Artist: Jules Salles-wagner (1814 - 1898)
Nationality: French
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Jules Salles-Wagner.

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Le meunier, son fils et l'âne (1855) by SALLES Jules
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Quinquina Dubonnet, Jules Chéret (France, Paris, 1836 - 1932) , 1896, Lithograph in vermilion, yellow, and Prussian blue
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Saxoléine, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, Prussian blue, and blue green
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Vin Mariani, Jules Chéret (France, Paris, 1836 - 1932) , 1894, Lithograph in vermilion, chrome yellow, ultramarine and gray violet
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The Diaphane, Jules Chéret (France, Paris, 1836 - 1932) , 1890, Lithograph in vermilion, yellow, blue black, and gray olive
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Théâtre de l’Opéra, Jules Chéret (France, Paris, 1836 - 1932) , 1897, Lithograph in vermilion, yellow, Prussian blue, brown, and light gray
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Musée Grévin, Jules Chéret (France, Paris, 1836 - 1932) , 1900, Lithograph in vermilion, yellow, sea green, Prussian blue, and light blue green
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Paris-Chicago, Jules Chéret (France, Paris, 1836 - 1932) , 1893, Lithograph in vermilion, yellow, Prussian blue, and blue green
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Lidia, Jules Chéret (France, Paris, 1836 - 1932) , 1895, Lithograph in vermilion, dull yellow, cornflower blue, and gray blue
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Olympia, Jules Chéret (France, Paris, 1836 - 1932) , 1892, Lithograph in pink, vermilion, yellow, Prussian blue, and gray green
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Folies-Bergère: La Loïe Fuller, Jules Chéret (France, Paris, 1836 - 1932) , 1893, Lithograph in vermilion, yellow, dark violet, and black
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Théâtrophone, Jules Chéret (France, Paris, 1836 - 1932) , 1890, Lithograph in vermilion, yellow, cornflower blue, olive gray, and black
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Fumar el Papel Job, Jules Chéret (France, Paris, 1836 - 1932) , 1895, Lithograph in vermilion, beige, yellow, light blue, and cornflower blue
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Cosmydor Savon, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, blue green, Prussian blue, and light brown
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Yvette Guilbert au Concert Parisien, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, yellow, Prussian blue, and gray green
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Alcazar d’Eté/Kanjarowa, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in pink, vermilion, dark yellow, blue green and Prussian blue
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Cleveland Cycles, Jules Chéret (France, Paris, 1836 - 1932) , 1901, Lithograph in red, yellow, brown olive, Prussian blue, reddish brown, and gray green
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Bal du Moulin rouge, Jules Chéret (France, Paris, 1836 - 1932) , 1889, reprinted 1892, Lithograph in vermilion, yellow, blue violet, gray green, and black
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Folies-Bergère: L’Arc-en-Ciel, Jules Chéret (France, Paris, 1836 - 1932) , 1893, Lithograph in vermilion, yellow, dark green, Prussian blue, and gray green
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Purgatif Géraudel, Jules Chéret (France, Paris, 1836 - 1932) , 1891, Lithograph in vermilion, beige, chrome yellow, Prussian blue, olive gray, and black; on two sheets
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LE BAPTEME DE CLOVIS (19e siècle) by RIGO Jules
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Le médecin des pauvres (1857) by LEONARD Jules
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RICHARD WAGNER (1882) by RENOIR Pierre Auguste
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PORTRAIT DE JULES DELSART (1886) by RIXENS Jean André
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Marine (18e siècle) by OS Jan van
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Nature morte (17e siècle) by SON Joris van
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Ruines (18e siècle) by PANNINI Giovanni Paolo (atelier)
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Rob Wagner The Criterion color lithograph 1897
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Vaisseau de guerre hollandais (17e siècle) by AERTVELT Andries van
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L'HOMME A LA CHEMISE BLANCHE (1ère moitié 17e siècle) by BROUWER Adriaen
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Portrait de Louise Adélaïde de Bourbon (1er quart 19e siècle) by FRANQUE Jean-Pierre (attribué)
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Marché aux bestiaux (17e siècle) by SOOLMAKER Jan Frans
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Marché aux bestiaux (1ère moitié 17e siècle) by MOMPER Josse II de
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Ruines (18e siècle) by PANNINI Giovanni Paolo (atelier)
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PAYSAGE (17e siècle) by EVERDINGEN Allaert van
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LA LUTTE POUR LA CULOTTE (17e siècle) by anonyme
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Friedrich Boscovits Altmeister Richard Wagner Richard Wagner kˆmmt unangemeldet in die Musiksaale des Himmels, no. 157 opposite page 144 in the book, in der Karikatur (Berlin: B. Behr, [1907]) Reproduction of lithograph 1883
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Portrait du moine Léonard Wagner (4e quart 15e siècle ; 1er quart 16e siècle) by HOLBEIN Hans le Vieux
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Portrait d'Emile Wagner (2e moitié 19e siècle) by BAUDELAIRE A Colas
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INTERIEUR DE CUISINE (17e siècle) by SORGH Hendrick Maertensz.
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Vénus triomphante (18e siècle) by ANONYME
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Between Heaven and Hell, Gordon Wagner (United States, California, 1915 - 1987)  (Artist), 1960-1965, Wood, metal, stones, bones, dolls, fabric, and oil paint
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Réunion galante (17e siècle) by JANSSENS Hieronymus, LE DANSEUR (dit)
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Leda (16e siècle) by SELLAER Vincent
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PORTRAIT DE RICHARD WAGNER by DE GROUX Henri
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Wagner dans les bois composant Tannhauser (2e moitié 19e siècle ; 1er quart 20e siècle) by FANTIN-LATOUR Henri
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BACCHUS ET ARIANE (1730) by MIERIS Willem van
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Paysage au moulin (2e moitié 16e siècle ; 1ère moitié 17e siècle) by BRUEGHEL Jan I, BRUEGHEL DE VELOURS (dit)
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LE RAVIN (1843) by CHARLET Nicolas Toussaint
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JEUNE PEINTRE PEIGNANT UN MASQUE GREC (1865) by LEFEBVRE Jules
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L'AVEYRON (en haut) / 141. SALLES-LA-SOURCE. - CASCADE DU MOULIN (en bas) by LABOUCHE Frères (phototypie)
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Portrait-charge de Wagner, avec une tête colossale sur un corps minuscule (1983) by CARJAT Etienne
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Richard Wagner assis à sa table, et sa muse (2e moitié 19e siècle ; 1er quart 20e siècle) by FANTIN-LATOUR Henri
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Faust et Wagner discourant dans la campagne (1827 vers) by DELACROIX Eugène
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2235. SALLES-LA-SOURCE - Le Bourg et l'Eglise Saint-Paul by V D C ; LE DELEY E (imprimeur) ; E L D
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C.L.Wagner Portrait of Raoul Vidas photograph circa 1921
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Le Portement de Croix (16e siècle) by anonyme ; COXCIE Michel (d'après)
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Le vieux noyer. Souvenir de l'Allier (1878) by HARPIGNIES Henri Joseph
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Paysage avec ruines romaines (1670) by IMMENRAET Philips Augustyn
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Portrait de Mademoiselle L (1830) by ABEL DE PUJOL Alexandre Denis

Artnews Articles and Exhibition Information: (26)
Click on any of the links below to read about artnews or exhibitions related to Salles-Wagner

Wagner Rosenbaum Gallery: Folk Art From the Maritimes: A Group Collective
Folk Art paintings by Beatrice McFadden, Yvonne Murray, E. Joyce Comisky; impressionistic paintings by Tootsie Emin from Yarmouth, N.S and realistic paintings by Patti Durkee and Roseann Fine, originally from Yarmouth will also be shown. Pa...
Gallery Trinity: Wendy Wagner : Paintings and Qwerkys(tm)
This latest collection includes charming and beautifully done “little bittys” as well as larger scale paintings which impeccably encompass Wagner’s subconscious delivery of lightheartedness illustrated through her imagery of “Ice Capades” and the ...
Sasol Art Museum, University of Stellenbosch: South African Contemporary Ceramics
The Director of the University Museum, Dr Lydia de Waal, was given an opportunity to make a selection from this collection. A total of 17 ceramic pieces of prominent artists ranging from Esias Bosch, Hyme Rabinowitz, Tim Morris and Andre Wal...
Mobius: Imaging New England: Installation by John Craig Freeman, Lisa Link, and Margaret Wagner
The method we used in creating this work began with organizational meetings to identify a site or place of investigation. Although this choice was somewhat arbitrary, it was driven by a sense of ambivalence. We investigated ...
CRUCE Cultural Center: Above all Transportation: Destination:Madrid
This is the first exhibition of the artists in Spain. Orthof will show Above all Transportation: Destination:Madrid in where the public is invited to stroll thoughout the exhibition leaning over wheel boards. Barja invited a group of blind lott...
OBORO: Cont(r)act by Nadia Myre
The work of Nadia Myre investigates, interrogates, and circumnavigates these elided histories (not as an "authority," or even as a singular, undivided subject) in a diverse and divergent series of works unearthed "from the trenches" (as she d...
Riffe Gallery: Metaphor and Irony: Czech Scenic and Costume Design 1920-1999
Metaphor and Irony is curated by Helena Albertova, a faculty member of the School for Applied Arts at Charles University in Prague and former director of the Czech Theatre Institute, and Joe Brandesky, an associate professor of the...
Kunstsammlung Nordrhein-Westfalen, K21 Kunstsammlung im Ständehaus: Rodney Graham: A 5 Part Exhibition
The exhibition will place the earlier, sometimes spectacular works in context with the older works, in order to illustrate the conceptual dimension and depth of his works. The exhibition was organised in cooperation with Whitechapel Art ...
Gallery 53: Five Colours: Group exhibition
Ken Browne. 'Music is fundamental to Ken Browne's art, as it determines the mood of each piece. 'Every painting is an emotional journey and music is the medium, the painting tells me when its finished'. 'For me this is the best moment, I ca...
Scottsdale Museum of Contemporary Art: Altered Landscape: the Carol Franc Buck Collection
Focusing in large part on the topography of the new West - a region that represents some of the most challenged landscapes in America - ...
The Watermill Center: Call for Artists: Fall 2008, Spring 2009 Artists-in-Residence Programs
Watermill residents are selected by an international committee. 2008/2009 Selection Committee
Marina Abramovic
Marie-Claude Béaud
Jonathan Safran Foer
Alanna Heiss
Jürgen Kluge
Xavier Le Roy
Albert Maysles<...
Kunsthalle Wien, Museumsquartier: Videotheka: Mobile Video Art Archive
The exhibition concept was to not only show single works on classic widescreens but supplementary offer research terminals, each representing one artist, give the chance to the visitor to discover other productions of the artists seen in the colle...
Haunch of Venison: Bill Viola: LOVE/ DEATH -The Tristan Project
LOVE/DEATH: The Tristan Project is a museum-scale exhibition showing across two venues and will present over ten new works. Like Viola’s previous works, they range from room-sized video projections of image and sound to small, silent flat panel sc...
Arts Center of the Capital Region: Call to Artists: Seeking Artists for the 2004 Exhibition Schedule
The committee expects to review work for both an open call and for two themed exhibitions. To receive a complete prospectus, please email info@theartscenter.cc or call (518) 273-0552. The deadline for submissions is March 15, 2004. For the O...
Location One: Slowscan Soundwave (III) & The Telaesthetic Finger
** Slowscan Soundwave (III) ** is an immense, sound-sensitive sculpture by artist and dorkbot instigator Douglas Repetto. Consisting of enormous strips of transparent mylar strewn from the ceiling, wtih motors, string, and custom electronics, ...
O.K. Center of Contemporary Art: Open House: Art and the Public Sphere tToday
Urban spaces that were formerly defined as public and used that way, have gradually been transformed into a Cinecittà of modernist and postmodern architecture, the motor of which is driven by the interests of big business and spectacle. Parallel t...
Hauser and Wirth London: Guillermo Kuitca: Solo Exhibition
Since the 1980s, Kuitca’s iconographic vocabulary has created numerous powerful and distinct bodies of work. His striking diversity of touch and potent reinventions on a panoply of motifs, such as apartment plans, maps, conveyor belts, crown o...
Kunsthalle Bielefeld: Ilya and Emilia Kabakov: The Architecture Projects
Since 1999, the “Palace of Projects” conceived for the Zollverein colliery in Essen has provided a foretaste of the many possibilities that exist. Among the major ventures still to be realised is the conversion of the entire coking plant into a “U...
Kentucky Museum of Art and Craft: Master Makers: Stephen Rolfe Powell, A Retrospective
Stephen began working with KMAC when he first arrived in Kentucky to teach at Centre College in 1983. “I will always remember the Museum’s support in the early days when I was feeling my way around the art world and trying to understand what it mi...
Joan Miro Foundation: The beauty of failure / The failure of beauty
The exhibition is about how great dreams and utopias that seem so splendid in the abstract are doomed to failure when we try to materialise them, because they presuppose an entirely new, ideal society that can never exist. The show is divid...
Figaro Gallery: Generations of Art: From Abstraction to Realism - Matthew Bates and Stephen Bates
Matthew Bates was born in Washington, D.C. in 1970 to an artistic family. At 18, Matthew left Washington to go to art school in San Francisco at the Academy of Art College. While there he learned many techniques in drawing, painting, and design. ...
Guggenheim Museum, Berlin: Neo Rauch: Paintings and Drawings
Almost a decade has passed since the Deutsche Bank's art team encountered Neo Rauch and his work for the first time. Although his early works are certainly impressive, his present oeuvre is more figurative and on a grander scale, his use of forms ...
Art Miami, Advanstar Communications: Art Miami 2004: A Fresh Perspective on Contemporary Art from Europe, Asia and the Americas
1 of 2 "We’ve made some very positive changes to the show," offers Vardy, "We've altered the floor plan to create more spacious hallways, re-examined our programming to include more projects and, significantly, set stricter criteria for partic...
Perth Institute of Contemporary Arts: Tactical Intervemtion Strategies: 19 Works at Many Sites
Loosely defined, intervention may be described as being 10 interfere with intent (divine +/or other-wise). How the intent is applied (and to what/ where/ whom} is where tactical maneuvers and strategic play enters the big picture. As a...
Carnegie Museum of Art: Dream Street: Pittsburgh Photographs by W. Eugene Smith
Only a fragment of the work was ever seen, despite Smith's lifelong conviction that it was his greatest set of photographs, says Sam Stephenson of the Center for Documentary Studies at Duke University and guest curator of Dream Street. The bulk of...
Center for Creative Photography: Dream Street: W. Eugene Smith's Pittsburgh Photographs
The exhibition joins the two largest and most important public holdings of prints from the project, housed at Carnegie Museum of Art and at the Center for Creative Photography, home to the largest and most complete collection of Smith's work, the ...

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