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Artist: Robert Kent Thomas ( - )
Artworks in Museum Collections: (100) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Kent Thomas.
- Robert Kent Thomas
St. Albans Abbey
ET
1876
- Robert Kent Thomas
Abbey Church St. Albans
1876
- Thomas Robert Way
Charlton House, Kent
Lithograph
19th - 20th century Museum of Fine Arts
- William Rimmer, American (born in England), 1816-1879 Mrs. Robert Restiaux Kent (Eliza F. Watson) about
- Robert Kent Thomas
The Salle des Procureurs, Rouen, plate 34 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879]
etching
1880 Museum of Fine Arts
- Samuel Lancaster Gerry, American, 1813-1891 John Oscar Kent and His Sister, Sarah Eliza Kent 1844 Museum of Fine Arts
- Unidentified artist, Italian (Roman), 17th century Poppies in a Wine Flask Oil on canvas 65.1
- Rockwell Kent
And How Where?
Lithograph
1936
- Robert Brandard
Broadstairs, Kent, plate opposite page 139 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- Rockwell Kent
The End
Wood engraving
1927
- Rockwell Kent
Almost
Wood engraving
1929
- Richard Hamilton
Kent State
Screenprint
1970
- Rockwell Kent
Revisitation
Lithograph, zinc
1928
- Rockwell Kent
Pasture Gate
Lithograph
1928
- Rockwell Kent
Foreboding
Lithograph, zinc
1926
- Samuel Prout
Waterfall in Kent
Watercolor on paper
19th century
- Edmund Evans
The Art Album. Sixteen Facsimiles of Water-Colour Drawings (London: W. Kent and Co., 1861)
Book with 16 color wood engravings
1861
- Rockwell Kent
Revisitation
Lithograph
19th - 20th century
- Rockwell Kent
Convalescent
Linoleum cut or woodcut
1920
- Rockwell Kent
Twilight of Man
Wood engraving
1926
- Rockwell Kent
Portrait of T. M. Cleland
Lithograph
1929
- Rockwell Kent
And Women Must Weep
Lithograph
1937
- Sir Henry Raeburn - Thomas Robert Hay, 11th Earl of Kinnoull 1815 oil on canvas North Carolina Museum of Art British
- Rockwell Kent
Self-Portrait
Offset lithograph
19th - 20th century
- Rockwell Kent
Self-Portrait, Reading in Winter
Woodcut
1930 - 1935
- Rupert Garcia
Protest Kent Murders
color screenprint
1970
- Rockwell Kent
Workers of the World, Unite
woodcut
19th - 20th century
- Rockwell Kent
Greenland Mother Nursing a Child
Lithograph
1934
- Rockwell Kent
Workers of the World Unite
Wood engraving
1937 The Minneapolis Institute of Arts
- Artist: Rockwell Kent and Vernon Kilns Title: Our America: Chop Plate Date: 1940 Medium: ceramic,
- Rockwell Kent
Mountain Climber
Wood engraving
19th - 20th century
- Robert Havell
Mary Thomas The Fasting Woman.
18th - 19th century
- Rockwell Kent
The Canterbury Tales (New York: Covici-Friede, 1930), vol. 1
book with reproductions
1930
- Rockwell Kent
The Canterbury Tales (New York: Covici-Friede, 1930), vol. 2
book with reproductions
1930
- Joseph Mallord William Turner
Pembury Mill, Kent
etching and mezzotint
1808 The Minneapolis Institute of Arts
- Artist: Jane Kent Title: Untitled(Yellow and Black) Date: 1990 Medium: color mezzotint and aquatint Dimensions:
- J. M.Kronheim & Co.
Loss of the "Kent" East Indiaman
Wood engraving in color, aquatint plates
19th - 20th century
- Edward Francis Finden
Folkestone, Kent, plate opposite page 129 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- Rockwell Kent
The Vision, design for the illustration on page 202 of the book Wilderness (published 1920)
pen and black ink
1919
- Thomas Sully - Robert Walsh 1814 oil on canvas National Gallery of Art American
- Sir Thomas Lawrence - Mrs. Robert Blencowe c. 1792 oil on canvas National Gallery of Art British
- George Vertue
Portrait of John Harris (ex History of kent, England)
engraving
1719
- William Thomas Fry
Robert Hills
18th - 19th century
- Paul Sandby
Knole Park in Kent, unnumbered plate towards end of the book The Copper Plate Magazine (London: G. Kearsly, 1778)
engraving
1775
- Rockwell Kent
Figure of nude man with halo, running among stars
Photoetching of original drawing
19th - 20th century
- Jan Kip
Knowle in the Parish of Sevenoaks in Kent being the Mansion House of Charles Sackvile, Baron Buckhurst, etc.
17th - 18th century
- Thomas Robert Way
"Old Clo"
Lithograph
19th - 20th century
- William Kent
Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
Book with 52 engravings and uncounted ornamental end pieces
1729
- William Kent
The Pin and the Needle, plate for Fable XVI on page 61 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Two Monkeys, plate for Fable XL on page 150 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- Robert Street - Elizabeth Price Thomas 1834 oil on canvas National Gallery of Art American
- William Kent
The Miser and Plutus, plate for Fable VI on page 21 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Court of Death, plate for FableXLVII on page 178 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Lion, the Tiger, and the Traveler, plate for Fable I on page 1 in the book, Fables (London: J. Tonson and J. Watts, 1729)
Engraving
1729
- William Kent
The Elephant and the Bookseller, plate for Fable X on page36 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Jugglers, plate for Fable XLII on page 158 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Poet and the Rose, plate for Fable XLV on page 171 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Thomas Fry
Robert Banks Jenkinson, Earl of Liverpool
18th - 19th century
- Myles Birket Foster
Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent & Co., 1859)
book with thirty etchings
1859
- Robert Seymour
The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830)
Etching with hand coloring
1830
- Thomas Robert Way
The Studio
Color lithograph
19th - 20th century
- William Kent
The Mother, the Nurse, and the Fairy, plate for Fable III on page11 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Father and Jupiter, plate for Fable XXXIX on page 146 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Two Owls and the Sparrow, plate for Fable XXXII on page 122 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
Pythagoras and the Countryman, plate for Fable XXXVI on page 136 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Sick Man and the Angel, plate for Fable XXVII on page 103 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Persian, the Sun, and the Cloud, plate for Fable XXVIII on page 107 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Butterfly and the Snail, plate for Fable XXIV on page 92 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Courtier and Proteus, plate for Fable XXXIII on page 125 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Unversal Apparition, plate for Fable XXXI on page 117 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
Cupid, Hymen, and Plutus, plate for Fable XII on page 45 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- William Kent
The Lady and the Wasp, plate for Fable VIII on page 29 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- Thomas Cartwright
The Perilous Situation of Robert Roberts.
19th century
- William Kent
The Painter Who Pleased Nobody and Everybody, plate for Fable XVIII on page 68 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- Thomas Pollock Anshutz
Pennsylvania Scene
watercolor on wove paper
circa 1893
- Thomas Robert Way
The Lower Thames
Color lithograph
circa 1905
- William Kent
The Shepherd and the Philosopher, plate for the Introduction to the Fables on first introductory page in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729)
engraving
1729
- Ada Howe Kent - Roses 1898 oil on canvas Memorial Art Gallery of the University of Rochester American
- Thomas Robert Way
Cremorne Gardens
Color lithograph
19th - 20th century
- Thomas Woolnoth
Robert Dundas, Lord Chief Baron of Scotlan
18th - 19th century
- Thomas Wright
Robert Devereux, Earl of Essex
18th - 19th century Museum of Fine Arts
- Sir Peter Paul Rubens, Flemish, 1577-1640 Head of Cyrus Brought to Queen Tomyris about 1622-23
- Thomas Robert Way
Staples Inn, Winter Afternoon
Color lithograph
19th - 20th century
- Thomas Robert Way
Staircase , Clifford's Inn, fifteenth plate from the portfolio Sketches Made on the Lithography Night 14 April 1905 by Member s of the Art Workers Guild, Clifford Inn Hall and Published for the Benefit of the Chest
Lithograph
1905
- Robert Seymour
The Heiress (London: Thomas McLean, 1830)
Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text
18th - 19th century Museum of Fine Arts
- Jacob Jordaens, Flemish, 1593-1678 Portrait of a Young Married Couple about 1621-22 Oil on panel
- Thomas Pitts
Epergne
silver
1772
- Myles Birket Foster
"Find out some uncouth cell...", first etching for the poem L'Allegro, which is illustration 2 on page 1 in the book Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent
- Rockwell Kent - Maine Coast 1907 oil on canvas Cleveland Museum of Art American
- Thomas Rowlandson
Robert Crabb's Flying Leap
watercolor
18th - 19th century
- Myles Birket Foster
Portrait of Milton (from the picture by Samuel Cooper), title page vignette and illustration 1 in the book Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent & Co., 1859)
et
- Daniel Finch
On Loch Lubnaig
pen and brown ink with brown and gray wash on paper affixed to a heavier sheet
1839
- William Finden
Dover, Kent, plate opposite page 153 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lond
- Rockwell Kent - Clover Fields-Asgaard 1939-40 oil on canvas Mead Art Museum, Amherst College American
- Ebenezer Challis
Sandwich (Kent), plate opposite page 145 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
- Rockwell Kent - Mount Equinox, Winter 1921 oil on canvas The Art Institute of Chicago American
- Thomas Nast
No Rudder - No Aim
Wood engraving
1876
- Thomas Nast
Diogenes Still Looking
Wood engraving
1876
- Thomas Nast
The Web of Ruin
Wood engraving
1877
- George Cruikshank
Jack Falstaff, When Page to Thomas Mowbray..., plate 2 opposite page 34 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858)
etching
1858
Artnews Articles and Exhibition Information: (30) Click on any of the links below to read about artnews or exhibitions related to Thomas
Dylan Thomas Centre: Another Kind of Eden: Works by John Selway They are inspired by Selway's own youth - particularly summer
holidays in rural Herefordshire - as well as the childhood of Dylan Thomas.
Selway explores the closeness of the life and death experiences, and the
ecstacy and agony of sexual awake...
Canberra Contemporary Art Space: Running Wild: Danielle Thomas and Lorraine Webb Webbs paintings show the wild animals of the bush, waterholes and tracks. Thomas chooses the traditional animals of her country as themes for her work.
These two young artists were both winners of 5th Indigenous Heritage Art Award....
University of Richmond Museums, Marsh Gallery: Thomas Weaver: Punchlist ...
K21 Kunstsammlung Nordrhein-Westfalen: Thomas Schütte: Kreuzzug [Crusade] Since the mid-1980's, Thomas Schütte has attracted growing interest, both at home and abroad. Solo exhibitions in Krefeld, Amsterdam, Frankfurt, Bern, Paris, Ghent, Hamburg, London, Porto and New York, among other places, attest to this. Today he ...
Museum of Modern Art: Thomas Demand: Convincingly Real or Strangely Artificial Since 1993, the camera has become crucial to his creative practice. Regarding photography as a “constructed reality,” Demand begins with a pre-existing image, usually culled from the media, which he translates into a life-size paper model.
...
Dylan Thomas Centre: Especially When the October Wind: Works by Twelve Printmakers The set will tour as an exhibition which will be launched at the Dylan
Thomas Centre on Tuesday 6th May at 6pm. It will be opened by Malcolm Parr
who wrote the catalogue introduction. Dylan's daughter Aeronwy Thomas will
be present at this even...
Wilhelm-Busch-Museum: Thomas Rowlandson - Grace, Gallantry, Grotesque: English Visual Satire from Rococo to Romanticism The exhibition runs from May 19 through July 29, and a fully illustrated
catalogue is available at the museum shop (Schlütersche GmbH, 208 pp., DM
70 incl. shipping in Germany).
...
Contemporary Art Centre of Malaga: United Nations Miniature: Thomas Hirschhorn Thomas Hirschhorn studied graphic design in Zurich, a
profession which he
abandoned when he decided that it was too closely linked to
commercial and
private interests. From then on he has devoted himself to
art, working in
different media...
Royal West of England Academy: Drawn Together: Focus on Drawing and Mixed Media The exhibition, which was curated to reference types of drawing – from the life drawn pencil sketch, its development into collage and then to assemblage. Throughout the exhibition drawing is used as a tool for note taking, recording, illustrating ...
Frye Art Museum: Thomas Williams Jones: Three Decades of Watercolors ...
Joan Miro Foundation: Homo ludens. Art at play: You and I by Thomas Huber The emphasis is on the notion of the pictorial space – a space with a certain depth where a very "different" universe develops in which the radical figures, landscapes and architecture exist in two dimensions, totally unconcerned with what is goin...
Dylan Thomas Centre: American Photogropher Evelyn Bernstein The poetic photographs are informed by the
natural splendours of sublime landscapes and are complemented by an
urban sensibility to unusual and vital combinations of space. Her
photographs are printed onto archival paper by Nash Editions, using...
Studio Thomas Kellner: photographers:network - Selection 2005 The exhibition shows work by artists that are at
the same time on a similar path like Thomas Kellner. He gives us the
opportunity to see images of his colleagues, whom he meets at festivals
and other events somewhere in the world. The photograp...
Fraser Gallery: Art and Technology The exhibition includes work by Kathryn Cornelius, Claire Watkins, Scott Hutchison, Thomas Edwards, David Page and others.
"We seek to explore and to show," says Fraser, "what happens when talented and creative individuals, with a proven reco...
Philadelphia Museum of Art: Thomas Eakins: American Realist Eakins was one of the earliest American artists to
make photography an integral part of his creative process. For
the first time in a major retrospective of his work...
Haunch of Venison: Thomas Nozkowski: Paintings 1992-2004 Each work has a unique style and a densely layered surface that is developed over a long period of time and revised through sanding, scraping and over-painting. Nozkowski works in relatively small sizes, most often 16 x 20 inches, in contrast to t...
Haunch of Venison: Thomas Nozkowski: Paintings 1992-2004 Each work has a unique style and a densely layered surface that is developed over a long period of time and revised through sanding, scraping and over-painting. Nozkowski works in relatively small sizes, most often 16 x 20 inches, in contrast to t...
Museum für Moderne Kunst, Frankfurt: Change of Scene XVIII New works / New rooms by:
Gilbert & George (*1943 & 1942), Katharina Fritsch (*1956), Felix Gonzales-Torres
(*1957-1996), Franz Gertsch (*1930), Rosemarie Trockel (*1952), Markus Raetz (*1941), Barbara Klemm (*1939), Robert Gober (*1954), An...
Stalke Gallery: Thomas Bang: Tales of Frail Conditions In these works, meaning branches out into infinite layers of
complexity and paradox. An element that contributes to this network of
meaning is Bang’s strong narrative charging of the objects, partly through
the titles of the works, partly throu...
New York State Museum: The Course of Empire:Thomas Cole and the Hudson River School Landscape Tradition Thomas Cole, long considered the founder of the Hudson River School and the father of 19th century American landscape as a whole, takes center stage in this exhibition with his seminal five-painting series, The Course of Empire. Commissioned by th...
Plus Ultra Gallery: A Series of 'Nows': Thomas Lendvai Referencing the notion that there is no perceptible past or present, only a series of "nows," Lendvai's installation, although obviously constructed right out of the walls with heavy-duty timber, gives viewers the impression that should they come ...
Textile Museum of Canada: Boys with Needles: David Grenier, Neil MacInnis, Thomas Roach and Patrick Traer On March 19 at 7:00 pm, Toronto-based visual artist and writer R.M. Vaughan will be reading selections of his poetry in response to the Boys with Needles exhibition. Vaughan is the author of two books of poetry, a novel, and numerous plays; and is...
Metropolitan Museum of Art: Other Pictures: Vernacular Photographs from the Thomas Walther Collection The exhibition is drawn exclusively from the
Thomas Walther Collection, one of the finest private
collections of photographs in t...
St. Thomas Episcopal Church: 1700 Years of Armenian Art: Repousse Metal Works by Garri Dadyan "The fine repousse images of Melic Dadayan are part of a great tradition of art of the Eastern churches reaching back into the Middle Ages from Northwest Russia to as far Southeast as Armenia. In a time when contemporary Soviet artists have been ...
Oakland Museum of Califoria: PHOTOGRAPHY EXHIBIT CELEBRATES THE CULTURAL DIVERSITY OF OAKLAND'S CHILDREN - Our World: The Children of Oakland The exhibit is a collaboration between the museum and InnerCity Expressions, a youth graphic arts business run by Harbor House Ministries, where teens are trained by volunteer professionals in such skills as computer graphics, marketing, accountin...
Paolo Curti / Annamaria Gambuzzi and Co. Gallery: Painting on the Roof: Works Curated by Veit Loers Most of the nine artists come from southern Germany. They come to grips with the idea of narrative art, though without any debt to it. They are interested in the concept of the icon, in the true sense of the term, that of representative painting. ...
Ohio Art League: Thomas Roese, Paintings About the MCE’s: The Ohio Art League invites it’s 500+ artists to submit a
short written proposal to the Exhbition Committee. Exhibitions can be
thematic, retrospective or otherwise. A proposal includes and outline for an
exhibition describing ...
National Gallery of Art: Thomas Gainsborough, 1727-1788 The exhibition was organized by Tate Britain--where it has been on view since October 24, 2002, and will close on January 19, 2003--in association with the National Gallery of Art, Washington, and the Museum of Fine Arts, Boston, where it will be ...
High Museum: Visions of the Frontier: American Landscapes
From
the Collection of Ted Turner Moran, also represented in this show, focused much of his attention on painting scenes of areas
now protected by the National Parks system. Turner's collection is marked by superb paintings that depict the depth,
range and stunning beauty of t...
Scottish National Portrait Gallery: Thomas Carlyle: A Hero of His Time Born in Ecclefechan, the son of a stonemason, Carlyle was educated at Edinburgh University and became one of the most prolific and influential writers of the nineteenth century. A man of passionate convictions, he was regarded by his contemporari...
Further Artwork and Information:
Robert Kent Thomas (1920 - ) Biography, Artwork Images, Exhibitions, Reviews
Kent Baptisms - B
EmbARK Web Kiosk
Kent Baptisms - A
Thomas KEILLOR - Karen Mary KILBURN
Alabama State Univ. vs Jackson State Univ. (Oct 06, 2001)
EmbARK Web Kiosk
LIVELY ROOTS William Robert Kent-[3714]
tc80
Kent Family Book by Gene Durso
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Pierre-Auguste Renoir Dance At Bougival
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Gustav Klimt Portrait of a Young Woman
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