Artist: Charles James Richardson ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Charles James Richardson.

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William Ward, A.R.A. Portrait of Rev. W. Richardson Mezzotint 18th - 19th century
Museum of Fine Arts -
George de Forest Brush, American, 1855-1941 The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas
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Rembrandt Peale - Richardson Stuart c. 1815 oil on canvas National Gallery of Art American
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Jonathan Richardson Alexander Pope 17th - 18th century
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Jonathan Richardson Bust of John Milton 17th - 18th century
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George Richardson Crossing the brook Engraving 19th century
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John Henry Robinson Charles James Fox 18th - 19th century
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Jonathan Richardson Portrait of Alexander Pope Black, white and red chalks on tan laid paper 17th - 18th century
Museum of Fine Arts -
Attributed to Jonathan Richardson, British, 1665-1745 Alexander Pope Oil on canvas 76.5 x 63.2 cm
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George Vertue Portrait Matthew Prior, after Jus. Richardson engraving 1719
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Gilbert Charles Stuart - Portrait of James Ward 1779 oil on canvas Minneapolis Institute of Arts American
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Joseph Brown Charles James Fox 19th century
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J.W. Cook Charles James Fox 19th century
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Henri-Charles GuÈrard Portrait de ma mËre, after James Abbott McNeill Whistler's painting Symphony in Gray, No. ? Etching 19th century
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James Duffield Harding Sketches at Home and Abroad (London: Charles Tilt, [ca. 1835]) book with lithographs 1835
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Charles Willson Peale - James Latimer (1720-1807) 1788-1789 oil on canvas Pennsylvania Academy of the Fine Arts American
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Charles Willson Peale - James Claypoole (1720-1784) c. 1783 oil on canvas Pennsylvania Academy of the Fine Arts American
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James MacArdell Charles Erskine Mezzotint 18th century
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James Barry A testimony to Charles James Fox.., fourteenth plate in the book, A Series of Etchings ä from ä Paintings, in the Great Room of the Society of Arts, Manufactures, and Commerce, Adelphi (London: printed by W. Bulmer ä sold by C
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Daniel Charles Marie Mordant Le Baron James de Rothchild 19th - 20th century
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Julius John Pommer Richardson Bay Etching 19th - 20th century
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Mary Curtis Richardson The Sleeping Child oil on canvas 1911
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Charles Willson Peale - James Peale The Lamplight Portrait 1822 oil on canvas The Detroit Institute of Art American
The Metropolitan Museum of Art -
Suit, 1951 Designed by Charles James (American, born Great Britain, 1906-1978)American; Made New York, New
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick (one of a pair) United States, Pennsylvania,
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick, one of a pair United States, Pennsylvania,
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Mary Curtis Richardson Girl Reading oil on canvas circa 1900
Museum of Fine Arts -
Unidentified artist, British, late 18th century John Richardson 1770s Oil on canvas 75.88 x 63.18
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Anonymous The Revolution of the People - Surrender of James P. Casey and Charles Cora to the Vigilance Committee wood engraving 19th century
Museum of Fine Arts -
Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Teapot United States, Pennsylvania, (Philadelphia), about 1780 Silver
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William Richardson Borrowdale etching 19th century
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Near the Fiord Date: n.d. Medium: watercolor Dimensions: H.8-7/8 x
J. Paul Getty Museum -
Self-Portrait Wearing a Cloth Hat
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Near the Fiords. Silver and Gray. Evening Date: n.d. Medium:
Museum of Fine Arts -
Richard Wilson, British, 1713-1782 River Landscape with a Boy Fishing (On the Arno) Oil on
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Arthur Pond [Mythological Scene(?)] E Museo Domini Jonathanis Richardson 1734
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Anonymous Execution of James P. Casey and Charles Cora in Front of the Vigilance Committee Rooms, San Francisco - Magazine Illustration wood engraving 19th century
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Arthur Pond [A river landscape] E Museo Domini Jonathanis Richardson 18th century
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Arthur Pond [Three figures in a river landscape] E Museo Jonathanis Richardson 18th century
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Mary Curtis Richardson Little Miss Muffet graphite on paper mounted to card circa 1872
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Thomas Miles Richardson Alnwick Castle, Northumberland Mezzotint 18th - 19th century
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John Kay Dr. James Graham Going along the North Bridge in a High Wind, pl. 11 in the book, A Series of Original Portraits and Caricature Etchings (Edinburgh: Adam and Charles Black, 1877), vol. 1 Etching 1785
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Oldest Graves on the Beach, Kasaan Date: 19th century Medium:
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Louis Lang The James Cushing Family oil on canvas 19th century
Museum of Fine Arts -
Francis Alexander, American, 1800-1880 Charles Dickens 1842 Oil on canvas 112.08 x 91.44 cm (44
Museum of Fine Arts -
Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Isaiah with Two Angels Tempera on panel
Museum of Fine Arts -
Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Jeremiah with Two Angels Tempera on panel
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Mount Ranier Date: 19th century Medium: watercolor Dimensions: H.9-1/8 x
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Arthur Pond [Figure study of a woman] E Museo Domini Jonathan Richardson 18th century
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Esther C. Meyer Alaskan Codfish Plant - Richardson Bay 19th - 20th century
Museum of Fine Arts -
Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Saint Stephen about 1405 Tempera on panel
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Jack Mantle"s Boat Date: 19th century Medium: pastel Dimensions: H.8-1/4
The Minneapolis Institute of Arts -
Artist: Theodore J. Richardson Title: Indian River Walk, Lover"s Lane Date: n.d. Medium: pastel Dimensions:
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James Bard - Steamship James Fisk, Jr. 1870 oil on board Memorial Art Gallery of the University of Rochester American
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James Basire, Sr. Portrait of Sir James Burrow Engraving 18th - 19th century
Museum of Fine Arts -
William P. Babcock, American, 1826-1899 Landscape with Figures about 1855-65 Oil on canvas 25.08 x
Museum of Fine Arts -
Agostino Scilla, Italian, 1629-1700 Portrait of an Artist (said to be Andrea Sacchi) Oil on
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Amelie Daubigny James B. Cushing as a Young Boy oil? with gilt metal frame 1836
The Metropolitan Museum of Art -
James Stuart (1612-1655), Duke of Richmond and Lennox, ca. 1634-35 Anthony van Dyck (Flemish, 1599-1641)Oil
Museum of Fine Arts -
Wassili Wassilevitch Weretshchagin, Russian, 1842-1904 Monks at the Door of a Mosque Oil on panel
Museum of Fine Arts -
Lorenzo Costa, Italian (Ferrarese), about 1460-1535 Portrait of a Woman with a Pearl Necklace Oil
Museum of Fine Arts -
Winthrop Chandler, American, 1747-1790 The Battle of Bunker Hill about 1776-77 Oil on panel 88.58
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Charles W. Sharpe Ariel (The Tempest) etching 20th century
Museum of Fine Arts -
Staffordshire, England Possibly by Whieldon factory, England Teapot England, about 1740-60 Lead-glazed earthenware (creamware) 13.8
The Minneapolis Institute of Arts -
Artist: Peter Paul Rubens Title: The Union of England and Scotland (Charles I as the
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James Atkinson Sketches of Afghaunistan [sic] (London: Longmanä, 1842) book with lithographs 1842
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Charles Christian Nahl Peter Quivey and the Mountain Lion oil on canvas 1857
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Richard James Lane Mademoiselle Taglioni Color lithograph with watercolor additions 19th century
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William Wellstood Portrait of James Madison Engraving 19th - 20th century
Museum of Fine Arts -
Unidentified artist, Russian or Balkan, 4th quarter 17th century Virgin and Child Enthroned with Two
The Minneapolis Institute of Arts -
Artist: attributed to James Frothingham Title: Portrait of Rev. James M. Winchell. Date: 19th century
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T. Bradshaw Views in the Mauritius, or Isle of France (London: published for the proprietor, by James Carpenter and Son, 1832) book with lithographs 1832
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James Heath James II stipple engraving 18th - 19th century
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Charles Heath The Bride engraving 18th - 19th century
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James Beard Dog with Puppies oil on canvas 1863
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Charles Heath Guy Mannering engraving 18th - 19th century
Museum of Fine Arts -
Scarab Ring Egyptian New Kingdom, Dynasty 18, reign of Thumose III, 1479-1425 B.C. Egypt Gold
J. Paul Getty Museum -
Portrait of James Hay, First Earl of Carlisle
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Charles Heath Zella engraving 18th - 19th century
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James Charles Armytage Maryport, plate opposite page 53 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (L
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James Charles Armytage Holyhead, plate opposite page 101 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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James Charles Armytage Blackpool, plate opposite page 78 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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James Charles Armytage Swansea Bay, plate opposite 127 page of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
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James Charles Armytage Alloney, plate opposite page 62 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lo
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James Charles Armytage Beaumaris, plate opposite page 82 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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James Charles Armytage The Walls of Southampton, plate opposite page 133 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Edward Francis Burney James Thomson, frontispiece in the book The Seasons by James Thomson (London: F. J. du Roverayä, 1802) engraving 1801
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James Charles Armytage The Sands at Southport, plate opposite page 173 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descript
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James Charles Armytage The Mersey at Liverpool, plate opposite page 118 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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James Charles Armytage Conway Castle, plate opposite page 69 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
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James Charles Armytage Conway Quay, plate opposite page 70 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D
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James Charles Armytage Blackpool Sands, plate opposite page 80 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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James Charles Armytage Whitehaven Harbour, plate opposite page 168 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions
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Charles Heath View of obelisk at Axum etching 18th - 19th century
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James Charles Armytage Fort Penryn and Bangor, plate opposite page 76 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
Museum of Fine Arts -
Niccolò di Buonaccorso, Italian (Sienese), born about 1348-1388 Madonna and Child Enthroned with a Bishop
Museum of Fine Arts -
Niccolo di Liberatore and Niccolo da Foligno, Italian, active in 1456-1502 Saint Lawrence, Saint Gregory,
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James Charles Armytage St. Nicholas' Church. Liverpool (from St. George's Basin), plate opposite page 113 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartl
Museum of Fine Arts -
Niccolo di Liberatore and Niccolo da Foligno, Italian (Umbrian), active in 1456-1502 Saints Vittorino, Sebastian
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James Charles Armytage The Eagle Tower, Carnarvon Castle , plate opposite page 96 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions b

Artnews Articles and Exhibition Information: (23)
Click on any of the links below to read about artnews or exhibitions related to Richardson

Fogg Museum, Harvard: Before and After the End of Time: Architecture and the Year 1000
Harvard's contribution to the rediscovery of this moment in architectural history will also be addressed in the exhibition. Photographs and drawings by a...
Art Gallery of Ontario: Provisional Worlds: Expendables Surrounding Us
Through the skilful, yet playful, use of provisional commodities, ranging from plastic bottles and record sleeves, to Styrofoam, bar codes and B movies, these artists raise questions about what everyone sees and consumes. “This exhibition i...
Spanish Absinthe, Absenta.com: Cab Gallery
Artists Participants include Peter Liversidge (1999 John Moores nominee), Bob and Roberta Smith, Steve Bunn (winner of The Battersea Outdoor Sculpture Prize 1999; winner of Madame Tussauds Prize, RCA Best Graduate 1999), Abigail Cohen, Jemi...
Boomalli Aboriginal Artists Co-operative: NEW BEGINNINGS, NEW IDEAS
An opening for the exhibition will be held Wednesday 5th July, 2000 at 6.00 p.m. Mr. Herb Simms/Elder, La Perouse Aboriginal Community, Sydney will open the show at Boomalli, 191 Parramatta Road, Annandale. N.S.W. 2038 Boomalli Abor...
Canberra Contemporary Art Space: Perfect Strangers: Denis Beaubois, Deej Fabyc, Alex Kershaw, Sandy Nicholson, Deborah Ostrow, Elvis Richardson, Silvia Velez, Justene Williams
Perfect Strangers stages a set of encounters between the individual, private figure and public space. Who do we become in the public register of photography - the register of memory and...
Modern Museum: Fashination: Art and Fashion
Throughout the 20th century, fashion and art have repeatedly cross-fertilised one another. This exchange was at its most intense during three periods: 1920s surrealism, 1960s pop art, and now, since the early 1990s. It is this latter period that i...
Frye Art Museum: Lilian Broca: Mirrors and Reflections
Also on view are drawings from an earlier series, Brides, a metaphor for the conflict between t...
Photo Review: Call for Entries: 2001 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
ArtSpace: Temporary Fixtures: Jonathan Bottrell, Chris Fox, Claire Healy, Horst Kiechle, Raquel Ormella, Elvis Richardson and Rodney Spooner
The observation of, and speculation about, this socially and economically heterogeneous urban space is a highly sensitive undertaking and one which the artists have problematised throughout the process of developing site-specific installations fo...
Conical Gallery: KISSS: Kinship International Strategy on Surveillance and Suppression
KISSS was launched in August 2005 at the Whitechapel Gallery London where KISSS strategies were presented to a full house in a live, intermedia combination of performance, video, interventions and working sessions. An audience member observed how ...
Photo Review: Call for Artists: 2003 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Pretoria Art Museum: Pandemic: Imaging AIDS
Imaging AIDS illuminates the worldwide struggle against the epidemic, revealing the range of responses to and against a disease that has thoroughly altered the way we approach life, our bodies, and relationships both personal and political. These ...
Sanford L. Smith & Associates: New York Photography Fair
The show offers something for everyone. This is a downtown show, said Sanford Smith, with a mix of emerging and established dealers that appeals to both younger and seasoned ...
Photo Review: Call for Artists: Photo Review 2005 International Photography Competition
Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines like DoubleTake, and have sold their work to collectors throughout the coun...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition
Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Victoria and Albert Museum: Stepping In and Out: Contemporary Documentary Photography
The theme of the exhibition is two-fold; certain photographers have immersed themselves, or 'stepped in’ to, communities different from their own, documenting the situations and relationships that then unfold. Other photographers adopt the new ro...
Organization of Independent Artists: Patterned Behavior - Moku-Hanga: Japanese Waterbase Woodcuts by April Vollmer and Sarah Hauser
April Vollmer received an M.F.A. at Hunter College. In addition to a recent solo exhibit at A.I.R. Gallery, the artist has exhibited at the Islip Art Museum, Goddard Riverside Art Center, Dieu DonnÈ Papermill and other galleries nationally a...
Biggs Museum of American Art: From Tankards to Teacups: The Art of Serving Beverages in Early America
When tea met boiling water in China in 2737 BC, a revolution began that spread to Europe, Great Britain, and finally, the colonies in the 1600s. Legend says that the Emperor of China, Shen Nung, discovered the drink when a few leaves of the Camel...
Corcoran Gallery of Art: The Eyes of History: The US' Most Distinguished Photojournalists
The photographs were selected from the White House News Photographers' Association annual contest, Eyes of History, which names a photographer of the year and recognizes the work of leading still and video photojou...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes
The history of Modern art has been the narrowing of horizons towards the individual viewpoint. Try to think about a chain of individuals, posting messages, and trying to be understood either by words or by artistic work. This is ARTLIVES... Cl...
Cafe Gallery Project: Reap: 19 artists, 30 installations, 365 days
Mark Anderson, Anne Bean, Lucy Baldwyn, David Chapman, Marcus Coates, Rachel Cohen, Holly Darton, Gail Dickerson, Graham Fagen, Brian Gilson, Illur Malus Islandus, Meg Mosley, Miyako Narita, Lucille Power, Emily Richardson, Harald Smykla, Eden Sol...
International Short Film Festival Oberhausen: Call for Entries
The Competitions
Drama, grotesque, experimental film or animation, the USA or Kazakhstan, Japan or Senegal, 30 seconds or 35 minutes: anything goes, as long as they make it short. Every year the Festival receives about 3,000 entries, out ...

Further Artwork and Information:

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