Artist: Agostino Tassi (1580 - 1644)
Nationality: Italian
Movement:
Media: Painting
Influences:

Biography:
Italian painter, Agostino Tassi worked mostly out of Rome where he was a specialist in quadratura. His most famous work is the architectural background for Guernico’s fresco, Aurora located in the Casino of the Villa Ludovisi. He also painted landscapes that were influenced by Bril and Elsheimer. In 1621, Tassi was accused of raping Artemisia Gentileschi but whether or not he was convicted in trial is unknown. He was also suspected of killing his wife. Tassi greatest pupil was Claude.

Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Agostino Tassi.

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Agostino Musi (Agostino Veneziano) The Last Supper, after the engraving by Agostino Veneziano Engraving 16th century
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Agostino Musi (Agostino Veneziano) Young Women, after an engraving by Agostino Veneziano Engraving 16th century
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Ammiraglio Manfrin - Agostino Barbarigo after 1571 oil on canvas Cleveland Museum of Art Italian
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Agostino Musi (Agostino Veneziano) St. Luke, copy after the engraving by Agostino Veneziano after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy after Agostino Veneziano's engraving St. John, after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy of Agostino Veneziano's engraving of St. Mark after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy by Master of the Die after the engraving Young Women, by Agostino Veneziano for the series The Hermae Engraving 1516
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Agostino Musi (Agostino Veneziano) copy by Master of the Die after the engraving Hercules, by Agostino Veneziano for the series The Hermae Engraving 16th century
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Agostino Musi (Agostino Veneziano) copy in reverse after Agostino Veneziano's engraving St. Mathew, after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Climbers, after Agostino Veneziano's engraving of the drawing by Michelangelo for the Palazzo Vecchio, Florence Engraving 1524
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Fr. Paria The Communion of St. Jerome, after Agostino Carracci Etching 17th century
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Agostino Musi (Agostino Veneziano) Ionic Base Engraving 1536
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Agostino Musi (Agostino Veneziano) Doric Capital Engraving 1536
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Agostino Musi (Agostino Veneziano) Lycaon, after Raphael Engraving 1523
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Agostino Musi (Agostino Veneziano) Two Men, from the series The Hermae Engraving 1536
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Agostino Musi (Agostino Veneziano) The Academy of Baccio Bandinelli Engraving 1531
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Agostino Musi (Agostino Veneziano) Archbishop Hieronymus Aleander of Brindisi Engraving 1536
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Agostino Musi (Agostino Veneziano) Hercules and Antaeus, after Raphael Engraving 1533
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Agostino Musi (Agostino Veneziano) The Cumaean Sibyl, after Raphael Engraving 1516
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Agostino Musi (Agostino Veneziano) Camillus, after Baccio Bandinelli Engraving 1531
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Agostino Musi (Agostino Veneziano) St. Luke, after Giulio Romano Engraving 1518
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Agostino Musi (Agostino Veneziano) Venus and Eros Engraving 1516
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Agostino Musi (Agostino Veneziano) St. Matthew, after Giulio Romano Engraving 1518
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Agostino Musi (Agostino Veneziano) St. Mark, after Giulio Romano Engraving 1518
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Agostino Musi (Agostino Veneziano) St. John, after Giulio Romano Engraving 1518
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Agostino Musi (Agostino Veneziano) Christ Carrying the Cross, after Raphael Engraving 1519
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Agostino Musi (Agostino Veneziano) Man With A Laurel Branch, after Raphael Engraving 16th century
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Agostino Musi (Agostino Veneziano) Man With a Flag, after Raphael Engraving early 16th century
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Agostino Musi (Agostino Veneziano) Camillus, after Baccio Bandinelli Engraving 1531
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Agostino Musi (Agostino Veneziano) The Emperor Meeting the Warrior, after Raphael Engraving 16th century
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Agostino Musi (Agostino Veneziano) Venus and Vulcan Surrounded by Cupids, after Raphael Engraving 1530
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Agostino Musi (Agostino Veneziano) A Young Hero Near an Altar, after Raphael Engraving 16th century
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Agostino Musi (Agostino Veneziano) Hercules Strangling the Nemean Lion, after Raphael Engraving 1528
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Agostino Musi (Agostino Veneziano) Apollo and Daphne after Baccio Bandinelli(?) Engraving 1518
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Agostino Musi (Agostino Veneziano) Procession of Silenus, after Raphael or Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) Lo stregozzo (The sorcerer), also called The Carcass Engraving early 16th century
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Agostino Musi (Agostino Veneziano) Lo stregozzo (The sorcerers), also called The Carcass Engraving early 16th century
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Agostino Musi (Agostino Veneziano) The Young Hercules in his Cradle, after Giulio Romano Engraving 1533
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Agostino Musi (Agostino Veneziano) Dance of Fauns and Bacchantes after Raphael, left half Engraving 1518
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Agostino Musi (Agostino Veneziano) Venus Reclining on a Dolphin, after Raphael Engraving early 16th century
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Agostino Musi (Agostino Veneziano) Soldier Attaching His Breeches to his Breastplate, after a drawing by Michelangelo Engraving 1517
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Flaminio Torri Cupid and Pan, after Agostino Carracci Engraving circa 1660
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Agostino Musi (Agostino Veneziano) Venus and Eros, after Giulio Romano Engraving early 16th century
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Agostino Musi (Agostino Veneziano) Emperor Quintus Fabius Maximus Commanding His Father To Dismount Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Israelites Gathering Manna, after Raphael's design for the Vatican Logge Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Israelites Gathering Manna, after Raphael's design for the Vatican Logge Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Too Credulous Psyche Looks at Cupid, pl. 13 from the series the Fable of Psyche, after Raphael Engraving 16th century
The Metropolitan Museum of Art -
Departure of the Amazons, 1620s Claude Deruet (French, born about 1588, died 1660)Oil on canvas;
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Agostino Musi (Agostino Veneziano) The Blinding of Elymas, after Raphael designs for the tapestry for the Sistine Chapel, Vatican City Engraving 1516
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Agostino Musi (Agostino Veneziano) The Virgin with the Infant Christ, infant St. John and two Angels, after Francesco Francia (?) Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Battle With A Cutlass, after an engraving attributed to Marco Dente after Giulio Romano Engraving 16th century
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Agostino Musi (Agostino Veneziano) The Death of Ananais, after the design by Raphael for tapestries for the Sistine Chapel, Vatican City Engraving 16th century
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Agostino Musi (Agostino Veneziano) Venus Wounded by Cupid's Dart, after the design by Raphael for the Stufetta of Cardinal Bibbiena, Vatican Palace, Vatican City Engraving 1516
The Metropolitan Museum of Art -
Portrait of a Man Giovanni Agostino da Lodi (Italian, Milanese, active first quarter 16th century)Oil
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Agostino Carracci Copy of the engraving by Agostino Carracci, Orpheus and Euridice Engraving 17th century
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Agostino Carracci copy after the engraving by Agostino Carracci, Orpheus and Eurydice Engraving 16th - 17th century
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Giuseppe Maria Mitelli Aeneas departs for the Battle, plate 5 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pal
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Agostino Carracci copy after the engraving by Agostino Carracci, A Satyr Approaching a Sleeping Nymph Engraving 17th century
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Giuseppe Maria Mitelli Venus leading Aeneas out of the Flames, plate 4 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Giuseppe Maria Mitelli Aeneas offers a Sacrifice to Apollo, plate 8 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli The Shadow of Creusa Appears to Aeneas, plate 7 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
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Giuseppe Maria Mitelli The Trojans Taking Sinon Prisoner, plate 1 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli The Wooden Horse entering Troy, plate 2 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Pa
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Agostino Carracci copy after the engraving by Agostino Carracci, Venus or Galatea Supported by Dolphins Engraving circa 17th century
J. Paul Getty Museum -
Cupid Overpowering Pan
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Marco Dente da Ravenna Skeletons, after Agostino Veneziano's engraving after Bandinelli, Engraving early 16th century
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Multiple Artists Original Designs of the Most Celebrated Masters ä in His Majesty*s Collection (London: G. and W. Nicholä, 1812). BOUND WITH: Engravings from the Original Designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty*s C
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Giuseppe Maria Mitelli Frontispiece of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna Engraving
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy , one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carra
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracc
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Man Subduing a Harpy, one of eight unnumbered plates of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carrac
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Giuseppe Maria Mitelli Aeneas and his Companions Combat the Harpies, plate 10 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Car
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Francesco Brizio The Virgin and Child in a Landscape, after Agostino Carracci Engraving 1595
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Giuseppe Maria Mitelli Polyphemus pursuing Aeneas' Fleet, plate12 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
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Giuseppe Maria Mitelli Aeneas and his Family Fleeing Troy, plate 6 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in th
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Giuseppe Maria Mitelli The Greeks dragging Cassandra out of the Temple, plate 3 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
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Giuseppe Maria Mitelli The Trojans Sacrifice Bulls to Neptune, plate 9 of L'Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci i
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Agostino Masucci - The Annunciation 1742 oil on canvas Minneapolis Institute of Arts Italian
J. Paul Getty Museum -
Kneeling Figure
J. Paul Getty Museum -
Triton Blowing a Conch Shell
J. Paul Getty Museum -
Saint John the Baptist
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Agostino Carracci - A Woman borne off by a Sea God c. 1599 charcoal and white c The National Gallery, London Italian
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Agostino Carracci - Madonna and Child 1580-1600 ink, pencil, chalk Arkansas Arts Center Italian
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Cesare Fantetti Frontispiece with a Pedestal supporting the Coat of Arms of Agostino Chigi, a Farnese Prince, dedication page to Giovanni Battists Falda*s Le Fontane di Roma (Fountains of Rome) Etching circa 1675
J. Paul Getty Museum -
Portrait of Agostino Pallavicini
Museum of Fine Arts -
After Agostino Carracci, Italian, 1557-1602 The Holy Family with St. Claire 18th century Red chalk
Museum of Fine Arts -
Agostino Scilla, Italian, 1629-1700 Portrait of an Artist (said to be Andrea Sacchi) Oil on
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Agostino Cornacchini - Judith with the Head of Holofernes 1722 Bronze Birmingham Museums and Art Gallery Italian
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Agostino Carracci Portrait of Titian Etching 1587
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Agostino Carracci The Three Graces Engraving 1590 - 1600
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Agostino Carracci - Madonna and Child with St. John n.d. oil on canvas University of Kentucky Art Museum Italian
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Agostino Carracci Portrait of Pope Innocent IX Engraving 1591
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Agostino Carracci The Holy Family Engraving 1597
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Annibale Carracci Madonna of the Swallow Engraving 1587
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Annibale Carracci The Crowning with Thorns Etching 1606

Artnews Articles and Exhibition Information: (1)
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