Artist: John Stirling (1820 - 1871)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by John Stirling.

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J. Merigot Stirling Castle, plate opposite page 229 in the book Remarks on Local Scenery and Manners in Scotland During the Years 1799 and 1800 by John Stoddart (London: William Miller, 1801), vol. 2( of 2) Aquatint with hand coloring 1801
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I. Clark The Town of Stirling aquatint with color 1824
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Muirhead Bone Stirling Castle, No. 2 Drypoint 19th - 20th century
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Malcolm Osborne The Heart of Scotland (Stirling Castle) ET, DP 19th - 20th century
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William Strang Stirling Castle etching 1896
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Paine of Islington Mr. L. Murray and Mrs. Stirling as Orlando and Rosalind in As You Like It. 19th century
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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David Young Cameron In Stirling Castle Etching 1899
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Paul Gavarni The Potato-Can, preceding the essay by J. Stirling Coyne, opposite page 101 and twenty-second plate in the book Gavarni in London; Sketches of Life and Character, with Illustrative essays by Popular Writers, edited by Albert Smith (London
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Paul Gavarni TheBarmaid,preceding the essay by J. Stirling Coyne, opposite page 87 and nineteenth plate in the book Gavarni in London; Sketches of Life and Character, with Illustrative essays by Popular Writers, edited by Albert Smith (London: David B
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Reclining Nude Young Woman, Half-Naked, Leaning Against a
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es la verdadero (This is the Truth)
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Yo lo vi. (I saw it); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Por qué? (Why?); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay que dar voces. (It"s no use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Que locura! (What madness!); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las resultas. (The consequences); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No hay quien los socorra. (There is no
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Francisco de Goya y Lucientes, Spanish, 1746-1828 De qué sirve una taza? (Of what use
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tambien esto. (This, too..); Fatales consequencias de la
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Infame provecho (Vile Advantage) (Disasters of War, unpublished
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Qué alborato es este? (What is this hubbub?);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo merecia. (He deserved it); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Y esto tambien. (And this, too); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Algún partido saca. (He makes some use of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Al cementerio. (To the cemetery); Fatales consequencias de
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Si son de otro linage. (But they are
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Fuerte cosa es! (This is too much); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Sanos y enfermos. (The Healthy and the Ill);
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Asi sucedió. (This is how it happened); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Lo peor es pedir. (The worst is to
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Escapan entre las llamas. (They escape through the
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No se puede saber por qué. (There is
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Francisco de Goya y Lucientes, Spanish, 1746-1828 No llegan á tiempo. (They do not arrive
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Se defiende bien. (He defends himself well); Fatales
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es malo. (This is bad); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tampoco. (Nor this); Fatales consequencias de la sangrienta
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Tristes presentimientos de lo que ha de acontecer.
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Esto es peor. (This is worse); Fatales consequencias
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Francisco de Goya y Lucientes, Spanish, 1746-1828 Las camas de la muerte. (The beds of
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Francisco de Goya y Lucientes, Spanish, 1746-1828 After Diego Rodríguez de Silva y Velázquez, Spanish,

Artnews Articles and Exhibition Information: (11)
Click on any of the links below to read about artnews or exhibitions related to Stirling

Changing Room: Call for Artists: Summer Group Show 2003 - Souvenirs/Mementoes
Work submitted may take any form in relation to visual art. For more information and details on how to submit work please send an A5 SAE to: The Changing Room
35 The Crawford Arcade Stirling
FK8 1AX ...
Changing Room: Craig Mulholland R.F.I.D.
Craig Mulholland was born in Glasgow in 1969, and graduated from Glasgow School of Art in 1991. Recent solo exhibitions include Bearer on Demand, Transmission, Glasgow, 2005, Plastic Casino, Sorcha Dallas, 2004. Upcoming shows include a solo exhib...
Changing Room: Dirk Bell, Kate Davis, Alan Michael
he exhibition brings together new work by three artists, from Glasgow and Berlin. It centres on their use of drawing and mixed media to make work with multiple meanings around notions of memory, representation, beauty and layering of images. Di...
Changing Room: Wendy McMurdo: photography and digital media
Wendy McMurdo's images hover between fact and fiction, representing moments of play or reverie where children are isolated from the adult world. McMurdo combines traditional photography and digital technology to create a deliberately Œout of sorts...
Changing Room: Past Standing: New Work by Artists from Scotland and Beyond
Artists include: Tobias Anderson (Stockholm); Julianna Capes (Edinburgh); Lucy Gibson (Leeds); Jenny Hogarth (Edinburgh); Magnus Lawrie (Glasgow); Cecilia Lundqvist (Stockholm); Andrew MacKenzie (Edinburgh); Ellen Munro (Edinburgh); Kevin Reid (Du...
Changing Room: Voluntary Action
The first UK screening of Sad In Country (Part 1) by Catherine Vertige and Kosten Koper will be the highlight of the exhibition closing event on 8 September. The film considers the Belgian avant-garde art scene from 1968 to the present day, and ra...
RED Gallery of Contemporary Art: Amy Marletta: Over the Top
"I started to paint onto different surfaces to escape from flatness and restrictive edges. By experimenting with different materials including thread, fringes and pins, I try to extend these works beyond their edges creating a sense of movement." ...
Museum of New Zealand Te Papa Tongarewa: Out on the Street - New Zealand in the 1970s
Challenge and change encapsulates the vigour and spirit of experimentation of the time, exploring youth culture of drugs, music and sexual freedom, the political climate, issues, and styles of the Labour and National Governments of the day. Libera...
Changing Room: Rings of Saturn: Maurice Doherty, Mick Peter, Owen Piper, David Sherry
Maurice Doherty takes a minimalist approach to art making, using simple visual devices to engage the viewer in his video and photographic works. ŒI like to present something that is essentially simplistic, but which potentially emanates into the m...
Philadelphia Museum of Art: Pew Charitable Trusts Teams with Art Museum to Initiate Outdoor Display of Calder Sculptures
Sculptures of varying scale, some of them monumental, could be placed on the two-acre site of the forthcoming Calder Museum at Benjamin ...
Changing Room: Tender Scene: Fiona Jardine, Alex Pollard, Clare Stephenson, Gregor Wright
Recent exhibitions include Moltke's Eye, Sorcha Dallas, Glasgow; How to do white, Tramway, Glasgow (with Hannah Hewetson and Lisa Gallacher), ‘Sweeney’ (solo) at Intermedia Gallery, Glasgow in 2005 and the group exhibitions ‘April is the Cruellest...

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