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Artist: David Roberts (1796 - 1864)
Nationality: British
Movement:
Media: Painting
Influences:
Biography: David Roberts began his career as an apprentice to a house painter and then working as a scene painter. In 1822, he moved to London and was employed at the Dury Lane Theatre. In 1833, Roberts embarked on an extensive journey throughout Europe and the Mediterranean. While traveling, he achieved financial success by creating topographical views. Roberts was also a published author, illustrating his books in watercolors and oils.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by David Roberts.
- Charles Baugniet
David Roberts
19th century
- David Roberts
Portrait of David Roberts Esq., R.A., plate 1 opposite title page in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6), Jerusalem and Galilee, [bound with The Holy Land, with histor
- David Roberts
The Holy Land, after the lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A with historical notes by George Croly (London: Day & Son, 1855), vols.1 ( Jerusalem and Galilee) and 2 (The Jordan and Bethlehem)
- D.J. Pound
David Roberts, Esq., R.A.
19th - 20th century
- David Roberts
The Holy Land, after the lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A., with historical notes by William Brockedon(London: Day & Son, 1855-1856), vols. 5 (Egypt and Nubia) and 6 (Egypt) (of six) boun
- David Roberts
The Holy Land,after the lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A., with historical notes by George Croly and William Brockedon(London: Day & Son, 1855), vols. 3 (Idumea and Petra) and 4 (Egypt
- David Roberts
The Dead Sea
lithograph
18th - 19th century
- A Group of Animals, Geneva, David Roberts (Scotland, Stockbridge, 1796 - 1864) (Artist), circa 1851, Oil on canvas
- A Group of Animals, Geneva, David Roberts (Scotland, Stockbridge, 1796 - 1864) (Artist), circa 1851, Oil on canvas
- David Roberts
Bridge of Toledo, Madrid
lithograph
18th - 19th century
- Louis Haghe
The Holy Land - Portrait of David Roberts - Frontispiece to Vol. I
Lithograph
19th century
- Louis Haghe
The Holy Land - Portrait of David Roberts - Frontispiece to Vol. I
Lithograph
19th century
- David Roberts
Jerusalem From the Road Leading to Bethany
lithograph
18th - 19th century
- David Roberts
St. Mungo's Cathedral, Glasgow
Lithograph with hand color
18th - 19th century
- David Roberts
Tower of David , plate 13 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London: D
- ROME, CREPUSCULE, VUE PRISE DU COUVENT SAN ONOFRIO SUR LE MONT JANICULE (3e quart 19e siècle) by ROBERTS David The Metropolitan Museum of Art
- The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 1842-49 Author: David Roberts (Scottish, 1796-1864);
- David Roberts
Obelisk of On , plate 197 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (London
- David Roberts
Kom-Ombo , plate 210 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (London:
- David Roberts
FaÁade of the Pronaos of the Temple of Edfu , plate 208 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historic
- David Roberts
Sarepta, plate 72 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Jericho, plate 49 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Gaza, plate 59 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Ashdod, plate 58 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Askelon, plate 57 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Bethany, plate 86 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day
- David Roberts
Hebron, plate 55 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Bethlehem, plate 85 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (London: Day &
- David Roberts
Sea of Tiberias, Looking toward Bashan, plate 36 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by Ge
- David Roberts
Caiphas, Looking toward Mt. Carmel, plate 63 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by Geo
- David Roberts
Pyramids of Geezeh , plate 192 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (L
- David Roberts
Approach to Alexandria, plate 216 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (Lond
- David Roberts
St. Jean d'Acre, from the Sea, plate 66 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
Tiberias, Looking toward Hermon, plate 38 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Cr
- David Roberts
Dead Sea, Looking toward Moab, plate 50 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
Sidon, Looking toward Lebanon, plate 75 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George C
- David Roberts
Necropolis, plate 105 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 3 (of 6), Idumea and Petra, [bound with The Holy Land, with historical notes by William Brockedon (London: Day &
- David Roberts
The Ravine, plate 104 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 3 (of 6), Idumea and Petra, [bound with The Holy Land, with historical notes by William Brockedon (London: Day &
- David Roberts
El Khasne, plate 92 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 3 (of 6), Idumea and Petra, [bound with The Holy Land, with historical notes by William Brockedon (London: Day &
- David Roberts
Jerusalem from the North, plate 22 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lo
- David Roberts
Jerusalem from the South, plate 10 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (L
- David Roberts
Church of the Annunciation, plate 32 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly
- David Roberts
Jaffa, Looking North, plate 62 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
- David Roberts
Jacob's Well at Shechem, plate 40 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (Lon
- David Roberts
Jaffa, Looking South, plate 61 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lon
- David Roberts
Sidon, from the North, plate 74 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lo
- David Roberts
Tyre, from the Isthmus, plate 71 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (L
- David Roberts
Asouan and the Island of Elephantine , plate 196 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Wi
- David Roberts
Chapel of St. Saba, plate 52 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Londo
- David Roberts
Convent of St. Saba, plate 51 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George Croly (Lond
- David Roberts
Approach to the Fortress of Ibrim, plate 174 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
- David Roberts
The Gate of the Metwalis, or Bab Zuweyleh, plate 217 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willi
- David Roberts
Interior of the Mosque of the Metwalis, plate 232 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
- David Roberts
One of the Tombs of the Caliphs, Cairo, plate 221 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
- David Roberts
Siout, plate 162 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 4 , Egypt and Nubia, [bound with The Holy Land, with historical notes by George Croly (London: Day & Son, 1855
- David Roberts
The Holy Tree of Metereah, plate 227 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (
- David Roberts
Part of the Hall of Columns at Karnak, Seen from Without, plate 181 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with his
- David Roberts
St. Jean d'Acre, from the Land, plate 65 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 2 (of 6), The Jordan and Bethlehem, [bound with The Holy Land, with historical notes by George
- David Roberts
Shrine of the Holy Sepulchre, plate 14 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Crol
- David Roberts
Tomb of St. James, plate 5 in the book The Holy Land, with historical notes by George Croly (London: Day & Son, 1855), vol. 1 (of 6) , Jerusalem and Galilee, [bound with The Holy Land, with historical notes by George Croly (London:
Artnews Articles and Exhibition Information: (40) Click on any of the links below to read about artnews or exhibitions related to Roberts
Bell-Roberts Art Gallery: Comics Brew 'Comics Brew' presents a show of original comic artwork by T. Ott and Kalonji from Switzerland, Stassen from Belgium and Rabaté from France, with Karlien de Villiers, ND Mazin, Brendon Bell-Roberts and the Igubu Collective. The Comics Brew catalog...
California Museum of Photography: S-T-R-E-T-C-H-I-N-G: A Spiritual Journey ...
Pump House Gallery: Boundaries: Jo Roberts This post-modern approach of questioning the apparent absolutes of boundaries carries particular significance when applied to current global politics, and on a much more local level examines the way borough boundaries have a direct impact on ones ...
Bell-Roberts Art Gallery: Kevin Brand: 50+ The exhibition uses a repetition of an image that is never seen from the same perspective simultaneously: so although the work is a marked shift from his focussed „issue based‰ earlier concerns, the repetition alludes to his prior use of pixillati...
Bell-Roberts Art Gallery: It's Never too Late to be a Man: Works by Norman O'Flynn Norman OFlynn has travelled extensively throughout Africa attending residencies and workshops in Zambia, Egypt, Zimbabwe and Botswana. He has recently returned to Cape Town after a three month residency in Switzerland.
Never too late to be a...
Bell-Roberts Art Gallery: To a Promised Land: Marieke Kruger Marieke Kruger's art making processes are lodged in a paradoxical and ambiguous interplay between the conscious and the sub-conscious where the interaction between images, media and materials creates a rich variety of multiple meanings through pla...
Bell-Roberts Art Gallery: Berco Wilsenac: In die sterre geskryf The concept of the blind astronomer suggests a double irony where, although a measure of information is provided; he does not have access to the visual embodiment of the information. The sighted observor, on the other hand, does not have access to...
Bell-Roberts Art Gallery: New Works by Noria Mabasa Ms. Mabasa runs an art school in Venda from where she instructs her students in the dying art of clay-pot and sculpture making. She started working in clay in 1974 and, motivated by a dream, two years later became the first Venda woman to work in ...
Sculpture Square Limited
: Bush Profiles: A Solo Show by Julia Roberts Roberts moved to Singapore in 1998. In February 2000, she participated in ‘An
Affair to Remember’, a group show celebrating the work of thirteen of Australia’s
finest young contemporary artists, which was held at the Australian High
Co...
Bell-Roberts Art Gallery: About Face: Contemporary Portraiture and Painting Celebrated South African artists Cameron Platter, Nigel Mullins, Norman O’Flynn, Paul du Toit, Sanell Aggenbach and Tanya Poole were invited to use the genre both as a form of self and societal reflection.
From the frivolous and potentiall...
Bell-Roberts Art Gallery: GALLERY MOVES TO NEW PREMISES AND OPENS WITH Between Meaning and Matter Encompassing a cross section of experimental and traditional art practice, Between Meaning and Matter includes a pixilated mural by 2008 Mercedes-Benz South Africa Art Award winner, Kevin Brand; a two-metre (circum.) lazer-cut tondo based on inter-ne...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection Monash University began
collecting art when it was founded in 1961. The Collection, which has
always had a strong focus on contemporary art, has expanded over four
decades to comprise over 1,200 works by more than 330 of Australia's
most renow...
Bell-Roberts Art Gallery: 10 Years 100 Artists: Art in a Democratic South Africa The new premises at 89 Bree Street (between Shortmarket and Hout Streets) was originally built in 1752. The space is elegant and spacious , with a touch of old world charm about it. The gallery will now be situated on two floors and a roof top gar...
Bell-Roberts Art Gallery: Picnic: A Summer Show - Curated by Andrew Lamprecht Artists included in the exhibition are Usha Seejarim, Kathryn Smith, Doreen Southwood, Kevin Brand, Matthew Hindley, Ed Young, Christian Nerf, Sanell Aggenbach, Geoff Grundlingh, Zen Marie, Vuyisa Nyamende and Cameron Platter, Brett Murray, and Sv...
Mariners Gallery, St Ives Society of Artists: Hevelepter 2001 Second Annual Exhibition An uncompromising but approachable sample of untourist art from artists who recognise the distinct cultural nativity of contemporary Cornwall.
The universality of R.Davisons painting certainly shar...
Bell-Roberts Art Gallery: Matthew Hindley: Surrender "Informed by media reportage, individual experience and a developing personal iconography of metaphorical characters, these scenarios are rendered as encoded fictions or metaphors of trauma, couched in a "pop style."
"Central to both his two...
Geelong Gallery: Shearing the Rams Touring Regional Galleries The painting will be shown as part of the National Gallery of Victorias Centenary of Federation celebrations.
Dr Vaughan said the exhibit was a fantastic opportunity for people in regional Victoria to view the much-loved artwork without ha...
Bell-Roberts Art Gallery: Sanell Aggenbach: Fool's Gold Exploration and heritage are the underlining concepts, while illusions, fallacies and forgeries are presented to confuse perceptions of reality. The painted works interpret the uncertainty and fear that captured the sailor’s imagination when embar...
Bell-Roberts Art Gallery: Doreen Southwood: The Swimmer It is a space where oppression and depression which are continually swept under the carpet in favour of a more acceptable outward appearance. Doreen details the pathologies and symptoms that attend this denial. Symptom relieving drugs domestic cra...
Roberts Art Gallery, Santa Monica High School: Ione Citrin: Solo Exhibition When I paint, I dip my brush in my soul...
Being an Artist is a life force, not a career choice. Each piece represents a fragment of my lifes work. I present the world artistically as I see it, as I wish to see it, and occasionally as I once saw...
Beltway: NEW ON-LINE MAGAZINE CELEBRATES POETRY IN THE NATIONS CAPITOL Beltway highlights the healthy diversity of poetry styles within the
nations capitol. Each issue will present a selection of poems by four
or five authors, ranging from well established, nationally-known poets
to those who have yet to publish...
Bell-Roberts Art Gallery: Kevin Brand: An Exhibition of Paintings Entitled 4x4 He has always felt free to move from one medium or process to another and, as such, painting is not that radical a departure. Where his ‘Balm of Banal’ series saw him create a series of assemblages made from ‘everyday’ items such as eggboxes and b...
Bell-Roberts Art Gallery: Threads: Gina Waldman AND Lost and Found: Isolde Krams
ARTIST STATEMENT: GINA WALDMAN “The image of a tapestry is so domestic and in some ways banal, but so many interesting things happen on their surfaces. The front side of the tapestry is like a paint by number; perfect and seamless, whereas the ...
INSTITUTE OF MODERN ART: Odyssey 608 Ann Street (Cnr Gipps Streets), Fortitude Valley Queensland
GALLERY HOURS Tue-Fri 11am-5pm, Sat 11am-4pm, closed Sunday, Monday and
public holidays
POSTAL GPO Box 1897, Brisbane QLD 4001, AUSTRALIA
TEL + 61 7 3252 5750,
...
Bell-Roberts Art Gallery: Pierre Crocquet: On Africa Time Text is included to complement the images. It is in the form of quotes from the people photographed and descriptions of the context in which they were photographed. It also contains the interpretations and perceptions of the photographer. The imag...
Villa Terrace Decorative Arts Museum: Virtues, Vices, Vanities: Paintings by Jean Roberts Guequierre The public is invited to the Remarks and Gallery Talk, a brief lecture by
Nathan Guequierre followed by a gallery tour with the artist, on Wednesday,
November 28 at 7 p.m. Nathan Guequierre, the artist‚s husband and an
internationally publishe...
Pharmaka: Brave New World: Colin Roberts, Stas Orlovski, Margaret Nielsen, George Herms, Michael Rosenfeld, Anne Hars, Todd Gray and Seth Kauffman Seeking to explore how different collisions in our present time are
visualized and dealt with by artists, "Brave New World" has a tone of
science fiction and surrealism using elements that are both foreign and
recognizable. The works explore th...
Bell-Roberts Art Gallery: Cameron Platter: Life is Very Interesting It features all the tried and tested themes of love and revenge, temptation and crookery, megalomania and obscene excess in the war between good and evil in contemporary South Africa. It promises to be an action-packed spectacle of crime and punis...
Bell-Roberts Art Gallery: Doreen Southwood: Nothing Really Matters Doreen is an Afrikaans speaking white female in her late twenties. Her work deals largely with issues of obsession and mental illness, striving to find the perfect balance between fear and love, order and chaos. She questions identity while dealin...
hug - Gallery for International Photography: London-based Artists antoni+alison: Inaugural Exhibition for hug Celebrated for their vivid ‘text piece’ T-shirts, such as Imagine the Best Best Thing Ever, I Can’t Relate to the 17th Century and Elvis is Lovely; their collections are now admired internationally. Regular fans of their work include Nicole Kidma...
Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'."
Promoting abstract ...
Art Gallery of New South Wales: Charles Conder: A Retrospective 1868-1909 Barry Pearce, Head Curator of Australian Art and Co-Curator of the Charles Conder Retrospective
Frederick McCubbin, Tom Roberts, Arthur Streeton and Charles Conder are considered to have laid the foundation of the great Heidelberg school of ...
Bell-Roberts Art Gallery: Giovanni Agresti Fiumara: Capetonians© “Many people are anxious when they’re about to be photographed: not because they fear, as primitives do, being violated but because they fear the camera’s disapproval. People want the idealized image: a photograph of themselves looking their best....
Bell-Roberts Art Gallery: Women: Bongi Bengu
By aligning myself with this line of thinking as my forebears, I am searching to define my own identity. I ask myself questions relating to womanís sense of power or powerlessness. The mural decorations can be viewed as openings or invitations t...
National Arts Club: CONTEMPORARY TURKISH ART - ORHAN TAYLAN: Recent paintings In 1982, he was detained by military court for three years as a political prisoner, and was supported by Amnesty International. His paintings were exhibited in London, Amsterdam and Moscow within Turkish Highlights exhibitions between 1988 and 199...
Huntington Library, Art Collections, & Botanical Gardens: THE ART OF BLOOMSBURY Works by Bell, Fry, and Grant will be complemented by those of their contemporaries, such as
Henry Lamb, Walter Sickert, Dora Carrington and William Roberts, and by the great continental modernist painters they admired, notably Picasso, Derain, a...
Gallery111: Request for submissions Collaborative efforts between poets, musicians and artists are supported.
The opening date of our first exhibition is 6:00pm Saturday 1st April 2000.
This group show will be a reflection of the ideals and aesthetics of the
gallery. A...
Bell-Roberts Art Gallery: PRINT 07: Limited Addition Prints The inaugural PRINT 07 is organised and hosted by the Bell-Roberts Gallery @ Lourensford, in association with UCT’s Michaelis School of Fine Art, Stellenbosch University Visual Arts Department and Rhodes University Fine Art Department. PRINT 07 wi...
hug - Gallery for International Photography: Mr and Mrs Antoni and Alison: An Exhibition of Photographs by Antoni and Alison Their work has a British sense of humour with an appealing mischievous sensibility that doesn’t relate to fashion, but is based on their own exploration of ideas and experiences. “We’ve never played the game. We sit outside of fashion...fashion h...
ArtSpace: DAMP: What we Want, What We'll Do for It DAMP has been described as the funky squad, the angry mob, the art club, the cult, the choir, the cheersquad and the DAMP team. Their collaborative practice, including performances, exhibitions, memorabili...
Further Artwork and Information:
Museum Tours - Roberts Gallery, Directory
The David Roberts Collection
David Roberts - Raku Ceramics
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M.C. Escher House of Stairs
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