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Artist: William Roberts (1895 - 1980)
Nationality: British
Movement: Vorticism
Media: Painting
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Roberts.

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David Roberts The Holy Land, after the lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A., with historical notes by William Brockedon(London: Day & Son, 1855-1856), vols. 5 (Egypt and Nubia) and 6 (Egypt) (of six) boun
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David Roberts The Holy Land,after the lithographs by Louis Haghe from drawings made on the spot by David Roberts, R.A., with historical notes by George Croly and William Brockedon(London: Day & Son, 1855), vols. 3 (Idumea and Petra) and 4 (Egypt
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David Roberts Kom-Ombo , plate 210 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (London:
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David Roberts Obelisk of On , plate 197 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (London
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David Roberts Pyramids of Geezeh , plate 192 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (L
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David Roberts Approach to Alexandria, plate 216 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (Lond
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David Roberts The Holy Tree of Metereah, plate 227 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (
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David Roberts The Hypaethral Temple at Philae , plate 190 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts Bazaar of the Coppersmiths, Cairo, plate 230 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Bro
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David Roberts The Entrance to the Citadel of Cairo, plate 228 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts Fortress of Ibrim, Nubia, plate 173 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brocked
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David Roberts Temple of Dandour, Nubia , plate 189 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brocke
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David Roberts The Island of Philae by Sunset, plate 179 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William B
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David Roberts Ruins of the Memnonium, Thebes, plate 176 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William B
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David Roberts Minaret of the Mosque El Rhamree, plate 225 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Broc
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David Roberts Colossus at Wady Saboua, plate 175 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedo
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David Roberts Principal Mosque at Boulak, plate 237 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon
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David Roberts The Coffee-shop of Cairo, plate 247 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (L
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David Roberts Medinet Abou, Thebes , plate 188 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon
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David Roberts The Letter Writer, Cairo, plate 243 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (L
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David Roberts Tomb of the Memlooks, Cairo, plate 245 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon
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David Roberts Temple of Wady Dabod, Nubia , plate 199 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William Bro
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David Roberts Temple of Wady Kardassy, Nubia , plate 195 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts General View of Cairo from the West, plate 226 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William B
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David Roberts The Ghawazee, or Dancing Girls, Cairo, plate 249 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts Entrance to a Private Mansion, Cairo, plate 244 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts A Group in the Slave Market of Cairo, plate 239 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William
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David Roberts The Simoon in the Desert, plate 240 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by William Brockedon (L
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David Roberts FaÁade of the Pronaos of the Temple of Edfu , plate 208 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historic
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David Roberts Map of the Valley of the Nile , plate 212 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
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David Roberts Asouan and the Island of Elephantine , plate 196 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Wi
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David Roberts The Gate of the Metwalis, or Bab Zuweyleh, plate 217 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willi
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David Roberts One of the Tombs of the Caliphs, Cairo, plate 221 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
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David Roberts Approach to the Fortress of Ibrim, plate 174 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
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David Roberts Interior of the Mosque of the Metwalis, plate 232 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
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David Roberts Part of the Hall of Columns at Karnak, Seen from Without, plate 181 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with his
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David Roberts Dromos, or the First Court of the Temple of Karnak , plate 184 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historic
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David Roberts Ruins of the Temple of Madamoud, near Thebes , plate 185 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical not
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David Roberts View Looking Across the Hall of Columns, Karnak, plate 182 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical n
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David Roberts Island of Philae, Looking down the Nile , plate 211 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes
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David Roberts Temple of Amada, at Hassaia, Nubia , plate 187 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Will
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David Roberts Hadjar Silsilis, or the Rock of the Chain, plate 180 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes b
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David Roberts Citadel of Cairo, the Residence of the Pasha, plate 246 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by
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David Roberts The Temples of Aboo-Simbel, from the Nile, plate 203 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes
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David Roberts Interior of the Mosque of the Sultan El Ghoree, plate 248 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes b
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David Roberts Grand Entrance to the Temple of Luxor, plate 206 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by W
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David Roberts The Nilometer on the Island of Rhoda, Cairo, plate 241 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by W
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David Roberts Mosque of the Sultan KaÔtbey, Cairo, plate 224 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Will
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David Roberts Mosque of Ayed Bey in the Desert of Suez, plate 229 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by Will
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David Roberts Interior of the Mosque of the Sultan Hassan, plate 220 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historical notes by W
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David Roberts Group of Nubians at Wady Kardassy, plate 171 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with historical notes by Willia
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David Roberts Interview with Mehemet Ali in His Palace at Alexandria, plate 213 and frontispiece in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land,
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David Roberts Cairo, from the Gate of Citizenir, Looking towards the Desert of Suez, plate 238 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land,
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David Roberts View from under the Portico of the Great Temple of Dendera , plate 194 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with
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David Roberts View from under the Portico of Dayr-el-Medeeneh, Thebes, plate 201 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with his
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David Roberts General View of Karnak, Looking toward Babab-el-Molook , plate 200 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with hist
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David Roberts Fragment of the Great Colossus at the Memnonium, Thebes, plate 172 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with hist
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David Roberts Entrance to the Tombs of the Kings, Baban-el-Molook, plate 202 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1855), vol. 5 (of 6), Egypt and Nubia, [bound with The Holy Land, with histori
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David Roberts Tombs of the Caliphs, Cairo, the Citadel in the Distance, plate 223 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with historic
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David Roberts The Aqueduct of the Nile, from the Island of Rhoda, Cairo, plate 235 in the book The Holy Land, with historical notes by William Brockedon (London: Day & Son, 1856), vol. 6, Egypt and Nubia, [bound with The Holy Land, with histori

Artnews Articles and Exhibition Information: (40)
Click on any of the links below to read about artnews or exhibitions related to Roberts


Bell-Roberts Art Gallery: Comics Brew
'Comics Brew' presents a show of original comic artwork by T. Ott and Kalonji from Switzerland, Stassen from Belgium and Rabaté from France, with Karlien de Villiers, ND Mazin, Brendon Bell-Roberts and the Igubu Collective. The Comics Brew catalog...

California Museum of Photography: S-T-R-E-T-C-H-I-N-G: A Spiritual Journey
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Pump House Gallery: Boundaries: Jo Roberts
This post-modern approach of questioning the apparent absolutes of boundaries carries particular significance when applied to current global politics, and on a much more local level examines the way borough boundaries have a direct impact on ones ...

Bell-Roberts Art Gallery: Kevin Brand: 50+
The exhibition uses a repetition of an image that is never seen from the same perspective simultaneously: so although the work is a marked shift from his focussed „issue based‰ earlier concerns, the repetition alludes to his prior use of pixillati...

Bell-Roberts Art Gallery: It's Never too Late to be a Man: Works by Norman O'Flynn
Norman OFlynn has travelled extensively throughout Africa attending residencies and workshops in Zambia, Egypt, Zimbabwe and Botswana. He has recently returned to Cape Town after a three month residency in Switzerland. Never too late to be a...

Bell-Roberts Art Gallery: To a Promised Land: Marieke Kruger
Marieke Kruger's art making processes are lodged in a paradoxical and ambiguous interplay between the conscious and the sub-conscious where the interaction between images, media and materials creates a rich variety of multiple meanings through pla...

Bell-Roberts Art Gallery: Berco Wilsenac: In die sterre geskryf
The concept of the blind astronomer suggests a double irony where, although a measure of information is provided; he does not have access to the visual embodiment of the information. The sighted observor, on the other hand, does not have access to...

Bell-Roberts Art Gallery: New Works by Noria Mabasa
Ms. Mabasa runs an art school in Venda from where she instructs her students in the dying art of clay-pot and sculpture making. She started working in clay in 1974 and, motivated by a dream, two years later became the first Venda woman to work in ...

Sculpture Square Limited : Bush Profiles: A Solo Show by Julia Roberts
Roberts moved to Singapore in 1998. In February 2000, she participated in ‘An Affair to Remember’, a group show celebrating the work of thirteen of Australia’s finest young contemporary artists, which was held at the Australian High Co...

Bell-Roberts Art Gallery: About Face: Contemporary Portraiture and Painting
Celebrated South African artists Cameron Platter, Nigel Mullins, Norman O’Flynn, Paul du Toit, Sanell Aggenbach and Tanya Poole were invited to use the genre both as a form of self and societal reflection.   From the frivolous and potentiall...

Bell-Roberts Art Gallery: GALLERY MOVES TO NEW PREMISES AND OPENS WITH Between Meaning and Matter
Encompassing a cross section of experimental and traditional art practice, Between Meaning and Matter includes a pixilated mural by 2008 Mercedes-Benz South Africa Art Award winner, Kevin Brand; a two-metre (circum.) lazer-cut tondo based on inter-ne...

Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection
Monash University began collecting art when it was founded in 1961. The Collection, which has always had a strong focus on contemporary art, has expanded over four decades to comprise over 1,200 works by more than 330 of Australia's most renow...

Bell-Roberts Art Gallery: 10 Years 100 Artists: Art in a Democratic South Africa
The new premises at 89 Bree Street (between Shortmarket and Hout Streets) was originally built in 1752. The space is elegant and spacious , with a touch of old world charm about it. The gallery will now be situated on two floors and a roof top gar...

Bell-Roberts Art Gallery: Picnic: A Summer Show - Curated by Andrew Lamprecht
Artists included in the exhibition are Usha Seejarim, Kathryn Smith, Doreen Southwood, Kevin Brand, Matthew Hindley, Ed Young, Christian Nerf, Sanell Aggenbach, Geoff Grundlingh, Zen Marie, Vuyisa Nyamende and Cameron Platter, Brett Murray, and Sv...

Mariners Gallery, St Ives Society of Artists: Hevelepter 2001 Second Annual Exhibition
An uncompromising but approachable sample of untourist art from artists who recognise the distinct cultural nativity of contemporary Cornwall. The universality of R.Davisons painting certainly shar...

Bell-Roberts Art Gallery: Matthew Hindley: Surrender
"Informed by media reportage, individual experience and a developing personal iconography of metaphorical characters, these scenarios are rendered as encoded fictions or metaphors of trauma, couched in a "pop style." "Central to both his two...

Geelong Gallery: Shearing the Rams Touring Regional Galleries
The painting will be shown as part of the National Gallery of Victorias Centenary of Federation celebrations. Dr Vaughan said the exhibit was a fantastic opportunity for people in regional Victoria to view the much-loved artwork without ha...

Bell-Roberts Art Gallery: Sanell Aggenbach: Fool's Gold
Exploration and heritage are the underlining concepts, while illusions, fallacies and forgeries are presented to confuse perceptions of reality. The painted works interpret the uncertainty and fear that captured the sailor’s imagination when embar...

Bell-Roberts Art Gallery: Doreen Southwood: The Swimmer
It is a space where oppression and depression which are continually swept under the carpet in favour of a more acceptable outward appearance. Doreen details the pathologies and symptoms that attend this denial. Symptom relieving drugs domestic cra...

Roberts Art Gallery, Santa Monica High School: Ione Citrin: Solo Exhibition
When I paint, I dip my brush in my soul... Being an Artist is a life force, not a career choice. Each piece represents a fragment of my lifes work. I present the world artistically as I see it, as I wish to see it, and occasionally as I once saw...

Beltway: NEW ON-LINE MAGAZINE CELEBRATES POETRY IN THE NATIONS CAPITOL
Beltway highlights the healthy diversity of poetry styles within the nations capitol. Each issue will present a selection of poems by four or five authors, ranging from well established, nationally-known poets to those who have yet to publish...

Bell-Roberts Art Gallery: Kevin Brand: An Exhibition of Paintings Entitled 4x4
He has always felt free to move from one medium or process to another and, as such, painting is not that radical a departure. Where his ‘Balm of Banal’ series saw him create a series of assemblages made from ‘everyday’ items such as eggboxes and b...

Bell-Roberts Art Gallery: Threads: Gina Waldman AND Lost and Found: Isolde Krams

ARTIST STATEMENT: GINA WALDMAN “The image of a tapestry is so domestic and in some ways banal, but so many interesting things happen on their surfaces. The front side of the tapestry is like a paint by number; perfect and seamless, whereas the ...
INSTITUTE OF MODERN ART: Odyssey
608 Ann Street (Cnr Gipps Streets), Fortitude Valley Queensland GALLERY HOURS Tue-Fri 11am-5pm, Sat 11am-4pm, closed Sunday, Monday and public holidays POSTAL GPO Box 1897, Brisbane QLD 4001, AUSTRALIA TEL + 61 7 3252 5750, ...

Bell-Roberts Art Gallery: Pierre Crocquet: On Africa Time
Text is included to complement the images. It is in the form of quotes from the people photographed and descriptions of the context in which they were photographed. It also contains the interpretations and perceptions of the photographer. The imag...

Villa Terrace Decorative Arts Museum: Virtues, Vices, Vanities: Paintings by Jean Roberts Guequierre
The public is invited to the Remarks and Gallery Talk, a brief lecture by Nathan Guequierre followed by a gallery tour with the artist, on Wednesday, November 28 at 7 p.m. Nathan Guequierre, the artist‚s husband and an internationally publishe...

Pharmaka: Brave New World: Colin Roberts, Stas Orlovski, Margaret Nielsen, George Herms, Michael Rosenfeld, Anne Hars, Todd Gray and Seth Kauffman
Seeking to explore how different collisions in our present time are visualized and dealt with by artists, "Brave New World" has a tone of science fiction and surrealism using elements that are both foreign and recognizable. The works explore th...

Bell-Roberts Art Gallery: Cameron Platter: Life is Very Interesting
It features all the tried and tested themes of love and revenge, temptation and crookery, megalomania and obscene excess in the war between good and evil in contemporary South Africa. It promises to be an action-packed spectacle of crime and punis...

Bell-Roberts Art Gallery: Doreen Southwood: Nothing Really Matters
Doreen is an Afrikaans speaking white female in her late twenties. Her work deals largely with issues of obsession and mental illness, striving to find the perfect balance between fear and love, order and chaos. She questions identity while dealin...

hug - Gallery for International Photography: London-based Artists antoni+alison: Inaugural Exhibition for hug
Celebrated for their vivid ‘text piece’ T-shirts, such as Imagine the Best Best Thing Ever, I Can’t Relate to the 17th Century and Elvis is Lovely; their collections are now admired internationally. Regular fans of their work include Nicole Kidma...

Loop Gallery: TEN: Ten Paintings by Ten Artists Over Ten Weeks
Arthur continues, "Our aim was always to present a varied group of artists representing diverse styles, techniques and career stages, but to attract painters of this calibre has knocked me for six, or should I say 'Ten'." Promoting abstract ...

Art Gallery of New South Wales: Charles Conder: A Retrospective 1868-1909
Barry Pearce, Head Curator of Australian Art and Co-Curator of the Charles Conder Retrospective Frederick McCubbin, Tom Roberts, Arthur Streeton and Charles Conder are considered to have laid the foundation of the great Heidelberg school of ...

Bell-Roberts Art Gallery: Giovanni Agresti Fiumara: Capetonians©
“Many people are anxious when they’re about to be photographed: not because they fear, as primitives do, being violated but because they fear the camera’s disapproval. People want the idealized image: a photograph of themselves looking their best....

Bell-Roberts Art Gallery: Women: Bongi Bengu
By aligning myself with this line of thinking as my forebears, I am searching to define my own identity. I ask myself questions relating to womanís sense of power or powerlessness. The mural decorations can be viewed as openings or invitations t...

National Arts Club: CONTEMPORARY TURKISH ART - ORHAN TAYLAN: Recent paintings
In 1982, he was detained by military court for three years as a political prisoner, and was supported by Amnesty International. His paintings were exhibited in London, Amsterdam and Moscow within Turkish Highlights exhibitions between 1988 and 199...

Huntington Library, Art Collections, & Botanical Gardens: THE ART OF BLOOMSBURY
Works by Bell, Fry, and Grant will be complemented by those of their contemporaries, such as Henry Lamb, Walter Sickert, Dora Carrington and William Roberts, and by the great continental modernist painters they admired, notably Picasso, Derain, a...

Gallery111: Request for submissions
Collaborative efforts between poets, musicians and artists are supported. The opening date of our first exhibition is 6:00pm Saturday 1st April 2000. This group show will be a reflection of the ideals and aesthetics of the gallery. A...

Bell-Roberts Art Gallery: PRINT 07: Limited Addition Prints
The inaugural PRINT 07 is organised and hosted by the Bell-Roberts Gallery @ Lourensford, in association with UCT’s Michaelis School of Fine Art, Stellenbosch University Visual Arts Department and Rhodes University Fine Art Department. PRINT 07 wi...

hug - Gallery for International Photography: Mr and Mrs Antoni and Alison: An Exhibition of Photographs by Antoni and Alison
Their work has a British sense of humour with an appealing mischievous sensibility that doesn’t relate to fashion, but is based on their own exploration of ideas and experiences. “We’ve never played the game.  We sit outside of fashion...fashion h...

ArtSpace: DAMP: What we Want, What We'll Do for It
DAMP has been described as the funky squad, the angry mob, the art club, the cult, the choir, the cheersquad and the DAMP team. Their collaborative practice, including performances, exhibitions, memorabili...

Further Artwork and Information:

The William Roberts Society: Home Page
William H Roberts - Cricket Books, Wisdens, and Memorabilia
William Roberts
Paul William Roberts Home Page
William Converse-Roberts
Amazon.co.uk: Search Results Books:
William Roberts
William Roberts Online
William H Roberts - Cricket Books, Wisdens, and Memorabilia Bought and Sold
William Roberts (III)

 

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