Artist: Robert Wallis ( - )
Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Robert Wallis.

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Robert Wallis Colchester Engraving 1827
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Robert Wallis The Bay of Naples etching and engraving 18th - 19th century
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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1815
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Thomas Wallis Dressing spoon (one of two - 1986.35.45-46) silver 1816
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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Robert Wallis Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811) etching and engraving 1829
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À Edgar Poe, Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Sous-Bois, Paul Cézanne (France, Aix, 1839 - 1906) , circa 1894, Oil on canvas
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À Edgar Poe (La Folie), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Landscape, Charles-François Daubigny (France, Paris, 1817 - 1878) , 1850-1860, Oil on canvas
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Robert Wallis Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
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Robert Wallis Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
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Robert Wallis Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
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Robert Wallis Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
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Robert Wallis Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
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Robert Wallis Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
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Michael Burgers Portrait of Johannes Wallis, S. T. P., Oxon Engraving 1699
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Robert Wallis New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
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Robert Wallis Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
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Robert Wallis Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
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Henry Wallis Bank of England and Royal Exchange Engraving 19th century
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À Edgar Poe (Le souffle qui conduit les êtres est aussi dans les Sphères), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Effet de pluie, Camille Pissarro (West Indies, Saint Thomas, 1830 - 1903) , 1879, Etching, aquatint, and drypoint
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Study of a Tree, Jean-Victor Bertin (France, Paris, 1767 - 1842) , circa 1800-1805, Gouache
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À Edgar Poe (Devant le noir soleil de la Mélancolie, Lénore apparaît), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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À Edgar Poe (À l’horizon l’Ange des Certitudes, et dans le ciel sombre, un regard intérrogateur), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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Lydia at Afternoon Tea, Mary Cassatt (United States, Pennsylvania, Allegheny City, 1844 - 1926) , circa 1883, Soft-ground etching and aquatint
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À Edgar Poe (Un masque sonne le glas funèbre) [To Edgar Poe (A Mask Sounds the Death Knell)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
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À Edgar Poe (L’oeil, comme un ballon bizarre se dirige vers l’infini) [To Edgar Poe (The Eye, Like a Strange Balloon, Mounts toward Infinity)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
Museum of Fine Arts -
Thomas Gainsborough, British, 1727-1788 John Taylor Oil on canvas 75.9 x 64.5 cm (29 7/8
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George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
Museum of Fine Arts -
Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
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Joseph Mallord William Turner Tours, plate 11 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837) engraving 1837
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Joseph Mallord William Turner Havre, plate 24 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837) engraving 1837
Museum of Fine Arts -
Sir Thomas Lawrence, British, 1769-1830 Sir Uvedale Price, Baronet about 1799 Oil on canvas 76.2
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Joseph Mallord William Turner Palace at Blois, plate 4 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837) engraving 1837
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Joseph Mallord William Turner Scene on the Loire, plate 19 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837) engraving 1837
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Joseph Mallord William Turner Coteaux de Mauves, plate 20 in the book The Rivers of France (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green and Longman, 1837) engraving 1837
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Pair of Woman’s Pumps, Saks Fifth Avenue (born 1924) , circa 1967, Silk, leather
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Joseph Mallord William Turner Havre (Tower of Francis I), plate3 opposite page 28 in the book Wanderings by the Seine by Leitch Ritchie (London: published for the proprietor, by Longman, Rees, Orme, Brown, Green, and Longman, 1834) engraving 1834
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Woman’s Evening Handbag, Nettie Rosenstein (Austria, 1895 - 1980-03-13) , circa 1967, Leather with coral beads and rhinestones
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Woman’s Cocktail Dress, Geoffrey Beene (United States, 1927 - 2004) , circa 1969, Embroidered cotton lace
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Woman’s Evening Dress, Norman Norell (United States, 1900 - 1972) , Spring/Summer 1972, Silk taffeta, organza
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Woman’s Evening Gown, Pierre Balmain (France, Paris, 1914 - 1982) , circa 1967, Silk with coral beads, sequins and faux pearls
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Woman’s Ensemble, Michaele (Michael) Vollbrach (United States, born 1947)  (Designer), circa 1980, Quilted printed silk
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Woman’s Coat and Dress, Mary McFadden , circa 1975, Printed and quilted silk, printed silk chiffon
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Coucher de soleil (1860) by ROUSSEAU Théodore
Museum of Fine Arts -
George Romney, British, 1734-1802 Mrs. Billington as Saint Cecilia Oil on canvas 127.7 x 101.9
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Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
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Robert Hennel Egg Cruet Silver, sterling 1852
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Robert Batty The Rostrappe, plate 12 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Hohnstein, plate 3 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Quedlinburg, plate 23 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Dresden, plate 35 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Buckeburg, plate 18 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Wernigerode, plate 17 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Hameln, plate 29 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Gottingen, plate 30 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829
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Robert Batty Karlshafen, plate 13 in the book Hanoverian and Saxon Scenery after drawings by Lieut. Col. [Robert] Batty (London: Robert Jennings, 1829) steel engraving 1829

Artnews Articles and Exhibition Information: (10)
Click on any of the links below to read about artnews or exhibitions related to Wallis

Tate Liverpool: Modern British Art : The Tate Collection
Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists
The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002
Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3)
The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the contemporary art of the Asia-Pacific region. The Triennial is now established as a significant recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting
Lets not kid ourselves, this public relations nightmare for the arts is not just about the Brooklyn Museum -- the implications clearly extend to all cultural institutions, libraries, parks, public schools and universities. Just because the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon
The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum
Responding to the architecture of the galleries, Hatoum has created large scale works which reflect her current interest in everyday objects. These sculptures, focusing on household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu
The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...
Annenberg Space for Photography: L8S ANG3LES: 8 LA-based Master Photographers Plus 3 From LA Times
Located on the former site of the Shubert Theater, the Photography Space is a 10,000 square foot facility. The dynamic exhibition space will feature, along with a traditional print gallery, a state-of-the-art digital presentation system capable o...

Further Artwork and Information:

Astronomical Imaging by Brad Wallis and Robert Provin
Robert Wallis Accordion Page
Robert Provins Web Page
Robert Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
robert wallis | web-service | web-hosting | print-service | medien-design | pc-konfiguration | aol-kündigungs...
Robert Wallis (Abstract), The Development of Paganism, Belief Beyond Boundaries Research Group, Open University
Robert Wallis
Russian Portraits by Robert Wallis - The Digital Journalist
Research Output for Robert Wallis
BRAD WALLIS HOME PAGE

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