Artist: Alfred Wallis (1855 - 1942)
Nationality: British
Movement:
Media: Painting
Influences:


Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Alfred Wallis.

Fine Arts Museum of San Francisco -
Robert Wallis, Colchester, 1827
Fine Arts Museum of San Francisco -
Robert Wallis, The Bay of Naples, 18th - 19th century
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1815
Fine Arts Museum of San Francisco -
Thomas Wallis, Dressing spoon (one of two - 1986.35.45-46), 1816
Fine Arts Museum of San Francisco -
Michael Burgers, Portrait of Johannes Wallis, S. T. P., Oxon, 1699
Fine Arts Museum of San Francisco -
Henry Wallis, Bank of England and Royal Exchange, 19th century
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
Fine Arts Museum of San Francisco -
Robert Wallis, Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811), 1829
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Henri de Toulouse-Lautrec - Alfred la Guigne 1894 oil on cardboard National Gallery of Art French
Fine Arts Museum of San Francisco -
Robert Wallis, Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
Fine Arts Museum of San Francisco -
Robert Wallis, Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatt
Fine Arts Museum of San Francisco -
Robert Wallis, Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
Fine Arts Museum of San Francisco -
Robert Wallis, Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
Fine Arts Museum of San Francisco -
Robert Wallis, Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
Fine Arts Museum of San Francisco -
Robert Wallis, Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
Fine Arts Museum of San Francisco -
Robert Wallis, St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Be
Fine Arts Museum of San Francisco -
Robert Wallis, New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
Fine Arts Museum of San Francisco -
Robert Wallis, Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M
Fine Arts Museum of San Francisco -
Alfred Brannon, The picturesque Beauties of the Isle of Wight (Newport, Isle of Wight: Alfred Brannon, 1864), 1864
Fine Arts Museum of San Francisco -
Alfred Rethel, Totentanz, No. 3, 1849
Fine Arts Museum of San Francisco -
Alfred Rethel, Totentanz, No. 6, 1849
Fine Arts Museum of San Francisco -
Alfred Rethel, Totentanz, No. 5, 1849
Fine Arts Museum of San Francisco -
Alfred Rethel, Totentanz, No. 2, 1849
Fine Arts Museum of San Francisco -
Alfred Rethel, Totentanz, No. 4, 1849
Fine Arts Museum of San Francisco -
Alfred Naumann, S. Jadosolas, 1894
Fine Arts Museum of San Francisco -
Alfred Kubin, Saturn, 1911
Fine Arts Museum of San Francisco -
Thomas Sully, Alfred Sully, 1839
Fine Arts Museum of San Francisco -
Alfred Heber Hutty, Across the Valley, 1930
Fine Arts Museum of San Francisco -
Alfred Sisley, Banks of the Loing, 1891
Fine Arts Museum of San Francisco -
Alfred Kubin, Auf der Fluch (Escape), 1920
Fine Arts Museum of San Francisco -
Alfred Sisley, Les Oies, 19th century
Fine Arts Museum of San Francisco -
Alfred Kubin, In Memoriam Dostojewski, 1919
Fine Arts Museum of San Francisco -
Alfred Rethel, Der Tod als Erwurger, circa 1885
Fine Arts Museum of San Francisco -
Alfred Stevens, Etude, 19th century
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
Fine Arts Museum of San Francisco -
Alfred Bentley, The Firth of Forth, 19th century
Fine Arts Museum of San Francisco -
Alfred Bentley, Wayfarers, 19th century
Fine Arts Museum of San Francisco -
Alfred Henry Maurer, Abstract Heads, 1920

Artnews Articles and Exhibition Information: (9)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...

Further Artwork and Information:

Raw Vision
Untitled Document
Alfred Wallis by Robert Jones
Storm Fine Arts - Alfred Wallis
Wikipedia: Alfred Wallis
Alfred Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
Tate St Ives | Exhibitions | Pier Arts Centre Collection
www.waterman.co.uk/pages/thumbnails/artists/55.html
Alfred Wallis
Alfred Wallis 1855-1942

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