Artist: Robert Kent Thomas ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Kent Thomas.

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Robert Kent Thomas St. Albans Abbey ET 1876
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Robert Kent Thomas Abbey Church St. Albans 1876
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Thomas Robert Way Charlton House, Kent Lithograph 19th - 20th century
Museum of Fine Arts -
William Rimmer, American (born in England), 1816-1879 Mrs. Robert Restiaux Kent (Eliza F. Watson) about
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Robert Kent Thomas The Salle des Procureurs, Rouen, plate 34 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
Museum of Fine Arts -
Samuel Lancaster Gerry, American, 1813-1891 John Oscar Kent and His Sister, Sarah Eliza Kent 1844
Museum of Fine Arts -
Unidentified artist, Italian (Roman), 17th century Poppies in a Wine Flask Oil on canvas 65.1
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Rockwell Kent And How Where? Lithograph 1936
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Robert Brandard Broadstairs, Kent, plate opposite page 139 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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Rockwell Kent The End Wood engraving 1927
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Rockwell Kent Almost Wood engraving 1929
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Richard Hamilton Kent State Screenprint 1970
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Rockwell Kent Revisitation Lithograph, zinc 1928
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Rockwell Kent Pasture Gate Lithograph 1928
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Rockwell Kent Foreboding Lithograph, zinc 1926
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Samuel Prout Waterfall in Kent Watercolor on paper 19th century
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Edmund Evans The Art Album. Sixteen Facsimiles of Water-Colour Drawings (London: W. Kent and Co., 1861) Book with 16 color wood engravings 1861
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Rockwell Kent Revisitation Lithograph 19th - 20th century
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Rockwell Kent Convalescent Linoleum cut or woodcut 1920
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Rockwell Kent Twilight of Man Wood engraving 1926
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Rockwell Kent Portrait of T. M. Cleland Lithograph 1929
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Rockwell Kent And Women Must Weep Lithograph 1937
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Sir Henry Raeburn - Thomas Robert Hay, 11th Earl of Kinnoull 1815 oil on canvas North Carolina Museum of Art British
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Rockwell Kent Self-Portrait Offset lithograph 19th - 20th century
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Rockwell Kent Self-Portrait, Reading in Winter Woodcut 1930 - 1935
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Rupert Garcia Protest Kent Murders color screenprint 1970
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Rockwell Kent Workers of the World, Unite woodcut 19th - 20th century
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Rockwell Kent Greenland Mother Nursing a Child Lithograph 1934
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Rockwell Kent Workers of the World Unite Wood engraving 1937
The Minneapolis Institute of Arts -
Artist: Rockwell Kent and Vernon Kilns Title: Our America: Chop Plate Date: 1940 Medium: ceramic,
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Rockwell Kent Mountain Climber Wood engraving 19th - 20th century
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Robert Havell Mary Thomas The Fasting Woman. 18th - 19th century
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Rockwell Kent The Canterbury Tales (New York: Covici-Friede, 1930), vol. 1 book with reproductions 1930
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Rockwell Kent The Canterbury Tales (New York: Covici-Friede, 1930), vol. 2 book with reproductions 1930
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Joseph Mallord William Turner Pembury Mill, Kent etching and mezzotint 1808
The Minneapolis Institute of Arts -
Artist: Jane Kent Title: Untitled(Yellow and Black) Date: 1990 Medium: color mezzotint and aquatint Dimensions:
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J. M.Kronheim & Co. Loss of the "Kent" East Indiaman Wood engraving in color, aquatint plates 19th - 20th century
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Edward Francis Finden Folkestone, Kent, plate opposite page 129 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Rockwell Kent The Vision, design for the illustration on page 202 of the book Wilderness (published 1920) pen and black ink 1919
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Thomas Sully - Robert Walsh 1814 oil on canvas National Gallery of Art American
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Sir Thomas Lawrence - Mrs. Robert Blencowe c. 1792 oil on canvas National Gallery of Art British
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George Vertue Portrait of John Harris (ex History of kent, England) engraving 1719
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William Thomas Fry Robert Hills 18th - 19th century
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Paul Sandby Knole Park in Kent, unnumbered plate towards end of the book The Copper Plate Magazine (London: G. Kearsly, 1778) engraving 1775
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Rockwell Kent Figure of nude man with halo, running among stars Photoetching of original drawing 19th - 20th century
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Jan Kip Knowle in the Parish of Sevenoaks in Kent being the Mansion House of Charles Sackvile, Baron Buckhurst, etc. 17th - 18th century
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Thomas Robert Way "Old Clo" Lithograph 19th - 20th century
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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William Kent The Pin and the Needle, plate for Fable XVI on page 61 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Monkeys, plate for Fable XL on page 150 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Robert Street - Elizabeth Price Thomas 1834 oil on canvas National Gallery of Art American
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William Kent The Miser and Plutus, plate for Fable VI on page 21 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Court of Death, plate for FableXLVII on page 178 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lion, the Tiger, and the Traveler, plate for Fable I on page 1 in the book, Fables (London: J. Tonson and J. Watts, 1729) Engraving 1729
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William Kent The Elephant and the Bookseller, plate for Fable X on page36 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Jugglers, plate for Fable XLII on page 158 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Poet and the Rose, plate for Fable XLV on page 171 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Thomas Fry Robert Banks Jenkinson, Earl of Liverpool 18th - 19th century
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Myles Birket Foster Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent & Co., 1859) book with thirty etchings 1859
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Robert Seymour The Finishing School, plate 3 in the book, The Heiress (London: Thomas McLean, 1830) Etching with hand coloring 1830
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Thomas Robert Way The Studio Color lithograph 19th - 20th century
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William Kent The Mother, the Nurse, and the Fairy, plate for Fable III on page11 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Father and Jupiter, plate for Fable XXXIX on page 146 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Owls and the Sparrow, plate for Fable XXXII on page 122 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Pythagoras and the Countryman, plate for Fable XXXVI on page 136 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Sick Man and the Angel, plate for Fable XXVII on page 103 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Persian, the Sun, and the Cloud, plate for Fable XXVIII on page 107 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Butterfly and the Snail, plate for Fable XXIV on page 92 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Courtier and Proteus, plate for Fable XXXIII on page 125 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Unversal Apparition, plate for Fable XXXI on page 117 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Cupid, Hymen, and Plutus, plate for Fable XII on page 45 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lady and the Wasp, plate for Fable VIII on page 29 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Thomas Cartwright The Perilous Situation of Robert Roberts. 19th century
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William Kent The Painter Who Pleased Nobody and Everybody, plate for Fable XVIII on page 68 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Thomas Pollock Anshutz Pennsylvania Scene watercolor on wove paper circa 1893
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Thomas Robert Way The Lower Thames Color lithograph circa 1905
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William Kent The Shepherd and the Philosopher, plate for the Introduction to the Fables on first introductory page in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Ada Howe Kent - Roses 1898 oil on canvas Memorial Art Gallery of the University of Rochester American
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Thomas Robert Way Cremorne Gardens Color lithograph 19th - 20th century
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Thomas Woolnoth Robert Dundas, Lord Chief Baron of Scotlan 18th - 19th century
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Thomas Wright Robert Devereux, Earl of Essex 18th - 19th century
Museum of Fine Arts -
Sir Peter Paul Rubens, Flemish, 1577-1640 Head of Cyrus Brought to Queen Tomyris about 1622-23
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Thomas Robert Way Staples Inn, Winter Afternoon Color lithograph 19th - 20th century
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Thomas Robert Way Staircase , Clifford's Inn, fifteenth plate from the portfolio Sketches Made on the Lithography Night 14 April 1905 by Member s of the Art Workers Guild, Clifford Inn Hall and Published for the Benefit of the Chest Lithograph 1905
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Robert Seymour The Heiress (London: Thomas McLean, 1830) Book with 6 etchings (each divided into 5 or 6 vignettes) with hand coloring, no additional text 18th - 19th century
Museum of Fine Arts -
Jacob Jordaens, Flemish, 1593-1678 Portrait of a Young Married Couple about 1621-22 Oil on panel
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Thomas Pitts Epergne silver 1772
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Myles Birket Foster "Find out some uncouth cell...", first etching for the poem L'Allegro, which is illustration 2 on page 1 in the book Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent
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Rockwell Kent - Maine Coast 1907 oil on canvas Cleveland Museum of Art American
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Thomas Rowlandson Robert Crabb's Flying Leap watercolor 18th - 19th century
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Myles Birket Foster Portrait of Milton (from the picture by Samuel Cooper), title page vignette and illustration 1 in the book Milton's L*Allegro and Il Penseroso, Illustrated with Etchings on Steel by Birket Foster (London: W. Kent & Co., 1859) et
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Daniel Finch On Loch Lubnaig pen and brown ink with brown and gray wash on paper affixed to a heavier sheet 1839
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William Finden Dover, Kent, plate opposite page 153 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lond
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Rockwell Kent - Clover Fields-Asgaard 1939-40 oil on canvas Mead Art Museum, Amherst College American
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Ebenezer Challis Sandwich (Kent), plate opposite page 145 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D.
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Rockwell Kent - Mount Equinox, Winter 1921 oil on canvas The Art Institute of Chicago American
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Thomas Nast No Rudder - No Aim Wood engraving 1876
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Thomas Nast Diogenes Still Looking Wood engraving 1876
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Thomas Nast The Web of Ruin Wood engraving 1877
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George Cruikshank Jack Falstaff, When Page to Thomas Mowbray..., plate 2 opposite page 34 in the book The Life of Sir John Falstaff by Robert B. Brough (London: Longman, Brown, Green, Longmans, and Roberts, 1858) etching 1858

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Thomas

Dylan Thomas Centre: Another Kind of Eden: Works by John Selway
They are inspired by Selway's own youth - particularly summer holidays in rural Herefordshire - as well as the childhood of Dylan Thomas. Selway explores the closeness of the life and death experiences, and the ecstacy and agony of sexual awake...
Canberra Contemporary Art Space: Running Wild: Danielle Thomas and Lorraine Webb
Webbs paintings show the wild animals of the bush, waterholes and tracks. Thomas chooses the traditional animals of her country as themes for her work.

These two young artists were both winners of 5th Indigenous Heritage Art Award....
University of Richmond Museums, Marsh Gallery: Thomas Weaver: Punchlist
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K21 Kunstsammlung Nordrhein-Westfalen: Thomas Schütte: Kreuzzug [Crusade]
Since the mid-1980's, Thomas Schütte has attracted growing interest, both at home and abroad. Solo exhibitions in Krefeld, Amsterdam, Frankfurt, Bern, Paris, Ghent, Hamburg, London, Porto and New York, among other places, attest to this. Today he ...
Museum of Modern Art: Thomas Demand: Convincingly Real or Strangely Artificial
Since 1993, the camera has become crucial to his creative practice. Regarding photography as a “constructed reality,” Demand begins with a pre-existing image, usually culled from the media, which he translates into a life-size paper model.  ...
Dylan Thomas Centre: Especially When the October Wind: Works by Twelve Printmakers
The set will tour as an exhibition which will be launched at the Dylan Thomas Centre on Tuesday 6th May at 6pm. It will be opened by Malcolm Parr who wrote the catalogue introduction. Dylan's daughter Aeronwy Thomas will be present at this even...
Wilhelm-Busch-Museum: Thomas Rowlandson - Grace, Gallantry, Grotesque: English Visual Satire from Rococo to Romanticism
The exhibition runs from May 19 through July 29, and a fully illustrated catalogue is available at the museum shop (Schlütersche GmbH, 208 pp., DM 70 incl. shipping in Germany). ...
Contemporary Art Centre of Malaga: United Nations Miniature: Thomas Hirschhorn
Thomas Hirschhorn studied graphic design in Zurich, a profession which he abandoned when he decided that it was too closely linked to commercial and private interests. From then on he has devoted himself to art, working in different media...
Royal West of England Academy: Drawn Together: Focus on Drawing and Mixed Media
The exhibition, which was curated to reference types of drawing – from the life drawn pencil sketch, its development into collage and then to assemblage. Throughout the exhibition drawing is used as a tool for note taking, recording, illustrating ...
Frye Art Museum: Thomas Williams Jones: Three Decades of Watercolors
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Joan Miro Foundation: Homo ludens. Art at play: You and I by Thomas Huber
The emphasis is on the notion of the pictorial space – a space with a certain depth where a very "different" universe develops in which the radical figures, landscapes and architecture exist in two dimensions, totally unconcerned with what is goin...
Dylan Thomas Centre: American Photogropher Evelyn Bernstein
The poetic photographs are informed by the natural splendours of sublime landscapes and are complemented by an urban sensibility to unusual and vital combinations of space. Her photographs are printed onto archival paper by Nash Editions, using...
Studio Thomas Kellner: photographers:network - Selection 2005
The exhibition shows work by artists that are at the same time on a similar path like Thomas Kellner. He gives us the opportunity to see images of his colleagues, whom he meets at festivals and other events somewhere in the world. The photograp...
Fraser Gallery: Art and Technology
The exhibition includes work by Kathryn Cornelius, Claire Watkins, Scott Hutchison, Thomas Edwards, David Page and others. "We seek to explore and to show," says Fraser, "what happens when talented and creative individuals, with a proven reco...
Philadelphia Museum of Art: Thomas Eakins: American Realist
Eakins was one of the earliest American artists to make photography an integral part of his creative process. For the first time in a major retrospective of his work...
Haunch of Venison: Thomas Nozkowski: Paintings 1992-2004
Each work has a unique style and a densely layered surface that is developed over a long period of time and revised through sanding, scraping and over-painting. Nozkowski works in relatively small sizes, most often 16 x 20 inches, in contrast to t...
Haunch of Venison: Thomas Nozkowski: Paintings 1992-2004
Each work has a unique style and a densely layered surface that is developed over a long period of time and revised through sanding, scraping and over-painting. Nozkowski works in relatively small sizes, most often 16 x 20 inches, in contrast to t...
Museum für Moderne Kunst, Frankfurt: Change of Scene XVIII
New works / New rooms by:
Gilbert & George (*1943 & 1942), Katharina Fritsch (*1956), Felix Gonzales-Torres (*1957-1996), Franz Gertsch (*1930), Rosemarie Trockel (*1952), Markus Raetz (*1941), Barbara Klemm (*1939), Robert Gober (*1954), An...
Stalke Gallery: Thomas Bang: Tales of Frail Conditions
In these works, meaning branches out into infinite layers of complexity and paradox. An element that contributes to this network of meaning is Bang’s strong narrative charging of the objects, partly through the titles of the works, partly throu...
New York State Museum: The Course of Empire:Thomas Cole and the Hudson River School Landscape Tradition
Thomas Cole, long considered the founder of the Hudson River School and the father of 19th century American landscape as a whole, takes center stage in this exhibition with his seminal five-painting series, The Course of Empire. Commissioned by th...
Plus Ultra Gallery: A Series of 'Nows': Thomas Lendvai
Referencing the notion that there is no perceptible past or present, only a series of "nows," Lendvai's installation, although obviously constructed right out of the walls with heavy-duty timber, gives viewers the impression that should they come ...
Textile Museum of Canada: Boys with Needles: David Grenier, Neil MacInnis, Thomas Roach and Patrick Traer
On March 19 at 7:00 pm, Toronto-based visual artist and writer R.M. Vaughan will be reading selections of his poetry in response to the Boys with Needles exhibition. Vaughan is the author of two books of poetry, a novel, and numerous plays; and is...
Metropolitan Museum of Art: Other Pictures: Vernacular Photographs from the Thomas Walther Collection
The exhibition is drawn exclusively from the Thomas Walther Collection, one of the finest private collections of photographs in t...
St. Thomas Episcopal Church: 1700 Years of Armenian Art: Repousse Metal Works by Garri Dadyan
"The fine repousse images of Melic Dadayan are part of a great tradition of art of the Eastern churches reaching back into the Middle Ages from Northwest Russia to as far Southeast as Armenia. In a time when contemporary Soviet artists have been ...
Oakland Museum of Califoria: PHOTOGRAPHY EXHIBIT CELEBRATES THE CULTURAL DIVERSITY OF OAKLAND'S CHILDREN - Our World: The Children of Oakland
The exhibit is a collaboration between the museum and InnerCity Expressions, a youth graphic arts business run by Harbor House Ministries, where teens are trained by volunteer professionals in such skills as computer graphics, marketing, accountin...
Paolo Curti / Annamaria Gambuzzi and Co. Gallery: Painting on the Roof: Works Curated by Veit Loers
Most of the nine artists come from southern Germany. They come to grips with the idea of narrative art, though without any debt to it. They are interested in the concept of the icon, in the true sense of the term, that of representative painting. ...
Ohio Art League: Thomas Roese, Paintings
About the MCE’s: The Ohio Art League invites it’s 500+ artists to submit a short written proposal to the Exhbition Committee. Exhibitions can be thematic, retrospective or otherwise. A proposal includes and outline for an exhibition describing ...
National Gallery of Art: Thomas Gainsborough, 1727-1788
The exhibition was organized by Tate Britain--where it has been on view since October 24, 2002, and will close on January 19, 2003--in association with the National Gallery of Art, Washington, and the Museum of Fine Arts, Boston, where it will be ...
High Museum: Visions of the Frontier: American Landscapes From the Collection of Ted Turner
Moran, also represented in this show, focused much of his attention on painting scenes of areas now protected by the National Parks system. Turner's collection is marked by superb paintings that depict the depth, range and stunning beauty of t...
Scottish National Portrait Gallery: Thomas Carlyle: A Hero of His Time
Born in Ecclefechan, the son of a stonemason, Carlyle was educated at Edinburgh University and became one of the most prolific and influential writers of the nineteenth century. A man of passionate convictions, he was regarded by his contemporari...

Further Artwork and Information:

Robert Kent Thomas (1920 - ) Biography, Artwork Images, Exhibitions, Reviews
Kent Baptisms - B
EmbARK Web Kiosk
Kent Baptisms - A
Thomas KEILLOR - Karen Mary KILBURN
Alabama State Univ. vs Jackson State Univ. (Oct 06, 2001)
EmbARK Web Kiosk
LIVELY ROOTS William Robert Kent-[3714]
tc80
Kent Family Book by Gene Durso

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