|
Artist: Sir Robert Ker Porter (1777 - 1942)
Nationality: British
Movement:
Media: Painting
Influences:
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir Robert Ker Porter.
Museum of Fine Arts
- Fairfield Porter, American, 1907-1975 Portrait of Nancy Porter Straus 1973 Oil on canvas 172.7 x J. Paul Getty Museum
- Market Porter
- Katherine Porter
A Poet's Cloud
Etching
1979
- Veva Porter
Prelude
Screenprint
1955
- Veva Porter
Recuerdo
screen print
1954
- Fairfield Porter
South Meadow
Color lithograph
20th century
- Veva Porter
Paper Doves
Screenprint
1981
- Katherine Porter
Untitled
graphite, beeswax and oil pencil
circa 1970 - 1975
- Katherine Porter
"armed with a burning patience"
Lithograph with hand coloring
1977
- Katherine Porter
Out of Doors
graphite, opaque watercolor, colored pencil
1979
- Joseph Badger
Anna Porter Brown (Mrs. Nathaniel Brown)
oil on canvas
circa 1750 Museum of Fine Arts
- Obadiah Rich, 1809-1888 Sauceboat (one of a pair) United States, Massachusetts, (Boston), 1830-40 wood 13
- Arthur Putnam
Sketch of porter awakening occupant of lower berth.
Ink and wash
19th - 20th century The Metropolitan Museum of Art
- Endymion Porter (1587-1649), ca. 1630 John Hoskins (British, active about 1615, died 1665)Vellum; Oval, 3
- Charles Vernier
Les Grisettes - Tiens, j'ai envie de mettre encore ceci...une com tesse italienne, ca peut porter aussi L'imperiale!
lithograph
1858
- Fairfield Porter - July 1971 oil on canvas Spencer Museum of Art American
- Charles Ethan Porter - Still Life n.d. oil on canvas Florence Griswold Museum American
- Charles Ethan Porter - Strawberries 1888 oil on canvas Florence Griswold Museum American Museum of Fine Arts
- Fairfield Porter, American, 1907-1975 Sun on Rough Sea 1972 Oil on canvas 50.8 x 61
- Fairfield Porter - The Beginning of the Fields 1973 oil on canvas Memorial Art Gallery of the University of Rochester American
- Charles Ethan Porter - Peonies in a Vase n.d. oil on canvas Florence Griswold Museum American
- Fairfield Porter - Katie and Anne 1955 oil on canvas Hirshhorn Museum American
- Fairfield Porter - July Interior 1964 oil on canvas Hirshhorn Museum American Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 Alexander Moseley 1880"s Oil on canvas 133.03 x 107 cm Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 La Blanchisseuse 1890 Oil on canvas 46.35 x 60.96 cm Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 William Warren 1882 Oil on canvas 224.47 x 132.4 cm Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 Wendell Phillips 1881 Oil on canvas 137.48 x 102.23 cm
- Fairfield Porter - Mildred Lamar Hooking A Rug 1963 acrylic on canvas Hirshhorn Museum American Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 The River Loing at Gréz, France 1890 Oil on canvas Museum of Fine Arts
- Frederic Porter Vinton, American, 1846-1911 Samuel H. Russell 1880 Oil on canvas 137.16 x 86.36 The Metropolitan Museum of Art
- The Coronation of the Virgin, after 1595 Annibale Carracci (Italian, Bolognese, 1560-1609)Oil on canvas; 46 Museum of Fine Arts
- Workshop of Michiel Jansz van Miereveld, Dutch, 1567-1641 Sara van Bosschaert (version of 3/4-length portrait Museum of Fine Arts
- Unidentified artist, American, mid-19th century Commander William David Porter between 1850 and 1864 Oil on
- Antonio ClavÈ
Fan
tortoise shell with feathers
circa 1890
- Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
- Louis Comfort Tiffany
Vase
glass and enamel
1920 - 1930
- Robert Hennel
Egg Cruet
Silver, sterling
1852
- Lionel Lecouteux
Portrait of an American Actor
Etching
1882
- Robert Batty
Hohnstein, plate 3 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Dresden, plate 35 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hameln, plate 29 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Gottingen, plate 30 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Trendelburg, plate 46 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Quedlinburg, plate 23 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Rostrappe, plate 12 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Karlshafen, plate 13 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Wernigerode, plate 17 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Buckeburg, plate 18 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Knigstein, plate 4 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829 J. Paul Getty Museum
- A Family Seated in Its Garden
- Robert Batty
The Exchange, Copenhagen, plate 53 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
St. Andrew's, Brunswick, plate 11 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
View from the Pastey, plate 19 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
St. Nicholas, Hamburgh, plate 20 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Ilsenburg, Hartz, plate 50 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Dom Kirche, Lubeck, plate 21 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Castle of Falkenstein, plate 7 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Hoxter, on the Weser, plate 52 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Blaukenburg Hartz, plate 60 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Port, Hamburgh, plate 42 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Auguste Blanchard, III
The Derby Day
engraving
19th century
- Robert Batty
Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
book with 61 steel engravings and uncounted wood engravings
1829
- Robert f. Blum - Studio of Robert F. Blum 1883-84 pastel Cincinnati Art Museum American
- Robert Cooper
Robert Dudley, Earl of Leicester
18th - 19th century
- Louis Comfort Tiffany
Single salt
blown lead glass
1885 - 1920
- Hobbs, Brockunier & Co
Vase and stand
mold-blown, non-lead glass
circa 1855
- Robert Batty
The Weser, between Herstelle & Karlhafu, plate 40 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Stadt Haus, Lubeck, plate 28 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Place and Bridge at Munden, plate 36 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of the Christiansborg, Copenhagen, plate 38 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Church of St. Catherine, Brunswick, plate 57 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Stadt Haus, Bremen, plate 33 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of Gredericksborg, Denmark, plate 49 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Oker Thal Harz, plate 22 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The New Market Place, Hamburgh, plate 32 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Pirna and the Castle of Sonnenstein, plate 45 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Stadt Haus, Wernigerode, plate 27 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Rocks near the Bastey, Saxony, plate 47 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Castle of the Hardenberg near Gttingen, plate 25 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Chateau of the Prince of Waldeck, plate 24 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Village of Oker Hartz, plate 56 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge over the Weser, Bremen, plate 48 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Fiefe Grund, Saxony, plate 15 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Gammel Torv, Copenhagen, plate 54 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Kaeblinger Strasse, Hanover, plate 6 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Lochmueln, in Licbethaler Grund, plate 1 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Katolische Kirche, Dresden, plate 5 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Ferdinandstein, in Rathewalde Grund, plate 2 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Palace of Fredericksborg_Entrance Side, plate 55 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Town Hall, Copenhagen, plate 59 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Entrance to the Liebethaler Grund, plate 8 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge near the Werra, at Munden, plate 9 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Karlshafen, from the Cassel Road, plate 51 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829 The Minneapolis Institute of Arts
- Artist: David Octavius Hill and Robert Adamson Title: The Reverend Robert Young Date: about 1845
- Robert Batty
The Watch Tower, formerly St. Nicholas's, Copenhagen, plate 41 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Junction of the Rivers Fulda and Werra, plate 26 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Banks of the Elbe at Baden, Saxony, plate 37 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
The Porta Westfalica Looking down the Weser toward Minden, plate 58 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Bridge at the Entrance to the Oker Thal, plate 16 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
- Robert Batty
Neustadter Markt & Kirche, Hanover, plate 14 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829)
steel engraving
1829
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Porter
Ann Arbor Art Center: Mark Porter: Interactive Sculptures, Lithographs and Drawings "Each piece is designed to approach the viewer with themes of human consciousness, human fragility, human sexuality and the desire to create and customize one's surroundings," Porter says. The lithographs and drawings will illustrate the idea and...
Howard University, Department of Art: 16th Annual James A. Porter Colloquium on African American Art Emory Professor Emeritus, Richard Long will give the keynote along with special lectures by Edmund Gaither of the National Center of Afro-American Artists, Roxbury, Ma., and Dean Tritobia Benjamin on the work of Porter and Driskell respectively. 1...
Frye Art Museum: Fairfield Porter: A Life in Art, 1907–1975 Porter’s achievements are highly regarded within the art world today, but little known outside it. His extraordinarily intimate paintings, however, continue to have a wide-ranging and immediate appeal to viewers across the country. This exhibition...
JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION: JAMES A. PORTER: Paintings and Drawing JAMES A. & DOROTHY PORTER (WESLEY) ARCHIVES & GALLERY EXHIBITION
600 E. LAS OLAS BLVD., FT. LAUDERDALE., FL. 954/4637880
FEBRUARY 11-APRIL 2, 2000 Tu-Sat: Noon to 8pm; Sat: noon to 10pm Sun:
Noon to 6pm...
Amon Carter Museum: Eliot Porter: The Color Wildness “Eliot Porter combined childhood wonder, scientific insight, technical finesse, and artistic talent to create a new style of landscape photography, one built on quiet details rather than grand expanses, on color rather than light and shadow,” say...
Philbrook Museum of Art: Green Woods and Crystal Waters:
The American Landscape Tradition ...
Hara Museum of Contemporary Art: Yohji Yamamoto: May I help you Yohji Yamamoto: May I help you? provides a chance to look back on Yamamoto's
work through the works of eight photographers, all of whom have produced “visual”
photographs for the Yohji Yamamoto catalogue and other materials related to the
desig...
g-module: Drawing II (Selected) Choice works included are: Leona Christie’s curvacious pre-pubescent ballpoint beauties amidst a fantastical female society; Colin Cook’s ongoing collaborative pencil drawings with his friend Bill; Amy Jean Porter’s gouache and ink bilingual, migr...
Portland Museum of Art: New Aquisitions 1999 ...
Howard University, Department of Art: Annual James A. Porter Colloquium on African American Art To Register or Receive More Information, Please Contact:
Robert Hall, Mark Williams or Jennifer Morris
900 Jefferson Drive, SW, Room 1130, MRC 31
Washington, D.C.
202/357-4500 (phone) or 202/357-2636 (fax)
James A. Port...
Van Vechten-Lineberry Taos Art Museum: Taos Society of Watercolorists ...
Fogg Museum, Harvard: Before and After the End of Time: Architecture
and the Year 1000
Harvard's contribution to the rediscovery of this moment in
architectural history will also be addressed in the exhibition.
Photographs and drawings by a...
University Art Museum, CSU Long Beach: Mannlicher Carcano: Off Register Each collaborator created his portion of Off Register without knowledge of the other components, thereby creating a sound environment removed from both geographical specificity and individual creative intent. The work is a continuation of the gro...
Americas Society Art Gallery: ICON + GRID + VOID, Art of the Americas from the Chase Manhattan Collection Icon denotes the representational image, often central and indelible, that has been a mainstay of contemporary art from Pop to Postmodernism. Grid is the modernist trope of intersecting perpendiculars that formally underlies diverse artistic conce...
Vinopolis Gallery: It Went Dark and I Saw Photography is based on light and cannot depict
darkness. In the photographic medium, dark areas
imply that nothing is reflected into the camera lens
and that the photographic surface does not receive
visual information. Darkness can thereby b...
Juan Miro Foundation: Irony: Works by Over 30 Artists Dealing with the Subject of Irony The exhibition consists of video projections, installations, photographs and sculptures by Francis Alÿs, Ibon Aramberri, Marcel Broodthaers, Joan Brossa, Maurizio Cattelan, Wim Delvoye, Christian Jancowsky, Jeff Koons, Zbigniew Libera, Javier Long...
Portland Museum of Art: Local Color: Six Contemporary
Photographers For most of its history as an art form, color photography has been viewed with suspicion. While color film was available as early
as the mid-1930s, it was not widely used in art until the late 1960s. Early pioneers in color, like Ernst Haas and E...
Columbia Museum of Art: Chronicles The South Through The Eyes Of 63 Photographers Through the photographers’ eyes it is possible to understand many of the cultural characteristics of the South that contribute to the creation of blues music -- the sense that both joy and sorrow are considered high moments in life. The photograph...
Everson Musuem of Art: Doug Dubois: Photographs Depending on the city, the viewer alternates from being a casual observer to the
photographer's analogue, from voyeur to participant. A fourth group of images,
entit...
Guggenheim Museum: Giorgio Armani Examples of sensual,
body-conscious suits for men highlight Armani's noted
androgynous look, along with masculinized jackets for
...
Helsinki Art Museum: The Garden of Forking Paths: Contemporary Art from Latin America The artists are Luis Benedit, Victor Grippo, Liliana Porter, Miguel Angel Ríos and Sergio
Vega from Argentina, Tania Bruguera, Ernesto Pujol and Los Carp...
Anderson Gallery, Drake University: Syntagm :: Paradigm | Wade Carter :: William Porter For Jakobson these were two fundamental inclinations of the creative mind; he associated similarity disorders with mastery of the paradigmatic axis of language and the literary figure of metaphor, and contiguity disorders with the sytagmatic axis ...
Royal Academy of Arts: Giorgio Armani: A Retrospective Giorgio Armani offers a thematic look at the designer's evolution and contribution to fashion and culture over the last 25 years. Garments from various periods are presented in narrative clusters to express motifs that are visible throughout Arman...
Queens Museum of Art: Art at Work: Forty Years of
the Chase Manhattan
Collection This landmark exhibition will present a
wondrous display of 120 contemporary
masterpieces, including: a powerful
thirty-eight foot mural by Sam Francis;
a soaring mobile by Alexander Calder;
and a landmark video installation by
Nam Jun...
OBORO: Resonance, The Electromagnetic Bodies Project An eccentric and
a dreamer, Tesla encompassed in his persona the fragile frontier
between knowledge and fiction, considering his body as a threshold
of strange exchanges between the flux of stimuli modulating his
perception and action. Echoing...
Harbourfront Cenrtre: Great Lakes: An Exhibition of Artists, Poets and Writers Participating artists, poets and writers are Shelley Adler, Kemeny Babineau, Joe Blades, Jane Buyers, Scott Childs, Sharon Cook, Michael Davey, Beverley Daurio, Sheila Gregory, C. Herbert, Penn Kemp, Eugene Knapik, Malca Litovitz, Lorna Mills, Dav...
High Museum: Ansel Adams and His Legacy In addition to the "Classic Images" collection, this exhibition will focus on the important legacy of Ansel Adams' influence on the photographers that followed him. A selection of works in the section entitled "Ansel Adams and His Legacy" will f...
Studio Museum in Harlem: Frederick J. Brown: Portraits in Jazz, Blues, and Other Icons In the late 1970s and early 1980s Brown emerged as a driving force in the resurgence of expressive figuration in theinternational art world. He has combined his interest in jazz and blues music, Native American and African culture, primitive folk ...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...
Oakland Museum of California: After the Storm: Bob Walker and the Art of Environmental Photography The exhibition places Walkers work in the context of the history of photography in the environmental movement, demonstrating its relationship to the work of such artist/activists as Ansel Adams, Phillip Hyde, Eliot Porter, the Mono Lake Committee ...
Further Artwork and Information:
Sir Robert Ker Porter Online
Porter, Robert Ker, Sir, 1777-1842. Papers: Guide.
Sir Robert Ker Porter (1777-1842), Painter and traveller
SI Art Image Browser: Thumbnails: Sir Robert Ker Porter
Armenian Architecture - VirtualANI - Travellers Accounts Of Ani: Ker Porter
CALVO, Carlos
Porter mss.
Sir Ralph Abercromby (1734-1801), General
Corvey CW3 | Contribution Page
SI Art Image Browser: Details: Cavalry Charge
Search the Art History Database for artists, titles, media, year, and other indepth information:
|
|
|
|

Vincent van Gogh Fishing Boats on the Beach, 1888
Our Supplier's Price: $5.00

Claude Monet Fields in Spring 1884
Our Supplier's Price: $14.00

Claude Monet Une Allee Du Jardin De Monet...
Our Supplier's Price: $40.00

Henri Matisse Jazz Icarus
Our Supplier's Price: $22.00

Paul Cezanne Village Street Auvers
Our Supplier's Price: $8.00
|