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Artist: Pier Paolo Olivieri (1551 - 1599)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Pier Paolo Olivieri.

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Domenico Veneziano - Portrait of Michele Olivieri c. 1440-55 tempera on panel Chrysler Museum of Art Italian
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Giovanni Olivieri Veduta della Piazza di Monte Cavallo... 1824
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Claes Oldenburg - Spoon Pier 1975 soft-ground etching, The Mint Museums American
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David Alfaro Siqueiros - Strike on the Pier 1954 gouache on board mou Cleveland Museum of Art Mexican
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Harvey Ellis - Summerville Pier and Lighthouse 1884 watercolor on paper Memorial Art Gallery of the University of Rochester American
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Ouverture de la Porte Sainte à Santa Maria Maggiore, à Rome by GHEZZI Pier Leone
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Le cardinal Ottoboni ouvre la Porte Sainte, à Santa Maria Maggiore, à Rome by GHEZZI Pier Leone
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Roger Fenton - Harbour at Balaklava, The Cattle Pier, Crimea 1855 salted paper print f The Royal Photographic Society English
The Metropolitan Museum of Art -
Portrait of a Woman, 1430s Attributed to Paolo Uccello (Paolo di Dono) (Italian, Florentine, 1397-1475)Tempera
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Jean-Auguste Dominique Ingres - Paolo and Francesca c. 1855-60 oil on canvas The Hyde Collection French
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Auguste Rodin - Paolo and Francesca c. 1909 marble Corcoran Gallery of Art French
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Orazio Farinati The Descent from the Cross, after Paolo Farinati Etching and engraving 1586
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Herman Volz Pier 39 Lithograph 20th century
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Orazio Farinati The Crossing of the Red Sea, after a design by Paolo Farinati from the woodblock print by Titian Etching 1583
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LA VIERGE ET L'ENFANT (2e moitié 15e siècle) by PSEUDO PIER FRANCESCO FIORENTINO
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Auguste Rodin - The Kiss (Paolo and Francesca) 1886 painted plaster Milwaukee Art Museum French
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Paul Whitman Cannery Pier Etching 1927
Museum of Fine Arts -
Imitator of Pier Leone Ghezzi, Italian, 1674-1755 A Puppet Show 18th century Pen and brown
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Cadwallader Washburn A Landing Pier (Monterey) Drypoint 19th - 20th century
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Douglas I. Smart The Pier Etching 19th - 20th century
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Edmund Blampied Old Pier Head Drypoint 1921
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Portrait de l'artiste dans un cerceuil entouré de symboles de la mort (17e siècle) by MOLA Pier Francesco
The Metropolitan Museum of Art -
Madonna and Child with Saints, polyptych, 1454 Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Metropolitan Museum of Art -
Saints Matthew and Francis, ca. 1436 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian,
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Le Christ mis au tombeau (17e siècle) by MOLA Pier Francesco (attribué à)
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Frances Hammel Gearhart The Boat Pier Color woodcut 19th - 20th century
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Paysage montueux dans lequel avancent trois figures (17e siècle) by MOLA Pier Francesco (attribué à)
The Metropolitan Museum of Art -
Saint Catherine of Alexandria in Prison, ca. 1580-85 Paolo Veronese (Paolo Caliari) (Italian, Venetian, 1528-1588)Oil
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James Abbott McNeill Whistler The Pier: A Grey Note oil on panel 1884
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Bernardo Bellotto - The Campo di SS. Giovanni e Paolo, Venice 1743-1747 oil on canvas National Gallery of Art Italian
The Minneapolis Institute of Arts -
Artist: Pier Leone Ghezzi Title: The Prodigal Son Date: about 1720 - 1730 Medium: oil
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Copie d'après une oeuvre de Paolo Uccello (2e moitié 19e siècle) by MOREAU Gustave ; Paolo DI DONO (d'après), UCCELLO (dit)
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Un ange apparaît à Agar et Ismaël (17e siècle) by MOLA Pier Francesco (attribué à)
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Paysage montueux et rocheux encerclant des étendues d'eau animées de barques (17e siècle) by MOLA Pier Francesco (attribué à)
The Minneapolis Institute of Arts -
Artist: Pier-Leone Ghezzi Title: Portrait of Duke Beccadelli Date: about 1710 Medium: pen and ink
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Carl Armin Hansen The Large Pier drypoint 1925
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Tête d'homme, vue de face, portant moustache et barbe (2e moitié 16e siècle) by CALIARI Paolo (atelier)
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Deux figures de femmes (16e siècle) by FOSCHI Pier Francesco
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Pier and Fog, Reed Thomas (United States, born 1937) , 1979, Gelatin-silver print
The Metropolitan Museum of Art -
Paradise, predella panel, ca. 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese,
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Repos de la Sainte Famille pendant la fuite en Egypte (17e siècle) by MOLA Pier Francesco (attribué à)
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Mort de saint François d'Assise soutenu par un ange (17e siècle) by MOLA Pier Francesco (attribué à)
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Pier Leone Ghezzi Un Pizzicaruolo 17th - 18th century
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Under the Santa Monica Pier, Douglas Busch (United States, born 1951) , 1993, Platinum print
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The Pier with a Lamp, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
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The Pier with Chains, Giovanni Battista Piranesi (Italy, Mogliano, 1720 - 1778) , circa 1761, Etching
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Sir Anthony Van Dyck - Paolo Adorna, Marchesa di Brignole Sale 1622-27 oil on canvas The Frick Collection Flemish
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Repos de la Sainte Famille pendant la fuite en Egypte (17e siècle) by MOLA Pier Francesco (attribué à)
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La Fortune Maritime by CALIARI Benedetto ; CALIARI Paolo (inspiré par)
The Minneapolis Institute of Arts -
Artist: Berenice Abbott Title: Waterfront, from Pier 19, East River, New York City Date: August
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Otaru Pier, Kawase Hasui (Japan, 1883 - 1957) , April, 1928, Color woodblock print
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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Horatio Nelson Poole Pier Sixteen Etching 1919
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L'évêque bénit et consacre un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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L'évêque bénit et couronne un roi (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone
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Un synode (4e quart 17e siècle ; 18e siècle) by GHEZZI Pier Leone

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Olivieri


John Michael Kohler Arts Center: One Thousand Words: Storytelling Images from Cultures Around the World
Storytelling has historically served as a form of entertainment but also as a cultural necessity. Stories carry histories, map moral laws and religious beliefs, and teach lessons of survival. Whether bearing sorrow, humor, or wisdom, they are reme...

Philadelphia Museum of Art: The Splendor of 18th-Century Rome
A strong sense of their city's cultural centrality encouraged Rome's 18th-century civic and religious leaders to construct or embellish numerous churches, palaces, fountains, public plazas (piazze), gardens and gallerie...

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