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Artist: Laura Phillips ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Laura Phillips.
- Lewis Carroll - Laura Dodgson c.1862 albumen print from w The Royal Photographic Society English
- Laura Grosch
Artichokes
color lithograph
1973
- Laura Grosch
Boston Lettuce
color lithograph
1972
- Matt Phillips
Title Page from Markets - A Suite of Drypoints by Matt Phillips
1993 The Metropolitan Museum of Art
- The Calmady Children (Emily, 1818-1906, and Laura Anne, 1820-1894), 1823 Sir Thomas Lawrence (British, 1769-1830)Oil
- Laura Knight, A.R.A., A.R.E., A.R.W.
Fun Makers
Etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
At the Folies BËrgËres
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Susie
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Some Clowns
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Lillian
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
A Dancer
Drypoint
19th - 20th century
- George Hollis
Miss Laura Addison as Imogen in Cymbeline
18th - 19th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
The Crowd
aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
The Unfortunate
Aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
An Infant
Aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
The Bareback Rider
Etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Carting Corn
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Cornish harbour
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Lipstick
Etching and engraving
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
No. 1 Dressing Room
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Tying Her Shoes
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Girl Bathing
Drypoint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Putting on Tights
Etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
A Southern Blonde
Mezzotint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Powder and Paint
Aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Spanish Dancers #1
Aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
A Young Gipsy
Drypoint and etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Three Graces
Soft ground etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Dressing Room at a Circus
Aquatint
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Gilding the Lily
Soft ground etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Putting on Rouge
Soft ground etching
19th - 20th century
- Laura Knight, A.R.A., A.R.E., A.R.W.
Three graces of the ballet
Soft ground etching
19th - 20th century The Minneapolis Institute of Arts
- Artist: Laura Foster Nicholson Title: Bounty and Thrift Date: 1989 Medium: wool, silk, rayon, cotton The Minneapolis Institute of Arts
- Artist: Laura Foster Nicholson Title: Bounty and Thrift Date: 1989 Medium: wool, silk, rayon, cotton The Minneapolis Institute of Arts
- Artist: Laura Foster Nicholson Title: Bounty and Thrift Date: 1989 Medium: wool, silk, rayon, cotton
- Laura Piranesi
Veduta della Rotonda (View of the Pantheon in Rome)
Etching
19th century
- Thomas Lawrence
Laura Calmady
chalk
18th - 19th century Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 Wendell Phillips 1881 Oil on canvas 137.48 x 102.23 cm
- Laura Piranesi
Veduta del Tempio di Antonino, oggi Dogana di Terra (View of the Temple of Antoninus, now the Land Customs Office)
Etching
19th century
- Dame Laura Knight - Les Sylphides 1915-1925 oil on canvas Birmingham Museums and Art Gallery British
- Matt Phillips
Cover sheet
1976 The Metropolitan Museum of Art
- Standard top, 9th–8th century B.C. Luristan, IranBronze; H. 6.5 in. (16.5 cm)Gift of Laura White
- Matt Phillips
Nocturne
Monotype
1971
- Matt Phillips
Beach Scene
Monotype
1971
- Matt Phillips
The Moroccans/ By the Sea
Drypoint
1983
- Dame Laura Knight - Bank Holiday 1924 aquatint and etching Birmingham Museums and Art Gallery British
- Laura Alma-Tadema - A Knock at the Door 1897 oil on canvas Currier Museum of Art British J. Paul Getty Museum
- Laura Pisani
- Matt Phillips
Women in the Studio/ Arabesque
Lithograph
1976
- Matt Phillips
Women in the Studio/ Refractions
Lithograph
1976
- Matt Phillips
Untitled
Drypoint
20th century
- Matt Phillips
Untitled
Drypoint
20th century
- Matt Phillips
Orange Umbrellas
Monotypes
1966
- Matt Phillips
Five Figures in White
Monotypes
1970
- Matt Phillips
Shadowy Figures
Monotypes
1975
- Matt Phillips
The Moroccans/ Conversation
Drypoint
1983
- Matt Phillips
The Moroccans/ Prelude
Drypoint
1983
- Matt Phillips
The Moroccans/ At the Cafe
Drypoint
1983
- Matt Phillips
Frenzied Market
Color monotype
1978
- Matt Phillips
Sandy Gazing
Color monoprint linoleum cut
1978
- Matt Phillips
Women in the Studio/ Dark Easel
Lithograph
1976
- Matt Phillips
Women in the Studio/ Tree in the Window
Lithograph
1976
- Matt Phillips
Women in the Studio/ Mirror Reflections
Lithograph
1976
- Matt Phillips
Women in the Studio/ The Cage of Doves
Lithograph
1976
- Matt Phillips
Untitled
Soft ground
20th century
- Matt Phillips
Untitled
Drypoint and roulette
20th century
- Matt Phillips
Untitled
Drypoint and roulette
20th century
- Matt Phillips
Ariadne
Lithograph with collage
1987
- Matt Phillips
The Moroccans/ Mysterious Gathering
Drypoint
1983
- Matt Phillips
The Moroccans/ Crowded Souk
Drypoint
1983
- Laura Gilpin - Castillo, Chichen Itza 1932 gelatin silver print Cleveland Museum of Art American
- Matt Phillips
Untitled (still life with figure)
Monoprinted color linoleum cut
1978
- Walter Joseph Phillips
John
color woodcut
19th - 20th century
- Walter Joseph Phillips
[Waterfall]
color woodcut
19th - 20th century
- Walter Joseph Phillips
By the Lake
19th - 20th century
- Matt Phillips
Untitled
Soft ground and drypoint
20th century
- Matt Phillips
Still Life - a demonstration piece
Monotype
1978
- Helen Phillips
Untitled
On handmade paper
1952
- Helen Phillips
Virgo
Color intaglio
1956
- Helen Phillips
Rencontre (The Meeting)
Color intaglio
1954
- Walter Joseph Phillips
Vista Lake
color woodcut
19th - 20th century
- Walter Joseph Phillips
The Waterfront, Alert Bay
color woodcut
19th - 20th century
- Walter Joseph Phillips
Mount Cathedral
color woodcut
19th - 20th century
- Walter Joseph Phillips
Dying Pines
color woodcut
1918
- Matt Phillips
Grey Beach
Color monotype
1974
- Matt Phillips
Interior with Three Figures
Color monotype
1972
- Matt Phillips
Nude with Doves
Color monotype
1974 Museum of Fine Arts
- Jar Anasazi (Native American) Prehistoric; Pueblo II, 900–1100 United States, Northeastern Arizona or Northwestern New
- Matt Phillips
Garden Interlude
Color lithograph with collage
1987
- Dame Laura Knight - Autumn Sunlight, Sennen Cove 1920-1924 oil on canvas Birmingham Museums and Art Gallery British
- Laura Gilpin - Rain Drops on Lupin Leaves c. 1931 gum platinum print Saint Louis Art Museum American
- Walter Joseph Phillips
Siwash Houseposts-Tsatsisnukomi
color woodcut
19th - 20th century
- Walter Joseph Phillips
The Stump, Lake of the Woods
color woodcut
19th - 20th century
- Walter Joseph Phillips
Sunset, Lake of the Woods
color woodcut
19th - 20th century
- George Henry Phillips
Mouth of the River Humber
Mezzotint
1823
- Walter Joseph Phillips
Cinerarias
Color woodcut
19th - 20th century
- Peter Phillips
Custom Print II, pl. 2 from Eleven Pop Artists, Vol. II
screen print on aulfoil
1965
- Matt Phillips
Guatemalan Market
Color linoleum cut (monoprint)
1978
- Peter Phillips
Custom Print I, pl. 6 from Eleven Pop Artists, Vol. I
screen print on aulfoil
1965
- Helen Phillips
The Cage
Etching and mixed color methods
1953
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Phillips
plan B Gallery: Funicular: Joseph Phillips Concentrating on a fixed moment within a cyclical journey Phillips presents a distorted sense of realism in which the funicular path becomes endowed with great symbolic importance. In each ride, participants travel from one fixed point to another...
Brooklyn Coalition of Artists in Park Slope: IN YOUR BACK YARD: MODERN AMERICAN ART SANS
SENSATION Significant in her work are architectural elements -
elements, the artist states - of 'where we live'. Ms.
Phillips also uses human characters in various states
of suspension or groundedness who interact with
various elements in natural or un...
Art Gallery of the South Okanagan: Let There Be Light: Works by Graham A. Scholes Making arrangements with the Canadian Coast Guard, he was able to visit the lighthouses so he can, as he puts it, create his portraits of the lights. Scholes needed to touch his subjects, as it is a way of interpreting and getting in close contac...
Phillips Collection: Renoir to Rothko: The Eye of Duncan Phillips Phillips’ early ambition was to be a critic. At the end, he had become
one of the primary interpreters of modernism in the United States, as
well as the collector of nearly 2,000 ...
Phillips Collection: William Scharf: Paintings, 1984-2000 Scharf's work, which brings to mind the paintings of Arshile Gorky and Mark Rothko, for whom he served as a studio assistant,
has been considered second generation abstract expressionist. His sources and references, howeve...
Phillips Auctioneers: Phillips, de Pury and Luxembourg to Auction Hoener Collection of 20th Century German Art Phillips, de Pury and Luxembourg will auction the
Diethelm Hoener Collection of 20th Century German Art on Monday, November 5
at 11:00 am.
Among the highlights of the collection are two rare beach scenes by Max
Liebermann, which illustrate...
Walter Phillips Gallery: Presence of Our Absence Richard Ray Whitman in best known for Street Chiefs, a series of black and
white photographs of homeless Aboriginal men. Whitman‚s work often explores
the twin contradictions of being a member of the Yuchi nation - declared by
some historians t...
Addison Gallery, Phillips Academy: The Architectural Unconscious:
James Casebere and Glen Seator ...
William Traver Gallery - Tacoma: Shift: Charlotte Meyer and Maria Phillips The main element in Shift is a large piece titled “Internal Diversions”, made of glass, steel and silver. This meticulous hanging sculpture symbolizes both organic systems and physical ornamentation. The viewer is reflected in its many mirrored ...
Phillips Collection: Degas to Matisse: Impressionist and Modern Masterworks from the Detroit Institute of Arts
September 23 through January 21, 2001
FUTURE . . .
Wayne Thiebaud: A Paintings Retrospective
Fe By
integrating works from The Phillips Collection into the Tannahill exhibition, Degas to Matisse: Impressionist and Modern Masterworks
from The Detroit Institute of Arts highlights the similarities and the differ...
John Michael Kohler Arts Center: Concrete Ideas Many artists who have discovered the delights of concrete have created entire
sculpture-environments outdoorsCfrom Nek Chand's Rock Garden of Chandigarh in India to Fred
Smith's Wisconsin Concrete Park in Phillips, Wisconsin....
Phillips Collection: Special Exhibition: Honoré Daumier This groundbreaking exhibition is the largest loan exhibition ever presented at The Phillips
Collection. Comprised of 243 works that illustrate Daumier's extraordinary achievement,
...
Dinnerware Contemporary Art: home (____) home: Gina Cestaro, Chris Dacre, Haejae Lee, Kerry Phillips, Kristin Skees, Shannon Smith Haejae Lee has been a Premiere Portfolio Artist at absolutearts.com since 2001. View more of her art at: http://www.absolutearts.com/portfolios/h/haejaelee/
Dinnerware is an indep...
New Museum of Contemporary Art: Paul McCarthy: Survey of Work Organized by
Lisa Phillips and Dan Cameron, the exhibition premiered at the Museum of Contemporar...
Phillips Museum Gallery atFranklin & Marshall College: Claire Giblin: Sanctuary - the Peace Paintings Seemingly simple , the paintings reveal complexity, depth and movement which evoke surprisingly personal response in the viewer. She theorizes creative expression is completed by the reception, reaction, and acceptance or rejection by the viewer ...
BAT CENTRE, DEMOCRATIC GALLERY: DARKLANDS, A MIRROR IMAGE OF OUR
WORLD The BAT Centre belongs to the BAT Centre Trust, a public body whose
trustees are drawn from the educational, business, art and culture sectors
of KwaZulu-Natal
The BAT...
Georgia O'Keeffe museum: GEORGIA O’KEEFFE: THE POETRY OF THINGS
Co-organized by the Phillips Collection in Washington, D.C. and the Dallas
Museum of Art, Georgia O'Keeffe: The Poetry of Things will also travel to the
...
Milwaukee Art Museum: Milton Avery: The Late Paintings This will be the most comprehensive consideration to date of Avery’s late work; it will provide a new generation of viewers with the opportunity to see many of his largest canvases created between the late 1940s and the early 1960s. While this ...
Phillips Collection: Wayne Thiebaud: A Paintings Retrospective Born in Mesa, Arizona in 1920, Thiebaud began his career as a commercial artist and cartoonist. During the
1960s, his deadpan paintings of food and household goods associated him most closely with the Pop Art
...
ARTworkSF - Mezzanine Gallery: surREALITY Artists included in this exhibition at the Mezzanine Gallery in San Francisco include:
Ann Simms
AnneKarin Glass
Christine Cianci
Christopher Flach
David Harriman
Karen Gutfreund
Les Phillips
Linda Dever ...
OBORO: Resonance, The Electromagnetic Bodies Project An eccentric and
a dreamer, Tesla encompassed in his persona the fragile frontier
between knowledge and fiction, considering his body as a threshold
of strange exchanges between the flux of stimuli modulating his
perception and action. Echoing...
Museum of Contemporary Art, LA: John Gutmann: Culture Shock Also featured
are photographs illustrating Gutmann's personal adaptation
of Surrealism as he turned from recording the odd and the
marvelous and began to experiment with inventing and
...
ArtSpace: MNCBM
Manhattan Arts International: Call for Artists: The Healing Power of Art "The Healing Power of Art" Call for artists. All styles. All media including painting, drawing, sculpture, photography, prints and mixed media. Exhibition, website presence and special publication "The Healing Power of Art." At least 75% of the e...
Metropolitan Museum of Art: American Folk Art at The Metropolitan Museum of Art The more than 125 works from the Metropolitan Museum’s distinguished
collection of American folk art cover the full range of subject matter delineated
by these artists -- portraiture, land...
Museum of New Art: Piss Off: International Artists United by a Heavy Dose of Attitude
A situation that has spawned artists who defy by defying art itself. A situation that has allowed such artists to shout “piss off!” and, by so doing, allow for a glimpse of a different future for us all.
- Jane Speaks, from the exhibi...
Perth Institute of Contemporary Arts: Mnemotech: sense + scape + time + memory
These artists explore the possibilities of re-presenting place, documenting, recording and responding to physical memory in numerous disciplines from paint, photography and three-dimensional objects to laserlight, sound and video.
Erin Coate...
Photographers' Gallery: Re:mote - Relationship between Land and Place Many of
the artists follow the romantic tendency to return to nature and
replicate wild rural idylls; others reveal the artifice of landscape.
The impetus for some are the politics of land - using technology
to highlight issues about pollu...
Walter Phillips Gallery: First Descent The most widely known art production in snowboard culture is its
photography. The work ranges from portraits to end-of-the-day shots by
internationally known photographers from Canada and the US, such as
Mark Gallup, Trevor Graves and Dano Pend...
Minneapolis Institute of Arts: Symbols of Faith and Belief: Art of the Native American Church The traditional expressive forms of
beadwork, carving, metalsmithing and featherwork
were combined to produce exquisite fans, rattles,
drumsticks, jewelry, ritual staffs and other ceremonial
objects used...
Further Artwork and Information:
Welcome To LadyBears Somalis cats and other net fun stuff
Laura Phillips Online
Laura Phillips (1817 - 1867) Biography, Artwork Images, Exhibitions, Reviews
Laura Phillips Garner
Team Phillips 2003 - 2004
Laura Phillips
Laura Phillips (II)
I3720: Laura Phillips (____ - ____)
Laura Phillips
Laura Phillips
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Henri Matisse Polynesie Le Ciel
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Edgar Degas Beach Landscape
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Vincent van Gogh Cafe Terrace
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Vincent van Gogh The Night Cafe
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Paul Klee Saint-Germain Near Tunis
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