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Artist: Antonio Saura (1930 - 1998)
Nationality: Spanish
Movement: Surrealism
Media: Painting, Printmaking
Influences:
Biography: Spanish painter, printmaker, and draughtsman, Antonio Saura was a self-taught artist. While suffering from an extensive illness in 1947, he occupied time painting and studying. Saura lived in Paris from 1953 to 1955 and painted in the Surrealist style. After his return to Spain, he adopted a harsh expressive style of painting and focused on protesting the Franco regime.
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Antonio Saura.
- Dama, Antonio Saura (Spain, Huesca, 1930 - 1998) (Artist), 1961, Oil The Minneapolis Institute of Arts
- Artist: Antonio Saura Title: Maja Date: 1957 Medium: oil on canvas Dimensions: H.63-3/4 x W.51-1/4
- Antonio Saura
untitled, plate on pp. 32-33 in the book, 1¢ Life ([Bern: E. W. Kornfeld, 1964])
color lithograph
1964
- Antonio Saura - Maja 1957 oil on canvas Minneapolis Institute of Arts Spanish
- Antonio Montauti
Antonio Magliabechi
17th - 18th century
- Pordenone (Giovanni Antonio de Sacchis)
St. Joseph Being Expelled from the Temple
Engraving
mid 16th century
- Antonio Visentini
Piazza San Marco, looking towards S. Geminiano; pl.11 from Part III of the series Urbis Venetiarum Prospectus Celebriores Ex Antonio Canal...
Etching
1735
- Francisco de Goya - Don Antonio Noriega 1801 oil on canvas National Gallery of Art Spanish
- Federico Brandani - Antonio Galli n.d. bronze The Frick Collection Italian
- Gioan Antonio Lorenzini
The Holy Family
Etching
17th - 18th century
- Antonio Tempesta
The Entry of Alexander into Babylon, after Antonio Tempesta
Engraving
16th - 17th century
- Antonio Tempesta
Roman Battle Scene, after Antonio Tempesta (?)
Etching
16th - 17th century
- Giovanni Antonio Faldoni
Two Nude Shepherds, after Parmigianino
Engraving
1724
- Gioan Antonio Lorenzini
The Ascension of the Virgin, after Guido Reni
Etching
17th century
- Francisco de Goya - Don Juan Antonio Cuervo 1819 oil on canvas Cleveland Museum of Art Spanish
- Ipolito Salazar
ILMO. Sr.Dr.JOS
ANTONIO ZUBIRIA,/ Obispo de Durango (Most Illustrious Sir and Doctor JosÈ Antonio Zubiria, Bishop of Durango
Lithograph
19th century
- Giovanni Antonio da Brescia
Hercules and Antaeus, after Giovanni Antonio da Brescia's engraving after Mantegna
Metalcut
circa 18 - 19th century
- Antonio Baratta
L'Adulatore, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
Frontispiece for Opere di Carlo Goldoni, after Novelli
Engraving
1761
- Antonio Baratta
Moliere, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Signature de Giovanni Antonio Bazzi (1ère moitié 16e siècle) by BAZZI Giovanni Antonio
- Antonio Baratta
Illustration To I Rusteghi, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Antonio Baratta
La Serva Amorosa, from Opere di Carlo Goldoni, after Novelli
Engravings
1761
- Francisco Jose de Goya y Lucientes - Jose Antonio, Marques de Caballero 1807 Oil on canvas Lowe Art Museum, University of Miami Spanish
- Antonio Frasconi
Woodcuts by Antonio Frasconi/Weyhe Gallery March 27 - April 30, 1954
Woodcut
20th century
- Gioan Antonio Lorenzini
The Virgin and Child with St. John the Baptist, a Bishop Saint and Two Donors, after Veronese
Engraving
17th - 18th century
- Carlo Antonio Porporati
Il Bagno di Leda (Leda's bath), after Correggio
Engraving
18th century
- Antonio Visentini
Piazza San Marco, View Between Church and Tower, pl. III from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745
- Antonio Visentini
Piazza San Marco, View of the Public Library, pl. IV from a series of four scenes of the Piazza after Canaletto
Etching
circa 1745
- Pietro Rotari
Saint Sebastian, after Antonio Balestra
Etching
1725
- Francesco Villamena
A Battle Scene, after Antonio Tempesta
Engraving
16 - 17th century
- Antonio Frasconi
See Again, Say Again by Antonio Frasconi (New York: Harcourt, Brace & World, [1964])
book with uncounted pages of reproductions of color woodcuts
1964
- ANTONIO DAL PONTE (4e quart 16e siècle) by anonyme ; PONTE Jacopo da (d'après), BASSANO Jacopo (dit, d'après)
- Autoportrait (1671) by SACCHIENSE Giovanni Antonio (attribué à )
- Antonio Frasconi
See and Sayä, A Picture Book in Four Languages by Antonio Frasconi (New York: Harcourt, Brace, [1955])
book with uncounted reproductions of color woodcuts
1955
- Antonio Frasconi
Woodcuts by Antonio Frasconi, catalogue cover for Smithsonian Institution Traveling Service 1953-1954
Color woodcut
20th century
- Femme caricaturée (19e siècle) by anonyme
- Antonio Tempesta
La Primavera, from The Four Seasons
Etching
1592
- Giulio di Antonio Bonasone
The Wounded Scipio, after Polidoro da Caravaggio
Engraving
16th century
- Giulio di Antonio Bonasone
The Birth of John the Baptist
engraving
circa mid 16th century
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio LafrÈry (LafrÈri)
Solitauriliorum sacrificiorum etc.
Engraving
1553
- Antonio Beato
Bronze Statue of Dai-Bouts, near Kamakura
Albumen print mounted to an album page
circa 1867
- Johann Friedrich Greuter
Arcanis Nodis: Palladium, after Antonio Pomeranci
Engraving
17th century
- Three Shells, Antonio Pazzi (Italy, 1706 - 1768) (Artist), Engraving The Metropolitan Museum of Art
- Violin, 1693 Made by Antonio Stradivari (1644-1737)Cremona, ItalyWood; L. 23 1/4 in. (59.4 cm); W.
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
The Snow and the Sun /La Nieve y el Sol, translated by Antonio Frasconi (New York: Harcourt, Brace & World, [1961])
book with uncounted pages of reproductions of color woodcuts
1961
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (grasses), and first image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Tempesta
The Flight into Egypt
Etching
17th century
- Antonio Tempesta
A Boar Hunt
Etching
17th century
- Antonio Tempesta
God Creating the Animals
Etching
17th century
- Antonio Tempesta
A Battle Scene
Etching
17th century
- Antonio Beato
Columns in the Hypostile Hall-Harnak, Upper Egypt
albumen print
ca. 1865 - 1869
- Femme nue, assise, endormie, vue de face (1ère moitié 16e siècle) by ALLEGRI Antonio (école)
- Vénus portée par trois amours (1ère moitié 16e siècle) by ALLEGRI Antonio (école)
- Antonio Frasconi
Untitled (standing man), and second image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
- Antonio Frasconi
Untitled (young man), and fifth image in the book A Whitman Portrait, Woodcuts by Antonio Frasconi ([New York: Spiral Press, 1960])
woodcut
1960
Artnews Articles and Exhibition Information: (3) Click on any of the links below to read about artnews or exhibitions related to Saura
Gemeentemuseum Den Haag: From Picasso to Tàpies: Spanish 20th Century Art from the Reina Sofia Spanish artists working in the period before 1945 exercised a major influence on artistic developments in the twentieth century. They were in the vanguard of the changes taking place in the art world, in style, in professional attitudes and in the...
Fundacao Arpad Szenes-Vieira da Silva: Picasso: Homage to the bullfighter
Picasso sought the explanation of life and death in Dominguin’s art of bullfighting. A huge number of projects emerged from the friendship between the painter and the bullfighter, among them were projects for bull rings, books and many ideas on bu...
Sprengel Museum: Cloudcatcher: Horst Antes and the Shift in Painting during the 1960s Antes developed his figure in the post-war years, a period in which abstraction had
been largely accepted as the international art idiom. While the figurative was being
vigorously purged from the picture, Antes worked obsessively...
Further Artwork and Information:
Antonio Saura Atares Online
whatsonwhen.com - Antonio Saura
CultuurArchief.nl - Antonio Saura
HighBeam Research: Library Search: Results
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