Artist: Francesco Maria Schiaffino (1688 - 1763)
Nationality: Italian
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Francesco Maria Schiaffino.

The Metropolitan Museum of Art -
Santa Maria della Salute Francesco Guardi (Italian, Venetian, 1712-1793)Oil on canvas; 21 x 33 3/4
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Jason, Girolamo Francesco Maria Mazzola (after) (called Parmagianino) (Italy, Parma, 1503 - 1540)  (Artist), Chiaroscuro woodcut
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Paysage by BORZONE Francesco Maria
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Francesco Maria delle Rovere, duc d'Urbin, copie d'après Titien (1858) by MOREAU Gustave ; TIZIANO Vecellio (d'après), TITIEN (dit, d'après)
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Francesco di Domenico Maria Burani Silenus with Three Satyrs Etching 17th century
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The Entombment, Girolamo Francesco Maria Mazzola (called Parmagianino) (Italy, Parma, 1503 - 1540) , Etching printed in brown ink
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La déploration (2e moitié 17e siècle) by MARIA FRANCESCO DI (attribué)
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Francesco Maria della Rovere dans la Dispute du Saint Sacrement by SANTI Raffaello (d'après)
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Marine by BORZONE Francesco Maria
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Bataille navale by BORZONE Francesco Maria
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Francesco Guardi The Old Customs House and the Church of Santa Maria della Salute oil on canvas circa 1785
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Combat de tritons (1671) by FRANCESCO MARIA DA CORNAZZANO
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Francesco di Maria Neptune Pen and brown ink and black chalk on laid paper with attached additions on thin laid paper 17th century
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Saint Peter and Saint John Healing the Cripple at the Gate of the Temple, Girolamo Francesco Maria Mazzola (called Parmagianino) (Italy, Parma, 1503 - 1540) , Etching
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Francesco Guardi - View of the Santa Maria della Salute with the Dogana di Mare n.d. Oil on Canvas Norton Simon Museum Italian
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Jeune femme faisant sortir un ermite d'une fosse (1671) by FRANCESCO MARIA DA CORNAZZANO
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Nude Figure among Foliage Holding a Globe, and Two Putti, Girolamo Francesco Maria Mazzola (called Parmagianino) (Italy, Parma, 1503 - 1540) , circa 1527-1531, Brown ink
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Homme nu, debout, de face, brandissant une épée (1ère moitié 16e siècle) by MAZZUOLA Francesco
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Femme debout, tournée vers la droite (1ère moitié 16e siècle) by MAZZUOLA Francesco
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Vierge à l'Enfant avec le petit saint Jean et saint Jérôme (1ère moitié 16e siècle) by MAZZUOLA Francesco
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Vierge à l'Enfant avec le petit saint Jean, et reprise du buste de la Vierge (1ère moitié 16e siècle) by MAZZUOLA Francesco
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Saint Peter and Saint John Healing the Cripple at the Gate of the Temple, Girolamo Francesco Maria Mazzola (called Parmagianino) (Italy, Parma, 1503 - 1540) , no date, Etching and chiaroscuro woodcut printed in ocher and brown
The Metropolitan Museum of Art -
The Annunciation Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma, 1503-1540)Oil on wood; 33
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Domenico Maria Bonavera A Christian Martyr Saint, after Domenico Maria Canuti Etching and engraving 17th century
The Metropolitan Museum of Art -
Venice: The Dogana and Santa Maria della Salute Workshop of Francesco Guardi (Italian, Venetian, 1712-1793)Oil
The Metropolitan Museum of Art -
Saint Roch, altarpiece, 1502 Francesco Francia (Francesco di Marco di Giacomo Raibolini) (Italian, Bolognese, active
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Un homme déroulant un livre, se tournant vers un autre homme (1ère moitié 16e siècle) by MAZZUOLA Francesco
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Tombeau de Francisco Tornabuoni (19e siècle) by TURPIN DE CRISSE Lancelot Théodore comte
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(Sans titre) (1961) by BARANOWSKA Maria, PAPA Maria (dite)
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Allégorie (18e siècle) by ROSSI Nicola Maria
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Femme assise et deux enfants (16e siècle) by SALVIATI Francesco ; BUONARROTI Michelangelo (inspiré par)
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Parmigianino (Francesco Mazzola) The Sacrifice Woodcut 16th century
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Parmigianino (Francesco Mazzola) St. ThaÔs Etching 16th century
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Parmigianino (Francesco Mazzola) The Entombment etching 16th century
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Parmigianino (Francesco Mazzola) Celleberrimi Francisci Mazzola Parmensis graphidesä (Bologna: Ludovico Inig, 1788) book with engravings and aquatints 1788
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Parmigianino (Francesco Mazzola) The Annunciation Etching 16th century
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Un homme debout, déroulant un livre, tourné vers une autre figure (1671) by MAZZUOLA Francesco (d'après)
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Allégorie (18e siècle) by ROSSI Nicola Maria
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Parmigianino (Francesco Mazzola) A Youth With Two Old Men Etching 16th century
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Parmigianino (Francesco Mazzola) The Nativity Etching 16th century
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Parmigianino (Francesco Mazzola) The Entombment Etching 16th century
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Parmigianino (Francesco Mazzola) Astrology Etching 16th century
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Canaletto - View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo early 1730's oil on canvas The Fitzwilliam Museum Italian
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Parmigianino (Francesco Mazzola) The Entombment etching and drypoint 16th century
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Adoration des bergers (18e siècle) by ROSSI Nicola Maria
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Parmigianino (Francesco Mazzola) The Ressurection Etching circa 1527 - 1530
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Salomon et la reine de Saba (18e siècle) by ROSSI Nicola Maria
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Giovanni Francesco Barbieri - Cardinal Francesco Cennini 1625 oil on canvas National Gallery of Art Italian
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Adoration des Mages (18e siècle) by ROSSI Nicola Maria
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Prédication d'un vieillard, à côté d'une colonne en flammes (18e siècle) by ROSSI Nicola Maria
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Parmigianino (Francesco Mazzola) Male Figure Study Red and white chalks 17th century
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Antonio Maria Zanetti A Genie Aloft, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
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Antonio Maria Zanetti St. James the Apostle, after Parmigianino, from the book Raccolta di varie stampe a chiaroscuro...Parte Prima Chiaroscuro woodcut in three blocks 1722
The Metropolitan Museum of Art -
The Grand Canal above the Rialto Francesco Guardi (Italian, Venetian, 1712-1793)Oil on canvas; 21 x
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Saint Paul à Athènes (18e siècle) by ROSSI Nicola Maria
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LA VIERGE ET L'ENFANT ENTOURES DE SIX SAINTS ET ADORES PAR GIAN-FRANCESCO II GONZAGA ; DITE LA VIERGE DE LA VICTOIRE (1495 (?) ; 1496 (?)) by MANTEGNA Andrea
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Apparition de la Vierge à un vieillard tenant un livre (18e siècle) by ROSSI Nicola Maria
The Metropolitan Museum of Art -
Madonna and Child, possibly early 1520s Bacchiacca (Francesco d"Ubertino) (Italian, Florentine, 1495-1557)Oil and gold on
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Canéphore de bout, tournée vers la gauche by MAZZUOLA Francesco (d'après)
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La Fondation de Sainte-Marie-Majeure et le Miracle de la neige (4e quart 16e siècle ; 1er quart 17e siècle) by SALIMBENI Ventura

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