Artist: Malcolm Morley (1931 - )
Nationality: British-American
Movement: Superrealism
Media: Painting,Sculpture
Influences:

Biography:
Born in Great Britain, Malcolm Morley worked mostly in the United States. He initially painted abstractly, but turned to figurative work in the 1960’s. During this period, he was also a leading exponent of the Superrealism movement. After 1970, his style changed again and he began painting in a more relaxed manner and portraying animals within landscapes. Morley was the first winner of the Turner Prize in 1984. This award was controversial because it was given to him for his contribution to British art, but Morley had resided in New York since 1958.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Malcolm Morley.

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Malcolm Morley - St. Lucia 1993 watercolor on paper Telfair Museum of Art American
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Malcolm Morley - The General 1974 Oil and mixed media The Museum of Contemporary Art, Los Angeles
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Malcolm Morley - Antiqua 1985 watercolor on paper Telfair Museum of Art American
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Malcolm Morley - A Tropical Swimming Hole (Florida) 1978 Oil on canvas The Museum of Contemporary Art, Los Angeles
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Sue Coe - Malcolm X And The Slaughterhouse 1985 oil, paper, and phot Hirshhorn Museum British
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James Peller Malcolm An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) book with 31 engravings 1813
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James Peller Malcolm Plate 5 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 19 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 18 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 17 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 9 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 16 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 15 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 3 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 2 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 6 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 7 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 8 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 10 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 11 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 12 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 13 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 14 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 4 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 29 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 25 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 24 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 27 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 28 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 23 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 30 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 22 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 31 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 21 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 20 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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James Peller Malcolm Plate 26 in the book An Historical Sketch of the Art of Caricaturing by J. P. Malcolm (London: Longmanä, 1813) engraving 1813
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Malcolm Osborne L'Oiseau de Bourges ET, DP 1932
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Malcolm Cameron Glass Canyon Lithograph 1947
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Malcolm Osborne Farming ET 19th - 20th century
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Malcolm Outing (September) color lithograph 1896
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Harry Morley Persephone Engraving 19th - 20th century
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Malcolm Osborne Dordrecht, Holland ET, DP 19th - 20th century
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Malcolm Osborne Constantinople (and the golden horn) 19th - 20th century
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Ward, Leslie Matthew (Spy) Smuel Hope Morley, from Vanity Fair Supplement Lithograph circa 1900
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Malcolm Osborne The Heart of Scotland (Stirling Castle) ET, DP 19th - 20th century
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Frank Morley Fletcher Brotherswater Color Woodcut 19th - 20th century
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Frank Morley Fletcher California 2 - Mt. Shasta Color woodcut circa 1930
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Malcolm Osborne Portrait of Shrimant Sanipatrao Gaikwad, Baroda ET, DP 19th - 20th century
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Malcolm Osborne Sir Frank Short, R.A. (President of the Royal Society of Painter & Engravers) DP 1932
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George Vertue George Morley, Bishop of Winchester engraving 17th - 18th century
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Frank Morley Fletcher California (1) Salinas River Color block print circa 1930
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WH "Science and Sport" (Malcolm Burr D.Sc.), Man of the Day No. 2308, from Vanity Fair Supplement Lithograph 1913
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Alexander Runciman The Marriage of St. Margaret with King Malcolm Etching 18th century
Museum of Fine Arts -
James Frothingham, American, 1786-1864 Mrs. William Ware (Mary Waterhouse) about 1823 Oil on panel 66.04
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Malcolm Morely - Henley-On-Thames 1968 acrylic on canvas Hirshhorn Museum British
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Malcolm Morely - Beach Scene 1968 acrylic on canvas Hirshhorn Museum British
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Malcolm Morely - Day and Night Cabin 1965 acrylic on canvas Hirshhorn Museum British
Museum of Fine Arts -
Possibly by IS Decorative hook England, about 1660-80 Silver H. 5.6 cm (2 3/16 in.);
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Malcolm Morely - Coronation and Beach Scene 1968 acrylic on canvas Hirshhorn Museum British
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David Seymour (Chim) Truman Capote and the actor Robert Morley on the set of Beat the Devil, Ravello, Italy vintage gelatin silver print 1953
Museum of Fine Arts -
Ladle with head of an ass Italic, Etruscan Classical Period, 5th century B.C. or later
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Malcolm Morely - Black Rainbow Over Oedipus At Thebes 1988 oil and wax on linen Hirshhorn Museum British
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Bertil Gadˆ The Horse of Night Color woodcut 1955
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Bertil Gadˆ Seas of Long Ago Color woodcut 1955
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Bertil Gadˆ The sunken City Color woodcut 1954
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Bertil Gadˆ The heathen Wood Color woodcut 1954
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Bertil Gadˆ North of the North Pole Lithograph 1956
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Bertil Gadˆ Iron Bear Land Lithograph 1956
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Bertil Gadˆ The Horse of Night Color woodcut 1955
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Bertil Gadˆ Northern Woman's Head Color woodcut 1955
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Bertil Gadˆ Northern Woman's Head Color woodcut 1955
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Bertil Gadˆ From the Folkungen: The short Summer Color woodcut 1955
Museum of Fine Arts -
Pair of handles from a stamnos Italic, Etruscan Late Classical Period about 400 B.C. Bronze
The Minneapolis Institute of Arts -
Artist: attributed to Sir Godfrey Kneller Title: Portrait of a Young Man (Sir John Van
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Meditation ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ A Street in Seville ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Mendiant (Beggar) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Tireuse de cartes ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ The Fisherman ET and AQUA 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ A Diplomat ET and AQUA 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Portrait of Velasquez ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Recumbent Figure of a Man ET 19th century
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Anders Aldrin Zabriskie (Zabrisky) Point, Death Valley color woodcut 19th - 20th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ L'Anachorete (The Anchorite) etching 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Serenade, no.10 Etching and Aquatint 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ La Victoire (Victory) Etching 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Une Esquisse (A sketch (two Arabs)) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Deux Cardinaux (Two Cardinals) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Mule Driver (Muleteer) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Famille Marocaine (Moroccan Family) ET 1862
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Idyll (Young Goatherd) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Un Pouilleux (Man killing his lice) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Tireuse de Cartes (Fortune Teller) ET 1867
The Minneapolis Institute of Arts -
Artist: Richard Bresnahan Title: Deep bowl Date: about 1980 Medium: stoneware Dimensions: H.11-1/2 x W.10-1/4
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Un Maitre des Ceremonies (A Master of Ceremonies) Et and DP 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Arabe Assis (Sitting Arab) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Arabes Assis (Sitting Arabs) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ Marocain Assis (Sitting Moroccan) ET 19th century
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Mariano JosÈ MarÌa Bernardo Fortuny y CarbÛ L'Amateur des Jardins (The Garden Enthusiast) etching 19th century

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to Morley

City Gallery Wellington, Hirschfeld Gallery: Hat trick: Victoria Birkinshaw, Anne Noble and Andy Morley-Hall
Emerging artist Victoria Birkinshaw presents a series of photographs which document the Webber Bros Circus' tour of Kapiti Coast, Upper Hutt and Lower Hutt in 2003. Birkinshaw has a long-standing fascination with the circus: "Running away and join...
Hayward Gallery: Malcolm Morley: In Full Color
Malcolm Morley was born in 1931 in North London. As a child he developed a passion for model aeroplanes and boats, and at 15 ran away to sea. Following a disrupted and troubled adolescence he discovered a talent and a passion f...
Morley Gallery: Tokyo GlamRock: Art and Rock Featuring GORGEROUS Rock Band from Tokyo
These ruptures become more marked when they are enacted in artistic practice. Tensions emerge within the performative aspects of the work: the acting out by artists of fractured identities in relation to the normative discourses which they par...
Photographer's Gallery: YR1: A Snapshot of Bitain in the 21st Century
During World War II, the photograph taken in 1940 showing St Paul's Cathedral during an air raid in the midst of burning London has become a key image illustrating Britain's determination to survive adversity. The Lewis Morley black/w...
Working With Artists: Call for Artists: 2nd Annual Rocky Mountain Regional Juried Photography Exhibition
The 2002 juried exhibit resulted in 80 pieces selected out of over 300 entries. The exhibition was very successful for the photographers in the seven state Rocky Mountain region, and the show was well received by the many photographers who entered...
Oakland Museum of Califoria: Helen Nestor: Personal and Political
The Nestor collection, containing more than 2,000 prints and 20,000 negatives, is the life's work of an important documentary photographer who specialized in recording the political and social changes of the 1960s and beyond in California. N...
NATIONAL ACADEMY OF DESIGN: 175th Open Annual Exhibition
Distinguished juries in each medium are elected by the membership of the Academy. Juries of selection are as follows: Painting: Pat Adams, Will Barnet, Harvey Dinnerstein, Lois Dodd, Yvonne Jacquette, Paul Resika, and Joseph Solman; Sculpture: Ze...
Juan Miro Foundation: Reality and Desire
The exhibition begins with works by Gerhard Richter (Germany) and Vija Celmins,
Victoria and Albert Museum: Seeing Things: Photographing Objects 1850-2001
It features many of the greatest practitioners of photography, including Julia Margaret Cameron, Eugene Atget, Man Ray, Henri Cartier-Bresson, William Eggleston, Helen Chadwick as well as prominent younger photographers. Natural Things ...
John Stinson Fine Arts: Skip Bolen and Steven Forster: The Jazz Lenses - Photographs of Jazz Musicians in New Orleans
SKIP BOLEN: Shooting primarily in black and white, using only available light with a Leica camera system, Skip Bolen is dedicated to "capturing the moment" of some of today's most exciting jazz performers on and offstage, revealing images in...
Catto Contemporary: Pure Brighton: Leading Lights of the Brighton Art Scene
Antony Micallef: Antony was the star of Catto Contemporary’s ‘Perverse Pop’ exhibition of last year. He has won 2nd prize in the BP portrait competition and has been featured in numerous publications, including the front cover of Blueprint magazin...

Further Artwork and Information:

Malcolm-Morley.com - Home
Malcolm Morley Online
Hux Records - Malcolm Morley - original member of Sam Apple Pie and Help Yourself - CD album called Lost And Found
Malcolm Morley - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
Malcolm Morley (1716 - 1797) Biography, Artwork Images, Exhibitions, Reviews
Wikipedia: Malcolm Morley
Malcom Morley artist portrait, brief biography and art
Malcolm Morley Art Images
Malcolm Morley
Malcolm Morley

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