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Artist: Vincent Pepi (1926 - )
Nationality: American
Movement: abstract expressionism
Media: painting
Influences:

Biography:
Vincent Pepi studied at the High School of Music and Art, Cooper Union and Pratt Institute. These studies combined with his travels to Africa and Mexico, covinced him of the over- whelming importance of Europe for the development of American art. In 1949 Pepi went directly to the source-Rome- at the same time that the Abstract Expressioniat movement began at home. Three years later, in 1951, Pepi joined with many of the innovators of Action Painting in New York City. Upon his return to the United States, the artist studied briefly with Hans Hofmann, painting works parallel with Pollock, DeKooning, Kline, Marcarelli and others.Like so many others, he felt Surrealism's impact, adapting automatic techniques and transforming them into his own kind of gesture painting. Along with other first generation Abstract Expressionists, he showed his work at the Stable Gallery in 1953 and at the March Gallery on Tenth Street, from 1955 till its closing in 1960. Pepi separated himself from other artists of his time, since he felt uncomfortable with the New York /Art Scene/, and was never certain where he fit in. ( though its clear from today's vantage point that he fit right in the center.} He attended the /Club/ from time to time, but preferred his own studio and a more solitary existence. A graphics business which he created permitted him to live and paint, freeing him from the necessity of regularly exhibiting his work. Pepi's art certainly posseses affinities with other New York School Action Painters, but retains its own uniqueness. His choice to live in Italy from 1949-51, during a crucial time in the formation of the New York School , as well as his preference for painting in a consistently smaller format, may have obscured the recognition and fame that otherwise might have been his. The artist's acknowledged sources range from old masters to the Futurists (especially Boccioni and Balla) : from Klee and Kandinsky to Matta, Gorky and Pepi's contemporaries. His academically trained teacher in Italy, Beppe Guzzi, helped him to incoroporate rigorous discipline into his painting, as well as introducing him to a number of important Italian painters and sculptors. Like Pollock and other Abstract Expressionists he admires, Pepi has always loved music, particularly jazz, going as far as learning to play the tenor saxaphone. Color and music appear parallel to him: the artist/ musician improvises with both. And so it follows that Pepi's own automatic painting and line poems/ are reminiscent of works by Paul Klee, with the latter's powerful equations of color, line and music. Pepi defines himself as an academic artist, but one who felt he had to take that /main highway between Cezanne and Kandinsky/. His paintings do indeed, reveal a Cezanne-like underpining of abstract structure, while adopting the free improvisatory phase of Kandinsky at the same time. It is the revelation of the unconscious that Pepi seeks in his work. He wants his work to be spontaneous and uncontrived. Pepi loves Gorky's work. Like Gorky, he is pleased when metamorphosis in art occurs and a leaf turns into a bird, which then becomes part of a face. While he does not set about planning for or searching for images, it is okay with him when they occur. When I met Pepi, he had just heard Bela Bartok's Piano Concerto, composed in 1926, the year of his own birth. It /knocked him out/ he told me, and it is clear why. The classical, yet abstract, sometimes tonal and sometimes atonal music of Bartok still sounds modern to us today. The same can be said for the paintings of Vincent Pepi. Greta Berman, Author, Art Historian, Julliard School of Music,New York


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Vincent Pepi.

Museum of Fine Arts -
Lid of the coffin of Pepi Seneb Egyptian First Intermediate Period, Dynasty 9, about 2130-1980
Museum of Fine Arts -
Hunting relief of Qar and Idu Egyptian Old Kingdom, Dynasty 6, reign of Pepi I
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Alex Katz - Ada and Vincent in the Car 1972 oil on canvas Hirshhorn Museum American
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Georges Pierre Seurat - Rue St. Vincent c. 1884 oil on panel The Fitzwilliam Museum French
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La vie de saint Vincent de Paul. 875. (titre inscrit) (1879 dépôt légal) by anonyme ; PELLERIN (imprimeur, éditeur)
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La vie de saint Vincent de Paul. (titre inscrit) (1879 dépôt légal) by anonyme ; PELLERIN & Cie (imprimeur, éditeur)
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Portrait de Vincent van Gogh (1902 en) by DEROUSSE Blanche ; GOGH Vincent van (inspiré par)
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Francesco del Cossa - Saint Vincent Ferrer c. 1473-1475 egg tempera on popla The National Gallery, London Italian
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Apothéose de saint Vincent de Paul (17e siècle) by anonyme
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Alex Katz - Large Head of Vincent 1982 aquatint Hofstra Museum American
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ANTOINE-VINCENT ARNAULT, SECRETAIRE PERPETUEL DE L'ACADEMIE FRANCAISE (1766-1834) (1801) by VINCENT François André
The Metropolitan Museum of Art -
Scenes from the Passion of Saint Vincent of Saragossa and the History of His Relics,
The Metropolitan Museum of Art -
Whitlingham near Norwich George Vincent (British, 1796-1831)Oil on canvas; 25 1/4 x 36 in. (64.1
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Vincent Longo Untitled pen and black ink 1954
The Metropolitan Museum of Art -
Madame Ingouf, ca. 1790 Vincent (French, active about 1790)Ivory; Diameter 4 1/8 in. (105 mm)Bequest
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WH "a Master Craftsman" (Mr. F. Vincent Brooks), Men of the Day No. 2290, from Vanity Fair Supplement Lithograph 1912
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Vincent Perez Man, Thinking Woodcut 1966
The Metropolitan Museum of Art -
Irises, ca. 1890 Vincent van Gogh (Dutch, 1853-1890)Oil on canvas; 29 x 36 1/4 in.
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Martyre de saint Vincent (18e siècle) by OUDRY Jean-Baptiste
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Tankard with Cover, Edward Vincent (died N/A)  (Artist), 1722, Silver
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Vue des tours du Vieux Saint-Vincent (1967) by THIBAUDET Louis
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SAINT VINCENT (2e moitié 19e siècle) by RIBOT Théodule
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Amiens : maison natale de Vincent Voiture, rue Saint-Germain ; Amiens : la maison natale de Vincent Voiture, rue Saint-Germain, (vers 1850) (1850) by DUTHOIT Aimé (?) ; DUTHOIT Louis (?)
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Roger Herman VIncent and Gauguin Woodcut, printed in red 1984
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MONTMARTRE, RUE SAINT VINCENT (2e moitié 19e siècle) by LEPINE Stanislas
The Metropolitan Museum of Art -
Wheat Field with Cypresses, 1889 Vincent van Gogh (Dutch, 1853-1890)Oil on canvas; 28 3/4 x
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SAINT VINCENT DE PAUL (1576-1660) (18e siècle) by anonyme
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Saint Vincent de Paul (19e siècle) by PERRIN (dessinateur) ; DELOR (lithographe, éditeur)
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PORTRAIT DE TROIS HOMMES (l'artiste, l'architecte Rousseau et un inconnu) (1775) by VINCENT François André
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VINCENT VOITURE (1598-1648) (17e siècle) by anonyme
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LOUIS XV, ROI DE FRANCE ET DE NAVARRE (1710-1774) (1774) by MONTPETIT Armand Vincent de
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François-Vincent Raspail (19e siècle) by COLLIN Ch (graveur)
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Saint Vincent de Paul secourant les blessés (19e siècle) by anonyme
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La famille de Victor Adam (1965) by ADAM Victor Jean Vincent
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Tête de vieillard (4e quart 18e siècle ; 1er quart 19e siècle) by VINCENT François André (attribué à)
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LA LOTERIE (4e quart 19e siècle) by anonyme ; VAN GOGH Vincent (d'après)
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SAINT VINCENT DE PAUL. (titre inscrit) (4e quart 19e siècle) by anonyme ; PELLERIN & Cie (imprimeur, éditeur)
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MADAME NICOLAS VINCENT ARNAULT (4e quart 18e siècle ; 1ère moitié 19e siècle) by BOILLY Louis Léopold
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SAINT VINCENT DE PAUL. 367. (titre inscrit) (4e quart 19e siècle) by anonyme ; PELLERIN Charles (imprimeur, éditeur)
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Saint Vincent de Paul, debout et étendant le bras gauche (18e siècle) by NATOIRE Charles Joseph
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Saint Vincent de Paul (19e siècle) by PERRIN (dessinateur) ; DELOR (lithographe, éditeur)
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Saint Vincent martyr (1866) by THIRION Eugène Romain
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Corps de garde pendant la Ligue (1850) by VINCENT Prosper
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Por Vida, Vincent Ramos (United States, born 1973)  (Artist), 1993, Screenprint
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Jacobus Coelemans Portrait of Vincent Boyer 17th - 18th century
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Saint Vincent de Paul désignant (2e moitié 19e siècle) by DELAUNAY Elie
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Portrait de Vincent de Gonzague, duc de Mantoue (4e quart 16e siècle ; 1er quart 17e siècle) by POURBUS Frans II (atelier)
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Jeanne d'Arc à cheval passe devant l'abbaye de Saint-Vincent (titre factice) (1909) by anonyme
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Portrait de M. Rousseau, architecte (1774) by VINCENT François André
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Camillo Tinti S. Vincentius A Paulo (St. Vincent de Paul) Engraving 18th century
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BOURGES - CATHEDRALE SAINT-ETIENNE. 186 - VITRAIL. (XVIE S.) - SCENES LEGENDAIRES, SAINT VINCENT ET SAINT DENIS (1903 entre ; 1920 et) by ND PHOT (photographe)
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Soeur de Saint-Vincent-de-Paul, à mi-corps, vue de face (19e siècle) by GAUTIER Armand Désiré
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Soeur de Saint-Vincent-de-Paul, debout, de profil vers la gauche (19e siècle) by GAUTIER Armand Désiré
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Soeur de Saint-Vincent-de-Paul et une autre figure (2e moitié 19e siècle) by DONZEL Charles
The Metropolitan Museum of Art -
Sunflowers, 1887 Vincent van Gogh (Dutch, 1853-1890)Oil on canvas; 17 x 24 in. (43.2 x
The Minneapolis Institute of Arts -
Artist: Mark Beard and New York: Vincent Fitz Gerald Title: Plate from the book Utah
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LE PEINTRE FRANCOIS ANDRE VINCENT (1746-1816) (1er quart 18e siècle) by LABILLE-GUIARD Adélaïde, LABILLE Adélaïde (née)
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Saint Vincent de Paul (19e siècle) by PERRIN (dessinateur) ; DELOR (lithographe, éditeur)
The Metropolitan Museum of Art -
Peasant Woman Cooking by a Fireplace, 1885 Vincent van Gogh (Dutch, 1853-1890)Oil on canvas; 17
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Ethereal Mood, Vincent Bautista (United States, born 1963)  (Artist), 1993, Screenprint

Artnews Articles and Exhibition Information: (2)
Click on any of the links below to read about artnews or exhibitions related to Pepi


Vincent Pepi: Artist Expands Offering of Limited Edition Prints through absolutearts.com
Upon his return to the United States, the artist studied briefly with Hans Hofmann, painting works parallel with Pollock, DeKooning, Kline, Marcarelli and others. Like so many others, he felt Surrealism's impact, adapting automatic techniques and ...

Vincent Pepi: First Generation Abstract Expressionist Offers Limited Editions through absolutearts.com
View and order Rome 507M at: 507M. "As ongoing research enriches the already remarkable story of mid-20th-century painte...

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