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Artist: Giovanni Battista Naldini (1537 - 1591)
Nationality: Italian
Movement: Mannerism
Media: Painting
Influences:
Biography: Giovanni Battista Naldini studied under second-generation Mannerist painters, Jacopo Pontormo and Giorgio Vasari, who where the pupils of Andrea del Sarto. Naldini entered Pontormo’s workshop at the age of twelve and stayed there until Pontormo’s death. He then studied in Rome for a year in 1560 and returned to Florence to assist Vasari in decorations for the Palazzo Vecchio. He then acquired multiple patrons in Tuscany and worked for the Medici. In 1563, Naldini co-founded the Accademia del Disegno.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Giovanni Battista Naldini.
- Giovanni Battista Naldini
Recto: St. Matthew and the Angel~Verso: Pieta
r:Pen and brown ink and brown wash over red chalkwith black chalk on laid paperv: Black chalk with traces of red chalk
16th century J. Paul Getty Museum
- Raising of the Son of the Widow of Naim
- Le Christ apparaissant aux apôtres (2e moitié 16e siècle) by CAMBIASO Luca (atelier)
- Giovanni Battista Naldini - The Presentation in the Temple 1577 oil on wood panel Ackland Art Museum Italian Museum of Fine Arts
- Attributed to Giovanni Battista Naldini, Italian, about 1537-1591 Holy Family with Saint Anne and the
- Présentation du Christ au Temple (4e quart 16e siècle ; 1ère moitié 17e siècle) by BALDUCCI Giovanni
- Jeune femme, vue en buste, regardant en bas (2e moitié 16e siècle) by NALDINI Battista
- Giovanni Balducci
Circumcision of Christ
Pen and brown ink, brown wash and opaque watercolor over black chalk on laid paper
16th century
- Etude d'une tête de vieillard et d'un pied (2e moitié 16e siècle) by NALDINI Battista
- Etudes de jambes et d'un profil d'homme (2e moitié 16e siècle) by NALDINI Battista
- The Four Seasons, Giovanni Battista d’Angelo (called Battista del Moro) (Italy, Verona, circa 1515 - circa 1573) , Etching
- Tête d'homme, vue de profil, portant une longue barbe (2e moitié 16e siècle) by NALDINI Battista
- Etude de jambe (2e moitié 16e siècle) by NALDINI Battista
- Giovanni Marco Pitteri
St. Philip, after a chalk drawing by Giovanni Battista Piazzetta
Engraving
1742
- Giovanni Battista Volpato
Mansuetudo, after Raphael
Engraving
17th - 18th century
- Les trois vertus théologales (16e siècle) by NALDINI Giovanni Battista
- Giovanni Balducci
Angel Musicians
Pen and brown ink and blue watercolor over traces of black chalk on laid paper mounted to heavier sheet
16th - 17th century
- Giovanni Battista Volpato
The Prophet Daniel, after Michelangelo
Engraving
17th century
- Giovanni Battista Volpato
The Prophet Joel, after Michelangelo
Engraving
17th century
- Giovanni Battista Volpato
Il Fornajo(the Baker), after F. Maggiotto
Engraving
18th century
- Le Christ pleuré par les Saintes Femmes (2e moitié 16e siècle) by NALDINI Battista
- Giovanni Battista Brustoloni
The Church of SS. Giovanni e Paolo
Etching and engraving
18th century
- La Vierge tenant l'Enfant Jésus emmailloté by SALVI Giovanni Battista ; SALVI Giovanni Battista (inspiré par)
- Lorenzo Baldissera Tiepolo
Saint Thecla Praying for the end of the plague in the city of Este, after the painting of 1759 by Giovanni Battista Tiepolo
Etching
18
- Giovanni Balducci
Recto:Figure of a Man~Verso: Studies of Seated Male Figure and a Foot
r:Black and white chalk on gray laid paperv: Red, white and black chalks
16th - 17th century
- Adam, Eve, Caïn et Abel (2e moitié 16e siècle) by NALDINI Battista ; CALDARA Polidoro (inspiré par)
- Le repas d'Antoine et de Cléopâtre by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Rialto, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Doge Offers a Banquet, after Canaletto
Etching and engraving
1766
- ADAM ET EVE (1er quart 17e siècle) by PAGGI Giovanni Battista
- LA VIERGE ET L'ENFANT (1500 vers) by GIOVANNI BATTISTA MARTINI DA RIMINI
- Giovanni Battista Nini
Seaport
Etching
1740
- Giovanni Battista Benaschi
The Holy Family with Angels, after the painting by Giovanni Domenico Cerrini
etching mounted on heavier sheet
1652
- Tête d'homme, baissée by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Carlone
St. Peter
oil on canvas
16th - 17th century
- Alexandre et Porus by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Bucentaro on Ascension Day, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Piazza S. Marco, after Canaletto
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Rialto Bridge, after Canaletto
Etching and engraving
18th century
- Projet de tombeau by CASTELLO Giovanni Battista
- Giovanni Battista Nini
Landscape with a river
Etching
1740
- Giovanni Battista Nini
Winter Landscape
Etching
1740
- Trois têtes de chevaux (2e moitié 16e siècle) by NALDINI Battista
- St. Catherine, Giovanni Battista d’Angelo (called Battista del Moro) (Italy, Verona, circa 1515 - circa 1573) , Pen and brown ink and brown wash, heightened with white, over black chalk; incised along contours
- Giovanni Battista Canossa
Pilate and the Pharisees
Woodcut
1706
- Giovanni Battista Zelotti
The Antique Sacrifice
etching
16th century
- Andrea Le Jeune Scacciati
The Flagellation (?), after Giovanni Battista Paggi, from the series Disegni originali d'eccelenti pittori...
Etchingin green ink
18th century
- Saint Jérôme dans le désert by TIEPOLO Giovanni Battista
- Giovanni Battista Brustoloni
The Piazza S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Church of the Redeemer, at Night, after Canaletto
Etching and engraving
18th century The Minneapolis Institute of Arts
- Artist: Circle of Giovanni Battista Piazzetta Title: A Boy and a Girl (Lovers) Date: 18th
- Giovanni Battista Piranesi, Francesco Polanzani (Venice, 1700 - 1783) (Artist), 1750, Etching
- The Well, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
- Quatre femmes à genoux, dont l'une est occupée à dévider by TIEPOLO Giovanni Battista (attribué à )
- Tête de vieillard tournée vers la droite by TIEPOLO Giovanni Battista (attribué à )
- Deux têtes d'hommes barbus, et une tête d'enfant by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Nini
Wind-blown Landscape
Etching
1740
- Etude d'une tête de noir, coiffée d'un bonnet et vue de face by TIEPOLO Giovanni Battista (attribué à )
- Giovanni Battista Brustoloni
The Piazza and Church of S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
- Giovanni Battista Brustoloni
The Piazza and Church of S. Giacomo in Rialto, after Moretti
Etching and engraving
18th century
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Further Artwork and Information:
Giovanni Battista Naldini Online
Giovanni Battista Naldini (Getty Museum)
Autor: Giovanni Battista Naldini
NALDINI, GIOVANNI BATTISTA -- Thiem, Christel. Das römische Reiseskizzenbuch des Florentiners Giovanni Battista ...
Raising, Son of Widow of Naim (Getty Museum)
Giovanni Battista NALDINI Art Auction Sales and Market Information by artprice.com
Amazon.de: Suchergebnisse Bücher: giovanni battista
artists
Buch: Das römische Reiseskizzenbuch des Florentiners Giovanni Battista Naldini 1560/61
Tuscany Villas - Toscana> FIESOLE - Chiesa Di San Martino A Maiano
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