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Artist: Hugh Cornwall Robertson ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Hugh Cornwall Robertson.
- Paul Dougherty - Coast of Cornwall n.d. oil on canvas Memorial Art Gallery of the University of Rochester American
- David Johnson - West Cornwall, Connecticut 1875 oil on canvas Florence Griswold Museum American
- John Singleton Copley - Hugh Hall 1758 pastel on off-white The Metropolitan Museum of Art American
- Henry Raeburn - Hugh Hope c. 1810 oil on canvas Cleveland Museum of Art British
- Sir Nathaniel Dance - Portrait of Sir Hugh Palliser c. 1770 oil on canvas Los Angeles County Museum of Art English The Metropolitan Museum of Art
- William Robertson, Lord Robertson (1753-1835), 1805 Sir Henry Raeburn (Scottish, 1756-1823)Oil on canvas; 49 1/2
- Thomas Phillips - Hugh Percy, 3rd Duke of Northumberlan 1803 oil on canvas The Fitzwilliam Museum British
- John Singleton Copley - Portrait of Hugh Montgomerie, Later Twelfth Earl of Eglinton 1780 oil on canvas Los Angeles County Museum of Art American
- Sidney Tushingham
Looe Harbour Cornwall
19th - 20th century
- John Saddler
St. Michael's Mount Cornwall
19th century The Metropolitan Museum of Art
- The Ferry Beach and Inn at Saltash, Cornwall, 1811 Joseph Mallord William Turner (British, 1775-1851)Oil
- J. D'Oyley
Towan Head, Newquay, Cornwall
watercolor
1889
- Albert Henry Payne
Lands End, Cornwall
19th - 20th century
- J. D'Oyley
Coast of East Looe, South Cornwall
watercolor
1889
- Elizabeth Colwell
Cornwall Coast
Color woodcut
19th - 20th century
- S. Bradshaw
Kynance Rocks, Cornwall
19th century
- Alfred Hugh Fisher
Julius Knight in a Hat
Drypoint
1933
- Charles Bestland
Hugh Blair
18th - 19th century
- Hugh Wishart
Punch bowl
silver
circa 1800 - 1801
- Joseph Farington
Rocks at the Land's End; Part IV containing twenty-four views in Cornwall
1814
- Hugh Thompson
The Chase, proof sheet for end of Book II
1894
- Alfred Hugh Fisher
Kingsgate, Winchester
etching
19th - 20th century
- Joseph Farington
Nottar Rock and Bridge; Part IV containing twenty-four views in Cornwall
1814
- I. Havell
Hugh Llwyd's Pulpit
19th century The Metropolitan Museum of Art
- Edward VI (1537-1553), When Duke of Cornwall Workshop of Hans Holbein the Younger (British, after
- Samuel Buck
The Southwest Prospect of St. Michael's Mount in Cornwall
Engraving
1739
- Hugh Reinagle
The Battle of Lake Erie
oil on paper mounted on canvas
circa 1814
- Hugh Thompson
The Chase IV, proof sheet with artist's correction
1894
- Sylvester Harding
The Reverend Mr. Hugh Worthington
etching
18th - 19th century
- William R. A. Daniell
The entrance to Portreath Cornwall
Color Aquatint
1819
- Alfred Hugh Fisher
Canton: The British Bridge
19th - 20th century
- Joseph Farington
St.Ives from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Truro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Mevagissey from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Tabbins Hole Rock; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Saltash from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Lostwithiel from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Penryn from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Launceton from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Fowey from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joshua JOhnson - Grace Allison McCurdy (Mrs. Hugh McCurdy) and Her Daughters, Mary Jane and Letitia Grace c. 1806 oil on canvas Corcoran Gallery of Art American
- Alfred Hugh Fisher
Palace of the Maharajah of Udaipur, India
19th - 20th century
- Hugh Douglas Hamilton
Portrait of a Gentleman
colored chalks over black chalk
1775
- Joseph Farington
Falmmouth from Trefus from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Curlaze Tin-mine from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Alfred Hugh Fisher
Head of the Great Tasman Glacier, New Zealand
19th - 20th century
- Hugh William Williams
Landscape
Soft ground etching
18th - 19th century
- James Henry Daugherty
This man was Hugh
Color litho
1941
- Pierre Lombart
To The Right Honorable Hugh of Kelles...
etching
17th century
- Joseph Farington
North View of Polperro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
South View of Polperro from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Poulton Bridge and Lounceton from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Pentilly on the River Tamar from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- William R. A. Daniell
The long-ships light house off the lands end Cornwall
Color Aquatint
1819
- William R. A. Daniell
Boscastle Pier on the coast of Cornwall
Color Aquatint
18th - 19th century
- Thomas Rowlandson
Indian Queen at Kerwilly, N. Cornwall
watercolor
circa 1810 - 1820 The Metropolitan Museum of Art
- Hugh Hall, 1758 John Singleton Copley (1738-1815)AmericanPastel on off-white laid paper, mounted on canvas; 15
- Henry Wolf
Hugh John and the Scots Grey
Wood Engraving
19th - 20th century
- Joseph Farington
North view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
Carn-bre Hill and the Town of Redruth from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
East view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
South view of St. Michaels Mount from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Thomas Rowlandson
Twickenham Meadows (Devon or Cornwall view?)
watercolor
18th - 19th century
- Joseph Farington
Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall (just cover sheet & text, no prints)
1814
- Joseph Farington
East Looe and West Looe from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Joseph Farington
North View of Roche rock and Hermitage from Britannia Depicta; A Series of Views, Part IV containing twenty-four views in Cornwall
1814
- Anna Mary Robertson ("Grandma") Moses
Belvedere
oil on hardboard
1945
- Frank Short
Talland, Cornwall
Etching
19th - 20th century The Metropolitan Museum of Art
- Sir Joshua Reynolds (1723-1792), 1786-91 Archibald Robertson (Scottish, 1765-1835)Ivory; Oval, 3 x 2 3/8 in. J. Paul Getty Museum
- Seated Woman with Bird
- Percy Robertson
Richmond, Yokshire
etching
19th - 20th century Museum of Fine Arts
- Joseph Mallord William Turner, English, 1775-1851 Tintagel Castle, Cornwall 1815 Watercolor 15.6 x 23.7 cm
- Percy Robertson
The Tower of London
Drypoint
19th - 20th century
- Percy Robertson
St. Paul's Cathedral from the River
Drypoint
19th - 20th century
- Percy Robertson
Street Scene in London
Etching
19th - 20th century Museum of Fine Arts
- David Johnson, American, 1827-1908 Cornwall on the Hudson 1868 Oil on canvas 35.56 x 56.2
- Hugh Henry Breckenridge - The Altar Cloth 1916 oil on canvas Los Angeles County Museum of Art American
- Fitz Hugh Lane - Castine Harbor 1852 oil on canvas Portland Museum of Art American
- Fitz Hugh Lane - Unloading a Ship c. 1850 oil on canvas Currier Museum of Art American Museum of Fine Arts
- Hugh Newell, American, 1830-1915 Woman Archer 1875-79 Black chalk on gray-blue paper Sheet: 45.7 x Museum of Fine Arts
- Hugh Reinagle, American, 1788-1834 Residence of Henry Remsen Pen and watercolor on paper Image: 29.1
- David Lance Goines
Thackrey & Robertson
Color offset lithograph poster
1978
- Henry Robert Robertson
Sunning themselves, plate 14 in the book, The Etcher (London: Williams and Norgate, 1879), vol. 1
etching
1879
- Percy Robertson
The National Gallery from the Steps of St. Martin's in the Field
Etching
19th - 20th century Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Fishing Party 1850 Oil on canvas 49.85 x 76.83 cm Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Salem Harbor 1853 Oil on canvas 66.36 x 106.68 cm
- Henry Robert Robertson
My first Muff, plate 11 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879]
etching
1880
- Henry Robert Robertson
Giovannina, plate 23 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879]
etching
1880
- Fitz Hugh Lane - Boston Harbor, Sunset 1850-1855 oil on canvas Los Angeles County Museum of Art American
- Fitz Hugh Lane - Brig Off the Maine Coast 1851 oil on canvas Los Angeles County Museum of Art American Museum of Fine Arts
- Hugh Bolton Jones, American, 1848-1927 Early Autumn 1880s– 1890s Oil on canvas 41.59 x 61.59 Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Ipswich Bay 1862 Oil on canvas 50.8 x 84.14 cm Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Castine Harbor and Town August 1851 Watercolor over graphite on Museum of Fine Arts
- Circle Of Fitz Hugh Lane, American, 1804-1865 View of Portland Harbor 1850s Oil on canvas
- Hugh Barron - Francis Page of Newbury c. 1760 oil on canvas The Fitzwilliam Museum British Museum of Fine Arts
- Hugh Bolton Jones, American, 1848-1927 Autumn Landscape early 1880s Oil on canvas 44.45 x 80.33 Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Castine, Maine 1856 Oil on canvas 53.66 x 85.09 cm Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 Boston Harbor about 1850-55 Oil on canvas 66.04 x 106.68 Museum of Fine Arts
- Fitz Hugh Lane, American, 1804-1865 The Britannia Entering Boston Harbor 1848 Oil on canvas 14 Museum of Fine Arts
- Marked by Hugh Arnett Marked by Edward Pocock Large Spoon flatware London, England England, (London),
Artnews Articles and Exhibition Information: (24) Click on any of the links below to read about artnews or exhibitions related to Robertson
Bartley Nees Gallery: Player Breaker Dancer Faker: Natalie Robertson In the Pacific, Trickster plays an
important role, where the superhero Maui of a Thousand Tricks (Maui Tikitiki
a Taranga) is known for many acts that tested boundaries and hierarchies.
Maui is acknowledged as the ancestor who fished up the isl...
Forest City Gallery: Stories For Grandchildren: Mitch Robertson Contrasting these ritzy and often humourous texts, two groups of personal photos titled People I Know, test the artist’s memory by acknowledging the people in the photos forgotten over time. In one series, the artist has enlarged every class photo...
Museum of New Zealand Te Papa Tongarewa: Experiencing Turbulence: Art and The Weather Some of the works use weather to directly represent a mood or state, while
others convey more subtly the reflection of human experience in natural
forces. Other works reflect the spiritual meaning that weather holds for
many artists.
Exp...
Institute of Modern Art, Brisbane: Hetero Camp: Works of Guy Benfield, Nat Paton, Peter Robertson, Daniel Wallwork and Paul Wrigley Subtitled "Hetero Camp", the work of all of the artists explores activities that are pursued to such excess in the "straight" world that they approach the status of gay camp. Lush, colourful images overstimulate the senses, taking the viewer throu...
Montclair Art Museum: WILL BARNET: A TIMELESS WORLD IMAGE:
Will Barnet
Old Mans Afternoon, 1947
Oil on canvas
47 x 36 in.
Private collection Works from the Permanent Collection of The Montclair
Art Museum by ...
Frye Art Museum: An Imperial Collection: Women Artists from the State Hermitage Museum The paintings, sculptures and watercolors once adorned the walls of Russian palaces and reflect the collecting tastes of royalty and well-born families in 18th- and 19th- century Russia. For many years, the paintings have been part of Russia’s off...
National Museum of Women in the Arts: Anna Mary Robertson: Grandma Moses and Her Place in History Moses, a farmer and homemaker from upstate New York who became one of the most respected folk artists of the pre-World War II period,
was also one of the first artists to become a media superstar and probably the best known woman artist of her...
Yerba Buena Center for the Arts: Mark Lombardi: Global Networks A former librarian, Lombardi culled information from published sources, but made a point of stating that his study did not stem from primary research. Part of the 14,500 index cards upon which he recorded and noted this information will also be on...
Yorkshire Sculpture Park / Longside Gallery: Size Matters: Exploring Scale in the Arts Council Collection Artists represented in the exhibition: Eric Bainbridge, Jordan Baseman, Sara Bradbury, Martin Creed, Alan Currall, Rose Finn-Kelcey, Leo
Fitzmaurice, Laura Ford, Mark Francis, Pamela Golden, Andrew Grassie, Steve Johnson, Michael Landy, Abigail L...
Illinois State Museum: 50 Years of Pow-Wow Photographs, regalia, posters, and video footage document 50 years of powwow tradition in Chicago. The photographs in the exhibition celebrate a half century of the Chicago powwow experience, documenting drumming, singing, and dancing, and highlig...
Kettle's Yard Gallery, University of Cambridge: Alan Reynolds: 50 Years after the Royal College of Art A quest for structure and equilibrium has always been at the heart of Reynolds' work. His engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Samuel Palmer ...
George Billis Gallery, L.A.: Summer Salon: Paintings and Photographs by Gallery Artists The Summer Salon will highlight the work of artists new to the gallery, as well as recent work by painters and photographers the gallery has exhibited since opening in September of last year.
The works on view will demonstrate the diverse style...
Changing Room: Past Standing: New Work by Artists from Scotland and Beyond Artists include: Tobias Anderson (Stockholm); Julianna Capes (Edinburgh); Lucy Gibson (Leeds); Jenny Hogarth (Edinburgh); Magnus Lawrie (Glasgow); Cecilia Lundqvist (Stockholm); Andrew MacKenzie (Edinburgh); Ellen Munro (Edinburgh); Kevin Reid (Du...
The Dahesh Museum: Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Bayly Art Museum: Beyond the Vanishing Point: Media and Myth in America Photographs by Warren Neidich Section I - Camp O.J. - presents a site-specific installation of large-scale color photographs depicting the
media circus that literally surrounded the O. J. Simpson trial. Beautiful, mythic, and surreally mad, these
photographs, ...
Tate Britian: Stanley Spencer In addition there will
be two specially made films; the first presenting the murals in the Sandham Memorial
Chapel at Burghclere, the second a digital recreation of the Church-House project,
Spencer's imagined s...
San Diego Museum of Art: Grandma Moses in the 21st Century Grandma Moses is one the great icons among 20th century folk artists, and it is with great pleasure that the San Diego Museum of Art now makes her lively paintings available and accessible to our community, says the Museum’s executive director, Do...
The Dahesh Museum: Last Chance! Revealing the Holy Land: The Photographic Exploration of Palestine The images include tightly composed details of architectural assemblies that
record layers of occupation of an ancient city, panoramas of the Sinai
desert that defy any understanding of scale, iconic views of Jerusalem
sought out by visitors today...
Brooklyn Museum of Art: Committed to the Image: Contemporary Black Photographers All of the artists in this exhibition were selected by a committee of four people, Anthony Barboza, founder of International Black Photographers; Beauford Smith, one of the founders of the Black Photographers Annual and Candid...
Smithsonian, National Museum of American Art and its Rewick Gallery: 11th Annual Eldredge Prize Awarded for
New Interpretation of 1960s American Art Jones argues that the artists she examines identified closely with postwar industry and
corporate culture. Drawing from extensive interviews with artists and their assistants, Jones
presents the idea that much of the major work of the 1960s...
Art and Science Collaborations, Inc. (ASCI): State of the Art: Digital Prints, a panel discussion in conjunction with the opening reception of DIGITAL'2000
State of the Art: Digital Prints will examine important technical aspects
that artists should know about creating long-lasting digital prints with
Henry Wilhelm announcing surprising results of his recent testing that will
revolutionize fine ...
Ars Electronica 2002: Call for Entries: 16th Edition of the Competition for Cyberarts The total prize money for the Prix Ars Electronica 2002
amounts to Euro 100.000 / USD 88,466. The international
juries will award 6 x 3 money prizes and up to 52 Honorary
Mentions. Selected works of all categories will be presented
to the ...
Huntington Library, Art Collections, & Botanical Gardens: A MIROUR POLISSHED BRYGHT: REFLECTIONS OF CHAUCER, 1400-2000 Chaucer (c.1343-1400), the first great poet to write in English, has never lacked for critics. Daniel Defoe thought him not fit for modest persons to
read; Lord Byron found him obscene and contemptible; and Matthew Arnold deplored his lack of hig...
Wadsworth Atheneum Museum of Art: Marsden Hartley: First Retrospective in over 20 Years Widely acknowledged as the greatest of the early American modernists, Marsden Hartley (1877-1943) belonged to a circle of artists promoted by photographer and gallery owner Alfred Stieglitz that included Georgia O’Keeffe, John Marin, Arthur Dove, ...
Further Artwork and Information:
artnet.com: Resource Library: Robertson, Hugh Cornwall
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Henri Matisse Young Lady Dreaming Near Goldfish Bowl
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Pablo Picasso Femme Lisant
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Claude Monet Pond At Argenteuil 1872
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Claude Monet Artist's Garden in Argenteuil
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Marc Chagall L'opera-Pink
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