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Artist: Sir William Blake Richmond (1842 - 1921)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sir William Blake Richmond.

The Minneapolis Institute of Arts -
Artist: Sir William Blake Richmond Title: Portrait of a Lady Date: 1878 Medium: graphite on
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Sir William Blake Richmond - An Audience in Athens During Agamemnon by Aeschylus 1884 oil on canvas Birmingham Museums and Art Gallery British
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William Blake Balladsä relating to Animals by William Hayley (London: Richard Phillips, 1805) book with 5 engravings 1805
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William Blake The Dog, frontispiece in the book Balladsä relating to Animals by William Hayley (London: Richard Phillips, 1805) engraving 1805
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William Blake Frontispiece from Observations on Man by David Hartley, engraved by Blake after Shackelton Engravings 1791
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William Blake And My Servant Job Shall Pray for You Engraving 1825
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William Blake Beggar's Opera, Act III "When My Hero in Court Appears, &c." Engraving 18th - 19th century
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William Blake The Eagle, plate opposite page 22 in the book Balladsä relating to Animals by William Hayley (London: Richard Phillips, 1805) engraving 1805
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William Blake The Lion, plate opposite page 100 in the book Balladsä relating to Animals by William Hayley (London: Richard Phillips, 1805) engraving 1805
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William Blake Complete proof edition of Book of Job Engraving 1825
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William Blake Complete proof edition of Book of Job Engraving 1825
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William Blake Cover sheet: Illustrations of the Book of Job Drypoint 1825
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William Blake Wilson Lowry Engraving 1824
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William Blake The Grave by Robert Blair, London 1813; designed by Blake engraved by Luigi Schiavonetti; The Day of Judgment Engravings 1808
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William Blake The Graveä (London: R. Ackermannä, 1813) book with etchings 1813
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William Blake Mrs. Q. (Mrs. Harriet Quentin) Stipple, printed in colors 1820
Museum of Fine Arts -
Claude Monet, French, 1840-1926 Broad Landscape about 1862 Pastel on paper 17.4 x 35.9 cm
Museum of Fine Arts -
Claude Monet, French, 1840-1926 View of the Sea at Sunset about 1862 Pastel on paper
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William Blake Plate 12: "I am young and ye are very old" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 1: "Thus did Job continually" Complete proof edition of Book of Job Engraving 1825
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William Blake Plate 2: "When the Almighty was yet with me.." from Complete proof edition of Book of Job Engraving 1825
The Metropolitan Museum of Art -
Zacharias and the Angel William Blake (British, 1757-1827)Tempera and glue size on canvas; 10 1/2
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William Blake The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) book with engravings 1797
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William Blake The Complaint of Job Gray wash on thin wove paper circa 1786
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William Blake Plate 8: "Let the Day perish wherein I was born" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 7: "And when they lifted up their eyes.." from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 18: "And my servant Job shall pray for you", from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 4: "And I only am escaped alone to tell thee" from the complete proof edition of Book of Job Engraving 1825
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William Blake The Hermit*s Dog, plate opposite page 123 in the book Balladsä relating to Animals (London: Richard Phillips, 1805) engraving 1805
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William Blake The Horse, plate opposite page 204 in the book Balladsä relating to Animals (London: Richard Phillips, 1805) engraving 1805
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William Blake Illustration No.8 - The Pastorals of Virgil by Robert John Thornton, Third Edition, London 1821; Designed and engraved by Blake Wood engraving 18th - 19th century
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William Blake illustration for p. 46 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p.80 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p.93 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p.72 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p.88 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p. 40 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p. 54 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p. 41 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1797
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William Blake illustration for p. 27 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 1 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 8 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 7 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 23 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 4 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 10 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 12 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 13 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 24 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 16 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 19 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 25 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 26 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake illustration for p. 15 in the book, The Complaint, and the Consolation; or Night Thoughtsä (London: R. Edwards, 1797) engraving 1796
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William Blake Plate 9: "Then a spirit passed before my face" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 19: "Every one also gave him a piece of money" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 14: "When the morning Stars sang together" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 13: "Then the Lord answered Job out of the whirlwind" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 21: "So the Lord blessed the latter end of Job more than the beginning" from the complete proof edition of Book of Job Engraving 1825
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William Blake Plate 10: "The just upright man is laughed to scorn" from the complete proof edition of Book of Job Engraving 1825

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Richmond


Marsh Art Gallery, University of Richmond: Nell Blaine: Sensations of Nature
Coming to prominence with her abstractions as one of the few women involved in Abstract Expressionism, she is more ...

University of Richmond Museums: Call for Artisits: 2006 Harnett Biennial of American Prints
The deadline for submission is January 17, 2006. The exhibition is open to all artists residing in the United States. Entries must be in the category of printmaking using any traditional and/or experimental techniques and media. Eligible entries i...

University of Richmond Museums, Marsh Gallery: Thomas Weaver: Punchlist
...

University of Richmond Museums: Robert Rauschenberg: From the Speculations Series
...

University of Richmond Museums: Call far Artists: The 2008 Harnett Biennial of American Prints
The exhibition is open to all artists residing in the United States. Entries must be in the category of printmaking using any traditional and/or experimental techniques and media. Eligible entries include prints on paper using, but not limited to,...

Tammy Faye Memorial Trust Fund: Remembering Tammy Faye by Paul Richmond Auctioned at Benefit
The painting debuted in October at the reception for Richmond’s exhibit “Ins and Outs: A Revival” at BoMA in Columbus, where it was unveiled by Paige Passion, an award-winning drag queen. At the memorial service in Palm Springs, Charlene Tilton (w...

University of Richmond Museums: Seventeenth-Century Baroque Festival: Art in the World of Stefano della Bella
A prolific printmaker, Della Bella received commissions from the Medici court as well as French King Louis XIV. His images of landscapes, marines, city scenes, royal ceremonies, animal studies, and military battles capture the events, symbol...

Orleans House Gallery: A River Runs Through It: Riverside Views of the Thames
A number of these stunning riverside views will go on display including one of the earliest, Peter Tillemans’ famous panoramic view of The Thames at Twickenham (c.1724-30). Today, the river still stirs the imaginations of contemporary artist...

Artspace: Collected Evidence: Artwork by Six Artists
All of the art in Collected Evidence displays the compulsive nature of collecting. Multiples abound in the mixed-media work. Photography, a tool of documentation, is a common ingredient in the artists’ presentations. Also common is the notion t...

ART6 Gallery: Totemic Magic: Suzanna Biro and Frederick Chiriboga.
Suzanna Biro studied and traveled in Colombia, S.A. for more than three years learning weaving, pottery and painting from artists in villages throughout the country. She also studied sculpture and drawing in New York City. Her mixed media ...

Virginia Historical Society: Our Times: a Virginia Century
The multiple choice questionnaire, which was developed by the Virginia Historical Society and published in the Richmond Times-Dispatch and other Media General newspapers, allowed readers to select or write their own answers in twenty-...

Barb Niles/International Art Dealer/Agent: Call For Entry/Canadian Arts Councils
If your arts council, group, studio and or gallery would like prospectuses, or posters providing information regarding the exhibition, please respond to this email, with a mailing address and the information will be shipped to you. There is a fee...

Minneapolis Institute of Arts: The Art of Twentieth Century Zen: Paintings and Calligraphy by Japanese Masters
This is the first exhibition in the United States devoted to twentieth-century Zen paintings and calligraphy from Japan. The exhibition is accompanied by a fully illustrated color catalogue published by Shambaha...

BoMA, Bar of Modern Art: Ins and Outs: A Revival
Drawing upon his own experiences as a young man who was raised in a conservative, Midwestern environment and struggled to come to terms with his homosexuality, he explores deeply personal feelings, insecurities, fears and triumphs in this exhibiti...

University of Richmond Museums, Marsh Gallery: Power of Thought:The Prints of Jessie Oonark
Jessie Oonark Born in the Back River region of the Canadian Central Arctic, Oonark led a traditional semi-nomadic existence until the late 1950s when the depletion of caribou (a major food source) forced her and her peers to move permanentl...

Artspace: Call for Artists: Proposals being Excepted for 2004 Exhibition Season
If you are interested in showing work as a non-member exhibitor, call or visit artspace for submission guidelines, or for details and application see: http://www.artspacegallery...

University of Richmond Museums, Marsh Gallery:
oots of Creativity: Landscapes by Hans Friedrich Grohs
As a young master student at the Bauhaus in Weimar, Grohs studied under Lyonel Feininger, but he left the academy in 1919 following a controversial dispute with founder Walter Gropius regarding the sacrifice of German “identity” for the increasing...

University of Richmond Museums: Origin Stories: Creation Narratives in Australian Aboriginal Art
Origin Stories is organized by the Kluge-Ruhe Aboriginal Art Collection, University of Virginia, Charlottesville, and curated by Margo Smith. All of the paintings are from the permanent collection of the Kluge-Ruhe museum. ...

University of Richmond Museums: Seen in Solitude: Robert Kipniss Prints from the James F. White Collection
Kipniss’ often repeated subjects - rolling landscapes, looming trees, still lifes and interiors - hark back to his youth in northwest Connecticut and suggest solitude, contemplation and reverie. Kipniss has stated that the “central impetus of my w...

University of Richmond Museums: Myth and Mirage: The Art of Avel de Knight
De Knight’s mostly figurative art has been called poetic, lyrical, and symbolist in style. Dream imagery reappears as frequently as classical and African art references. His veils of colors, created by various media, suggest movement, atmosphere, ...

University of Richmond Museums, Marsh Gallery: Christina Ramberg Drawings
For this presentation, her drawings are accompanied by selected writings and paintings — none of which have ever been chronicled, documented, exhibited, or researched until this traveling exhibition organized by Gallery 400 at...

Virginia Historical Society: Robert Gwathmey: a Retrospective
Gwathmey developed a two-dimensional style that was uniquely his own. His paintings juxtapose primitive, carefully chosen shapes and angles against startling color, often outlined in black. In choosing color, Gwathmey sometimes arranged co...

Los Angeles County Museum of Art: Art of Twentieth-Century Zen: Paintings
It has long been believed in East Asia that brush and ink reveal the true character of the artist. Therefore, viewing a painting or calligraphy is a form of communication with the inner spirit of the person who created ...

University of Richmond Museums, Joel and Lila Harnett Museum of Art: Pierre Daura, Catalán-American Modernist: People, Places, and Things
Born on the island of Minorca, Spain, in 1896, Daura was raised in Barcelona, Catalonia (a northern region in Spain) where he studied art under José Ruiz Blasco, Pablo Picasso’s father. In 1914, Daura moved to Paris to work in the studio of artist...

Prefix Photo: Job Posting: Managing Editor
These features are supported by a newsbriefs section with information on opportunities for professional photographers, including announcements of exhibition opportunities and new technologies. Bold, refreshing and unconventional, Prefix Photo spea...

Orleans House Gallery Stables: Collective Arts: Object Relations
For the past two months, each of these cameras has followed their own destiny passing from person to person throughout the community. The images range from the curious to the familiar, each photograph in its own way intriguing as it offers a su...

University of Richmond Museums, Marsh Gallery: Hannelore Baron: Works from 1967 to 1987
It is her works fragility, both physical and spiritual-the sense of quiet, private anguish expressed through forlorn materials and ...

University of Richmond Museums, Marsh Gallery: Visions from the Soul: Woodcuts by Hans Friedrich Grohs
As a young master student at the Bauhaus in Weimar, Grohs studied under Lyonel Feininger but he left the academy in 1919 following a controversial dispute with founder Walter Gropius regarding the sacrifice of German “identity” for the increasing ...

Artspace: WORKOUT: David Nauggle and Rachel Iberra
Photography and drawings deliver a nauseating account of this experiment. Never having been interested or dedicated enough to stick with an exercise regimen, Rachel Ibarra decides to test her commitment as well as endurance. By attaching two Chine...

Surrey Art Gallery: Call for Artists: A Juried Thematic Art Exhibition, River
The Arts Council of Surrey welcomes entries from residents of Surrey, White Rock, Langley, Delta and Richmond, BC Canada. Residents from outside these areas are also welcome to enter, however they must belong to clubs that are members of the Ar...

Surrey Art Gallery: Call for Artists: Beyond Belief, a juried exhibition of photography
Follow this link to the Surrey Art Gallery's Information for Artists web page: http://www.surrey.ca/Living+in+Surrey/Arts/Surrey+Art+Galler...

Prefix Institute of Contemporary Art:
Job Posting: Public Programs Manager
The Public Programs Manager is responsible for two key aspects of the organization’s activities.  The first area consists of the administration and coordination of all public programs, such as the speaker series and reference library, and the deve...

Virginia Museum of Fine Art: Celebrating Art Nouveau: The Kreuzer Collection
“Their efforts produced the greatest collection of its kind in the world,” says Dr. Michael Brand, the museum’s director. “This new acquisition expands the scope of the museum’s already renowned collection of Art Nouveau decorative arts, est...

Randolph-Macon College Flippo Gallery: On Alternate Days: Paintings by Nancy Witt
In addition to the Ashland artist’s numerous awards and accolades, she has published a book – “On Alternate Days, The Paintings of Nancy Witt.” Her work also was the subject of the independent film “Vanishing Point.” Awarded an honorary Doctorat...

Ohio Art League: Anywhere But Here: Works by Kate Storm
Like many teenagers growing up in central Ohio, Storm often contemplated her departure from the Midwest. Many of the pieces in this show, including the signature series “Anywhere But Here,” address this restless urge to find a geographical cure...

Orleans House Gallery: Eloquent Visions: Outsider and Visionary Art
Eloquent Visions is again collaboration between Orleans House Gallery and the Henry Boxer Gallery in Richmond, the leading UK gallery of its kind. Henry Boxer, who co-curates the exhibition with Mark De Novellis states: "Over the last decade...

Society for Midwest Metalsmiths: Call for Artists: METAL Inclinations International Exhibition
The three jurors for the Metal Inclinations exhibition are: Michael Monroe, a well-known and highly respected figure in the crafts community, now head of the Bellevue Art Museum in Seattle, Washington, former head of the American Craft Counc...

University of Richmond Museums: Visionary Landscapes: The Glassworks of Josh Simpson
Simpson's inspiration to create glass Planets came from his fascination with space and an experience working with teenagers. When asked to give a series of glassblowing demonstrations at a local high school, Simpson made marbles that ...

Parsons Exhition Center: Drawing in the Present Tense
This show is based on a series of simple observations about the drawing process. The creative process itself often has its origins in drawing. In this view, drawing comes about from a succession of traces, impulses and sensations that form an end...

Virginia Museum fo Fine Arts: ANITAS EXHIBITION AT VIRGINIA MUSEUM COMBINES TRADITION WITH TOMORROW Fourteen Contemporary Artists Explore Theme of Life and Death
Vanitas is a Latin word used since the Renaissance to describe the transitory nature of life. The term characterizes the appreciation of life’s pleasures and accomplishments joined with the awareness of their inevitable loss, accord...

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