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Artist: Edward And George Phillips ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Edward and George Phillips.

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Edward and George Phillips Small plate - streaked tan with dark blue edge earthenware 1822 - 1834
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George Henry Phillips Mouth of the River Humber Mezzotint 1823
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George Henry Phillips Arundel Castle on the River Arun Mezzotint 1827
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George Henry Phillips Mouth of the River Humber. River Scenery. Plate 3 Mezzotint 1826
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Matt Phillips Title Page from Markets - A Suite of Drypoints by Matt Phillips 1993
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Edward Savage - George Washington c. 1796 oil on canvas National Gallery of Art American
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Edward Scriven George Colman 18th - 19th century
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George Vertue King Edward III 17th - 18th century
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Edward Le Davis George Moncke, Duke of Albemarle 18th century
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 Wendell Phillips 1881 Oil on canvas 137.48 x 102.23 cm
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Edward Scriven The Honorabe and Reverend George Neville 18th - 19th century
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Edward Scriven George Granville, Duke of Sutherland 18th - 19th century
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George Vertue Edward Montague Lord Kimbolton 17th - 18th century
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George Vertue Portrait of Edward Sackville, Earl of Dorset, Chamberlain engraving 1742
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George Vertue Portrait of Edward Sackville, Earl of Dorset, Chamberlain engraving 1742
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George Vertue Edward VI giving the charter of Brideswell Hospital to the city of London Engraving 1750
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Matt Phillips Cover sheet 1976
The Minneapolis Institute of Arts -
Artist: Edward Steichen Title: Charlie Chaplin Date: 1925 Medium: gelatin silver print Dimensions: H.9-1/2 x
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Matt Phillips Nocturne Monotype 1971
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Matt Phillips Beach Scene Monotype 1971
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Edward J. Steichen The George Washington Bridge, New York, New York Gelatin silver print 1930
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Matt Phillips The Moroccans/ By the Sea Drypoint 1983
The Minneapolis Institute of Arts -
Artist: Edward Steichen Title: Lupe Valez, Hollywood Date: 1928 Medium: gelatin silver print Dimensions: H.9-9/16
Museum of Fine Arts -
George Fuller, American, 1822-1884 Ideal Head A Young Boy 1876 Oil on canvas 60.64 x
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George Inness St. Andrews, New Brunswick oil on canvas 1893
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Matt Phillips Women in the Studio/ Arabesque Lithograph 1976
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Matt Phillips Women in the Studio/ Refractions Lithograph 1976
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Matt Phillips Untitled Drypoint 20th century
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Matt Phillips Untitled Drypoint 20th century
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Matt Phillips Orange Umbrellas Monotypes 1966
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Matt Phillips Shadowy Figures Monotypes 1975
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Matt Phillips Five Figures in White Monotypes 1970
Museum of Fine Arts -
George Inness, American, 1825-1894 Elms in Summer 1868 Oil on canvas 40.64 x 60.96 cm
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Matt Phillips The Moroccans/ At the Cafe Drypoint 1983
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Matt Phillips The Moroccans/ Conversation Drypoint 1983
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Matt Phillips The Moroccans/ Prelude Drypoint 1983
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Matt Phillips Frenzied Market Color monotype 1978
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Rembrandt Peale George Washington oil on canvas circa 1854
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 George Washington 1810 Oil on panel 66.04 x 54.93 cm (26
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Matt Phillips Sandy Gazing Color monoprint linoleum cut 1978
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Matt Phillips Women in the Studio/ Dark Easel Lithograph 1976
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Matt Phillips Women in the Studio/ Mirror Reflections Lithograph 1976
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Matt Phillips Women in the Studio/ Tree in the Window Lithograph 1976
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Matt Phillips Women in the Studio/ The Cage of Doves Lithograph 1976
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Matt Phillips Untitled Soft ground 20th century
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Matt Phillips Untitled Drypoint and roulette 20th century
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Matt Phillips Untitled Drypoint and roulette 20th century
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Matt Phillips Ariadne Lithograph with collage 1987
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Matt Phillips The Moroccans/ Crowded Souk Drypoint 1983
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Matt Phillips The Moroccans/ Mysterious Gathering Drypoint 1983
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Jonathan Scott Hartley George Inness bronze 1894
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George Wesley Bellows Romance of Criehaven oil on panel 1916
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Edward S. Eberle Where the Sky Meets the Ground Porcelain and oxide pigment 1994
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Matt Phillips Untitled (still life with figure) Monoprinted color linoleum cut 1978
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Walter Joseph Phillips John color woodcut 19th - 20th century
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Walter Joseph Phillips [Waterfall] color woodcut 19th - 20th century
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Matt Phillips Untitled Soft ground and drypoint 20th century
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Walter Joseph Phillips By the Lake 19th - 20th century
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Matt Phillips Still Life - a demonstration piece Monotype 1978
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Helen Phillips Virgo Color intaglio 1956
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Helen Phillips Rencontre (The Meeting) Color intaglio 1954
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Helen Phillips Untitled On handmade paper 1952
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Walter Joseph Phillips The Waterfront, Alert Bay color woodcut 19th - 20th century
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Walter Joseph Phillips Mount Cathedral color woodcut 19th - 20th century
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Walter Joseph Phillips Vista Lake color woodcut 19th - 20th century
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Walter Joseph Phillips Dying Pines color woodcut 1918
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Matt Phillips Interior with Three Figures Color monotype 1972
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Matt Phillips Grey Beach Color monotype 1974
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Matt Phillips Nude with Doves Color monotype 1974
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Edward Bell Delicate Embarrassment or The Rival Friends Color aquatint 18th century
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Edward Bell Mutual Confidence, or the Sentimental Friends Color aquatint 18th century
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Matt Phillips Garden Interlude Color lithograph with collage 1987
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Walter Joseph Phillips The Stump, Lake of the Woods color woodcut 19th - 20th century
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Walter Joseph Phillips Sunset, Lake of the Woods color woodcut 19th - 20th century
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Walter Joseph Phillips Siwash Houseposts-Tsatsisnukomi color woodcut 19th - 20th century
Museum of Fine Arts -
Marked by Edward Sweet Spoon flatware Exeter, England England, (Exeter), 1710-11 Silver W. 4.8 cm
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Walter Joseph Phillips Cinerarias Color woodcut 19th - 20th century
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Peter Phillips Custom Print I, pl. 6 from Eleven Pop Artists, Vol. I screen print on aulfoil 1965
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Peter Phillips Custom Print II, pl. 2 from Eleven Pop Artists, Vol. II screen print on aulfoil 1965
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Matt Phillips Guatemalan Market Color linoleum cut (monoprint) 1978
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Helen Phillips The Cage Etching and mixed color methods 1953
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Warren's Portraits, Boston Wendell Phillips (1811-1884) albumen print 19th century
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Pieter van der Banck King Edward V, Son Of Edward Iv (1483-deposed) Engraving 17th century
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Helen Phillips Mantes Religieuses (Religious Mantles) Color intaglio 1952
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Mrs. George Williams (Lydia Pickering) about 1819 Oil on canvas 91.44
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Edward Francis Finden Bamborough from the Northwest, plate opposite page 47 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by Will
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Edward Francis Finden Hastings, plate opposite page 128 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
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Edward Francis Finden Newcastle upon Tyne, plate opposite page 29 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Edward Francis Finden Whitby, from the Northwest, plate opposite page 69 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Edward Francis Finden Dunstanborough Castle, plate opposite page 53 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beat
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Pieter van der Banck King Edward III Of Windsor, Son Of Edward Ii (1327-1377) Engraving 17th century
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Pieter van der Banck King Edward II Of Carnarvon, Son Of Edward I (1307-1327) Engraving 17th century
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Edward Francis Finden Robin Hood's Bay, plate opposite page 64 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Edward Francis Finden Flamborough Head, plate opposite page 80 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Edward Francis Finden Sunderland, the Lighthouse on the South Pier, plate opposite page 55 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descr
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Edward Francis Finden Holy Island Castle, plate opposite page 48 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie
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Edward Francis Finden Tynemouth Priory and Lighthouse with Lifeboat,vignette on printed title page of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; w
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Guillim Scrots - Portrait of Edward Vi c. 1551 oil on panel Los Angeles County Museum of Art Dutch
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Hans Holbein the Younger - Edward VI as a Child c. 1538 oil on panel National Gallery of Art German
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Edward Francis Finden Castle of Holy Island from the West, plate opposite page 49 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions b

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Phillips


plan B Gallery: Funicular: Joseph Phillips
Concentrating on a fixed moment within a cyclical journey Phillips presents a distorted sense of realism in which the funicular path becomes endowed with great symbolic importance.  In each ride, participants travel from one fixed point to another...

Brooklyn Coalition of Artists in Park Slope: IN YOUR BACK YARD: MODERN AMERICAN ART SANS SENSATION
Significant in her work are architectural elements - elements, the artist states - of 'where we live'. Ms. Phillips also uses human characters in various states of suspension or groundedness who interact with various elements in natural or un...

Art Gallery of the South Okanagan: Let There Be Light: Works by Graham A. Scholes
Making arrangements with the Canadian Coast Guard, he was able to visit the lighthouses so he can, as he puts it, create his portraits of the lights. Scholes needed to touch his subjects, as it is a way of interpreting and getting in close contac...

Phillips Collection: Renoir to Rothko: The Eye of Duncan Phillips
Phillips’ early ambition was to be a critic. At the end, he had become one of the primary interpreters of modernism in the United States, as well as the collector of nearly 2,000 ...

Phillips Collection: William Scharf: Paintings, 1984-2000
Scharf's work, which brings to mind the paintings of Arshile Gorky and Mark Rothko, for whom he served as a studio assistant, has been considered second generation abstract expressionist. His sources and references, howeve...

Phillips Auctioneers: Phillips, de Pury and Luxembourg to Auction Hoener Collection of 20th Century German Art
Phillips, de Pury and Luxembourg will auction the Diethelm Hoener Collection of 20th Century German Art on Monday, November 5 at 11:00 am. Among the highlights of the collection are two rare beach scenes by Max Liebermann, which illustrate...

Walter Phillips Gallery: Presence of Our Absence
Richard Ray Whitman in best known for Street Chiefs, a series of black and white photographs of homeless Aboriginal men. Whitman‚s work often explores the twin contradictions of being a member of the Yuchi nation - declared by some historians t...

Addison Gallery, Phillips Academy: The Architectural Unconscious: James Casebere and Glen Seator
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William Traver Gallery - Tacoma: Shift: Charlotte Meyer and Maria Phillips
The main element in Shift is a large piece titled “Internal Diversions”, made of glass, steel and silver.  This meticulous hanging sculpture symbolizes both organic systems and physical ornamentation.  The viewer is reflected in its many mirrored ...

Phillips Collection: Degas to Matisse: Impressionist and Modern Masterworks from the Detroit Institute of Arts September 23 through January 21, 2001 FUTURE . . . Wayne Thiebaud: A Paintings Retrospective Fe
By integrating works from The Phillips Collection into the Tannahill exhibition, Degas to Matisse: Impressionist and Modern Masterworks from The Detroit Institute of Arts highlights the similarities and the differ...

John Michael Kohler Arts Center: Concrete Ideas
Many artists who have discovered the delights of concrete have created entire sculpture-environments outdoorsCfrom Nek Chand's Rock Garden of Chandigarh in India to Fred Smith's Wisconsin Concrete Park in Phillips, Wisconsin....

Phillips Collection: Special Exhibition: Honoré Daumier
This groundbreaking exhibition is the largest loan exhibition ever presented at The Phillips Collection. Comprised of 243 works that illustrate Daumier's extraordinary achievement, ...

Dinnerware Contemporary Art: home (____) home: Gina Cestaro, Chris Dacre, Haejae Lee, Kerry Phillips, Kristin Skees, Shannon Smith
Haejae Lee has been a Premiere Portfolio Artist at absolutearts.com since 2001. View more of her art at: http://www.absolutearts.com/portfolios/h/haejaelee/ Dinnerware is an indep...

New Museum of Contemporary Art: Paul McCarthy: Survey of Work
Organized by Lisa Phillips and Dan Cameron, the exhibition premiered at the Museum of Contemporar...

Phillips Museum Gallery atFranklin & Marshall College:
Claire Giblin: Sanctuary - the Peace Paintings
Seemingly simple , the paintings reveal complexity, depth and movement which evoke surprisingly personal response in the viewer. She theorizes creative expression is completed by the reception, reaction, and acceptance or rejection by the viewer ...

BAT CENTRE, DEMOCRATIC GALLERY: DARKLANDS, A MIRROR IMAGE OF OUR WORLD
The BAT Centre belongs to the BAT Centre Trust, a public body whose trustees are drawn from the educational, business, art and culture sectors of KwaZulu-Natal The BAT...

Georgia O'Keeffe museum: GEORGIA O’KEEFFE: THE POETRY OF THINGS

Co-organized by the Phillips Collection in Washington, D.C. and the Dallas Museum of Art, Georgia O'Keeffe: The Poetry of Things will also travel to the ...
Milwaukee Art Museum: Milton Avery: The Late Paintings
This will be the most comprehensive consideration to date of Avery’s late work; it will provide a new generation of viewers with the opportunity to see many of his largest canvases created between the late 1940s and the early 1960s. While this ...

Phillips Collection: Wayne Thiebaud: A Paintings Retrospective
Born in Mesa, Arizona in 1920, Thiebaud began his career as a commercial artist and cartoonist. During the 1960s, his deadpan paintings of food and household goods associated him most closely with the Pop Art ...

ARTworkSF - Mezzanine Gallery: surREALITY
Artists included in this exhibition at the Mezzanine Gallery in San Francisco include: Ann Simms
AnneKarin Glass
Christine Cianci
Christopher Flach
David Harriman
Karen Gutfreund
Les Phillips
Linda Dever
...

OBORO: Resonance, The Electromagnetic Bodies Project
An eccentric and a dreamer, Tesla encompassed in his persona the fragile frontier between knowledge and fiction, considering his body as a threshold of strange exchanges between the flux of stimuli modulating his perception and action. Echoing...

Museum of Contemporary Art, LA: John Gutmann: Culture Shock
Also featured are photographs illustrating Gutmann's personal adaptation of Surrealism as he turned from recording the odd and the marvelous and began to experiment with inventing and ...

ArtSpace: MNCBM


Manhattan Arts International: Call for Artists: The Healing Power of Art
"The Healing Power of Art" Call for artists. All styles. All media including painting, drawing, sculpture, photography, prints and mixed media. Exhibition, website presence and special publication "The Healing Power of Art." At least 75% of the e...

Metropolitan Museum of Art: American Folk Art at The Metropolitan Museum of Art
The more than 125 works from the Metropolitan Museum’s distinguished collection of American folk art cover the full range of subject matter delineated by these artists -- portraiture, land...

Museum of New Art: Piss Off: International Artists United by a Heavy Dose of Attitude
A situation that has spawned artists who defy by defying art itself. A situation that has allowed such artists to shout “piss off!” and, by so doing, allow for a glimpse of a different future for us all.    - Jane Speaks, from the exhibi...

Perth Institute of Contemporary Arts: Mnemotech: sense + scape + time + memory

These artists explore the possibilities of re-presenting place, documenting, recording and responding to physical memory in numerous disciplines from paint, photography and three-dimensional objects to laserlight, sound and video. Erin Coate...
Photographers' Gallery: Re:mote - Relationship between Land and Place
Many of the artists follow the romantic tendency to return to nature and replicate wild rural idylls; others reveal the artifice of landscape. The impetus for some are the politics of land - using technology to highlight issues about pollu...

Walter Phillips Gallery: First Descent
The most widely known art production in snowboard culture is its photography. The work ranges from portraits to end-of-the-day shots by internationally known photographers from Canada and the US, such as Mark Gallup, Trevor Graves and Dano Pend...

Minneapolis Institute of Arts: Symbols of Faith and Belief: Art of the Native American Church
The traditional expressive forms of beadwork, carving, metalsmithing and featherwork were combined to produce exquisite fans, rattles, drumsticks, jewelry, ritual staffs and other ceremonial objects used...

Further Artwork and Information:

Edward And George Phillips (1817 - 1867) Biography, Artwork Images, Exhibitions, Reviews
Prince Edward Island: George Phillips Construction
Group028 Patterns
George Phillips
Edward B. PHILLIPS
George Phillips/Abigail Ketchum
George Phillips Appeal
George Theron Phillips
Phillips - pafg03.htm - Generated by Personal Ancestral File
George Phillips

 

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