Artist: Sampson Strong ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Sampson Strong.

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Wassily Kandinsky - Stramm (Strong) 1929 oil on board Portland Museum of Art Russian
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William Unger Foreign Etchingsäfrom Paintings (London: Sampson Lowä, [ca. 1890]) book with etchings 1890
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Charles D. Barraud New Zealand graphic and descriptive (London: Sampson Low, Marston, Searle & Rivington, 1877) Book with 24 full color lithographs, 18 color lithographs (3 to a page), 31 wood engravings in text 19th century
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Arthur Evershed A Street in Rye, plate 29 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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G. Aikman For the Good of the Church, plate 25 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Charles D. Barraud Tarawara Lake, opposite page 16 in the book, New Zealand graphic and descriptive (London: Sampson Low, Marston, Searle & Rivington, 1877) full color lithograph mounted on book page 19th century
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James Presley Ball - Olivia Slocum Strong mid 1850's hand-colored daguerr Cincinnati Art Museum American
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W. H. Urwick Burnham Beeches, plate 18 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Arthur Evershed On the Road near Braintree, plate 3 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Charles Olivier Murray The Tiger, plate 9 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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John Lumsden Propert Twickenham, plate 15 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Frank Weston Benson - Margaret ("Gretchen") Strong c. 1909 oil on canvas National Gallery of Art American
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J. M. Youngman Kensington Gardens, plate 28 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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J. W. Buxton Knight The Haymaker, plate 13 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Thomas Huson A Moorland Bit, plate 30 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Walter W. Burgess Abbeville, plate 5 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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J. E. Hodgson A Three-Decker at her last Moorings, plate 35 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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E. de Liphart A Portrait Study, plate 36 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Edwin Edwards Salisbury, plate 27 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Edwin Edwards Blythborough, plate 2 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Henry Robert Robertson My first Muff, plate 11 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Henry Robert Robertson Giovannina, plate 23 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Richard Samuel Chattock Tintagel, plate 8 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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David Law Fishing-Boats off Hastings, plate 12 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Colin Hunter Running Ashore, plate 33 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Myles Birket Foster Sheep feeding, plate 14 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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George Wooliscroft Rhead A Breton Peasant, plate 21 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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W. P. Crooke Porte de Damme, Bruges, plate 26 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Thomas Huson A Farm in January, plate 19 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Frederick Goulding Vernon, plate 31 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Multiple Artists The Etcher (London: Williams and Norgate, 1879 [and] Sampson Lowä, 1880), vols. 1 & 2 in 1 vol. book with etchings 1879 - 1880
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Robert Kent Thomas The Salle des Procureurs, Rouen, plate 34 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Wilfrid Williams Ball The lone Field, plate 6 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Wilfrid Williams Ball Sark Pond, plate 7 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Wilfrid Williams Ball A silent Highway, plate 24 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
Museum of Fine Arts -
Joseph Rodefer Decamp, American, 1858-1923 The Blue Cup 1909 Oil on canvas 126.68 x 104.46
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Anna Lee Merritt Mrs. Kendal, as the *Lady Giovanna*, plate 17 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Heinrich Ludwig Freiherr von Gleichen-Russwurm The Skaters, plate 10 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Edward Levy Montefiore Ville d*Avray, plate 20 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
The Metropolitan Museum of Art -
The Strong Family, 1732 Charles Philips (British, 1708-1747)Oil on canvas; 29 5/8 x 37 in.
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Alfred Withers Weymouth Harbour, plate 22 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Alfred Withers Hastings Old Town, plate 37 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Charles Storm van S' Gravesande Honfleur, plate 16 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Robert Walker Macbeth, R. A., R. E. Weary with Watching, plate 1 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Phiz ( Hablot Knight Browne) Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) book with 8 chromolithographs 1866
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Charles John Watson Boat-Building on the Yare, plate 4 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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John Postle Heseltine Grove Mill, Watford, plate 32 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
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Phiz ( Hablot Knight Browne) The First Jump , opposite page 28 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) Har- Forward! , opposite page 24 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) The Brook , opposite page 32 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) The Brook , opposite page 36 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) Dame Perkins About to Start, frontispiece in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) The Old Mare Goes to Sleep, opposite page 19 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) The Dame Is Presented with the Brush , opposite page 43 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Phiz ( Hablot Knight Browne) The Old Mare Wakes Up at the Sound of Hounds, opposite page 21 in the book Dame Perkins and her Grey Mare by Lindon Meadows (London: Sampson Low, Son and Marston, 1866) chromolithograph 1866
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Anonymous We Belong , 100% Strong - World War I Poster lithograph poster 1919
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Albin R. Burt Reverend Samuel Strong 18th - 19th century
The Metropolitan Museum of Art -
The Sheepfold, 1857 Charles-Émile Jacque (French, 1813-1894)Oil on wood; 18 1/8 x 36 1/8 in.
J. Paul Getty Museum -
Statuettes of Three Banqueters
J. Paul Getty Museum -
Late Geometric Cup
Museum of Fine Arts -
Mary Shute, American Sampler United States, 1817 Linen plain weave embroidered with silk and cotton
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Gustave DorÈ A Long Pull, a Strong Pull, and a Pull Together, illustration no 328 on page 483 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John
J. Paul Getty Museum -
Interior of Orléans Tomb
The Metropolitan Museum of Art -
Inkwell, 1929-30 Eva Zeisel (American, born Hungary, 1906), Designer; Manufacturer: Schramberg Majolica FactoryGlazed earthenware; H.
J. Paul Getty Museum -
Horses and Riders (recto); Horses (verso)
The Metropolitan Museum of Art -
Plate, 18th century (1755-60) Manufactured by Imperial Porcelain Manufactory, St. PetersburgRussian (St. Petersburg); Made in
Museum of Fine Arts -
Tunic Chancay Late Intermediate, A.D. 1000-1476 Central Coast, Peru Wool slit tapestry 88 x 112
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Max Klinger Self-Portrait Aquatint 1918
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Max Klinger Self-Portrait Aquatint 1918
J. Paul Getty Museum -
Saint Paul
The Metropolitan Museum of Art -
Napoleon Bonaparte (1769-1821) French Painter, mid-19th centuryOil on wood; 18 1/4 x 15 in. (46.4
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Anonymous Manuscript Illumination Opaque watercolor on paper 15th century
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Max Klinger Zukunft (Future) Aquatint 1880
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Max Klinger Ein Handschuh (The Glove: Cupid) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Place) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Action) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Yearnings) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Repose) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Rescue) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Triumph) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Homage) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Abduction) Etching and aquatint 1881
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Max Klinger Ein Handschuh (The Glove: Anxieties) Etching and aquatint 1881
J. Paul Getty Museum -
Portrait of a Man with Crossed Hands
J. Paul Getty Museum -
Woman Reading to a Girl
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Max Klinger Penelope Color etching and aquatint 1895
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Max Klinger Mondnacht Etching 19th - 20th century
J. Paul Getty Museum -
Rue Cardinale
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Max Klinger Im Park, from Eine Leibe (Opus X, pl. 4) Etching 1887
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Max Klinger Amor, Tod und Jenseits Etching 19th - 20th century
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Max Klinger Zelt (Berlin: Amsler & Ruthardt, [1923]) book with etchings 1923
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Max Klinger Kopf Felix Koenigs auf dem Totenbett Mezzotint with etching 1900
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Max Klinger Pyramus and Thisbe III, Opus II, No. 4 etching 19th - 20th century
J. Paul Getty Museum -
The Ransom
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Max Klinger Am See, plate 3 in the book, Zelt (Berlin: Amsler & Ruthardt, [1923]) etching 1923
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Max Klinger Die Hˆhle, plate 37 in the book, Zelt (Berlin: Amsler & Ruthardt, [1923]) etching 1923
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Max Klinger Am Tor, plate 23 in the book, Zelt (Berlin: Amsler & Ruthardt, [1923]) etching 1923
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Max Klinger Der Zug, plate 13 in the book, Zelt (Berlin: Amsler & Ruthardt, [1923]) etching 1923
J. Paul Getty Museum -
Putti at a Forge
J. Paul Getty Museum -
Sweet Thoughts

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Strong

New Museum of Contemporary Art: FRESH: The Altoids Curiously Strong Collection
Each year, a highly-regarded group of curators, critics, artists, and other professionals, organized by Altoids,® identifies emerging artists...
Cambridge Galleries: Joanna Strong: flourish
Newfoundland native Joanna Strong studied at York University in Toronto and Memorial University in St. John’s, before going to the Nova Scotia College of Art and Design to concentrate on studio work. After...
I. Wolk Gallery: Mitchell Johnson: New Paintings
This show will feature more than 25 new pieces ranging from painterly figure compositions reminiscent of David Park and the Bay Area Figurative Tradition to bucolic scenes of Italy and California. Johnson’s particular use of color and gesture sho...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection
Monash University began collecting art when it was founded in 1961. The Collection, which has always had a strong focus on contemporary art, has expanded over four decades to comprise over 1,200 works by more than 330 of Australia's most renow...
Kemper Museum of Contemporary Art: Herb Ritts: Work
Ritts's images of the nude - of models, of athletes and bodybuilders, of Maasai women in Africa - celebrate the human body as strong, sensuous, and beautiful. His portraits of famous f...
Tate Britian: Romantic Landscape: The Norwich School of Painters, 1803-1833
This group was strong but diverse. It was described as a school only because its leaders, John Crome and John Sell Cotman, operated in Norwich as teachers and drawing masters. Neither their own work, nor that of their pupils, displ...
Christie's: Old Master Pictures
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Butler Museum of American Art: Robert Gwathmey: Master Painter of the Old South
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Department of Communications, Information Technology and the Arts, Australia: National Gallery Council Appointment

Mr Ferguson has held extensive positions in the corporate sector including:

Director of the Australian Davos Connection;

Director, Australian Rural Leadership Program;

Director, Westfield Holdings Ltd...
studio-visit.com: march issue: progress report
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KwaZulu Natal Society of Arts (KZNSA): Notice of Vacancy: Curator
Reporting to the CEO, the Curator will be responsible for:
·         ensuring a full calendar of exhibitions for four gallery spaces
·         soliciting and evaluating proposals of suitable works for exhibition, in conjunction ...
Red Gate Gallery: Great Han Series: Wang Lifeng New Works
Since the early 1980s Chinese artists have had more freedom to experiment with different styles and media. While some artists have remained working in the conservative tradition of ink and wash, others have chosen to explore more abstract methods ...
Michael Dunev Art Projects: Ramon Enich: Paintings
Ramón Enrich is a painter of exquisite urban landscapes rendered with an oblique light, clear and intense, that gives strong relief to the architectural elements that are the basis of his compositions. Referred to by the artist as a cross between ...
Tate Gallery: Art Now: Martin Creed
The work reflects the dialogue at Tate Britain between the art of the past and that of our own time, and emphasises the gallery's strong commitment to the contemporary....
Fotocirle Gallery: Gabriel Brandt: I Adore You
Brandt juxtaposes the familiar and the discrete in the strong presence of nature, making offhanded allusions to traditional standards of beauty and magnificence in context of the everyday, and the portraits become fleeting, temporary metaphors ...
Whitney Museum of Art: The Draftsman's Colors: Fourteen New Acquisitions from Johns to Chong
The artists' avoidance of strong color allows the viewer to concentrate on their pure draftsmanship. Included are drawings in various ...
studio-visit.com: May Issue: Tim Wilson
studio-visit.com s aim is to offer an in-depth look at an individual artist or troupe. Each month they offer a personal look into the artists studio along with an interview, slides, and a resume. Since todays cultural borders are constantly ...
Modern Museum: In the Age of Abberation: Drawings, Sketches and Paintings by Vera Nilsson
The rich volume of sketches in the present exhibition intensifies the picture of a long and many-facetted artistic life. When the sketch is focused upon, what is emphasised is the process rather than the finished product - and it is a grinding...
Textile Museum: Tribal Traditions: Village and Nomadic Weaving of Anatolia
Created for the utilitarian purposes of transporting goods and covering the ground, Tribal Traditions will feature more than 20 flatwoven rugs and bags from The Textile Museum's collection. Four of the major regions of Anatolia (Bergama, Konya...
San Francisco Museum of Modern Art: Experimental Design Award 2001
All three winners build on a tradition of craft and exhibit a strong knowledge of the material native to their discipline--whether it is wood, typography and two-dimensional composition, or constituent elements of the built environment--and elabor...
Artboard.co.uk: Call for Entries: Images of Conscience
Artboard is putting together this exhibition of artwork that is about people who are not too well off, whether though urban depravation or political greed, local or far away. It has launched a search across the net for really strong images that depic...
Maturango Museum: The Subject is Water
To the artist,WATER symbolizes transparency,zen,renewal and healing.These paintings are representational,but not photographic.The artist work deals with color and strong brushwork and design to convey a sense of the energy of water and its hy...
GalleryNOW: Call to Artists
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Palette Gallery: Bryce Brown: A Newborn Captures the Heart
Capturing this relationship on canvas seemed a natural step as the majority of his work to date has featured figures. The Bay of Plenty artist has chosen a classical Greek-Italian style of line and colour for many of the paintings featured i...
Shire Pottery Gallery and Studios: Lightplay: Work by John Fieldhouse
After two highly successful shows at the Shire Pottery Gallery John Fieldhouse returns to Alnwick for his third solo exhibition. Those who know Johns work well have been keenly awaiting these works, curious to see how he has met the challenge of d...
Kwang Hwa Information & Culture Center: Truthful Exploration: Chinese Landscape Ink Painting by Grace Wing Mui Auyeung
En plein air sketches gave play to the impromptu brushwork and spontaneity of emotional flow, registering the process of on-the-spot creativity. Artworks imbued with traditional aesthetics provide a rich pictorial display: some coloured in light ...
Photomedia Center: Call for Artitsts: Open Portfolio Reviews
Send between 20-30 samples of your best images. We are looking for photographers and digital artists who have excellent technical skills, a strong sense of voice, and a cohesive body of work. There are no deadlines, as we will continue to review p...
Modern Museum: Munch at Moderna Museet
Moderna Museet has a large and representative collection of Munch's graphics, which contains many of his most important pieces. The present exhib...
Museum for Decorative Arts: XXXHOLY - Heart of India
Peter Bialobrzeskis ten large format photographs leave the viewer in a state of undecisiveness: Torn between magnetism and ironic distance the viewer has to decide which side appeals most. ...
Leo Baeck Arts Centre: The Perpetual Table: Works by Nita Tiffaha Jawary
The Leo Baeck Centre is the centre for Progessive Judaism in the eastern suburbs. The synagogue is located in Kew East. They are a vibrant, warm and caring community committed to enriching the spiritual, religious, social and cultural lives of Je...

Further Artwork and Information:

Sampson Strong (1867 - 1943) Biography, Artwork Images, Exhibitions, Reviews
Sampson Strong
Huskies Notebook: Sampson makes strong move
Strong Like Sampson
STRONG LIKE SAMPSON 12S
SAMPSON STRONG IN FACE OF CRITICS: Sporting Life - Football | Premiership, Championship, Scottish & European News, ...
roanoke.com - Baseball Stories -Avalanches ...
Mark Twain - Strong as Sampson and Meek as Moses
Linval Thompson
Social Security Disability Law

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