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Artist: Makoto Suzuki ( - )
Artworks in Museum Collections: (74)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Makoto Suzuki.

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Makoto Ouchi Hana X Color etching 1965
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Suzuki Nanrei [Man leading a horse] color woodcut 1825 - 1835
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Muso, One of the "Twenty-Four Paragons of Filial Piety" Date: about
The Minneapolis Institute of Arts -
Artist: Suzuki Haruobu Title: Two Girls--One with a Branch of Pine Needles Date: about 1766
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Girl Standing on the Bank of a Stream Date: about 1767
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Courtesans on a Veranda on an Autumn Evening Date: about 1768
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Decorum, One of the Five Cardinal Virtues Date: about 1767 Medium:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: The Clearing Weather of the Fan Date: about 1766 Medium: color
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Courtesan of Ibaraki-ya Detaining a Young Man Date: about 1767 Medium:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Girl Closing Her Ears to Thunder Date: about 1766 - 1767
The Minneapolis Institute of Arts -
Artist: Suzuki Haruobu Title: Two Lovers Playing a Shamisen Date: about 1766 - 1767 Medium:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: The Evening Glow of the Lantern Date: about 1766 Medium: color
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Two Girls Alighting From a Boat Date: about 1768 Medium: color
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Two Girls Under an Autumn Moon Date: about 1769 Medium: color
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: A Mitate of Jo and Uba Date: 1765 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Two Girls on the Seashore Date: about 1769 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Lovers Meeting in the Snow Date: about 1768 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: The Faithful Wife Date: about 1765 - 1766 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Two Girls in High Wind Date: about 1767 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Plying a Rooster with Sake Date: about 1769 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Lovers Playing the Same Flute Date: about 1765 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Girl in Kago with Attendant Date: about 1768 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Listening to the Plovers Date: about 1769 Medium: color woodblock print
The Minneapolis Institute of Arts -
Artist: Suzuki Haruobu Title: A No Play Analogue Date: about 1769 Medium: color woodblock print
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Evening Snow on the Silk-Dryer Date: about 1766 Medium: color woodblock
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Courtesan Parading with Attendants Date: about 1766 Medium: color woodblock print
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Asazuma-Bune Date: about 1767 Medium: color woodblock print Dimensions: H.10-13/16 x
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: A Fishing Party Date: about 1767 Medium: color woodblock print Dimensions:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: Gesha and Attendant Date: about 1768 Medium: color woodblock print Dimensions:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: "Crow and Heron" Date: about 1766 Medium: color woodblock print Dimensions:
The Minneapolis Institute of Arts -
Artist: Suzuki Harunobu Title: A Samurai"s Departure Date: about 1769 Medium: color woodblock print Dimensions:
The Minneapolis Institute of Arts -
Artist: Suzuki Haruobu Title: Girl Crossing a Bridge Date: 1765 Medium: color woodblock print Dimensions:
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Kokan Ochanomizu no kei color woodcut 1784
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Kokan Kin color woodcut 1770 - 1771
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Harunobu Righteousness (Gi) from the series Five Virtues color woodcut 1767
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Hiroshige II Samurai And Two Ladies Ink on paper 19th century
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Harunobu Youth with Falcon color woodcut circa 1765 - 1770
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Hiroshige II Hakone, from a Tokaido series color woodcut 1854
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Harunobu Hotei Tossing a Chinese Boy in the Air color woodcut circa 1767 - 1770
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Harunobu Courtesan Senri Receiving a Love Letter color woodcut circa 1769 - 1770
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Harunobu Osen Playing with a Cat Held by a Visitor to her Tea Shop color woodcut circa 1768 - 1770
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Harunobu Young Man Seated on a Hori, the right panel of a diptych color woodcut circa 1767 - 1770
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Hiroshige II Paddy Bird and Camellia (Buncho and Sasanqua) color woodcut 1858
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Hiroshige Untitled (Suzuki, Kimmedai, Shiso), one from a series of large fish color woodcut circa 1838 - 1840
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Harunobu Warrior Kumagai Kneeling before Atsumori (Heike monogatari) color woodcut circa 1766 - 1767
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Harunobu Descending Geese on the Koto from the series Eight Parlor Views (Zashiki hakkei) color woodcut 1766
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Hiroshige II Mirror of Warriors, a New Publication (Shimpan musha kagami) color woodcut 1852
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Hiroshige II Dutchman, Englishman, and an American (Oranda amerika igirisu) color woodcut 1860
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Hiroshige II Moon at the Plum Orchard at Kameido - From: 36 Views of the Eastern Capitol color woodcut 1862
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Hiroshige II Horses, a New Publication (Shimpan uma zukushi) color woodcut circa 1847 - 1848
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Hiroshige II Lion and Cub on Rocky Cliff color woodcut vertical diptych circa 1860 - 1870
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Hiroshige II Enjoying th Cool of the Evening at Ryogoku (Ryogoku no noryo) color woodcut circa 1860 - 1864
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Hiroshige II An Anticipatory View of the Gankiro Brothel in Yokohama (Yokohama Gankiro mikomi no zu) color woodcut triptych 1860
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Hiroshige II A Procession of Women on a Journey of Flowers (Hana no tabi onna gyoretsu) color woodcut triptych 1857
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Hiroshige II A Procession of Women on a Journey of Flowers (Hana no tabi onna gyoretsu) color woodcut triptych 1857
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Hiroshige II Nihon Bridge (Nihombashi), from the series Famous Places in the Eastern Capital l (Toto meisho) color woodcut 1862
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Hiroshige II Snow at the Yushima Tenjin Shrine - From: 36 Views of the Eastern Capitol color woodcut 1862
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Hiroshige II Street in Hongo (Hongodori), from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) color woodcut 1862
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Hiroshige II Atago Hill in Shiba (Shiba atagoyama), from the series Famous Places in the Eastern Capital l (Toto meisho) color woodcut 1862
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Hiroshige II Shinobazu Pond (Shinobazu ike) from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) color woodcut circa 1861 - 1862
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Hiroshige II Cherry Trees at Night by the Sumida River in Tokyo (Toto sumidagawa yozakura) color woodcut 1862
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Hiroshige II Central Street in the Yoshiwara (Yoshiwara nakanocho), from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) color woodcut 1862
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Harunobu Sumaginu, from the series A Picture Book of Beautiful Women of the Green Houses (Ehon seiro bijin awase) color woodcut 1770
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Harunobu Nanaginu, from the series A Picture Book of Beautiful Women of the Green Houses (Ehon seiro bijin awase) color woodcut 1770
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Hiroshige II Amanohashidate in Tango Province, from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut circa 1859
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Hiroshige II Brocade Bridge at Iwakuni in Suo Province (Suo iwakuni kintaibashi) from the series One Hundred Famous Places in the Provinces (Shokoku meisho hyakkei) color woodcut 1859
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Hiroshige II Soto Beach in Mutsu Province (Oshu sotogahama), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut 1859
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Hiroshige II Yatate Cryptomeria Tree in Kai Province (Koshu yatate sugi), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut 1859
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Hiroshige II Dragon Mouth Mountain in Bizen Province (Bizen ryukozan), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut 1860
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Hiroshige II Lower Valley in Hoki Province( Hoki shitaya shinkei), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut 1859
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Harunobu Recently Arrived Kyoto Courtesan Kunihana with Her Kamuro Kameji and Tsuruji (Kyo kudari Kunihana kamuro Kameji Tsuruj) from an untitled series of Kyoto Courtesans color woodcut with embossing circa 1768 - 1770
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Hiroshige II Soto Beach in Mutsu Province (Oshu sotogahama), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut 1859
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Hiroshige II Night Rain at the Paulownia Grove at Akasaka (Akasaka kiribatake uchu yukei), no. 48a from the series One Hundred Views of Famous Places in Edo (Meisho edo hyakkei) color woodcut 1859
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Hiroshige II Tsuten Bridge at Tofuku Temple in Kyoto (Kyoto tofukuji tsutenkyo), from the series One Hundred Famous Places inthe Provinces (Shokoku meisho hyakkei) color woodcut circa 1859 - 1860

Artnews Articles and Exhibition Information: (6)
Click on any of the links below to read about artnews or exhibitions related to Suzuki


Royal Academy of Arts: The Dawn of The floating World
Pioneer artists such as Hishikawa Moronobu, Okumura Masanobu and Torii Kiyonobu developed an iconography which captured the spirit of the daily life and literature of Edo. High-ranked courtesans of the Yoshiwara pleasure quarter and actors of kabu...

Gold Coast City Art Gallery: EVOLUTION: Recent acquisitions for the collection
The exhibition will feature work by regional artists including Robert Brownhall, Ken Bartlett, and Lina Eve alongside contemporary artists such as William Seeto, Marcus Wills, Michael Johnson, David Bromley, Tom Risley, and Mike Nicholls. Signific...

Kröller-Müller Museum: IKIRO / Be Alive: Contemporary Art from Japan 1980 to the present
Why stage such a wide-ranging show of modern and contemporary art from Japan in a Dutch museum like the Kröller-MüllerNULL The main reason is that contemporary Japanese art has never been presented on this...

Walker Art Center: Supreflat Openes at the Walker
In his essay A Theory of Super Flat Japanese Art (2000), Murakami suggests a direct line of historical descent between the flatness of the prints of the 19th-century master Katsushika Hokusai, for example, and the 1970s television ...

Henry Art Gallery, University of Washington: Superflat: An Exhibition of Provocative Contmeporary Japanese Art
The term superflat was coined by Murakami to describe the simplified and increasingly two-dimensional forms that have become the staple of a hip, new visual language employed by a generation of young Japanese artists. Whereas the tendency toward...

Shanghai Art Museum: Shanghai 5 Biennale: Techniques of the Visible
By bringing together the work of more than 120 artists from Asia, Africa, North America, Latin America and Europe, the curators have worked towards a diversity of approaches to technology, revealed both through the number of artist projects exhibi...

Further Artwork and Information:

ESPN.com: Mac Suzuki
Makoto Suzuki (1743 - 1807) Biography, Artwork Images, Exhibitions, Reviews
DBLP: Makoto Suzuki
Makoto Suzuki [en]
Makoto Suzuki [de]
ESPN.com: Mac Suzuki Statistics
makoto suzuki - ResearchIndex document query
Makoto Suzuki Baseball Cards
Prof. Makoto Suzuki
Makoto Suzuki Links

 

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Blue Nude III
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Charing Cross Bridge
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Last updated and links verified on: Monday October 10/05/09 06:44:31 AM

 

 

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