Artist: Sir William Newton ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir William Newton.

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Albert Herter - Portrait of Bessie (Miss Elizabeth Newton) 1892 oil on canvas High Museum of Art
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James Tissot Lilian Hervey, Kathleen Newton, Cecil George Newton and Tissot (?) in the Garden Albumen print circa 1878 - 1882
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Edith Whittlesey Newton Parlor Sofa Lithograph 1937
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Edith Whittlesey Newton Parlor Organ Lithograph 1936
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Newton Limbird Smith Fielding Shore Scene watercolor 1836
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Mary Ann (Toots) Zynsky Arrow Bamboo shaft and blade, wood, pigment, bindings 20th century
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Jacobus Houbraken Portrait of Sir Isaac Newton Engraving 1738
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James Newton A Grecian Lady Stipple engraving 1778
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James Newton Portrait of a woman Stipple engraving 1779
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Charles Germain Saint-Aubin Portrait of Newton Engraving 18th century
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R. Newton A Country Barber's Shop etching with hand coloring 18th - 19th century
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Nicolas Africano Penis sheath Dwarf coconut, lime 20th century
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Mary Ann (Toots) Zynsky Carving, probably representing the head of a hornbill Wood and pigment C-14 dating: 1640–1880 (95 % probability)
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Nicolas Africano War dagger Human bone, cowrie shell, fiber 19th–early 20th century
Museum of Fine Arts -
Dorothy Williams, American, born about 1746 Sampler United States, Massachusetts, (Newton), 1761 Linen plain weave
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Mary Ann (Toots) Zynsky Ceremonial carving, Yina Wood, pigment C-14 dating: 1650–1880 (94.5% probability)
Museum of Fine Arts -
Gilbert Stuart Newton, American (born in Canada), 1794-1835 Young Lady in Cauchoise Dress about 1829
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Nicolas Africano Female figure, Aripa Wood C-14 dating: 1440–1640 (95.4% probability)
Museum of Fine Arts -
Unidentified artist, American, late 18th century John Williams Quincy about 1788 Oil on canvas 80.33
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Ward, Leslie Matthew (Spy) "The Marlborough Street Solicitor" (Mr. Arthur John Edward Newton) Men of the Day No. 574, from Vanity Fair, September 21, 1893 Lithograph 1893
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Mark Luca One in a Portfolio of thirty portraits of Scientists : Newton Collograph prints 20th century
The Metropolitan Museum of Art -
George IV (1762-1830), When Prince of Wales Sir William Beechey (British, 1753-1839)Oil on canvas; 56
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Mary Ann (Toots) Zynsky Pottery head, Hambos (personal name) Clay, pigment 19th–early 20th century
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Nicolas Africano Ceremonial carving, Mindja Wood, pigment 18th–19th century
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Mary Ann (Toots) Zynsky Masklike object Wood, pigment C-14 dating: 17th–20th century (inconclusive % probability)
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Nicolas Africano Male figure Wood, thick encrusted pigment, Abrus kernels, resin ,beads, and trade cloth ear ornament C-14 dating: 1640–1810 (93% probability)
Museum of Fine Arts -
Elbridge G. Wright, American, 1811-1871 Keyed bugle in E-flat United States, Massachusetts, (Boston), about 1850
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Nicolas Africano Skull reliquary figure, Agiba Wood, pigment C-14 dating: 1510–1820 (95% probability)
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James Tissot Tissot Seated on a Bench, Kathleen Newton Standing Behind Albumen print circa 1878 - 1882
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Mary Ann (Toots) Zynsky Amulet Mycelium fungus 20th century
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Mary Ann (Toots) Zynsky Amulet Mycelium fungus 20th century
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Mary Ann (Toots) Zynsky Bird amulet Mycelium fungus, pigment 20th century
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Nicolas Africano Flying fox amulet Wood 19th–early 20th century
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Francis Newton Souza - Negro in Mourning 1957 oil on hardboard Birmingham Museums and Art Gallery Indian
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Nicolas Africano Penis sheath Dwarf coconut, pigment 20th century
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Mary Ann (Toots) Zynsky Miniature mask Wood 19th–early 20th century
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Mary Ann (Toots) Zynsky Hand drum Wood, monitor skin, pigment 20th century
Museum of Fine Arts -
Gilbert Stuart Newton, American (born in Canada), 1794-1835 Self Portrait 1818 Oil on canvas 50.48
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Nicolas Africano Spirit board, Gope Wood, pigment 19th–early 20th century
Museum of Fine Arts -
Gilbert Stuart Newton, American (born in Canada), 1794-1835 Forsaken 1820s Oil on canvas 61.28 x
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Mary Ann (Toots) Zynsky Blade with human face Basalt 19th century or earlier
Museum of Fine Arts -
James Abbott McNeill Whistler, American (active England), 1834-1903 Self Portrait Portrait of Whistler 1859 Etching
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Herbert H. Newton - The Valley of the Palud, towards sunset 1928 oil on canvas The Fitzwilliam Museum British
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Mary Ann (Toots) Zynsky Hair ornament, Manyan Wood, pearl shell, pigment (shaft missing) 19th–early 20th century
Museum of Fine Arts -
Gilbert Stuart Newton, American (born in Canada), 1794-1835 The Farewell about 1826 Oil on paperboard
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Nicolas Africano Spirit figure, Kakáme Mangrove root, pigment 19th–early 20th century
Museum of Fine Arts -
James Dow, American, Born in 1942 Baker County Courthouse, Newton, Georgia 1976, printed September 1983
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Benjamin Newton Messick - Main Street Café Society 1938 oil on canvas Los Angeles County Museum of Art American
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Nicolas Africano Openwork spirit board, Malu Wood, pigment C-14 dating: 1480–1650 (95.4% probability)
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Nicolas Africano Bag containing seven amulet figures, Bilum (Melanesian Pidgin) Wood, pigment, basketry, fiber, shell 19th–early 20th century
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Nicolas Africano Sorcery bone, Kussinda Apa Pig bone 19th–early 20th century
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Nicolas Africano Magic bundle Bush string bag with seed tassels and bone and nut decorations, containing polychrome bark magic boards and fetish objects 20th century
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Nicolas Africano Ceremonial dagger Cassowary bone 19th–early 20th century
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Nicolas Africano Cult object, Garra or Gra Wood C-14 dating: 18th–19th century (inconclusive % probability)
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Nicolas Africano House post Wood, traces of pigment C-14 dating: 1640–1820 (91.8% probability)
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Robert Waterston 1824 Oil on canvas 76.2 x 63.5 cm (30
Museum of Fine Arts -
William J. Webbe, British, active in 1853-1878 Rabbit amid Ferns and Flowering Plants 1855 Oil
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Mrs. Robert Waterston (Hephzibah Lord) 1824 Oil on canvas 76.2 x
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Judy Kensley McKie Spirit board, Gope Wood, pigment, with five bullet holes 19th–early 20th century
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Judy Kensley McKie Canoe prow ornament, Gope Wood, red pigment with traces of lime and charcoal 19th century
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Judy Kensley McKie Club Black palm wood, cassowary feathers, leaf decoration, lime 19th century
Museum of Fine Arts -
Cult head (yina) Kwoma people New Guinea, Upper Sepik River, (Kwoma Village), 19th–20th century Wood,
Museum of Fine Arts -
Charles Bird King, American, 1785-1862 Rip van Winkle Returning from a Morning Lounge about 1825
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Samuel William Reynolds, Senior William, Youngest Son of Lord William Russell Mezzotint 18th - 19th century
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Nicolas Africano Male figure, Irivake or Kakame Wood, mother-of-pearl shell, rattan, pigment 19th–early 20th century
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William Faithorne The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) Book with 9 etchings with engraving 1662
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William Henry Watt William Lourdsworth 19th century
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William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
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Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
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William Nicholson London Types (London: William Heinemann, 1898) book with color plates 1898
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Nicolas Africano Bird/Human head on shaft, Koanggingge ("Mother of the Men's House") Wood, pigment C-14 dating: 1480–1650 (95.4% probability)
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Gideon Fairman Frontispiece to Vicar of Wakefield by Goldsmith ENG 18th - 19th century
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William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
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William Nicholson An Almanac of Twelve Sports (London: William Heinemann, 1898) book with color plates 1898
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William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
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William Nicholson Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Kensington, second plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Tower, third plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
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Adriaen Pynacker William of Orange (William III) Commemorative Plate polychrome tin - glazed earthenware 1690
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William Hancock Wilke William Andrew Clark, Jr. Drypoint 19th - 20th century
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William Nicholson The City, ninth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Nicholson The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898) color plate 1898
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William Faithorne How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Faithorne Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662) etching with engraving 1662
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840
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William Henry Bartlett plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840]) engraving 1840

Artnews Articles and Exhibition Information: (26)
Click on any of the links below to read about artnews or exhibitions related to Newton

ARKEN Museum of Modern Art: Helmut Newton: Sex and Landscapes, Yellow Press
Nonetheless the ARKEN autumn exhibition bears witness to an art historically curious Newton, combining classical Newton pictures with photographs revealing wholly new sides to the famous photographer. Both commissioned work and photographs which f...
Detroit Institute of Art: Gordon Newton: Selections from the James F. Duffy, Jr. Gift
Beginning with his highly abstract early work and continuing with themes related to recognizable subjects, Newton’s drawings invite ...
Institute of International Visual Arts (inIVA): Artist-in-Research: John Latham
O+I are an international organisation who create circumstances for establishing the new role and function of artists in decision-making; through associations with governments, private sector organisations and academic institutions. The Isaac New...
Canberra Contemporary Art Space, Gorman House: Shit: Vivienne Binns in collaboration with Derek O'Connor and Geoff Newton
In this search Binns’ practice has taken up many positions – individual studio work, craft practice, community interaction and collaborative projects – and has explored media, process, form, aesthetics, pedagogy and relationship. SHIT illustra...
Georgia Museum of Art: From Heroes to Dudes: Studies of Male Figure
From Albrecht Dürer’s 17th-century studies of the male figure to Kenyon Cox’s late 19th-century drawings of male nude models, a wide array of images will allow viewers to discover the ways in which real and mythical male bodies were dr...
United Nations Headquarters: Our World in the Year 2000: The Winsor & Newton Worldwide Millennium Painting Competition
Kofi Annan, Secretary-General, United Nations, comments: The exhibition is an excellent example of how the universal language of art can bring nations together and promote greater understanding between peoples and ...
Grosvenor Gallery: Francis Newton Souza
Souza was born in the Portuguese colony of Goa in 1924 into a strict Roman Catholic family. His upbringing was marked by what he saw as the conflict between the erotic Indian art surrounding him, and the repressive teachings of the Catholic Church...
Huntington Library, Art Collections, & Botanical Gardens: STAR STRUCK: 1,000 YEARS OF THE ART AND SCIENCE OF ASTRONOMY
Also featured are items on loan from several other institutions, such as an authentic moon rock from the National Aeronautics and Space Administration (NASA), medieval manuscripts from the J. Paul Getty Museum, dramatic photographs of deep space...
Photofusion Photography Centre: Eulogy to Beauty:
The concern here is not with nudity for its own sake, but with the aesthetics of beauty. However, it is a commonplace that the male - and indeed often female - gaze finds its target for this aesthetic in the feminine form, and the erotic represent...
Shoreditch Tabernacle Hall: Art That Makes You Curious: Works by Eleven Artists
ART THAT MAKES YOU CURIOUS provides the opportunity to explore the diversity of artists in a space that echoes with unusual and unexpected vibrations, captivating the imagination and encouraging the viewer to explore the personal interactions with...
Kettle's Yard Gallery: FACE/OFF: a portrait of the artist
However, these are no conventional self-portraits. As the title suggests, there will be few, if any, faces in the exhibition. Rather, the works suggest alternative ways, perhaps more accurate, certainly more playful, by which an artist might po...
Boston College: Pictures for an Exhibition
A concert by an international musical ensemble led by composer Vuk Kulenovic of the former Yugoslavia will open the exhibition on March 17 at 7:30 p.m. The concert will feature the world premier of Pictures for an Exhibition. Kulenovi...
GenArtSF: New-Fangle 2000
New-Fangle Artists are:
Apsolutno
Ike Brooker
Rubber O Cement
Joann Denning
Kora Juenger
R T Mark
Clay Newton
Adam Rees
Richard Rinehart
Marissa Silverbach
Niem Tran New-Fangle ...
ALBANY MUSEUM: Greg Schultz, 'New Landscapes' and Lisa Van Wyk, 'Printed Surfaces'
Greg Schultz also has recent work on exhibitions in Johannesburg and in Port Elizabeth's King George VI Gallery. His work was recently selected again for the National ABSA Atelier Competition and also features in the 2000 'Blood Banks of South Af...
Albury Regional Art Gallery: Call for Artists: National Photographic Purchase Award
THE NATIONAL PHOTOGRAPHIC PURCHASE AWARD The National Photographic Purchase Award began in 1983 after the Committee of Management decided to make the collection of Australian Photography a major part of the collection Gael Newton and Helen ...
National Gallery of Victoria: Swish: Fashionable Melbourne of the 1950
The international influences of British Royalty, Hollywood and French fashion had a significant impact on Melbourne women in the 1950s. High profile Melbourne events, such as the Royal Tour in 1954 and the Olympic Games in 1956, also impacted on t...
Black Mesa Weavers for Life and Land: Online photoessay and Dine' (Navajo) weaving exhibition and nonprofit sale.
Many of the women of Black Mesa are fine weavers, and weaving has long been their way of earning a living. If you buy a weaving, you will be putting the money almost directly into the weaver's hands. Until they are free to live in peace, I am sell...
Association for Visual Arts: Philip Barlow: Things of Light and Mary-Rose Hendrikse: Face Value
PHILIP BARLOW was born in Pietermaritzburg in 1968. He obtained a diploma in graphic fine art from the Technikon of Port Elizabeth in 1990, majoring in printmaking, stained glass and photography. He currently lives and works in Cape Town. A...
Metropolitan Museum of Art: William Blake's Masterpieces
Many of the artist's greatest works will be on view in William Blake, including the apocalyptic Angel of the Revelation (ca. 1803-05, The Metropolitan Museum o...
Carnegie Museum of Art: Light: The Industrial Age 1750-1900, Art and Science, Technology and Society
Light! was organized in partnership with the Van Gogh Museum, Amsterdam, where it was previously on view. Pittsburgh is the only other venue for this remarkable exhibition. The exhibition is sponsored by Bayer ...
Art Gallery of New South Wales: The 2002 Archibald Prize - Wynne and Sulman Prizes and Dobell Drawing Prize
With the financial support of the Colonial Foundation Trust, the winner of the Archibald Prize receives $35,000, the Wynne Prize for landscape painting $15,000, and the Sulman Prize for subject/genre painting and/or mural work $10,000. The winner...
THORNE-SAGENDORPH GALLERY AT KEENE STATE: ANTIQUE ORIENTAL RUG EXHIBIT
The Gregorians have been in the rug trade since l934 with the founding of Arthur T. Gregorian Oriental Rugs, now in Newton Lower Falls, Mass. The company was started by Arthur Gregorian, a refugee from Persia, who settled in America in the 1920...
National Endowment for the Arts: New 2000 Arts Endowment Grants Support The Arts With $50.2 Million Nationwide
Grants will be distributed through three of the Endowment's major grant categories: Access will award $4.4 million, Education will award $6.2 million and Heritage & Preservation will award $3.8 million. State and regional arts agencies, which by...
Austin Museum of Art: The New Frontier: Art and Television 1960-65
This exhibition will be the first ever to examine the impact of television on the visual arts in the United States and Europe at a crucial period in the development of both media. The origins of the media wo...
Huntington Library, Art Collections, & Botanical Gardens: A MIROUR POLISSHED BRYGHT: REFLECTIONS OF CHAUCER, 1400-2000
Chaucer (c.1343-1400), the first great poet to write in English, has never lacked for critics. Daniel Defoe thought him not fit for modest persons to read; Lord Byron found him obscene and contemptible; and Matthew Arnold deplored his lack of hig...
Christie's: The Forbes Collection of Victorian Pictures and Works of Art on View at Assembly Rooms in Edinburgh
The sale will also profile rare works by lesser-known artists of the Victoria period as the collection spans the key artists and the themes of the period to offer artworks to suit all levels of collecting. "The Forbes Collection of Victorian...

Further Artwork and Information:

Sir William Newton Online
Sir William Newton (1905 - 1970) Biography, Artwork Images, Exhibitions, Reviews
Sir William Newton @ Catharton Artists
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