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Artist: Ernest Race ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Ernest Race.

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John Alfred Arnesby Brown - The Yacht Race n.d. oil on canvas The Fitzwilliam Museum British
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Jean-Louis Forain - The Race Track c. 1891 oil on canvas National Gallery of Art French
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Gifford Beal - Yacht Race c. 1935 oil and pencil on pa Florence Griswold Museum American
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Lyonel Feininger - The Bicycle Race 1912 oil on canvas National Gallery of Art American
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Harry J. Sunter - Boat Race at Skaneateles 1878 oil on canvas Memorial Art Gallery of the University of Rochester American
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Edgar Degas - Conversation at the Race-Track 1882-1885 pastel Milwaukee Art Museum French
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John Wootton - A race on the Beacon Course at Newmarket n.d. oil on canvas The Fitzwilliam Museum British
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Giovanni Toscani - The Race of the Palio in the Streets of Florence 1418 tempera and gold on Cleveland Museum of Art Italian
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Albert Pinkham Ryder - The Race Track or Death on a Pale Horse c. 1896-1908 oil on canvas Cleveland Museum of Art American
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Frank Stella - Agua Caliente from The Race Track Series 1971 Acrylic on canvas The Museum of Contemporary Art, Los Angeles American
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Jacob Lawrence - One of the largest race riots occurred in East St. Louis. 1940-41 tempera on gesso on The Museum of Modern Art American
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James E. Buttersworth - "Fleetwing" Loses Six Men Overboard During the Transatlantic Race of December 1866 n.d. oil on slate academy Memorial Art Gallery of the University of Rochester American
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Race Horses, Matsumoto Akira (Japan, born 1936) , 1964, Lithograph
The Metropolitan Museum of Art -
The Start of the Race of the Riderless Horses, by 1820 Émile-Jean-Horace Vernet (French, 1789-1863)Oil
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George Biddle Master Race Lithograph 1952
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H.B. (John Doyle) A Race for the Westminster Stakes 18th - 19th century
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Mill-Race, Jonas Lie (Norway, Moss, 1880 - 1940)  (Artist), circa 1903, Oil on canvas
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Sophia Beale Untitled (Race Meeting?) watercolor 1892
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John Frederick Peto The Cup We All Race 4 oil on canvas and wood panel circa 1900
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Felix Octavius Carr Darley The Race 19th century
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Otto Kuhler Steamboat Race Etching 19th - 20th century
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Bolton Brown Mill Race lithograph 19th - 20th century
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Race Goers, 1931, Bill Brandt (Germany, 1904 - 1983) , 1931, printed later, Gelatin-silver print
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The Vanishing Race -- Navaho, Edward Sheriff Curtis (United States, 1868 - 1952) , 1904, Platinum print
J. Paul Getty Museum -
The Race of the Riderless Horses
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HISTOIRE DE FRANCE (1er. Race) Pl 3me (titre inscrit) (3e quart 19e siècle) by PELLERIN (imprimeur, éditeur)
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Wilburn Bonnell III - "In every child who is born, under no matter what circumstances, and of no matter what parents, the potentiality of the human race is born again: and in him, too, once more, and of each of us, our terrific responsibility towards huma
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HISTOIRE DE FRANCE (2me. Race) Pl 5 (titre inscrit) (3e quart 19e siècle) by PELLERIN (imprimeur, éditeur)
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Hippomenes Winning the Race with Atalanta, Wilhelm Janson (died N/A) , Etching
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Hippomenes Winning the Race with Atalanta, Wilhelm Janson (died N/A) , Etching
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Un faisan de race (étude) (1925 entre ; 1935 et) by JEAN-HAFFEN Yvonne
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Currier and Ives A Race on the Mississippi Lithograph with hand coloring 1870
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Andy Warhol Birmingham Race Riot Screenprint 1964
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Jacob Lawrence - Race Riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many Northern industries. 1940
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Currier and Ives Midnight Race on the Mississippi. Lithograph with hand coloring 1875
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243 - Taureau / de la race d'Aubrac (caractères rouges) by CARRERE E (éditeur, imprimeur)
The Metropolitan Museum of Art -
Race Horses, 1885-88 Hilaire-Germain-Edgar Degas (French, 1834-1917)Pastel on wood; 11 7/8 x 16 in. (30.2
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Deux faisans de race courante (étude) (1925 entre ; 1935 et) by JEAN-HAFFEN Yvonne
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Currier and Ives Midnight Race on the Mississippi Lithograph with hand color 1875
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LE PETIT BRIGAND (1893) by HEBERT Ernest
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BARQUE POUSSEE A LA MER PAR SIX MATELOTS (2e moitié 19e siècle) by HEBERT Ernest
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Joseph Raphael Start Ocean Yacht Race, Treasure Island - Honolulu, July 1935 Woodcut 1939
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RAVENNE (1908 avant) by HEBERT Ernest
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ACADEMIE D'HOMME (1834 entre ; 1839 et) by HEBERT Ernest
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LE TIBRE, UN COUDE DU FLEUVE (1889) by HEBERT Ernest
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Etude pour Les Rois mages avec texte (1860) by MOREAU Gustave
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TERRACINA PAR TEMPS GRIS (1908 avant) by HEBERT Ernest
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ACADEMIE D'HOMME (1835) by HEBERT Ernest
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ACADEMIE D'HOMME (1835) by HEBERT Ernest
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SCENE ANTIQUE? (1908 avant) by HEBERT Ernest
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Six profils d'hommes de race noire (19e siècle) by anonyme
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MAREMME SOUS UN CIEL NUAGEUX (2e moitié 19e siècle) by HEBERT Ernest
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OPHELIE (1876) by HEBERT Ernest
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MER HOULEUSE A GAETE (1871) by HEBERT Ernest
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ACADEMIE D'HOMME (1835) by HEBERT Ernest
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FEMME ASSISE (2e moitié 19e siècle ; 1er quart 20e siècle) by HEBERT Ernest
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JOUEUSE DE MANDOLINE (1908 avant) by HEBERT Ernest
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PETITE EVE AU PAVOT (1908 avant) by HEBERT Ernest
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CAPRI, TERRASSE SUR LA MER (1908 avant) by HEBERT Ernest
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SUITE DE PROUES DE CINQ BARQUES TIREES SUR LE SABLE (2e moitié 19e siècle) by HEBERT Ernest

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Race


Museum of Contemporary Art: Laylah Ali
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Wing Luke Asian Museum: Beyond Talk: Redrawing Race
Inspired by past programming and community collaboration work addressing racism, discrimination, and stereotypes, the Wing Luke Asian Museum and community partners are preparing Beyond Talk: Redrawing Race, a juried art exhibition that will explor...

Observatoire 4: Strike Black: Cynthia Edorh, e. Dawit L. Petros et Ramona Ramlochand
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Overgaden - Institute of Contemporary Art: Andrea Jespersen and Ben Woodeson
Jespersen also tries to find superpowers outside the colourful universe of the comics, whereby her work becomes a sort of meta-reflection on our need to believe in the existence of superpowers and superheroes. In this way her work also deals with ...

Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...

Kemper Museum of Contemporary Art: Lezley Saar
Saars added painted images suggest a dialogue with the objects upon which they are painted and a new narrative derived from the various layers in each work of art. Her work often comme...

Fells Point Creative Alliance: KONDISHUN EN BLAQ: Contemporary Urban Existence in African America, a Multi-Media Exhibition and Performance by Ikemefuna
Painting the gallery walls dark colors, and darkening the floors Ikemefuna references an urban corner. His work speaks to violent encounters straight from contemporary news accounts wether it be Amadou Diallo portrayed through a vibrantly color...

Montgomery Museum of Fine Arts: Through These Eyes: The Photographs of P.H. Polk
He photographed dignitaries who visited the school, the middle-class African Americans who sought out his studio, and the farmers and laborers who worked the cotton fields of surrounding Macon County. His portraits show the inherent dignity ...

Frick Collection: Six Paintings from the Former Collection of Mr. and Mrs. John Hay Whitney on Loan from the Greentree Foundation
The selection reflects the Whitneys’ interest in art produced in France in the nineteenth and twentieth centuries, which formed the core of their renowned collection. The six paintings, displayed in the Garden Court, are accompan...

Brooklyn Museum of Art: Robots and Space Toys: The Robert Lesser Collection
The toys, which were on every child's holiday gift list, illustrate popular culture influenced by World War II, the space race, and the burgeoning international interest in technology. Those events, together with a general fascination with scienc...

Andy Warhol Museum: Deadly Medicine: Creating the Master Race
Early theories of “eugenics” arose from Charles Darwin’s “survival of the fittest,” and its application to humans in eliminating those seen as “inferior” to the population. Heightened awareness about the spread of crime, social unrest and disease...

Atlanta College of Art, Woodruff Arts Center: Tony Gray: The New Black is Black
Starring the resplendently Afro-ed Panthers in their bell-bottomed glory, the collages capture the flair and un-self-conscious enthusiasm of teen bedroom walls — the homemade stage-set of American adolescence — circa 1973. Patterning nostalgia ...

Scotsdale Museum of Contemporary Art: LOOKING FORWARD LOOKING BLACK
As we enter the new millennium the natural tendency to reflect upon the past, and to think in historical terms, helps determine the way in which we move into the future. Looking Forw...

BildMuseet, Umeå: Safe & Sexy - Personas and Codes of Public Space
She has asked the women a list of standard questions for the interview, such as, “Do you think about what you’re wearing when you walk out the doorNULL How do you modify your appearance for different occasions and locationsNULL When does sexy beco...

Corcoran Gallery of Art: Andy Warhol: Social Observer
This exhibition examines the subjects and themes that preoccupied Warhol throughout his career, from as early as the 1940s to the time of his death in 1987. An artist famous for promoting himself as apathetic, vacuous, and ...

198 Gallery: Trauma and Art  - The Hidden Scars
As part of Refugee Week 2006, Trauma and Art: The Hidden Scars presents Everlyn Nicodemus’s body of work, which promotes an extended approach to the notion of trauma, as well as encouraging a better understanding of the impact of individual and cu...

Henry Art Gallery, University of Washington: Alexis Rockman: Future Evolution
For the Henry Art Gallery exhibition, Rockman advances dystopic visions of the landscapes of the future, inhabited by species of plants and animals that have evolved to adapt to the world man has irreversibly altered. The ...

Art Institute of Chicago: 2001: Building for Space Travel
Historical components focusing on the aesthetics of the space race in the Cold War will include works by Soviet engineers and designers and noted American industrial designers, such as Raymond ...

Henry Art Gallery, University of Washington: Threshold: Byron Kim 1990-2004
For the past decade Byron Kim has maintained a steadfast commitment to exploring the potential content of abstract painting, drawing on post-war traditions of monochrome painting exemplified by Ad Reinhardt's black paintings and Brice Marden's wax...

Armenian Library & Museum of America: An Uncommon Wealth of Creativity, Commitment and Community Contributions by the artist Daniel Varoujan Hejinian
His distinctive style has won him recognition in the art world. He has been featured in Arts Around Boston, Artist's Magazine, and The Improper Bostonian, as well as newspapers and other periodicals. Over the year...

Kabat Wrobel Gallery: Paula Braswell and Dionne Simpson: Urban Decay
Paula Braswell holds an MFA from Florida State University. She has been showing her work in many galleries (public and commercial) across the USA and in Canada. Dionne Simpson's mixed media paintings explore an urbanscape in a contemporary ...

500 Festival: Call for Artist: 500 Festival Announces CARburetion - A Wheely Nice Collection of INDY Car Art
...

198 Gallery: Petrona Morrison: South African Diary II
Petrona Morrison’s new body of work, South African Diary II, is inspired by her experience on a two-month residency at the Bag Factory (Fordsburg Artists Studios) in Johannesburg, in 2004. It documents the artist’s response to the contradictions a...

Sylvia White Gallery, Contemporary Artists' Services: Joshu Lucas: Solo Exhibition
Both athlete and aesthete, Lucas graduated from Fairfax High School and went on to play NCAA basketball.  He graduated from the College of Notre Dame outside of San Francisco with a Bachelor of Fine Arts degree in June 1999. His early influence...

Palm Beach Institute of Contemporary Art: Michael Joo: 60 Works Created Between 1992 and 2003
Michael Joo, the exhibition, was covered in the February 2004 issue of Artforum. Says Francine Koslow Miller, "...Joo ... posits his own brand of intriguing and often darkly humorous questions about race, consumption, religion, and metaphysics, pr...

BANG the Gallery: BABES
Babe/baby/n : 1 a naïve inexperienced person 2a an infant, baby 2b a girl, woman - slang; used as a noun of address Artist and illustrator, Lilly Turner explores the first meaning of BABES.The innocent, yet strange infant, the ...

Mobius: Barry Freedland: Painting Machine
Painting Machine is a motorized, mechanical like structure that explores the relationship between artist and audience in creating art. The artist's earlier works, many invented mechanical devices, also make reference to popular culture and...

Urban Institute for Contemporary Arts: I_SELF – Christin Lahr at the Race Street Gallery
On the borders of physical and virtual spaces, its basic conditions, frameworks as well as accompanying marginal phenomena shall be illuminated and put up to debate. With direct links to major themes of art history, terms like conception, work of ...

Institute of International Visual Arts: Farah Bajull: Untying the Knot
Bajull's new work expands the interdisciplinary approach that she has recently developed. Her practice represents a compelling merger of divergent visual forms: ranging from carefully constructed objects to stand-alone photographs, Bajull often...

Urbis Museum: Anthony Jones: There Are More of Us
Founded in 1985 Black Arts Alliance is the largest network of Black artists in the UK. Working on a not-for-profit basis, they exist to remove the marginalisation that Black arts and cultures can experience within the mainstream arts infras...

Museo de Arte de Puerto Rico: Rhythm Nation: Work by Edra Soto
The stationary bike exerciser figures into a certain compulsive-obsessive category, asking how fixated our society is with the idea of becoming perfect specimens willing to race like hamsters on a bicycle going nowhere, or possibly consider sur...

Hayward Gallery: Malcolm Morley: In Full Color
Malcolm Morley was born in 1931 in North London. As a child he developed a passion for model aeroplanes and boats, and at 15 ran away to sea. Following a disrupted and troubled adolescence he discovered a talent and a passion f...

NSA Gallery: Black and White Copies: A Collaborative Project Initiated by Miguel Petchkovsky (Angola, Netherlands)
This project is however not about Petchkovsky – as here he sees his role more as “artistic director”– in as much as he has set up the parameters within which he has invited the public, art students and professional artists to respond. Simply - he...

Hara Museum of Contemporary Art: Tomoko Yoneda - An End is A Beginning
As a photographer, Yoneda is loyal to photography as a medium for observing and recording a subject. In her continuing series Scene (1998-), the photographs she takes are seemingly of mountains, beaches and urban scenes. These sites, however, are ...

One Ninety Eight Contemporary Arts and Learning: Blind Memories
Gathering an eclectic body of work by artists Ana Avendano, Joanne Gibbs, Rita Keegan, Cheryl Lane, Taslim Martin, Agnes Poitevin-Navarre and Susan Stockwell, Blind Memories reinterprets, across a variety of media, the iconic representation(s) of...

Telfair Museum of Art: Georgia Triennial 2001/2002
Featured artists are diverse in age, race, gender, and geographic location within the state. The exhibition includes traditional media such as painting and sculpture, as well as new genres such as installation and electronic media. Accompanied by ...

Museum of Contemporary Art, Sydney: Tracey Moffatt
Included in the exhibition are 140 images from 14 major works and seven film and video pieces, including Moffatt’s ground breaking photographic series Something More (1989). Other works include GUAPA (Good Looking) 1995, the cinematic Up in the Sk...

Atlanta College o f Art: John Bankston: Temptation and Desire
Bankston appropriates the familiar stylistic language of coloring books to innovative ends: in his hands coloring becomes a metaphor for identity and filling in the lines carries weight as a cultural act. Drawing on a variety of sources -- 19th-ce...

Yerba Buena Center for the Arts: William Pope.L: The Black Factory and Other Good Works
The Black Factory (www.theblackfactory.com) is an ongoing set of activities and dialogs facilitated by trained Black Factory workers. Pope.L, the CEO, explains, “The Black Factory does not make blackness, it makes opportunity; the chance to imagin...

One World One Minute: Call for Artists: A Global Arts and Film Project
The finished piece shall explore the rich diversity that is both humanity and our world, whilst allowing a voice to all people regardless of nationality, religion, race, political viewpoint, gender or age. The rich diversity that is Humanity shal...

Further Artwork and Information:

Ernest Race
Ernest Race (1494 - 1552) Biography, Artwork Images, Exhibitions, Reviews
Find in a Library: Ernest Race
Ernest Races classic BA3 & Antelope chairs - Race Furniture
Auditorium seating, lecture theatre seating & conference seating
Ernest Race in Tribu-Design- Furniture, lighting and industrial design
Ernest Race sur Tribu-Design- Mobilier, luminaire et design industriel
Truth On Race - Ernest Dillard
designer Race, Ernest @ Stylepark
Furniture and design from the 20th century - Alvar Aalto, Marcel Breuer, Ernest Race, Gerald Summers, Isokon......

 

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