login   password  artist portfolio  gallery portfolio  MYabsolutearts 
wwar.com

 

help   |  media kit   |  about us   |  services   |  contact  
NEWEST TRENDS                                              .   BUY   .   JOIN   .   COLLECT   .   RESEARCH   .   READ  .   DISCUSS  

-->

 

Artist: Sarah H Purser (1848 - 1943)
Nationality: Irish
Movement:
Media: Painting, Design
Influences:

Biography:
Irish artist, Sarah Purser earned a reputation as a society portraitist but she was influential in other areas of art. Beginning in 1911, she held social gatherings for the leaders in Irish academia in her home, Mespil House. In 1924, she began the Friends of the National Collections of Ireland, campaigning to bring artwork by Irish artists back into the country. She also founded the stained-glass studio, An Tur Gloine (the Tower of Glass) that remained open in Dublin from 1903 to 1944.


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sarah H Purser.

-
William Purser Barmouth, Merionnethshire lithograph 19th century
-
Brice Marden - Drawing for Sarah 1973 Collage, graphite, a The Museum of Contemporary Art, Los Angeles
-
George Stubbs First of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the third plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
-
George Stubbs Plate for the Second Anatomical Table of the Skeleton of a Horse explained, which is the seventh plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
-
George Stubbs Plate for the Third Anatomical Table of the Skeleton of a Horse explained, which is the tenth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
-
George Stubbs Second of two plates for the First Anatomical Table of the Skeleton of a Horse explained, which is the fourth plate in the book, The Anatomy of the Horse (London: printed by J. Purser, for the author, 1766) Etching with engraving 1766
-
Charles Willson Peale - Sarah Geddes Latimer 1788-1789 oil on canvas Pennsylvania Academy of the Fine Arts American
-
John Singleton Copley - Sarah Sherburne Langdon 1767 oil on canvas Dallas Museum of Art American
-
Asher Brown Durand - Sarah Eliot Scoville 1830's oil on canvas Cleveland Museum of Art American
-
Joshua Johnson - Sarah Ogden Gustin c. 1805 oil on canvas National Gallery of Art American
-
Thomas Lawrence - Charlotte and Sarah Hardy 1801 oil on canvas Cleveland Museum of Art British
-
Ruth W. Shute - Portrait of Sarah Whitmarsh 1833 oil on canvas Currier Museum of Art American
-
Francis Alexander - Sarah Blake Sturgis 1835 oil on canvas National Gallery of Art American
-
Joseph Badger - Portrait of Sarah Larrabee Edes c. 1760 oil on canvas Los Angeles County Museum of Art American
-
Napoleon Sarony - Sarah Bernhardt as Frou-Frou 1880 albumen print Cincinnati Art Museum American
-
Zedekiah Belknap - Sarah Minot Melville (1818-1846) c. 1830 oil on panel Currier Museum of Art American
-
Gilbert Stuart - Sarah Holmes Tappan (Mrs. Benjamin Tappan) 1814 oil on wood National Gallery of Art American
-
Pieter Cristoffel Wonder - Mrs. Pearson (possibly Sarah Thompson Pearson) c. 1837 oil on wood Cleveland Museum of Art Dutch
Museum of Fine Arts -
© Sarah Charlesworth ; Sarah Charlesworth, American, Born in 1947 Of Myself f 1989 Laminated
-
John Singleton Copley - Colonel William Fitch and His Sisters Sarah and Ann Fitch 1800-1801 oil on canvas National Gallery of Art American
Museum of Fine Arts -
© Sarah Charlesworth ; Sarah Charlesworth, American, Born in 1947 Temple of My Father 1989
-
Mme Sarah Bernhardt, Théodora acte IV (titre inscrit) (1er quart 20e siècle) by GOOSSENS J E (imprimeur)
-
MÈlandri Sarah Bernhardt woodburytype circa 1880
-
Sampler, Sarah Burlingham  (Maker), 1760, Silk embroidery on wool
-
Charles Christian Nahl Mrs. Sarah Adler oil on canvas 1861
-
LES SAINTES-MARIES-DE-LA-MER - STATUE DE STE SARAH, PATRONNE DES GITANS (1950 après) by DELAGE A (photographe)
-
LES SAINTES-MARIES-DE-LA-MER - CRYPTE DE STE SARAH (1950 après) by GEORGE (photographe)
-
Sarah Bernhardt, Tourtin (France, died N/A) , 1876-1884, Woodburytype
-
Sampler, Sarah Ringer (died N/A)  (Maker), 1821, Silk embroidery on wool
-
SARAH BERNHARDT (1844-1923) (1875) by ABBEMA Louise
Museum of Fine Arts -
Sarah Wyman Whitman, American, 1842-1904 Martin Brimmer 1892 Oil on canvas 60.96 x 50.8 cm
-
Georg Pencz Tobit's marriage to Sarah 16th century
-
George Stubbs Second of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the second plate in the book, The Anatomy of the Horse (London: printe
-
George Stubbs First of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the fifth plate in the book, The Anatomy of the Horse (London: printe
-
Sarah et Agar (1650 en) by REMBRANDT Harmensz van Rijn
J. Paul Getty Museum -
Abraham Pleading with Sarah
-
William Nicholson Sarah Bernhardt Color lithograph 1898
-
Sampler, Sarah Ogden (England, died N/A)  (Artist), 1792, Silk thread ebroidery on linen
-
George Stubbs First of two plates for the First Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the first plate in the book, The Anatomy of the Horse (London: printed
-
George Stubbs First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained,which is the fourteenth plate in the book, The Anatomy of the Horse (London: pri
-
George Stubbs First of two plates for the Fifth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the thirteenth plate in the book, The Anatomy of the Horse (London: pri
-
George Stubbs First of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: printe
-
George Stubbs Second of two plates for the Second Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the sixth plate in the book, The Anatomy of the Horse (London: printe
-
George Stubbs Second of two plates for the Third Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eighth plate in the book, The Anatomy of the Horse (London: print
-
Belinda Sarah Tebbs Rue des MarchÈs, St. Malo pen and brown and black ink 1834
-
Sarah présentant Agar à Abraham couché by REMBRANDT Harmensz van Rijn (manière de)
-
George Stubbs First of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the eleventh plate in the book, The Anatomy of the Horse (London: pri
-
George Stubbs Second of two plates for the Fourth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse explained, which is the twelfth plate in the book, The Anatomy of the Horse (London: prin
-
Eugene-Andre Champollion Sarah Bernhardt 19th - 20th century
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Mrs. James Smith Colburn (Sarah Dunn Prince) about 1817 Oil on
-
George Stubbs Plate for the Fourteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-third plate in the book, The Anatomy of the Hor
The Minneapolis Institute of Arts -
Artist: Emile Tourtin Title: Sarah Bernhardt Date: 1877 Medium: woodburytype Dimensions: 4-1/2 x 3-3/8 in.
-
Belinda Sarah Tebbs Hallstadt from the Lake graphite and black ink wash 1838
-
George Stubbs Plate for the Eleventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twentieth plate in the book, The Anatomy of the Horse (Lon
-
George Stubbs Plate for the Thirteenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse
-
George Stubbs Plate for the Twelfth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed posteriorly, explained, which is the twenty-first plate in the book, The Anatomy of the Horse (L
-
Belinda Sarah Tebbs The Weir, Devon pen and brown ink and wash 19th century
-
George Stubbs Plate for the Seventh Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the sixteenth plate in the book, The Anatomy of the Horse (London:
-
George Stubbs Plate for the Tenth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the nineteenth plate in the book, The Anatomy of the Horse (London: pri
-
George Stubbs Plate for the Ninth Anatomical Table of the Muscles, Fascias, Ligaments, Nerves, Arteries, Veins, Glands, and Cartilages of a Horse, viewed in front, explained, which is the eighteenth plate in the book, The Anatomy of the Horse (London:

Artnews Articles and Exhibition Information: (1)
Click on any of the links below to read about artnews or exhibitions related to Purser


Castello Estense di Ferrara: Traces of Memory
An illuminated cross point in the sign of Renaissance , between Wechsler’s paintings and the fascinating Castle d’Este. It was then Renaissance of the senses and the truth of beauty; they were then re-discovering the traces of authenticity in...

Further Artwork and Information:

artnet.com: Resource Library: Purser, Sarah H
Art -World Famous Artists
Art History - Famous Artists - Index p
maughan.ca - purser
H DATA006
H-Ms Webpage
Anthony G Brown Fine Nautical Books
H Member List
WLHS H Graduates
CSN Personnel Index, H-M.

 

Search the Art History Database for artists, titles, media, year, and other indepth information:

 
 
 
Click here to buy Monet, Claude: The Park At Monceau for $22
Claude Monet
The Park At Monceau
Our Supplier's Price: $22.00

Click here to buy Cezanne, Paul: Chestnut Trees & Farm-Jas De Bouffan for $17
Paul Cezanne
Chestnut Trees & Farm-Jas De Bouffan
Our Supplier's Price: $17.00

Click here to buy Kandinsky, Wassily: Bleu De Ciel 1940 for $4
Wassily Kandinsky
Bleu De Ciel 1940
Our Supplier's Price: $4.00

Click here to buy Raphael: Passions (Vertical) I for $23
Raphael
Passions (Vertical) I
Our Supplier's Price: $23.00

Click here to buy Monet, Claude: Chrysanthemes for $22
Claude Monet
Chrysanthemes
Our Supplier's Price: $22.00

Last updated and links verified on: Thursday May 05/19/11 03:14:07 PM
 

 

indepth arts search:     
 
Free Arts News Subscription | Browse the Arts | Artist Portfolios | International Arts News | Arts News Archive | Privacy Policy