Artist: Brian Porter ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Brian Porter.

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Hans Holbein the Younger - Sir Brian Tuke c. 1527-1528 or oil on panel National Gallery of Art German
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Edward Brian Seago A Red House, Venice oil on masonite 20th century
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Brian R. Shure Evie Chine colle lithograph on Kitakata paper backed with Arches cover 1984
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Edward Brian Seago Dusk on the Grand Canal oil on masonite 20th century
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Edward Brian Seago Evening After the Storm in Venice watercolor on paper 20th century
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Brian Halsey Cosmos Suite (portfolio cover) 1976
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Brian Halsey Alph III from the Cosmos Suite Screenprint 1976
Museum of Fine Arts -
Fairfield Porter, American, 1907-1975 Portrait of Nancy Porter Straus 1973 Oil on canvas 172.7 x
J. Paul Getty Museum -
Market Porter
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Katherine Porter A Poet's Cloud Etching 1979
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Veva Porter Prelude Screenprint 1955
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Veva Porter Recuerdo screen print 1954
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Brian Halsey Novem I (Cosmos Suite) color screenprint 1975 - 1976
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Brian Halsey Nucleon I (Cosmos Suite) color screenprint 1975 - 1976
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Brian Halsey Numinos II (Cosmos Suite) color screenprint 1975 - 1976
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Brian Halsey Suspension IV (Cosmos Suite) color screenprint 1975 - 1976
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Fairfield Porter South Meadow Color lithograph 20th century
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Brian Hirst Object and Image Series -- Votive Blown glass, gold, and enamel 1994
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Veva Porter Paper Doves Screenprint 1981
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Katherine Porter Untitled graphite, beeswax and oil pencil circa 1970 - 1975
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Randy Tuten Bill Graham Presents (170) Led Zeppelin; Julie Driscoll, Brian Auger and Trinity, Fillmore Auditorium, 4/25-26/69 lithograph 1969
The Metropolitan Museum of Art -
Dr. Brian Walton (born about 1600, died 1661), 1657 John Hoskins (British, active about 1615,
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Katherine Porter "armed with a burning patience" Lithograph with hand coloring 1977
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Katherine Porter Out of Doors graphite, opaque watercolor, colored pencil 1979
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Joseph Badger Anna Porter Brown (Mrs. Nathaniel Brown) oil on canvas circa 1750
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Multiple Artists SolidaritÈ (Solidarity) by Paul Eluard (translated by Brian Coffen) (Paris: G.L.M. [Guy LÈvis Mano], 1938) Book with 7 engravings and etchings on Montval laid paper; loose in grey laid paper-covered boards with black cloth spin
Museum of Fine Arts -
Obadiah Rich, 1809-1888 Sauceboat (one of a pair) United States, Massachusetts, (Boston), 1830-40 wood 13
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Arthur Putnam Sketch of porter awakening occupant of lower berth. Ink and wash 19th - 20th century
The Metropolitan Museum of Art -
Endymion Porter (1587-1649), ca. 1630 John Hoskins (British, active about 1615, died 1665)Vellum; Oval, 3
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Charles Vernier Les Grisettes - Tiens, j'ai envie de mettre encore ceci...une com tesse italienne, ca peut porter aussi L'imperiale! lithograph 1858
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Fairfield Porter - July 1971 oil on canvas Spencer Museum of Art American
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Charles Ethan Porter - Still Life n.d. oil on canvas Florence Griswold Museum American
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Charles Ethan Porter - Strawberries 1888 oil on canvas Florence Griswold Museum American
Museum of Fine Arts -
Fairfield Porter, American, 1907-1975 Sun on Rough Sea 1972 Oil on canvas 50.8 x 61
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Fairfield Porter - The Beginning of the Fields 1973 oil on canvas Memorial Art Gallery of the University of Rochester American
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Charles Ethan Porter - Peonies in a Vase n.d. oil on canvas Florence Griswold Museum American
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Fairfield Porter - Katie and Anne 1955 oil on canvas Hirshhorn Museum American
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Fairfield Porter - July Interior 1964 oil on canvas Hirshhorn Museum American
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 Alexander Moseley 1880"s Oil on canvas 133.03 x 107 cm
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 La Blanchisseuse 1890 Oil on canvas 46.35 x 60.96 cm
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 William Warren 1882 Oil on canvas 224.47 x 132.4 cm
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 Wendell Phillips 1881 Oil on canvas 137.48 x 102.23 cm
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Fairfield Porter - Mildred Lamar Hooking A Rug 1963 acrylic on canvas Hirshhorn Museum American
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 The River Loing at Gréz, France 1890 Oil on canvas
Museum of Fine Arts -
Frederic Porter Vinton, American, 1846-1911 Samuel H. Russell 1880 Oil on canvas 137.16 x 86.36
The Metropolitan Museum of Art -
The Coronation of the Virgin, after 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on canvas; 46
Museum of Fine Arts -
Workshop of Michiel Jansz van Miereveld, Dutch, 1567-1641 Sara van Bosschaert (version of 3/4-length portrait
Museum of Fine Arts -
Unidentified artist, American, mid-19th century Commander William David Porter between 1850 and 1864 Oil on
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Antonio ClavÈ Fan tortoise shell with feathers circa 1890
Museum of Fine Arts -
Portrait of a bearded curly-haired man Roman Imperial Period late second century A.D. probably Carrara
Museum of Fine Arts -
Rhyton with the head of a sea monster Vase Greek, South Italian Late Classical or
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Sean Scully Sotto Voce Color aquatint 1988
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Louis Comfort Tiffany Vase glass and enamel 1920 - 1930
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Lionel Lecouteux Portrait of an American Actor Etching 1882
J. Paul Getty Museum -
A Family Seated in Its Garden
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Sean Scully Working proof 3 for Room Aquatint 1988
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Auguste Blanchard, III The Derby Day engraving 19th century
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Louis Comfort Tiffany Single salt blown lead glass 1885 - 1920
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Hobbs, Brockunier & Co Vase and stand mold-blown, non-lead glass circa 1855
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William Theophilus Brown The Attack, number 1 of the portfolio Twenty Etchings by Theophilus Brown Etching, aquatint,spit bite aquatint and drypoint 1984
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William Theophilus Brown Two Women on the Beach, number 2 of the portfolio Twenty Etchings by Theophilus Brown Color etching, aquatint and spit bite aquatint 1984
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Sean Scully Working proof 2 for Room Aquatint and spit bite aquatint 1988
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Sean Scully Working proof 8 for Room Etching and spit bite aquatint 1988
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Louis Comfort Tiffany Vase or rose bowl "Hobnail" pattern blown and cut glass 1880 - 1920
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Sean Scully Working proof 7 for Room Etching, aquatint, and spit bite aquatint 1988
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Sean Scully Working proof 6 for Room Etching, aquatint, and spit bite aquatint 1988
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Sean Scully Working proof 5 for Room Etching, aquatint, and spit bite aquatint 1988
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Sean Scully Working proof 4 for Room Etching, aquatint, and spit bite aquatint 1988
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Georges Rouault Bust of young woman in profile Aquatint 1922 - 1923
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Sean Scully Working proof 9 for Room Aquatint, soap ground aquatint and spit bite aquatint 1988
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Sean Scully Working proof 8 for Wall Color aquatint, soap ground aquatint, spit bite aquatint 1988
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Sean Scully Working proof 7 for Wall Color aquatint, soap ground aquatint, spit bite aquatint 1988
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Sean Scully Working proof 11 for Wall Color aquatint, soap ground aquatint, spit bite aquatint 1988
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Sean Scully Working proof 9 for Wall Color aquatint, soap ground aquatint, spit bite aquatint 1988
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Sean Scully Working proof 10 for Wall Color aquatint, soap ground aquatint, spit bite aquatint 1988
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Sean Scully Room Color soap ground aquatint, aquatint, spit bite aquatint, drypoint, and crayon resist on Somerset Textured White paper 1988
Museum of Fine Arts -
Claude Lorrain (Claude Gellée called Le Lorrain), French (active in Rome), 1600-1682 Apollo and the
The Metropolitan Museum of Art -
Prisoners from the Front, 1866 Winslow Homer (1836-1910)AmericanOil on canvas; 24 x 38 in. (61.0
The Metropolitan Museum of Art -
Bondjo (Side-Blow Trumpet), ca. 1915 Made by Ekonda people (Konda)Probably village of Mpendjwa on Lake
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Charles Meryon La Morgue Etching 1854
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Charles Meryon View of San Francisco Etching 1856
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Charles Meryon La Rue des Toiles, ‡ Bourges Etching and drypoint 1853
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Charles Meryon L'EspÈrance (Hope) Etching 1854
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Charles Meryon La Rue des Toiles, ‡ Bourges Etching and drypoint 1853
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Charles Meryon L'Attelage (The Ploughman and his Horse) Etching 1854
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Charles Meryon CollËge Henri IV (ou LycÈe NapolÈon) Etching 1864
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Charles Meryon CollËge Henri IV (ou LycÈe NapolÈon) Etching 1864
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Charles Meryon Le Stryge (The vampire) Etching on chine collÈ 1853
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Charles Meryon L'Abside de Notre Dame Etching and dry point 1854
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Charles Meryon Casimir le Conte Etching on Japanese paper 1856
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Charles Meryon Le Pont-au-Change (The Exchange Bridge, Paris) Etching 1854
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Charles Meryon PÍcheurs de la mer du sud (Fishermen of the Zuider See, after Zeeman) Etching 1850
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Charles Meryon La Rue Pirouette aux Halles Etching and drypoint on Japanese paper 1860
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Charles Meryon Le Petit Pont etching and engraving on chine collÈ 1858
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Charles Meryon La Galerie Notre-Dame (The gallery of Notre Dame, Paris) Etching 1853
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Charles Meryon Bain-froid Chevrier (Chevrier's cold bath establishment) Etching 1864
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Charles Meryon Passerelle du Pont-au-Change, Paris, aprËs L'incendie de 1621 Etching 1860
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Charles Meryon Le Petit Pont etching and engraving on green paper 1850
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Charles Meryon Title page to Eaux-fortes sur Paris Etching on brown paper 1852
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Charles Meryon La Pompe Notre-Dame (The Notre Dame pump) Etching and drypoint 1852

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Porter

Ann Arbor Art Center: Mark Porter: Interactive Sculptures, Lithographs and Drawings
"Each piece is designed to approach the viewer with themes of human consciousness, human fragility, human sexuality and the desire to create and customize one's surroundings," Porter says. The lithographs and drawings will illustrate the idea and...
Howard University, Department of Art: 16th Annual James A. Porter Colloquium on African American Art
Emory Professor Emeritus, Richard Long will give the keynote along with special lectures by Edmund Gaither of the National Center of Afro-American Artists, Roxbury, Ma., and Dean Tritobia Benjamin on the work of Porter and Driskell respectively. 1...
Frye Art Museum: Fairfield Porter: A Life in Art, 1907–1975
Porter’s achievements are highly regarded within the art world today, but little known outside it. His extraordinarily intimate paintings, however, continue to have a wide-ranging and immediate appeal to viewers across the country. This exhibition...
JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION: JAMES A. PORTER: Paintings and Drawing
JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION 600 E. LAS OLAS BLVD., FT. LAUDERDALE., FL. 954/4637880 FEBRUARY 11-APRIL 2, 2000 Tu-Sat: Noon to 8pm; Sat: noon to 10pm Sun: Noon to 6pm...
Amon Carter Museum: Eliot Porter: The Color Wildness
“Eliot Porter combined childhood wonder, scientific insight, technical finesse, and artistic talent to create a new style of landscape photography, one built on quiet details rather than grand expanses, on color rather than light and shadow,” say...
Philbrook Museum of Art: Green Woods and Crystal Waters: The American Landscape Tradition
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Hara Museum of Contemporary Art: Yohji Yamamoto: May I help you
Yohji Yamamoto: May I help you? provides a chance to look back on Yamamoto's work through the works of eight photographers, all of whom have produced “visual” photographs for the Yohji Yamamoto catalogue and other materials related to the desig...
g-module: Drawing II (Selected)
Choice works included are: Leona Christie’s curvacious pre-pubescent ballpoint beauties amidst a fantastical female society; Colin Cook’s ongoing collaborative pencil drawings with his friend Bill; Amy Jean Porter’s gouache and ink bilingual, migr...
Portland Museum of Art: New Aquisitions 1999
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Howard University, Department of Art: Annual James A. Porter Colloquium on African American Art
To Register or Receive More Information, Please Contact:
Robert Hall, Mark Williams or Jennifer Morris
900 Jefferson Drive, SW, Room 1130, MRC 31
Washington, D.C.
202/357-4500 (phone) or 202/357-2636 (fax) James A. Port...
Van Vechten-Lineberry Taos Art Museum: Taos Society of Watercolorists
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Fogg Museum, Harvard: Before and After the End of Time: Architecture and the Year 1000
Harvard's contribution to the rediscovery of this moment in architectural history will also be addressed in the exhibition. Photographs and drawings by a...
University Art Museum, CSU Long Beach: Mannlicher Carcano: Off Register
Each collaborator created his portion of Off Register without knowledge of the other components, thereby creating a sound environment removed from both geographical specificity and individual creative intent.  The work is a continuation of the gro...
Americas Society Art Gallery: ICON + GRID + VOID, Art of the Americas from the Chase Manhattan Collection
Icon denotes the representational image, often central and indelible, that has been a mainstay of contemporary art from Pop to Postmodernism. Grid is the modernist trope of intersecting perpendiculars that formally underlies diverse artistic conce...
Vinopolis Gallery: It Went Dark and I Saw
Photography is based on light and cannot depict darkness. In the photographic medium, dark areas imply that nothing is reflected into the camera lens and that the photographic surface does not receive visual information. Darkness can thereby b...
Juan Miro Foundation: Irony: Works by Over 30 Artists Dealing with the Subject of Irony
The exhibition consists of video projections, installations, photographs and sculptures by Francis Alÿs, Ibon Aramberri, Marcel Broodthaers, Joan Brossa, Maurizio Cattelan, Wim Delvoye, Christian Jancowsky, Jeff Koons, Zbigniew Libera, Javier Long...
Portland Museum of Art: Local Color: Six Contemporary Photographers
For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
Columbia Museum of Art: Chronicles The South Through The Eyes Of 63 Photographers
Through the photographers’ eyes it is possible to understand many of the cultural characteristics of the South that contribute to the creation of blues music -- the sense that both joy and sorrow are considered high moments in life. The photograph...
Everson Musuem of Art: Doug Dubois: Photographs
Depending on the city, the viewer alternates from being a casual observer to the photographer's analogue, from voyeur to participant. A fourth group of images, entit...
Guggenheim Museum: Giorgio Armani
Examples of sensual, body-conscious suits for men highlight Armani's noted androgynous look, along with masculinized jackets for ...
Helsinki Art Museum: The Garden of Forking Paths: Contemporary Art from Latin America
The artists are Luis Benedit, Victor Grippo, Liliana Porter, Miguel Angel Ríos and Sergio Vega from Argentina, Tania Bruguera, Ernesto Pujol and Los Carp...
Anderson Gallery, Drake University: Syntagm :: Paradigm | Wade Carter :: William Porter
For Jakobson these were two fundamental inclinations of the creative mind; he associated similarity disorders with mastery of the paradigmatic axis of language and the literary figure of metaphor, and contiguity disorders with the sytagmatic axis ...
Royal Academy of Arts: Giorgio Armani: A Retrospective
Giorgio Armani offers a thematic look at the designer's evolution and contribution to fashion and culture over the last 25 years. Garments from various periods are presented in narrative clusters to express motifs that are visible throughout Arman...
Queens Museum of Art: Art at Work: Forty Years of the Chase Manhattan Collection
This landmark exhibition will present a wondrous display of 120 contemporary masterpieces, including: a powerful thirty-eight foot mural by Sam Francis; a soaring mobile by Alexander Calder; and a landmark video installation by Nam Jun...
OBORO: Resonance, The Electromagnetic Bodies Project
An eccentric and a dreamer, Tesla encompassed in his persona the fragile frontier between knowledge and fiction, considering his body as a threshold of strange exchanges between the flux of stimuli modulating his perception and action. Echoing...
Harbourfront Cenrtre: Great Lakes: An Exhibition of Artists, Poets and Writers
Participating artists, poets and writers are Shelley Adler, Kemeny Babineau, Joe Blades, Jane Buyers, Scott Childs, Sharon Cook, Michael Davey, Beverley Daurio, Sheila Gregory, C. Herbert, Penn Kemp, Eugene Knapik, Malca Litovitz, Lorna Mills, Dav...
High Museum: Ansel Adams and His Legacy
In addition to the "Classic Images" collection, this exhibition will focus on the important legacy of Ansel Adams' influence on the photographers that followed him. A selection of works in the section entitled "Ansel Adams and His Legacy" will f...
Studio Museum in Harlem: Frederick J. Brown: Portraits in Jazz, Blues, and Other Icons
In the late 1970s and early 1980s Brown emerged as a driving force in the resurgence of expressive figuration in theinternational art world. He has combined his interest in jazz and blues music, Native American and African culture, primitive folk ...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand
From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...
Oakland Museum of California: After the Storm: Bob Walker and the Art of Environmental Photography
The exhibition places Walkers work in the context of the history of photography in the environmental movement, demonstrating its relationship to the work of such artist/activists as Ansel Adams, Phillip Hyde, Eliot Porter, the Mono Lake Committee ...

Further Artwork and Information:

Homepage
The New York Review of Books: Brian Porter
Brian Porter
Alaska Legislature Home Page
Brion Porter
BRIAN PORTER
Brian Porter
1999 Press Release Archive for Alaska State Representative Brian Porter
Brian Porter
Brian Porter

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