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Artist: Thomas Miles Richardson (1813 - 1890)
Nationality: British
Movement:
Media: Painting
Influences:
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Thomas Miles Richardson.
- Thomas Miles Richardson
Alnwick Castle, Northumberland
Mezzotint
18th - 19th century
- George Richardson
Crossing the brook
Engraving
19th century Museum of Fine Arts
- George de Forest Brush, American, 1855-1941 The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas
- Edward Goodall
View of the Last Great Conflagration in San Francisco on the 22nd of June 1851
etching
19th century
- Thomas Cartwright
On the Severn a few miles from Llanidloes
aquatint
19th century
- George Henry Durrie - Seven Miles to Farmington c. 1853 oil on canvas Florence Griswold Museum American
- John Singleton Copley - Portrait of Miles Sherbrook 1771 oil on canvas Chrysler Museum of Art American
- Michael Book - Union-Miles; Revere and East 112th 1990 gelatin silver print Cleveland Museum of Art American The Metropolitan Museum of Art
- Edward Miles (1752-1828), 1785 Sir William Beechey (British, 1753-1839)Oil on canvas; 11 7/8 x 9
- Jonathan Richardson
Portrait of Alexander Pope
Black, white and red chalks on tan laid paper
17th - 18th century Museum of Fine Arts
- Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Isaiah with Two Angels Tempera on panel Museum of Fine Arts
- Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Jeremiah with Two Angels Tempera on panel Museum of Fine Arts
- Gherardo di Jacopo Starnina, Italian (Florentine), 1354–about 1409-13 Saint Stephen about 1405 Tempera on panel Museum of Fine Arts
- Agostino Scilla, Italian, 1629-1700 Portrait of an Artist (said to be Andrea Sacchi) Oil on
- Rembrandt Peale - Richardson Stuart c. 1815 oil on canvas National Gallery of Art American Museum of Fine Arts
- Wassili Wassilevitch Weretshchagin, Russian, 1842-1904 Monks at the Door of a Mosque Oil on panel
- Jonathan Richardson
Alexander Pope
17th - 18th century Museum of Fine Arts
- Lorenzo Costa, Italian (Ferrarese), about 1460-1535 Portrait of a Woman with a Pearl Necklace Oil
- David Singer
Bill Graham Presents (143) Miles Davis; Elvin Bishop Group
lithograph
1971
- Norman Orr
Bill Graham Presents (252) Leon Russell; Miles Davis, Fillmore West, 10/15-18/70
lithograph
197
- Jonathan Richardson
Bust of John Milton
17th - 18th century
- David Singer
Bill Graham Presents (227) Grateful Dead; Miles Davis Quintet, Fillmore West, 4/9-12/70
lithograph
1970
- Norman Orr
Bill Graham Presents (249) Quicksilver Messenger Service; Buddy Miles, Fillmore West, 9/17-20/70
lithograph
1971
- David Singer
Bill Graham Presents (227) Grateful Dead; Miles Davis Quintet, Fillmore West, 4/9-12/70
lithograph
1970 Museum of Fine Arts
- Unidentified artist, Russian or Balkan, 4th quarter 17th century Virgin and Child Enthroned with Two
- Frank Gohlke - Area Clear Cut Prior to 1980 Eruption Surrounded by Downed Trees- Clearwater Creek Valley - 9 Miles East of Mount St. Helens, Washinton 1981 gelatin silver print Cleveland Museum of Art American
- Wes Wilson
San Francisco Rock Poster: Family Dog Productions, Buddy Miles Express; Dino Valenti; Avalon Ballroom, 11/1-3-68
lithograph
1968 Museum of Fine Arts
- Niccolo di Liberatore and Niccolo da Foligno, Italian, active in 1456-1502 Saint Lawrence, Saint Gregory, Museum of Fine Arts
- Niccolo di Liberatore and Niccolo da Foligno, Italian (Umbrian), active in 1456-1502 Saints Vittorino, Sebastian
- Charles-Paul Renouard
Obsession du general Boulanger, de'd a Roger Miles
Etching and aquatint
19th - 20th century Museum of Fine Arts
- Niccolň di Buonaccorso, Italian (Sienese), born about 1348-1388 Madonna and Child Enthroned with a Bishop
- Greg Irons
San Francisco Rock Poster: Bill Graham Presents, Procol Harum; Buddy Miles Express; Fillmore West, 4/3-6/69
color lithograph
1969
- George Vertue
Portrait Matthew Prior, after Jus. Richardson
engraving
1719 Museum of Fine Arts
- Marked by Richard Morton & Co. Wine Coaster Sheffield, England England, (Sheffield), 1773-74 Silver, wood
- Rick Griffin
San Francisco Rock Poster: Bill Graham Presents, Jimi Hendrix Experience; Buddy Miles Express; Winterland, 10/10-12/68
color lithograph
1968 Museum of Fine Arts
- Leeds factory, England Tea canister Staffordshire, England, about 1785 Glazed earthenware (creamware) 15.9 x 9.2
- Ira Diamond Gerald Cassidy
Santiago. One of the old fine types of the pueblo of Santa Clara, a few miles from Santa Fe, New Mexico.
Lithograph
19th - 20th century Museum of Fine Arts
- Staffordshire, England Possibly by Whieldon factory, England Cream jug England, about 1740-50 Lead-glazed earthenware (creamware
- Julius John Pommer
Richardson Bay
Etching
19th - 20th century
- Mary Curtis Richardson
The Sleeping Child
oil on canvas
1911 Museum of Fine Arts
- Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick (one of a pair) United States, Pennsylvania, Museum of Fine Arts
- Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Candlestick, one of a pair United States, Pennsylvania,
- Mary Curtis Richardson
Girl Reading
oil on canvas
circa 1900 Museum of Fine Arts
- Unidentified artist, British, late 18th century John Richardson 1770s Oil on canvas 75.88 x 63.18 Museum of Fine Arts
- Joseph Richardson, Jr., about 1752-1831 Nathaniel Richardson Teapot United States, Pennsylvania, (Philadelphia), about 1780 Silver
- William Richardson
Borrowdale
etching
19th century The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Near the Fiord Date: n.d. Medium: watercolor Dimensions: H.8-7/8 x J. Paul Getty Museum
- Self-Portrait Wearing a Cloth Hat The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Near the Fiords. Silver and Gray. Evening Date: n.d. Medium:
- Arthur Pond
[Mythological Scene(?)] E Museo Domini Jonathanis Richardson
1734
- Arthur Pond
[A river landscape] E Museo Domini Jonathanis Richardson
18th century
- Arthur Pond
[Three figures in a river landscape] E Museo Jonathanis Richardson
18th century
- Mary Curtis Richardson
Little Miss Muffet
graphite on paper mounted to card
circa 1872 The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Oldest Graves on the Beach, Kasaan Date: 19th century Medium: The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Mount Ranier Date: 19th century Medium: watercolor Dimensions: H.9-1/8 x
- Arthur Pond
[Figure study of a woman] E Museo Domini Jonathan Richardson
18th century
- Esther C. Meyer
Alaskan Codfish Plant - Richardson Bay
19th - 20th century The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Indian River Walk, Lover"s Lane Date: n.d. Medium: pastel Dimensions: The Minneapolis Institute of Arts
- Artist: Theodore J. Richardson Title: Jack Mantle"s Boat Date: 19th century Medium: pastel Dimensions: H.8-1/4 Museum of Fine Arts
- William P. Babcock, American, 1826-1899 Landscape with Figures about 1855-65 Oil on canvas 25.08 x Museum of Fine Arts
- Winthrop Chandler, American, 1747-1790 The Battle of Bunker Hill about 1776-77 Oil on panel 88.58
- William Ward, A.R.A.
Portrait of Rev. W. Richardson
Mezzotint
18th - 19th century Museum of Fine Arts
- Staffordshire, England Possibly by Whieldon factory, England Teapot England, about 1740-60 Lead-glazed earthenware (creamware) 13.8 Museum of Fine Arts
- Dave the Potter, about 1783-1863 Made for Lewis J. Miles Factory Storage jar United States, Museum of Fine Arts
- Scarab Ring Egyptian New Kingdom, Dynasty 18, reign of Thumose III, 1479-1425 B.C. Egypt Gold
- Thomas Gainsborough - The Hon. Mrs. Thomas Graham c. 1775-1777 oil on canvas National Gallery of Art British
- Thomas Sully - Thomas Alston 1826 oil on canvas National Gallery of Art American
- Thomas Sully
The Reverend Thomas Stockton
oil on canvas
1843
- William Richardson
Dedication page, on p.[ 5,] and second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph with hand coloring
circa 1843
- William Richardson
Whitby Abbey: Detail, third plate opposite p. 16, and sixth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1843 Museum of Fine Arts
- Richard Wilson, British, 1713-1782 River Landscape with a Boy Fishing (On the Arno) Oil on
- Thomas Sully - Thomas Handasyd Perkins 1832 oil on canvas Boston Athenaeum American
- William Richardson
Egglestone Abbey: Details, second plate opposite page 74, and sixty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Nun-Monkton: Plan and Details, plate opposite page 84 ,and eightieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Bolton Abbey: View, on page [59], and forty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Easby Abbey: Details, third plate opposite page 76, and sixty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Selby Abbey: Details, third plate opposite page 58 , and fortieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- Thomas Lupton
Thomas Chalmers, D.D, L.L.D, & F.R.S.E.
18th - 19th century
- William Richardson
Fountains Abbey: Details, third plate opposite page 40, and twenty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1848
- William Richardson
Kirkstall Abbey: Details, second plate opposite page 20, and tenth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1843
- William Richardson
Guisborough Priory: Interior, second plate opposite page 50, and thirty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1848
- William Richardson
Kirkstall Abbey: Plan, third plate opposite page 20, and eleventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1843
- William Richardson
Byland Abbey: Details, third plate opposite page 48, and thirtieth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1848
- William Richardson
Bolton Abbey: The Choir, first plate opposite page 60, and forty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1848
- William Richardson
Easby Abbey: The Refectory, first plate opposite page 76, and sixty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1848
- William Richardson
Howden: The Chapter House, fourth plate opposite page 81,and seventy-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1855
- William Richardson
Bridlington Priory : View from the Southeast, on page [61], and forty-fifth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Rosedale Priory: Church and Village, on page 87 ,and eighty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Egglestone Abbey: Choir, on page[ 73], and fifty-ninth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Howden: Screen in the Church, third plate opposite page 81,and seventy-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1855
- William Richardson
Easby Abbey: Abbey on the Swale, on page [75], and sixty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Kirkham Priory: Details , second plate opposite page 80*,and seventy-seventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Ellerton Abbey: Southeast View, on page 85 ,and eighty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
- William Richardson
Bridlington Priory : Details, third plate opposite page 62, and forty-eighth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Jervaulx Abbey: Exterior View, first plate opposite page 66, and fifty-first plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1855
- William Richardson
Howden: Details, sixth plate opposite page 81,and seventy-fourth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Rosedale Priory: Doorway and Corner, first plate opposite page 88 ,and eighty-third plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph
1855
- William Richardson
Whitby Abbey: Plan and Details, fourth plate opposite p. 16, and seventh plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1843
- William Richardson
Jervaulx Abbey: Ground Plan, second plate opposite page 66, and fifty-second plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Lithograph
circa 1855
- William Richardson
Coverham Abbey: Gateway, on page [71], and fifty-eighth plate in the book, The Monastic Ruins of Yorkshire (York: Robert Sunter, 1843-[1855])
Color lithograph on text page
1855
Artnews Articles and Exhibition Information: (23) Click on any of the links below to read about artnews or exhibitions related to Richardson
Fogg Museum, Harvard: Before and After the End of Time: Architecture
and the Year 1000
Harvard's contribution to the rediscovery of this moment in
architectural history will also be addressed in the exhibition.
Photographs and drawings by a...
Art Gallery of Ontario: Provisional Worlds: Expendables Surrounding Us Through the skilful, yet playful, use of provisional commodities, ranging from plastic bottles and record sleeves, to Styrofoam, bar codes and B movies, these artists raise questions about what everyone sees and consumes.
“This exhibition i...
Spanish Absinthe, Absenta.com: Cab Gallery Artists
Participants include Peter Liversidge (1999 John Moores nominee), Bob and
Roberta Smith, Steve Bunn (winner of The Battersea Outdoor Sculpture Prize
1999; winner of Madame Tussauds Prize, RCA Best Graduate 1999), Abigail
Cohen, Jemi...
Boomalli Aboriginal Artists Co-operative: NEW BEGINNINGS, NEW IDEAS
An opening for the exhibition will be held Wednesday 5th July, 2000 at 6.00 p.m. Mr. Herb Simms/Elder, La Perouse Aboriginal Community,
Sydney will open the show at
Boomalli, 191 Parramatta Road, Annandale. N.S.W. 2038
Boomalli Abor...
Canberra Contemporary Art Space: Perfect Strangers: Denis Beaubois, Deej Fabyc, Alex Kershaw, Sandy Nicholson, Deborah Ostrow, Elvis Richardson, Silvia Velez, Justene Williams Perfect Strangers stages a set of encounters between the individual, private figure
and public space. Who do we become in the public register of photography - the
register of memory and...
Modern Museum: Fashination: Art and Fashion Throughout the 20th century, fashion and art have repeatedly cross-fertilised one another. This exchange was at its most intense during three periods: 1920s surrealism, 1960s pop art, and now, since the early 1990s. It is this latter period that i...
Frye Art Museum: Lilian Broca: Mirrors and Reflections Also on view are drawings from an
earlier series, Brides, a metaphor
for the conflict between t...
Photo Review: Call for Entries: 2001 Photo Review Photography Competition Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia.
Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
ArtSpace: Temporary Fixtures: Jonathan Bottrell, Chris Fox, Claire Healy, Horst Kiechle, Raquel Ormella, Elvis Richardson and Rodney Spooner The observation of, and speculation about, this socially and economically heterogeneous urban space is a highly sensitive undertaking and one which the artists have problematised throughout the process of developing site-specific installations fo...
Conical Gallery: KISSS: Kinship International Strategy on Surveillance and Suppression KISSS was launched in August 2005 at the Whitechapel Gallery London where KISSS strategies were presented to a full house in a live, intermedia combination of performance, video, interventions and working sessions. An audience member observed how ...
Photo Review: Call for Artists: 2003 Photo Review Photography Competition Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia.
Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Pretoria Art Museum: Pandemic: Imaging AIDS Imaging AIDS illuminates the worldwide struggle against the epidemic, revealing the range of responses to and against a disease that has thoroughly altered the way we approach life, our bodies, and relationships both personal and political. These ...
Sanford L. Smith & Associates: New York Photography Fair The show offers something for everyone. This is a downtown
show, said Sanford Smith, with a mix of emerging and
established dealers that appeals to both younger and seasoned
...
Photo Review: Call for Artists: Photo Review 2005 International Photography Competition Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines like DoubleTake, and have sold their work to collectors throughout the coun...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia.
Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Photo Review: Call to Artists: 2004 Photo Review Photography Competition Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia.
Because their work was seen in The Photo Review, past winners have been given one-person exhibitio...
Victoria and Albert Museum: Stepping In and Out: Contemporary Documentary Photography The theme of the exhibition is two-fold; certain photographers have immersed themselves, or 'stepped in’ to, communities different from their own, documenting the situations and relationships that then unfold. Other photographers adopt the new ro...
Organization of Independent Artists: Patterned Behavior - Moku-Hanga: Japanese Waterbase Woodcuts by April Vollmer and Sarah Hauser April Vollmer received an M.F.A. at Hunter College. In addition to a recent
solo exhibit at A.I.R. Gallery, the artist has exhibited at the Islip Art
Museum, Goddard Riverside Art Center, Dieu DonnČ Papermill and other
galleries nationally a...
Biggs Museum of American Art: From Tankards to Teacups: The Art of Serving Beverages in Early America When tea met boiling water in China in 2737 BC, a revolution began that spread to Europe, Great Britain, and finally, the colonies in the 1600s. Legend says that the Emperor of China, Shen Nung, discovered the drink when a few leaves of the Camel...
Corcoran Gallery of Art: The Eyes of History: The US' Most Distinguished Photojournalists The photographs were selected from the White House News Photographers' Association annual contest, Eyes of History, which names a photographer of the year and recognizes the work of leading still and video photojou...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes The history of Modern art has been the narrowing of
horizons towards the individual viewpoint. Try to
think about a chain of individuals, posting
messages, and trying to be understood either by words
or by artistic work. This is ARTLIVES... Cl...
Cafe Gallery Project: Reap: 19 artists, 30 installations, 365 days Mark Anderson, Anne Bean, Lucy Baldwyn, David Chapman, Marcus Coates, Rachel Cohen, Holly Darton, Gail Dickerson, Graham Fagen, Brian Gilson, Illur Malus Islandus, Meg Mosley, Miyako Narita, Lucille Power, Emily Richardson, Harald Smykla, Eden Sol...
International Short Film Festival Oberhausen: Call for Entries The Competitions
Drama, grotesque, experimental film or animation, the USA or Kazakhstan,
Japan or Senegal, 30 seconds or 35 minutes: anything goes, as long as they
make it short. Every year the Festival receives about 3,000 entries, out ...
Further Artwork and Information:
Thomas Miles Richardson (1813 - 1890) Biography, Artwork Images, Exhibitions, Reviews
Thomas Miles Richardson Junior - Work Art for sale-
Thomas Miles Richardson Jr. Online
Richardson, Thomas Miles
Richardson, Thomas Miles
Thomas Miles Richardson Jnr
ARC :: Thomas Miles Richardson, Jnr. (1813-1890) :: Page 1 of 1
THOMAS MILES RICHARDSON EL JOVEN, Título:Gate Crag, Barrawdale, Cumberland
| Richardson, Thomas Miles I| letter| | MS 2632-2000
| Richardson, Thomas Miles I| letter| | MS 2631-2000
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