Artist: Henry Wallis ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Henry Wallis.

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Henry Wallis Bank of England and Royal Exchange Engraving 19th century
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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1815
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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1816
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Robert Wallis Colchester Engraving 1827
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À Edgar Poe, Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Sous-Bois, Paul Cézanne (France, Aix, 1839 - 1906) , circa 1894, Oil on canvas
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À Edgar Poe (La Folie), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Robert Wallis The Bay of Naples etching and engraving 18th - 19th century
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Landscape, Charles-François Daubigny (France, Paris, 1817 - 1878) , 1850-1860, Oil on canvas
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Michael Burgers Portrait of Johannes Wallis, S. T. P., Oxon Engraving 1699
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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À Edgar Poe (Le souffle qui conduit les êtres est aussi dans les Sphères), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Robert Wallis Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
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Effet de pluie, Camille Pissarro (West Indies, Saint Thomas, 1830 - 1903) , 1879, Etching, aquatint, and drypoint
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Study of a Tree, Jean-Victor Bertin (France, Paris, 1767 - 1842) , circa 1800-1805, Gouache
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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À Edgar Poe (Devant le noir soleil de la Mélancolie, Lénore apparaît), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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À Edgar Poe (À l’horizon l’Ange des Certitudes, et dans le ciel sombre, un regard intérrogateur), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Lydia at Afternoon Tea, Mary Cassatt (United States, Pennsylvania, Allegheny City, 1844 - 1926) , circa 1883, Soft-ground etching and aquatint
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À Edgar Poe (Un masque sonne le glas funèbre) [To Edgar Poe (A Mask Sounds the Death Knell)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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À Edgar Poe (L’oeil, comme un ballon bizarre se dirige vers l’infini) [To Edgar Poe (The Eye, Like a Strange Balloon, Mounts toward Infinity)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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Peter Paul Rubens - The Reconciliation of King Henry III and Henry of Navarre 1628 oil on panel Memorial Art Gallery of the University of Rochester Flemish
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
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Henry Cousins Henry Leverage 19th century
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Henry Wolf Portrait of the Engraver Henry Wolf 1905
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Henry Wolf Portrait of Mrs. Henry 19th - 20th century
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Henry Wolf Henry Irving 19th - 20th century
Museum of Fine Arts -
George Romney, British, 1734-1802 Mrs. Billington as Saint Cecilia Oil on canvas 127.7 x 101.9
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Charles Henry Jeens Mr. Hackett as Falstaff in King Henry IV. 19th century
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Henry Wolf Portrait of Henry Irving 19th - 20th century
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W. & D. Downey Sir Henry Irving as Cardinal Wolsey in Shakespeare's Henry VIII Woodburytype 1892
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Henry Meyer The Right Honorable Henry Robert Stewart 18th - 19th century
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Henry William Bunbury Falstaff reproved by King Henry - Shakespeare - Henry VI, Part 2, Act V, Scene 8. Line and stipple engraving 18th - 19th century
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Henry Wolf Henry Irving at Home wood engraving 19th - 20th century
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John Henry Robinson Henry Somerset, First 18th - 19th century
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Henry Wolf Henry Mills Alden Wood Engraving 19th - 20th century
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830
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William Henry Bartlett plate opposite page ? in the book The Christian in Palestine by Henry Stebbing (London: George Virtue, [ca. 1830]) engraving 1830

Artnews Articles and Exhibition Information: (10)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...
Annenberg Space for Photography: L8S ANG3LES: 8 LA-based Master Photographers Plus 3 From LA Times
Located on the former site of the Shubert Theater, the Photography Space is a 10,000 square foot facility. The dynamic exhibition space will feature, along with a traditional print gallery, a state-of-the-art digital presentation system capable o...

Further Artwork and Information:

Henry Wallis Online
ArtMagick - Your Source of Visual Intoxication
Henry Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
Henry Wallis WRS (1830-1916)
Tate Collections: Henry Wallis
Henry Wallis - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]
I25660: Henry Wallis ( - )
Henry Wallis reproduction art at Arcadian Galleries
I26336: Henry Wallis ( - )
Henry Wallis

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