Artist: Susana Solano ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Susana Solano.

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A Susana, Alberto Castro Leñero  (Artist), 1986, Screenprint
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Silencio, Susana Lago  (Artist), 1979, Pastel, graphite and plastic tape
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Anonymous Tapo Valencias, Sunkist, Tapo Citrus Assn., Santa Susana, Cal. color lithograph circa 1930 - 1940
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Oriana Day Mission San Francisco Solano de Sonoma oil on canvas late 19th century
J. Paul Getty Museum -
Ferryboat, Solano
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Solano County, California, Edward Weston (United States, 1886 - 1958) , 1937, Gelatin-silver print
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Hill And Telephone Poles, Solano, Edward Weston (United States, 1886 - 1958) , 1937, printed 1937, Gelatin-silver print
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Tom Holland Solano Color lithograph 1971
Museum of Fine Arts -
Bartolomé Esteban Murillo, Spanish, 1617-1682 A Scene from the Life of St. Francis Solano (recto);
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Textile Length, ’Mercury’, Nuno Corporation (Japan, born founded 1984) , 1997, Silk organdy and foil, appliquéd
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Textile Length, ’Mercury’, Nuno Corporation (Japan, born founded 1984) , 1997, Silk organdy and foil, appliquéd
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Textile Length, ’Amate’, Nuno Corporation (Japan, born founded 1984) , 2000, Polyester/rayon velvet and handmade paper
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Textile Length, ’Amate’, Nuno Corporation (Japan, born founded 1984) , 2000, Polyester/rayon velvet and handmade paper
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Textile Length, ’Lath Screen’, Nuno Corporation (Japan, born founded 1984) , 2004, Nylon josette and wool felt
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Textile Length, ’Lath Screen’, Nuno Corporation (Japan, born founded 1984) , 2004, Nylon josette and wool felt
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Textile Length, ’Feather Flurries’, Nuno Corporation (Japan, born founded 1984) , 1993, Silk organdy double weave and feathers
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Textile Length, ’Feather Flurries’, Nuno Corporation (Japan, born founded 1984) , 1993, Silk organdy double weave and feathers
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Woman’s Cropped Trenchcoat, Christopher Bailey (England, born 1971)  (Artist), autumn/winter 2003-2004, Cotton plain weave with polyurethane coating
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Woman’s Cropped Trenchcoat, Christopher Bailey (England, born 1971)  (Artist), autumn/winter 2003-2004, Cotton plain weave with polyurethane coating
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Textile Length, ’Tiggy’, Nuno Corporation (Japan, born founded 1984) , 2003, Cotton plain-weave cotton with twill yarn warps, hand-cut
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Textile Length, ’Tiggy’, Nuno Corporation (Japan, born founded 1984) , 2003, Cotton plain-weave cotton with twill yarn warps, hand-cut
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Textile Length, ”Moss Temple”, Nuno Corporation (Japan, born founded 1984) , 1996, Rayon and polyester velvet light sensitive resist-dyed and irradiated
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Textile Length, ’Pussy Willow’, Nuno Corporation (Japan, born founded 1984) , 2005, Polyester ribbon, stitched to water-soluble fabric and immersed in water
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Textile Length, ’Pussy Willow’, Nuno Corporation (Japan, born founded 1984) , 2005, Polyester ribbon, stitched to water-soluble fabric and immersed in water
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Textile Length, ’Karadaki’ (Burner Dye), Nuno Corporation (Japan, born founded 1984) , 2000, Stainless steel fiber and cotton plain weave, hand-torched with gas flames
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Textile Length, ’Karadaki’ (Burner Dye), Nuno Corporation (Japan, born founded 1984) , 2000, Stainless steel fiber and cotton plain weave, hand-torched with gas flames
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Jean Louis Pauquet Materiali per servire alla storia dell'origine e de'progressi dell'incisione in rame e in legno by Pietro Zani (Parma: Stamperia Carmignani, 1802) Book with 1 engraving 1802
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Francisco Goya (Self Portrait) about 1783 Graphite and
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?);
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias
Museum of Fine Arts -
Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of

Artnews Articles and Exhibition Information: (3)
Click on any of the links below to read about artnews or exhibitions related to Solano

Bonnefanten Museum: The Vincent
The Province of Limburg and the city of Maastricht support the Award to commemorate the European Maastricht Treaty of 1992. The Award of 50.000 Euro has been installed to support the work of European artists in t...
Gate Foundation: On(e)Line: On One Line
The global and the international are not opposed to the local or the regional, there is no confrontation. It is just that the one cannot exist without the other. It is better to measure these terms with their own values. This will make way for de...
Shanghai Art Museum: Shanghai 5 Biennale: Techniques of the Visible
By bringing together the work of more than 120 artists from Asia, Africa, North America, Latin America and Europe, the curators have worked towards a diversity of approaches to technology, revealed both through the number of artist projects exhibi...

Further Artwork and Information:

HighBeam Research: Library Search: Results
Susana Solano (1600 - 1681) Biography, Artwork Images, Exhibitions, Reviews
Susana Solano
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Susana Solano
Susana Solano
Susana Solano Art Images
Susana Solano
Susana Solano
Susana Solano - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]

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