas! qu'alliez vous faire? - Illlustration to work of Voltaire (Oreste, Act IV, Sc.5)
engraving and etching
18th - 19th century
- Jean Michel Moreau the Younger
Vengeance, attends ma voix! - Illlustration to work of Voltaire (Les GuËbres, Act III, Sc.2)
engraving and etching
18th - 19th century
Artnews Articles and Exhibition Information: (10) Click on any of the links below to read about artnews or exhibitions related to Moreau
Metropolitan Museum of Art: Gustave Moreau - Between Epic and Dream Best known for his mysterious and complex allegorical
paintings based on classical, literary, and biblical sources,
Moreau was much admired in his own day. His fantastic,
...
Metropolitan Museum of Art: Last Week! Gustave Moreau - Between Epic and Dream Best known for his mysterious and complex allegorical
paintings based on classical, literary, and biblical sources,
Moreau was much admired in his own day. His fantastic,
...
Saint Mary’s College Moreau Center for the Arts and Moreau Art Galleries: Beneath the Surface: Digital Imagery by Ellen Jantzen In this project Jantzen creates a series of anthropomorphic beings hovering symmetrically over backdrops ranging from the apocalyptic to the sublime. Her method of altering images parallels her interest in creating an altered reality for her viewe...
National Gallery: A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University The exhibition is organised by the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, in collaboration with the National Gallery, London, Musée des Beaux-Arts, Lyon and Réunion des Musées Nationaux, and The Metropolitan Museum of Art, ...
Columbia Museum of Art: From Fauvism to Impressionism: Albert Marquet at the Pompidou Schooled under Gustav Moreau at the Ecole des Arts Decoratifs alongside his friend Henri Matisse, Marquet was considered at the forefront of artistic achievement in France in his day. Bonds of friendship associated him with Matisse as well as Raou...
San Francisco Museum of Modern Art: Degas to Picasso: Painters, Sculptors and the Camera Dating from roughly 1885 to 1915, the 364 paintings, drawings, sculptures and photographs on
view demonstrate the pervasive and diverse role of photography in the work and working
processes of these significant artists. The works...
Kimbell Art Museum: From Renoir to Picasso: Masterpieces from the Musée de l'Orangerie Everywhere from
Tokyo to Moscow to Washington, D.C., individual collectors set in motion
plans for independent institutions, committed to modern and non-Western
...
Modern Museum: David Bailey: Birth of the Cool
Bailey remembers that when he was growing up in the East End of London, he
saw three alternatives for his future: to be a boxer, a trumpet player or a
car thief. So he bought himself a trumpet and tried to play in the spirit of
Chet Baker, bu...
Riflemaker: Voodoo - Hoochie-Coochie and the Creative Spirit Throughout the exhibition, the idea of Voodoo practise – initiation and possession particularly - is used as a metaphor for the spiritual heights considered essential to the creative process - a need to fire up the spirit, get your Mojo working, g...
Jewish Museum: Tenth Annual New York Jewish Film Festival Several directors will be in New York during the festival to introduce their fi1ms, including Pierre Grimblat (Lisa), Paula Levine (Convergence), Peter Forglics (The Maelstrom - A Family Chronicle), Gilles Bourdos (Disparus), and Rod Freedman (Unc...
Further Artwork and Information:
Jean-michel Moreau (1741 - 1814) Biography, Artwork Images, Exhibitions, Reviews
Jean-Michel Moreau Online
Jean-Michel Moreau le Jeune (Getty Museum)
DBLP: Jean-Michel Moreau
Moreau, Jean-Michel
Jean-Michel MOREAU (1741-1814)
Jean Michel Moreau The Younger (1917 - ) Biography, Artwork Images, Exhibitions, Reviews
Grove Art Online
www.artcyclopedia.com/artists/moreau_jean_michel.html
Jean-Michel MOREAU - La Pucelle dOrléans
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